Both work. It's good to let the pitch of the note determine the syllable. Ta Ka = Lower notes, Tu Ku = Middle notes, Tee Kee = Upper notes. Another determining factor is the length of the note. For example, for smooth and connected notes I would also use Duh Guh, Doo Goo, or Dee Gee.
Thanks, we had a semi-difficult double tongue lick in our marching band show this year and I was doing well until they upped the tempo to 172 bpm. Without this exercise I would have been left in the dust for sure. Thanks so much!
If anyone is having trouble choking on their tongue or not having enough air I realized it helped if I started with close to NO pressure of my mouthpiece on my lips as I double tongued. The sound starts thin and there WILL be spit flying everywhere since there's not full pressure as if you were normally playing. I did this for a while until I could double tongue at around 110 then I slowly started applying normal pressure and fixed minor tone issues. I highly recommend trying this to anyone else
For the past 10 years that I've been playing trumpet I've never been able to double tongue. After watching this video and buzzing on my mouthpiece for about 10 minutes while watching Netflix I can do it! Not even marching with a drum corps has taught me this.
I like using "ta" because it helps me achieve a darker, warmer, more open sound. Try blowing air saying the word "too" and then "tah", and take notice of your tongue level for both. Saying "tah" keeps the back of the mouth more open. This will help warm up the sound.
I'm actually 28, and in the last 6 years I haven't played my trumpet much. Maybe a hour here and there, but that is it. This is something I can actually get my chops back in shape with me with.
I would be careful about that. This technique is really intended for brass players. I would consult a professional reed player for double tongue technique on saxophone and clarinet.
I havent mastered this technique by any mean but a very important part of articulating as not letting the tongue stop the air. always make sure that youre blowing.
Go extremely slow and keep it simple. I like the exercises in the Arban book for double tonguing moving notes, and I would recommend using that to learn and improve. I like it because it starts simple and gradually gets harder into the moving notes. So most importantly, make sure you have mastered double tonguing on a single note first. Practice every day and practice slow. Good luck!
Hi. Sounds like you are on the right track. It will take time to get faster. Practice it every day. Be consistent, and do not go faster than you are capable. Stop when you feel like you are starting to break down. Be patient. Good luck.
Good advice, similar to physical fitness. You need to start slow and increase as ones capacity increases instead of trying to start with the hardest only to leave one discouraged and or even injured
in this years show music we had to learn double tonguing it was hard cause I am just learning it but we had to learn,Ta and Ka, so this method does help this man has been taught well
I have been playing trumpet for 2 and a half years and I can honestly say that I am now pretty good. I have just recently gotten a good tone and my range is extremely huge for my age. When my band director brought up double tonguing and demonstrated it to my class I was sure I could do it. Being first chair everyone expected that I would pick it up naturally, but when I began to double tongue my tongue would constantly get stuck to the roof of my mouth as if I was sucking. Everybody was disappointed, so my band director asked the other trumpets to try double tonguing and surprisingly they could. During the next 3 months I have been trying to develop it but I keep on sucking on the roof of my mouth. My good friend a baritone player is extremely good at double tonguing and I notice that his tongue is really small compared to mine. Is that why I keep sucking on the roof of my mouth? I researched for answers and could not find any on this specific topic, I am hoping that you can help me out with this problem before May. During May my band director is going to test us on range and double tonguing and I do not want to embarrass myself again.
Use the same method as shown here, but first practice the line slurred, focus on consistent note rythm/duration. Then single tongue slowly. I like to then do Ka (or Da) tongue exclusively. Then double tongue. In all cases start slow and speed up, using a metronome if possible. As you get to fast speeds, learn to focus on the notes at the beginning of the group (1st note in 4 16ths for instance), let the notes in the middle flow. Don't get caught up in each note. It can help to accent 1st note.
Try the one minute excercise. You can start at 80 or what fits you and go a straight minute and every day bump it up 1 bpm, its meant to be total muscle builder
my gosh, been out of school for 20 something years and now they have this? My band teacher must have been from the dark ages. No wonder I stunk lol double tonguing triple tonguing different size mouth pieces good lord.
