आप ससुराल वालों से बात कीजिए और ससुराल में ही रहिए, क्योंकि गांव में जिधर घर बना रहे हैं उधार हाथी का खतरा है, डर है, जब सक्सेस कर जाइएगा तब जमीन लेके या रेंट रूम लेके रहिएगा अच्छा से
Ajay bhai tum bhi kuch kam karo sab kam Anju say karvarte ho ish halat may bechari sab kam karti hai aur tum sirf camera lekha gomte hai Anju ko bhi thodi rest diya karo
Anji ke Hindi bahoot acchi hai. Aise bolte rahegi to jaldi seekh jayegi. Pati parmeshwar ji, aap bhi kaam mein haath batau. Biwi ko naukrani jaisa Nahi samjho. Do mil Kar khaate ho to dono Milkar kaam bhi Karo. Anji bahoot acchi hai, bichari is haal mein bhi usko Khana aapko Nikal Kar Lena padhta. Mard log ko choolha ke pass jaane ki mana hai kya??
Idhr hi reh lijiye ap dono sasur ke sath kheti badi sambhalna or video v sath main banana kyu ki sasural main to is halat main tak koi anju ka help karta dikhyi nhi die udhr bacha hoga to fir kese sambhalegi akele😢
Tum kuchh kam q nahi karte Pura time Anju ke Pichhe camera le ke Ghumte rahete ho wo Sara kam karti hai tum bhi kuchh karo wo Dikhao Nikamme Pan ki Had hoti hai
Syed Amir Haider Kamal Naqvi, popularly known as Kamal Amrohi (17 January 1918 - 11 February 1993), the legendary filmmaker, writer & poet was born in Amroha, Uttar Pradesh. achieved a cult status. With an eye for detail and acute visual sense Amrohi harnessed the full power of cinema to examine themes like prostitution, reincarnation and adultery. In 1938, he left Amroha to study in Lahore, now part of Pakistan, where he met legendary singer K. L. Saigal who took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietoon film company, where he started his career working on films like Jailor (1938), Pukar (1939), Bharosa (1940), A.R.Kardar's film (Shahjehan 1946) and K.Asif's Phool. The iconic film Mahal (1949), starring Madhubala and Ashok Kumar, marked the beginning of his illustrious career, The film which has music of Khemchand Prakash became a musical blockbuster, with songs by Lata Mangeshkar("Aayega Aanewala") and Rajkumari Dubey(Ek Teer Chala Dil Pe Laga"). He directed only four films, Mahal, Daerra, Pakeezah and Razia Sultan After Mahal he made Daera(1953) with Meena Kumari and Nasir Khan about a 16-year-old girl forcibly married to an older man who falls in love with a teenaged neighbour. The movie includes the elements of his own love story with Meena Kumari. Although acclaimed as a film far ahead of its time, it proved a disaster at the box office. Pakeezah, which was conceived in 1958 but was not brought to the screen until 1972. Amrohi's masterpiece, Pakeezah (1972), remains a cinematic gem, showcasing his nuanced storytelling and poetic vision. This was followed by his magnum opus Razia Sultan (1983), his last film. Though, he started a film, Majnoon with Rajesh Khanna and Rakhee as leads, however the film got shelved. It was mentioned that the last movie he wanted to make was called Aakhri Mughal. He had written a substantial portion of the script. But it went into oblivion after his death. As a director, he developed a style that combined a stylised direction with minimalist performances. This style was different from the one with expressive acting that was common in Indian cinema of his period. He wrote scripts for the movies made by Sohrab Modi, Abdul Rashid Kardar and K. Asif. He was one of the four dialogue writers for the latter's famous 1960 movie, Mughal-e-Azam, for which he won the Filmfare Award. He also wrote H. S. Rawail 's Saqi (1952") starring