That would include the 11th which has a dissonant sound with major chords. The F would rub against the E, or major 3rd. Minor 11s sound nice but if you're playing a major chord go with the sharp 11. In this case that would be raising the 5th a semitone to the f-sharp. In this example that would be a C13 chord with 9 #11 13
Idea of formula is not bad . But thinking in therme of scale is much easier . C13 chord = Fmaj scale C13maj chord = C scale without F and Cm13 chord = C beebop melodic minor then only shift root in 12 step.
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Great exercise! It is also a ii-V in disguise!
Thank you for making 13th dominant chords so easy to figure out..The Formula😊
Thanks, nice and easy to understand.
Great one
I've never come across as ingenious teacher as you Federico. Thank you for your work 😊
Gracias por tus aportes maestro!!!🎹🎶🎶🎵🎵🌎🇦🇷✨️
unconditional love = love + patience.
and what is it called the c with the Bb maj 7? without changing the 5th????
That would include the 11th which has a dissonant sound with major chords. The F would rub against the E, or major 3rd. Minor 11s sound nice but if you're playing a major chord go with the sharp 11. In this case that would be raising the 5th a semitone to the f-sharp. In this example that would be a C13 chord with 9 #11 13
L: Root C, R: on the Second: Dsus2 add#5
Why do we lower the 5th?
We need to lower the 5th of the major chord to make it a 13 chord. If we do not lower the 5th the chord is a 13(sus4)
Idea of formula is not bad . But thinking in therme of scale is much easier . C13 chord = Fmaj scale C13maj chord = C scale without F and Cm13 chord = C beebop melodic minor then only shift root in 12 step.