Thanks again and I will do my best to make the KA with the back of my tongue ..... although it is difficult to tell myself: "Use the BACK of your Tongue".
That's normal, it's easier without the trumpet there. Just more practice, try doing eighth or quarter notes with a "ka ka ka ka ka ka ka ka ka ka" tongue and it'll get easier eventually.
The tongue is a muscle. I would treat it like any other muscle in your body. Slowly, but surely that muscle with become stronger and faster if you exercise it routinely. Good luck.
the ' KA' is made by the back of the tongue. just blow air and instead of doing ta with your tongue, do 'KA' it feels awkward at first but eventually it'll get to a point where its almost as natural as TA
Yeah, that's what i'm currently doing mixing up your exercise and combining it with the ones in the Arbans. it's just when i get to the moving notes it sounds not as clean. But yeah, thanks for the advice.
I would somewhat agree with that. I know the Arban Book has triple tonguing before double tonguing. The easier one is going to be the one you practice more.
Have never heard anyone play with false teeth before. Did you talk to your dentist about the right adhesive for your teeth while playing? It can definitely make a huge difference. It most likely is going to feel like you just started from scratch. It will take some time and you'll no doubt have to show a lot of patience, but it can be done. Don't be in a hurry. Practice at a steady pace. You can do it.
arthur manning I played the trumpet Growing Up Put it Down for 35 years. started playing a few years ago with full upper and lower dentures. if your dentures fit properly and you use the proper amount of adhesive you can definitely play. Google train trumpet with Dentures videos there's some good guys out there with dentures. just like anything how could you get depends on how well and how often you practice.
I am replying to: "RACHEL 5 YEARS AGO, UGH WHAT'S WRONG WITH ME?"'. Her comment is down below, however I did not want my info to get lost...and I feel this is interesting and valuable to all trumpet players. I have played the trumpet for many years. Most important, my fascination at the University level of education is the study of "Muscles". The tongue is a very unique muscle. It actually is created by 8 different muscles. Each of the eight different muscles are designed to move the tongue at different angles. With any given movement, the main working muscle is called the "prime mover" and helper muscles with a movement are called "assistors". When practicing the "Kah" sound, main working muscle is isolated to produce this angle of tongue action. Since "Kah" is not a real common syllable we use, this muscle is underdeveloped and often times weak. Simple strengthening exercises can be added to your "ta kah" exercises. By pushing your tongue up towards the roof of your mouth and holding/pushing the tongue there, using a varying amount of constant pressure, you will feel the muscle working out....just like an exercise in the weight room. You can use constant pressure, or pressure with an occasional slight release..then return back to the constant pressure (reps). Create a routine with the multiple angles that the magic tongue can do. You can experiment with "ta and kah" reps, sideways pressure, even downward pressure. Interesting thing is most of the tongue muscles DO NOT ATTACH TO BONE at one end. Most other, if not all other muscles have 2 bony attachments called "origin and insertion". Also, every contraction requires a "nerve impulse" that "sparks" any muscle to contract. By repetitive "ta kah" exercises, these impulses create a much stronger pathway to get to the muscle..which will in time make a much more coordinated and precise "ta or kah" sound. I feel by having a little more insight of the muscle action, can enhance our precise tongue angles, quickness of movement, and strengthen our contact point..
Very nice video. Good teacher as well! But: I do NOT understand how I can make a KA when I play. There is no difference when I play with TA when I try KA.
Oh God PTSD flashback from high school, band director jacked it into the stereo and we played a 16th-note lick from one of Maynard's charts over. and OVER. AND OVER.
Ugh what's wrong with me?! Is it normal first starting out that I can do single tonguing much faster and longer and easier than double tonguing? "T-T-T-T-T" for me is fine and very fast, but after literally 2secs of "T-K-T-K-T-K" at the same speed, my tongue like seizes up and slows down almost like a tongue twister and the K's disappear. Is this normal? And is it possible that some people just can't do it no matter what (just like you just can't say "toy boat" 5 times fast)? Or with practice can anyone do it for sure? I feel stupid and frustrated! =(
Rachel, frustration is completely normal when you are beginning to learn to double tongue. If you can say "T" and "K," you can play it. You have to practice going between the T and K reaaaalllly slow first. Don't expect to be able to do it as fast as you can single tongue at first. You could practice doing it without your horn first. Go back and forth between saying "too" and "koo" on one breath until you run out of air. The key is to keep the air flowing. Good luck.