Premnath, Madhubala, Dil Apna Aur Preet Parai(1960) which he also produced, Zindagi aur Khwab(1961) and Pradeep Kumar starrer Shankar Hussain(1977) which has the evergreen Rafi classic "Kahin ek masoom nazuk si ladki" also written by him. Kamal wrote the lyrics of Sohrab Modi's Pukar(1939) which had the songs like "Zindagi Ka Saaz Bhi Kya Saaz Hai", "Geet Suno Woh Geet Saiya" & "Dil Me Tu, Aankho Me Tu, Saanso Me Tu" For Pakeezah he wrote "Mausam Hai Aahiqana" also cowrote the "Thade Rahiyo" with Majrooh Sultanpuri. In 1958, he started Kamal Amrohi Studios (Kamalistan Studios), It continues to run, managed by Amrohi's son and daughter, Tajdar Amrohi & Rukhsar Amrohi. Amrohi's first wife was Bilkis Bano who died early after her death, he married Sayeda Al-Zehra Mehmoodi, the mother of his three children Shandaar, Tajdar and Rukhsar Amrohi. He met Meena Kumari during the filming of Tamasha. Veteran actor Ashok Kumar introduced them. They fell in love and married on 14 February 1952, on Valentine's Day in a much private ceremony. Only Amrohi's friend Baaqar Ali and Meena Kumari's younger sister Madhu were aware of this development. They lived together for a total of 11 years, both have many common interests but the problems started because of their very different personalities. Amrohi was very possessive and highly self respecting on the other hand Meena ji was also very particular and highly successful, whole world seems to be in awe of her. The tensions between the couple and ultimately led to a mutual separation in March 1964. They reconciled in last stages of her life, for completing Pakeezah, they remain in love with eachother despite their bitter separation. Kamal Amrohi's artistic prowess extended beyond cinema, with a notable collection of Urdu poetry. Kamal Amrohi's enduring impact on Indian cinema cements his legacy as a visionary storyteller and cultural icon.
Sadi nahi Hui thi tabhi tho kaam karta tha ki shadi ho jaayai aisai kon apni ladki daita shadi hotai he Ghar baith gaya aur Sara kaam Biwi Sai karata hai
Hoe saktha, kae ghau Mae, Anju ki mami or Nani pasand bhi karti kae Ajay kam Kharae. Ajay tum kae viewers tab kush hoe gay jab tumbi tohara bota hath milau gae. Yah Riya kae saath bhi Asa hi ho ya tha.
❤❤❤🎉 nice vlog bhiya g god bless you always with family
Thank u for the video very nice
Anju ka maika so beautiful place. ❤
Daal bahoot 😋😋
आप ससुराल वालों से बात कीजिए और ससुराल में ही रहिए, क्योंकि गांव में जिधर घर बना रहे हैं उधार हाथी का खतरा है, डर है, जब सक्सेस कर जाइएगा तब जमीन लेके या रेंट रूम लेके रहिएगा अच्छा से
Love you both
God bless you ❤
अंजू का गांव बहुत अच्छा है। अंजू को दाल में पालक सांग डाल के खाना चाहिए। फल भी खाया करें। अनार , पियारा में आईरन होता है।
👌
Nice
Anju to dadi boli aur Ajay to nani bolta h ,aakhir nani hai ya dadi
Pura din Anju kahi vidio banayega kya huchh kam kar kal baca hoyaega samj
अंजू के गाव मे कमाई करना बहुत पैसा कमाना और अंजू का ख्याल,रखना
Nice vlog🎉
Very good ajay bhai
Vav ❤🎉❤🎉❤🎉❤❤❤❤
Ajay bhai tum bhi kuch kam karo sab kam Anju say karvarte ho ish halat may bechari sab kam karti hai aur tum sirf camera lekha gomte hai Anju ko bhi thodi rest diya karo
❤️👍❤️👍❤️👍
🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉
Use Kyle khara Bolte Jise khane se khoon hota hai
Ghr jamai ban gya
❤❤
Aap kyu nahi kam karte pura kam Anju ko karvate ho pahle Sadi nahi Hui thi tab leber ka kam karte the Abhi Aapko kam karna jaruri he Cemero
Yeh bachhe paida krne aur vlog bnane k ilawa aur kuch bai krega!
