God bless the Fitzwilliam Virginal Book, perfect interpretation Shiva for listening and for a film about medieval stories🎥🎞️🎬 Thanks for sharing this cultural and beautiful piece!✨💫🌟
The Fitzwilliam Virginal Book is a main source of keyboard music from the late Renaissance and early Baroque periods in England. The manuscript contains 297 pieces dating from 1550 to 1620 representing music by a number of English and foreign-born composers including John Bull, Ferdinando Richardson, William Byrd, Thomas Morely, Giles Farnaby, Richard Farnaby, Peter Philips, Thomas Tallis, Giovanni Pichi, and J. P. Sweelinck. The collection comprises pieces in various styles such as fantasias, variations, and dances (e.g. allemande, galliard, pavane, courante and gigue) as well as short character pieces with fanciful titles. The pieces in the FVB are mostly modal with evidence of emerging tonality. They represent a variety of textures from strictly contrapuntal to simple homophony, with flexible meter, irregular phrase structure, and mostly stepwise melodic motion. William Byrd (1540-1623) was an English Renaissance composer who is best known for his English madrigals and virginal and organ music. He is often regarded as one of England’s most important composers of early music. His output of 470 compositions includes both sacred and secular works, demonstrating a highly cultivated mind that wonderfully combines technical ability and emotional intensity. Byrd’s compositions include vocal music such as masses, motets, and psalms, chamber music as well as keyboard works, of which sixty seven were published in the Fitzwilliam Virginal Book. A Gigg (gigue) BK. 22, No. 181 from the FBV, is a short lively dance in duple compound meter with two sections, representing both homophonic and contrapuntal textures.
Thank you Dino! 🌹🙏 Yes, this piece is from The Fitzwilliam Virginal collection containing pieces from late Renaissance and early Baroque periods. You would have definitely heard it at the 16th century royal courts. I included more information about the collection and composer in the comments section. Check it out. You may find it interesting. 😊
God bless the Fitzwilliam Virginal Book, perfect interpretation Shiva for listening and for a film about medieval stories🎥🎞️🎬 Thanks for sharing this cultural and beautiful piece!✨💫🌟
Thank you very much Inaki! 🙏🌹I was drawn to this collection due to my love for early music (early Baroque/Renaissance). I think it's just beautiful.
Awesome muisc video 💜💜💜
Greetings from Seoul Korea 🤗🍁🍂
Have a blessed weekend 🙏🏼
Thank you very much! 🌹🙏
Absolutely beautiful, dear Shiva! I love these dance works from the Renaissance and early Baroque! 🙏 👏👏👏 ☺
Thank you very much Juliane! I'm glad that you liked it! I love these early dances myself. They're just lovely!🙏🌹
A very lovely piece and excellent playing 😍👍👍 LIKE 10 💛💛💛
Thank you very much!🌹🙏
Very nice music 🎶 have a great day 😊
Thank you very much dear Moore! 🌹🙏 Have good night!
Wonderful performance! ✨🎵
Thank you very much!🌹🙏
hello ! It is great major music , and very good angle to piano !!! All the best !!!
Thank you very much!🙏
But what a wonder, dearest Shiva! A beautiful Renaissance music! I really love it! I'm leaving you a big like and warm regards... Roberto 😊❤
Thank you very much Roberto!🌹🙏
@@shivarahimipiano It's always a pleasure, dear Shiva! 🤗❤
The Fitzwilliam Virginal Book is a main source of keyboard music from the late Renaissance and early Baroque periods in England. The manuscript contains 297 pieces dating from 1550 to 1620 representing music by a number of English and foreign-born composers including John Bull, Ferdinando Richardson, William Byrd, Thomas Morely, Giles Farnaby, Richard Farnaby, Peter Philips, Thomas Tallis, Giovanni Pichi, and J. P. Sweelinck. The collection comprises pieces in various styles such as fantasias, variations, and dances (e.g. allemande, galliard, pavane, courante and gigue) as well as short character pieces with fanciful titles. The pieces in the FVB are mostly modal with evidence of emerging tonality. They represent a variety of textures from strictly contrapuntal to simple homophony, with flexible meter, irregular phrase structure, and mostly stepwise melodic motion.
William Byrd (1540-1623) was an English Renaissance composer who is best known for his English madrigals and virginal and organ music. He is often regarded as one of England’s most important composers of early music. His output of 470 compositions includes both sacred and secular works, demonstrating a highly cultivated mind that wonderfully combines technical ability and emotional intensity. Byrd’s compositions include vocal music such as masses, motets, and psalms, chamber music as well as keyboard works, of which sixty seven were published in the Fitzwilliam Virginal Book. A Gigg (gigue) BK. 22, No. 181 from the FBV, is a short lively dance in duple compound meter with two sections, representing both homophonic and contrapuntal textures.
Very beautiful! I liked it a lot!👍
Thank you very much! I'm very glad that you liked it!🌹🙏
You're very competent on the piano my dear Shiva! I very much enjoyed this beautifully performed Renaissance delight!🥰
I very much appreciate your kind words!🌹🙏
Sounds awesome!! Like a medieval dance, wonderful articulation 👏🏻
Thank you very much dear Cornelia!🙏🌹
Fascinating
Thank you dear Maestro!🌹🙏
Wow, Shiva! I love it! Would this be considered an “oldie?” 😀😀😀😀. Sound so much like something played in the Royal Court! 👏🏼👏🏼👏🏼👏🏼
Thank you Dino! 🌹🙏 Yes, this piece is from The Fitzwilliam Virginal collection containing pieces from late Renaissance and early Baroque periods. You would have definitely heard it at the 16th century royal courts. I included more information about the collection and composer in the comments section. Check it out. You may find it interesting. 😊
@@shivarahimipiano Thanks, Shiva! I’ll read more of your description! Love it! 🙌🙌🙌
Chào bạn thân yêu, chúc một ngày tốt lành và hạnh phúc
Thank you!🌹
This brings me Middle age vibes 🏰
Yes, this piece is considered early music as it was composed during the Renaissance period.
🎊🎊🎊