Exactly how I feel about doing triple tonguing! Like, I've gotten double down fine, but that triple tonguing... I know I *_can_* do it, and I've been practicing hard, but with where I'm at it just isn't a practical technique yet. Everything you wrote above sounds like exactly what everyone was feeling back in high school...I think it's pretty normal. Practice makes better, I guess, even if it takes its good sweet time of getting ya' there. I see that this is a 5-year-old post, but I hope by now you've mastered it, or at least haven't given up and gotten better... Good Luck!
Hey! I love your techniques on double tonguing and you seem like a great teacher. I have a channel on which I show songs that I play. I am a sophomore in high school. Can you give me your opinion? Thanks!
I was taught triple tonguing first, my director had said that triple tonguing is easier and helps when learning double tonguing. Would you agree with this?
My issue is that I've always played with my lips and articulate with my lips instead of with my tongue. How do I fix this, because this means I don't even know now to single tongue? Advice?
You might be getting confused because you change your sound with air speed and your lip embouchure, but before that all you do is put your tongue up to the roof of your mouth to start the note. I don't know if that was helpful or not (if it was ur welcome in advance.)
I hear a lot of stories of students that never learn how to tongue properly with the tongue. The tongue should strike the roof of your mouth behind your front teeth, just like saying the word "tooo." Practice that slowly until it becomes comfortable and a habit. It will definitely take some getting used to.
A bit, yes. Unfortunately, it was in my senior year of high school, lol. Too bad. But I did learn to tongue in between my lips. Thank you for asking! :)
Hello I'm a senior in HS, Im a multi-Instrumentalist and aside from my username I also play all other brass and woodwinds. My two questions for you are if you have have any advice on taking on the Finale (variation IV) of The Carnival of Venice {the part when the player sounds like two people} and also if there is a similar technique that works with woodwinds? because when I attempt on saxophones or clarinets all it does is chip my reed because i use the trumpet techn. Any advice?
hey so I had a question. I am really new to double tounging and you say to use the back of your tongue but ka does not use your tongue so when I use ka it sounds really bad so I wanted to know if I can get some clarification.
I'm a beginner who's been playing for like 4yrs but still been not able to get my way around the trumpet.I've realised air passes through my left lip when playing my fingering is bad actually coupled with my tonguing any help?, cos I really want to play better to be able to identify key signatures without been told
i can double tounge, its that when i play different notes double tonguing. like in 120 bpm in 16th notes, double tonguing C, D, E, F, quarter note G. i couldnt get it clearly
+JC Ayala I hear you. Double tonguing different notes up and down is challenging! May I offer these suggestions: 1. Five note scales are good! Keep doing that. But, may I suggest playing F-G-A-Bb-C instead? It is more in the middle of the range. 2. Slow down for sure. Keep it at 120bpm like you did, but play HALF NOTES going up! 3. After you slow down into half notes, focus on ALWAYS keeping the notes connected. Push the air over the tongue ALWAYS. Don't think of it as being 5 notes. It's one long note that you slice into five separate pieces. CONCENTRATE on alternating the front (Tu) or back (Ku) of the tongue. The tongue is the knife separating the long note.
Surely this in not 80 bpm, more like double that 160 bpm! It seems that way to me! At 8:35 you conduct the 4 beats or crochets while saying the semitones 4 to each beat, correct. But when you pick up the metronome you also conduct in 4 but the metronome is playing double the tempo. Quavers rather than crochets. What do you think, have I got this correct. Is there a difference from single tonguing, to the first Ta Ta's. How would you describe single tonguing. Thanks for any help.
@@tylernettestad Thanks for the reply. So it is indeed set to quavers or 8th notes. I thought I was somehow misunderstanding. Could you please explain how single tonguing is performed. Thanks again keep well.