Ajay is taking the picture , please don’t write bad comment watch and support them.
Kanta saag ka fayda bataiyega ya anju kisliye khati h bataiyega
अंजु के मायके और कोन कोन है
Anju ky kitny aur behan bhai hai
Jay shree Ram
Anji ke Hindi bahoot acchi hai. Aise bolte rahegi to jaldi seekh jayegi. Pati parmeshwar ji, aap bhi kaam mein haath batau. Biwi ko naukrani jaisa Nahi samjho. Do mil Kar khaate ho to dono Milkar kaam bhi Karo. Anji bahoot acchi hai, bichari is haal mein bhi usko Khana aapko Nikal Kar Lena padhta. Mard log ko choolha ke pass jaane ki mana hai kya??
Jay Shree ram 🚩🙏💯🥀
Yaha dhang ka khana to milta h .or apne ghar utepatang kuch bhi banate the😮
Kali commentry mat pass karo. Tum help karo
Idhr hi reh lijiye ap dono sasur ke sath kheti badi sambhalna or video v sath main banana kyu ki sasural main to is halat main tak koi anju ka help karta dikhyi nhi die udhr bacha hoga to fir kese sambhalegi akele😢
anju aap chapel q nahi pehnti hein
Mayke wale hi help krte h sasural wale Nhi kbhi bhi
Mera bhi comment viral hoga
अब इस गाव मे कुछ कमाई कर दिनभर व्हीडिओ बनाना व अंजु के साथ रहना बंद कर
अंजू से कहो पानी बैठ कर पिया करए।खड़े होकर पानी नही पीना चाहिए
Ji
Sirf , Anju ke kaam ko dikhate ho , khud kuch kar ke video banao
Anju bohut achha Hindi bolti he🎉🎉
kaam khud bhi karo koi bhi lebar work
Ajay bhai tum bhi kuch kam karo sab kam Anju say karvarte ho.
Ajay bhai tum bhi kuch kam karo sab kam Anju say karvarte ho
Ji
Tum kuchh kam q nahi karte Pura time Anju ke Pichhe camera le ke Ghumte rahete ho wo Sara kam karti hai tum bhi kuchh karo wo Dikhao Nikamme Pan ki Had hoti hai
Syed Amir Haider Kamal Naqvi, popularly known as Kamal Amrohi (17 January 1918 - 11 February 1993), the legendary filmmaker, writer & poet was born in Amroha, Uttar Pradesh. achieved a cult status. With an eye for detail and acute visual sense Amrohi harnessed the full power of cinema to examine themes like prostitution, reincarnation and adultery.
In 1938, he left Amroha to study in Lahore, now part of Pakistan, where he met legendary singer K. L. Saigal who took him to Mumbai (Bombay) to work for Sohrab Modi's Minerva Movietoon film company, where he started his career working on films like Jailor (1938), Pukar (1939), Bharosa (1940), A.R.Kardar's film (Shahjehan 1946) and K.Asif's Phool.
The iconic film Mahal (1949), starring Madhubala and Ashok Kumar, marked the beginning of his illustrious career, The film which has music of Khemchand Prakash became a musical blockbuster, with songs by Lata Mangeshkar("Aayega Aanewala") and Rajkumari Dubey(Ek Teer Chala Dil Pe Laga").
He directed only four films, Mahal, Daerra, Pakeezah and Razia Sultan
After Mahal he made Daera(1953) with Meena Kumari and Nasir Khan about a 16-year-old girl forcibly married to an older man who falls in love with a teenaged neighbour. The movie includes the elements of his own love story with Meena Kumari. Although acclaimed as a film far ahead of its time, it proved a disaster at the box office.
Pakeezah, which was conceived in 1958 but was not brought to the screen until 1972. Amrohi's masterpiece, Pakeezah (1972), remains a cinematic gem, showcasing his nuanced storytelling and poetic vision.
