The best thing they did here in the MCU: Spiderman is not the one who reveals to his love interest that he is Spiderman, but rather that she is the one who deduced it after investigating it 1:45 :"( 3:03 jaja what fast way to tell her the truth
@@CLJ112 weirdo? Stating a concerned opinion makes me a weirdo. Uh huh. 🙄. All I said was trying to get the girl as a goal for the character is old and has been overdone. So many forms of media do it and it is tiresome; especially considering that it is obvious that the character will get that girl in the end. It doesn’t help the fact that Peter’s sudden attraction MJ completely came out of nowhere when he had no interim her at all in Homecoming. Liz was gone and so the second film just had to get a romance conflict somewhere. Why is romance and getting the girl the only form of drama that a writer can do?! And MJ just falls for Peter at the end of the fight of the movie so easily. Why? Why should we like and root for Peter to get the girl? Just because that is what he wants and MJ forgetting that he exists makes us, the audience, have to care just because it hurts that she doesn’t know he exists? Noticing how these things are overused and easily done and predictable, and easily obtained, HOW DOES STATING ALL THAT MAKE ME A WEIRDO???!!!!!
The best thing they did here in the MCU: Spiderman is not the one who reveals to his love interest that he is Spiderman, but rather that she is the one who deduced it after investigating it
1:45 :"(
3:03 jaja what fast way to tell her the truth
0:32 😂 nailed the timing of subscribe notification
PETER PARKER LEDGED
Zendaya is fine AF
SPIDER MAN FOR FROM HOME MOVIE 2019
here before this blows up
We did it man
Getting the girl being the goal for a main character is getting old
You’re right that thottie is for the streets
@@alexalfaro1101your mother is punk
Then don't watch weirdo
@@CLJ112 weirdo? Stating a concerned opinion makes me a weirdo. Uh huh. 🙄. All I said was trying to get the girl as a goal for the character is old and has been overdone. So many forms of media do it and it is tiresome; especially considering that it is obvious that the character will get that girl in the end.
It doesn’t help the fact that Peter’s sudden attraction MJ completely came out of nowhere when he had no interim her at all in Homecoming. Liz was gone and so the second film just had to get a romance conflict somewhere. Why is romance and getting the girl the only form of drama that a writer can do?! And MJ just falls for Peter at the end of the fight of the movie so easily. Why? Why should we like and root for Peter to get the girl? Just because that is what he wants and MJ forgetting that he exists makes us, the audience, have to care just because it hurts that she doesn’t know he exists? Noticing how these things are overused and easily done and predictable, and easily obtained, HOW DOES STATING ALL THAT MAKE ME A WEIRDO???!!!!!
@@alexalfaro1101 😂 if beautiful successful Zendaya is for the street then your mother is in the gutter punk