I got use to do doing ta ka ta ka with my trumpet and my playing sounds so choppy and dirty I've tried all the syllables and they don't work I really need help to get it cleaned I'm in marching band and our opener is 160 beats with DOUBLE TOUNGING
Hi, i have a problem with double tounging, i see all these videos and i dont think anyone else has this problem. But, everytime i tounge with the back of my tounge with the "Ka", air builds up in my mouth, and it prevents me from tounging efficiently/producing good notes. Will this go away with practice? How can i prevent this? am i doing something wrong? please help me ):
I used to have the same problem. It will go away with practice. But first you need to practice your "Ka". Again, the same thing used to happen to me all the time. In one of the videos I saw on RUclips, a trumpeter single tongued 4 notes using "ta" first. Then did the same thing but with "ka". I tried it myself. At first I was getting the problem; air buliding up. In fact, there was so much air that my mouth would burst. But through prtactice (everyday for 30-1hour for 2 weeks) my "ka" increased radically and I don't have that problem anymore. Remember, imagine yourself saying "ka". Do the same thing for "ta". If it helps, try saying "ticket" while playing the trumpet. Anyway, hope that helps.
For those of you who find the "ta ka" to be a bit difficult or uncomfortable, "tu ku, di guh, or di gay" can be used as well.
Ty so much
You're welcome. Good luck on your efforts. I need to make time to get better, myself.
or if you find those hard to i tend to use t and k just the letter themself
How do you use the k sound? It's so hard for me
Or ti tay ta
Both work. It's good to let the pitch of the note determine the syllable. Ta Ka = Lower notes, Tu Ku = Middle notes, Tee Kee = Upper notes. Another determining factor is the length of the note. For example, for smooth and connected notes I would also use Duh Guh, Doo Goo, or Dee Gee.
Thanks, we had a semi-difficult double tongue lick in our marching band show this year and I was doing well until they upped the tempo to 172 bpm. Without this exercise I would have been left in the dust for sure. Thanks so much!
After decades since I was a kid, I never figured out double-tonguing.
This is a great progression! Thanks!
If anyone is having trouble choking on their tongue or not having enough air I realized it helped if I started with close to NO pressure of my mouthpiece on my lips as I double tongued. The sound starts thin and there WILL be spit flying everywhere since there's not full pressure as if you were normally playing. I did this for a while until I could double tongue at around 110 then I slowly started applying normal pressure and fixed minor tone issues. I highly recommend trying this to anyone else
LOL. You made me laugh.
For the past 10 years that I've been playing trumpet I've never been able to double tongue. After watching this video and buzzing on my mouthpiece for about 10 minutes while watching Netflix I can do it! Not even marching with a drum corps has taught me this.
Finally!!
Just what I've been looking for.
Great work. Thank you.
I like using "ta" because it helps me achieve a darker, warmer, more open sound. Try blowing air saying the word "too" and then "tah", and take notice of your tongue level for both. Saying "tah" keeps the back of the mouth more open. This will help warm up the sound.
Thank you, Tyler. This is the clearest and most helpful tutorial I've found so far. It's a work in progress for me. Wish me luck!
Good luck I’m on my Journey too
I've been doing this for the passed 30 minutes and it's already feeling natural
Good lesson....I practice without a instructor so please keep posting these types of lessons.
I'm actually 28, and in the last 6 years I haven't played my trumpet much. Maybe a hour here and there, but that is it. This is something I can actually get my chops back in shape with me with.
This is the best tonguing exercise I have ever seen/used.
I'm using this exercise to learn how to double tongue on my saxophone and clarinet! It's very helpful.
I would be careful about that. This technique is really intended for brass players. I would consult a professional reed player for double tongue technique on saxophone and clarinet.
It ended up not working that well.
Lol rejected
Tyler Mazone I
I havent mastered this technique by any mean but a very important part of articulating as not letting the tongue stop the air. always make sure that youre blowing.
man i used so many years of practice on my range, i can hit a doulbe high C no problem even on a mute, but my tounge coordination is nothing >.