This was followed by his magnum opus Razia Sultan (1983), his last film. Though, he started a film, Majnoon with Rajesh Khanna and Rakhee as leads, however the film got shelved. It was mentioned that the last movie he wanted to make was called Aakhri Mughal. He had written a substantial portion of the script. But it went into oblivion after his death.
As a director, he developed a style that combined a stylised direction with minimalist performances. This style was different from the one with expressive acting that was common in Indian cinema of his period.
He wrote scripts for the movies made by Sohrab Modi, Abdul Rashid Kardar and K. Asif. He was one of the four dialogue writers for the latter's famous 1960 movie, Mughal-e-Azam, for which he won the Filmfare Award. He also wrote H. S. Rawail 's Saqi (1952") starring Premnath, Madhubala, Dil Apna Aur Preet Parai(1960) which he also produced, Zindagi aur Khwab(1961) and Pradeep Kumar starrer Shankar Hussain(1977) which has the evergreen Rafi classic "Kahin ek masoom nazuk si ladki" also written by him.
Kamal wrote the lyrics of Sohrab Modi's Pukar(1939) which had the songs like "Zindagi Ka Saaz Bhi Kya Saaz Hai", "Geet Suno Woh Geet Saiya" & "Dil Me Tu, Aankho Me Tu, Saanso Me Tu" For Pakeezah he wrote "Mausam Hai Aahiqana" also cowrote the "Thade Rahiyo" with Majrooh Sultanpuri.
In 1958, he started Kamal Amrohi Studios (Kamalistan Studios), It continues to run, managed by Amrohi's son and daughter, Tajdar Amrohi & Rukhsar Amrohi.
Amrohi's first wife was Bilkis Bano who died early after her death, he married Sayeda Al-Zehra Mehmoodi, the mother of his three children Shandaar, Tajdar and Rukhsar Amrohi.
He met Meena Kumari during the filming of Tamasha. Veteran actor Ashok Kumar introduced them. They fell in love and married on 14 February 1952, on Valentine's Day in a much private ceremony. Only Amrohi's friend Baaqar Ali and Meena Kumari's younger sister Madhu were aware of this development. They lived together for a total of 11 years, both have many common interests but the problems started because of their very different personalities. Amrohi was very possessive and highly self respecting on the other hand Meena ji was also very particular and highly successful, whole world seems to be in awe of her. The tensions between the couple and ultimately led to a mutual separation in March 1964.
They reconciled in last stages of her life, for completing Pakeezah, they remain in love with eachother despite their bitter separation.
Kamal Amrohi's artistic prowess extended beyond cinema, with a notable collection of Urdu poetry. Kamal Amrohi's enduring impact on Indian cinema cements his legacy as a visionary storyteller and cultural icon.
Waw
😮
Pahle anju bahan ka dekh bhal achchha se kijiye jai shree Ram
😃😄😅😍😅😄😃😄😅😍
Anju ko khoon ki kami hai tho beetroot khilayiye
अंजू की बहन भाई नही है
बहन है भाई नहीं है
Tum esse hi free mein Khao. Kuch labour work karo.
Sadi nahi Hui thi tabhi tho kaam karta tha ki shadi ho jaayai aisai kon apni ladki daita shadi hotai he Ghar baith gaya aur Sara kaam Biwi Sai karata hai
Kodhiye insan ka kaam aur kya hoga sirf iska boli hai saara kaam sirf anju ko karata hai
Ye aadmi sirf youTube▶️ paise par nirbhar h
Hoe saktha, kae ghau Mae, Anju ki mami or Nani pasand bhi karti kae Ajay kam Kharae. Ajay tum kae viewers tab kush hoe gay jab tumbi tohara bota hath milau gae. Yah Riya kae saath bhi Asa hi ho ya tha.
Ab Anju say khyti kara mazduri kara tom beth kar khan q ki shadi bana kar bada kam kiya
Gher me biadhe rahte ho koi kam kyun nahi kerte sirf wife ko talab me nahane le jata ho khana banaoge kuch kam karo bhai