Go extremely slow and keep it simple. I like the exercises in the Arban book for double tonguing moving notes, and I would recommend using that to learn and improve. I like it because it starts simple and gradually gets harder into the moving notes. So most importantly, make sure you have mastered double tonguing on a single note first. Practice every day and practice slow. Good luck!
Hi. Sounds like you are on the right track. It will take time to get faster. Practice it every day. Be consistent, and do not go faster than you are capable. Stop when you feel like you are starting to break down. Be patient. Good luck.
Good advice, similar to physical fitness. You need to start slow and increase as ones capacity increases instead of trying to start with the hardest only to leave one discouraged and or even injured
in this years show music we had to learn double tonguing it was hard cause I am just learning it but we had to learn,Ta and Ka, so this method does help this man has been taught well
11:50 2x speed
I have been playing trumpet for 2 and a half years and I can honestly say that I am now pretty good. I have just recently gotten a good tone and my range is extremely huge for my age. When my band director brought up double tonguing and demonstrated it to my class I was sure I could do it. Being first chair everyone expected that I would pick it up naturally, but when I began to double tongue my tongue would constantly get stuck to the roof of my mouth as if I was sucking. Everybody was disappointed, so my band director asked the other trumpets to try double tonguing and surprisingly they could. During the next 3 months I have been trying to develop it but I keep on sucking on the roof of my mouth. My good friend a baritone player is extremely good at double tonguing and I notice that his tongue is really small compared to mine. Is that why I keep sucking on the roof of my mouth? I researched for answers and could not find any on this specific topic, I am hoping that you can help me out with this problem before May. During May my band director is going to test us on range and double tonguing and I do not want to embarrass myself again.
how did the test go
what is your range
How are you getting on?🎺🎺
Use the same method as shown here, but first practice the line slurred, focus on consistent note rythm/duration. Then single tongue slowly. I like to then do Ka (or Da) tongue exclusively. Then double tongue. In all cases start slow and speed up, using a metronome if possible. As you get to fast speeds, learn to focus on the notes at the beginning of the group (1st note in 4 16ths for instance), let the notes in the middle flow. Don't get caught up in each note. It can help to accent 1st note.
Try the one minute excercise. You can start at 80 or what fits you and go a straight minute and every day bump it up 1 bpm, its meant to be total muscle builder
I don't play the trumpet, but this is really helpful for trombone too! Thanks for helping us out lol
Facts
Thank you for the tips! I'm consistently improving my double tounging with this.
Dear Tyler,
Thanks for your reaction. I will follow your instructions.
Super Übung. Toll erklärt und gespielt. Danke
my gosh, been out of school for 20 something years and now they have this? My band teacher must have been from the dark ages. No wonder I stunk lol double tonguing triple tonguing different size mouth pieces good lord.
Why everytime I tries to play fast, I starts gagging and choking? I try to play fast, but It's always not the way.
@@matthewdops7272 lol
@@wisp2482 calm down
@@okmsf what?
@@matthewdops7272 🤐😂
@@matthewdops7272 w
Thanks again and I will do my best to make the KA with the back of my tongue ..... although it is difficult to tell myself:
"Use the BACK of your Tongue".
Wow, this is quite helpful! We are playing HoldtI really like how you run your exercises.
Thanks for breaking it down. Really enjoyed it!
very simple, but fantastic exercise
For me I can double toung without the mouth piece to my lips but when I do try playing it into my trumpet I cant. Any advice anyone
That's normal, it's easier without the trumpet there. Just more practice, try doing eighth or quarter notes with a "ka ka ka ka ka ka ka ka ka ka" tongue and it'll get easier eventually.
I'll give it a shot. Thanks
Matthew Glauber also, air is the biggest factor. Always think, "through" the instrument and not "up" or "down"
The tongue is a muscle. I would treat it like any other muscle in your body. Slowly, but surely that muscle with become stronger and faster if you exercise it routinely. Good luck.
the ' KA' is made by the back of the tongue. just blow air and instead of doing ta with your tongue, do 'KA' it feels awkward at first but eventually it'll get to a point where its almost as natural as TA
in my marching band show we have to play 16th notes at 160bpm. prayers are appreciated.
edit: i just looked at my music, it’s at 154 for the opener.
Oof 😂
You have a great tone! Any quick pointers on how to get a nice dark, full sound?
11:35 is where he double tongues the fastest
I know I'm 6 years late, but thanks lol
Im 8 years late but thx
I Remember When I First Did This, My Tongue Would Get Confused At Step 4 Lol, But Now I Think I'm Pretty Good At My Double Tongue (:
Yeah, that's what i'm currently doing mixing up your exercise and combining it with the ones in the Arbans. it's just when i get to the moving notes it sounds not as clean. But yeah, thanks for the advice.
I can’t get the stop out with the “ka” sound. It kinda just sputters out. Any tips?
oof
Idk, but I hope you got it by now!
i recommend you look up the breathing gym here on RUclips and try to do all of it, it has helped my air capacity tremendously
I would somewhat agree with that. I know the Arban Book has triple tonguing before double tonguing. The easier one is going to be the one you practice more.
Learning this for my Harmonica.
Great video man! Really helped.
Very helpful video! And very prominent South Dakotan accent! :)
i played the trumpet 37 years ago can i get my lib back again?
Practice, practice, practice.
+stumpmtsr am playing with false teeth I think it hurting my sound
Have never heard anyone play with false teeth before. Did you talk to your dentist about the right adhesive for your teeth while playing? It can definitely make a huge difference. It most likely is going to feel like you just started from scratch. It will take some time and you'll no doubt have to show a lot of patience, but it can be done. Don't be in a hurry. Practice at a steady pace. You can do it.
Chet Baker
arthur manning I played the trumpet Growing Up Put it Down for 35 years. started playing a few years ago with full upper and lower dentures. if your dentures fit properly and you use the proper amount of adhesive you can definitely play. Google train trumpet with Dentures videos there's some good guys out there with dentures. just like anything how could you get depends on how well and how often you practice.
I am replying to: "RACHEL 5 YEARS AGO, UGH WHAT'S WRONG WITH ME?"'. Her comment is down below, however I did not want my info to get lost...and I feel this is interesting and valuable to all trumpet players. I have played the trumpet for many years. Most important, my fascination at the University level of education is the study of "Muscles". The tongue is a very unique muscle. It actually is created by 8 different muscles. Each of the eight different muscles are designed to move the tongue at different angles. With any given movement, the main working muscle is called the "prime mover" and helper muscles with a movement are called "assistors". When practicing the "Kah" sound, main working muscle is isolated to produce this angle of tongue action. Since "Kah" is not a real common syllable we use, this muscle is underdeveloped and often times weak. Simple strengthening exercises can be added to your "ta kah" exercises. By pushing your tongue up towards the roof of your mouth and holding/pushing the tongue there, using a varying amount of constant pressure, you will feel the muscle working out....just like an exercise in the weight room. You can use constant pressure, or pressure with an occasional slight release..then return back to the constant pressure (reps). Create a routine with the multiple angles that the magic tongue can do. You can experiment with "ta and kah" reps, sideways pressure, even downward pressure. Interesting thing is most of the tongue muscles DO NOT ATTACH TO BONE at one end. Most other, if not all other muscles have 2 bony attachments called "origin and insertion". Also, every contraction requires a "nerve impulse" that "sparks" any muscle to contract. By repetitive "ta kah" exercises, these impulses create a much stronger pathway to get to the muscle..which will in time make a much more coordinated and precise "ta or kah" sound. I feel by having a little more insight of the muscle action, can enhance our precise tongue angles, quickness of movement, and strengthen our contact point..
Hi. I have my metronome set to subdivide the eight note. Depending on the type of metronome you have, you may or may not have a subdivision feature.
to make moving notes easier when dbl tonguing* and great vid, it helped.
Very nice video. Good teacher as well!
But: I do NOT understand how I can make a KA when I play.
There is no difference when I play with TA when I try KA.
thank you very much for the explanation.
Greetings from Colombia :-)
Oh God PTSD flashback from high school, band director jacked it into the stereo and we played a 16th-note lick from one of Maynard's charts over. and OVER. AND OVER.
😊👍🎺🎺 Brilliant tutorial
Thanks this video helped a lot 👍🏻
Great exercise!!
Ugh what's wrong with me?!
Is it normal first starting out that I can do single tonguing much faster and longer and easier than double tonguing?
"T-T-T-T-T" for me is fine and very fast, but after literally 2secs of "T-K-T-K-T-K" at the same speed, my tongue like seizes up and slows down almost like a tongue twister and the K's disappear.
Is this normal?
And is it possible that some people just can't do it no matter what (just like you just can't say "toy boat" 5 times fast)? Or with practice can anyone do it for sure?
I feel stupid and frustrated! =(
Rachel, frustration is completely normal when you are beginning to learn to double tongue. If you can say "T" and "K," you can play it. You have to practice going between the T and K reaaaalllly slow first. Don't expect to be able to do it as fast as you can single tongue at first. You could practice doing it without your horn first. Go back and forth between saying "too" and "koo" on one breath until you run out of air. The key is to keep the air flowing. Good luck.
Did you ever get the hang of it?
This is about the most normal thing I have ever heard
Rachel For anyone reading this now, this is very very normal
Exactly how I feel about doing triple tonguing! Like, I've gotten double down fine, but that triple tonguing... I know I *_can_* do it, and I've been practicing hard, but with where I'm at it just isn't a practical technique yet. Everything you wrote above sounds like exactly what everyone was feeling back in high school...I think it's pretty normal. Practice makes better, I guess, even if it takes its good sweet time of getting ya' there. I see that this is a 5-year-old post, but I hope by now you've mastered it, or at least haven't given up and gotten better... Good Luck!
Great video, thanks for posting :D
Thats helped me a lot, thanks.
Good job. Keep working on it.
what a great lesson !
you are so good
Nice embouchure, dude. :)
Nice video! :)
I can do the ta but not the ka im finding that really difficult. how do i improve?
You can use ta gah
Start very very slow and use a tu ku, ta ka, or tah gah. Those all work well. Use the one that best suits you
Or da gah
Hey! I love your techniques on double tonguing and you seem like a great teacher. I have a channel on which I show songs that I play. I am a sophomore in high school. Can you give me your opinion? Thanks!
For some reason my "kah/gah" sounds like "cow". I have no idea what I'm doing wrong. Advice?
practice to refine the skill?
Jadrian Villarreal use (Tu Ku) instead
im going to start this in the summer
I like his tone.
Do you have advice on triple tonging? Is it the same set up for warm-ups, or nah?
i have a qustion if you are real slow in tonging how do you become fast in it how does it work is it musles in your tongue that makes you get fast?
(Sorry, I bumped the wrong button.) :P We are playing *Holst, so my director is requiring us to learn how to double tongue. :) Thanks again!
I was taught triple tonguing first, my director had said that triple tonguing is easier and helps when learning double tonguing. Would you agree with this?
Fitnessgram pacer test for brass
Is this what the trumpet player in the Feist song 1234 does? I always figured he was double tonguing
hey im thirteen and i can only do this at about 110 is that good?
Jaman198: Yes, my dad play basstrombone, and learned me this.
Dr. Beat!
My issue is that I've always played with my lips and articulate with my lips instead of with my tongue. How do I fix this, because this means I don't even know now to single tongue? Advice?
You might be getting confused because you change your sound with air speed and your lip embouchure, but before that all you do is put your tongue up to the roof of your mouth to start the note. I don't know if that was helpful or not (if it was ur welcome in advance.)
I hear a lot of stories of students that never learn how to tongue properly with the tongue. The tongue should strike the roof of your mouth behind your front teeth, just like saying the word "tooo." Practice that slowly until it becomes comfortable and a habit. It will definitely take some getting used to.
Thank you! Yeah I've been playing euphonium for about 7 years now, and I still haven't mastered single-tonguing *shame*. This helps a lot.
+Catherine Jones I had this same problem until sophomore year of high school. I hope you fixed it. Did you?
A bit, yes. Unfortunately, it was in my senior year of high school, lol. Too bad. But I did learn to tongue in between my lips. Thank you for asking! :)
Yes!. The tongue is simply an interruption to the airflow.
Hello I'm a senior in HS, Im a multi-Instrumentalist and aside from my username I also play all other brass and woodwinds. My two questions for you are if you have have any advice on taking on the Finale (variation IV) of The Carnival of Venice {the part when the player sounds like two people} and also if there is a similar technique that works with woodwinds? because when I attempt on saxophones or clarinets all it does is chip my reed because i use the trumpet techn. Any advice?
very good
hey so I had a question. I am really new to double tounging and you say to use the back of your tongue but ka does not use your tongue so when I use ka it sounds really bad so I wanted to know if I can get some clarification.
I'm a beginner who's been playing for like 4yrs but still been not able to get my way around the trumpet.I've realised air passes through my left lip when playing
my fingering is bad actually coupled with my tonguing
any help?, cos I really want to play better to be able to identify key signatures without been told
Thanks Sir
grasias maestro
Just a simple tip, you do not want to articulate with ti, that makes your oral cavity close up, dAH or tAH are preferred.
i can double tounge, its that when i play different notes double tonguing. like
in 120 bpm in 16th notes, double tonguing C, D, E, F, quarter note G. i couldnt get it clearly
+JC Ayala I hear you. Double tonguing different notes up and down is challenging! May I offer these suggestions:
1. Five note scales are good! Keep doing that. But, may I suggest playing F-G-A-Bb-C instead? It is more in the middle of the range.
2. Slow down for sure. Keep it at 120bpm like you did, but play HALF NOTES going up!
3. After you slow down into half notes, focus on ALWAYS keeping the notes connected. Push the air over the tongue ALWAYS. Don't think of it as being 5 notes. It's one long note that you slice into five separate pieces. CONCENTRATE on alternating the front (Tu) or back (Ku) of the tongue. The tongue is the knife separating the long note.
Surely this in not 80 bpm, more like double that 160 bpm! It seems that way to me! At 8:35 you conduct the 4 beats or crochets while saying the semitones 4 to each beat, correct. But when you pick up the metronome you also conduct in 4 but the metronome is playing double the tempo. Quavers rather than crochets. What do you think, have I got this correct. Is there a difference from single tonguing, to the first Ta Ta's. How would you describe single tonguing. Thanks for any help.
The met is subdividing the 8th notes.
@@tylernettestad Thanks for the reply. So it is indeed set to quavers or 8th notes. I thought I was somehow misunderstanding. Could you please explain how single tonguing is performed. Thanks again keep well.
Whenever I try to do ka guh gay whatever it doesn't feel like a tonguing sound. It feels sloppy when I try to go faster too.
Can you do it for other instruments
Yep!
Facing double tonguing problems when playing the Barnum and Baileys Favourite. The song was fast. Need solutions to overcome it, can you help out?
Buenas como pudo conseguir ese metodo de ejercicios gracias
Just curious do you use an anchor tongue technique?
I got use to do doing ta ka ta ka with my trumpet and my playing sounds so choppy and dirty I've tried all the syllables and they don't work I really need help to get it cleaned I'm in marching band and our opener is 160 beats with DOUBLE TOUNGING
oof i feel you. although my opener is not nearly as fast xD
Who else just went to the end to see how fast he was going
Hi, i have a problem with double tounging, i see all these videos and i dont think anyone else has this problem. But, everytime i tounge with the back of my tounge with the "Ka", air builds up in my mouth, and it prevents me from tounging efficiently/producing good notes. Will this go away with practice? How can i prevent this? am i doing something wrong? please help me ):
I used to have the same problem. It will go away with practice. But first you need to practice your "Ka". Again, the same thing used to happen to me all the time. In one of the videos I saw on RUclips, a trumpeter single tongued 4 notes using "ta" first. Then did the same thing but with "ka". I tried it myself. At first I was getting the problem; air buliding up. In fact, there was so much air that my mouth would burst. But through prtactice (everyday for 30-1hour for 2 weeks) my "ka" increased radically and I don't have that problem anymore. Remember, imagine yourself saying "ka". Do the same thing for "ta". If it helps, try saying "ticket" while playing the trumpet. Anyway, hope that helps.