William Afton and Henry opened in 1967 the family friendly Fredbear's Family Diner, featuring a brown furry suit of a bear as a mascot. Henry would usually wear the suit, as they didn't have enough money to hire someone to do the job for a long time and they were studying at the time. William studied engineering and Henry business adminstration and communication. William met an unnamed woman, with whom he married and three years later had a boy challed Michael. They met in the court; William was being charged for murdering a child that allegedly was crying outside the Diner for being scared of Fredbear, the bear, and she was working selling hot-dogs in from of the building. (Btw, he was released because they didn't have evidences pointing it). It took them four years to actually achieve any success with the Diner, as they learnt from little Michael that Fredbear was boring. William them designed a new mascot: a yellow furry suit of a rabbit called Bonnie. The chemistry between both characters worked like black magic and the success rained on them like rain in a rainy day. The amount of money they got was so much, William used it to test his engineering skills, designing the first two Spring Lock suits: which were obviously Bonnie and Fredbear. The success increased. Freddy Fazbear's Pizza The Diner's success was so big, a company decided buy it and open a franchise around it. Hanry and William sold it, seeing a whole lot of profit coming from it, but there was a catch: the company used sneaky legal actions that allowed them to have the diner 100% under their possession, erasing Henry's and Michael's name from it. The company then opened Fazbear's Entertainment to take care of everything. William was so pissed because of this he cut any relationship with anyone involved with the franchise. Henry, on the other hand, didn't know any other thing to do, so he asked for a job; he became Phone Guy. FFP opened in 1973, and featured four furry suits of animals: Freddy Fazbear, a recolour of Bonnie, Chica and Foxy The Pirate. This made William even more pissed when he learnt they made four animatronics without him. He started planning his revenge. Btw, the Diner was still opened - as a sister location for FFP. The Origin of Purple Guy In 1976 William had twins: a little blonde girl and a little brunette boy. He started to teach Michael to take care of them, because "Daddy won't be around forever". During his free time, William started designing and projecting new robots (he hated the name "animatronics") and plans for his own company: Afton Robotics. But he had another plan under his sleeve: ruin FFP from the inside. He disguised himself as Dave Miller and started working applied for day time security guard at FFP. As he was always wearing purple - the uniform's colour - and usually hid in the shadows to stay out of sight of anyone who might recognize him, he was nicknamed by every child as "The Purple Guy". During this time, in 1980, he did his evil plan: using the Spring Bonnie suit he built years earlier, he lured five children to a back room, murdered them and hid inside the body of the animatronics. In case you're wondering what he did with the fifth one, he obviously hid it inside a spare Freddy suit he then painted yellow, duh. Fortunately for Billy, they actually caught Henry instead of him, as one of the cameras caught him walking around in one of the suits. He got out sometime later, as they managed to prove he had some mental disabilities and had a fixation with wearing the suits around, and had no violent behaviour. But Dave? Well, he was fired when FFP closed. Circus Baby With the help of the money he got from selling the children's organs in the black market, William opened Afton Robotics and had everything ready to open his own kid-friendly restaurant: Circus Baby's Pizza World. The problem is that he got a new hobby, and this where his hill went down. He liked so much the idea of killing children and the profit he could get from selling their organs - healthy children organs are way more valuable than adults' -, he made special alterations in his robots, turning them into kid-kidnapping and killing machines. The problem is that, in 1982, he accidently let his daughter get close to Baby when he wasn't looking; and Baby killed her. He knew he was the one to blame, but he actually blamed Michael for this, saying that he, as the older brother, should've protected her. This incident lead to the pizzeria's cancellation and William's divorce. His wife took Michael and the other boy with her, leaving him alone. His new hobby and this incident in his life lead him to become a human monster. The Children Going a little away from the entire "Afton story arch", let's talk about the children he murdered. The first one came to possess a Puppet from FFP. The other five, with the help of the first one, possessed the suits they were stuffed inside. They then started killing any adult they could at night, when there was no children around, because they thought every adult was the "Purple Guy" they heard of when they were still alive. The Bite of '83 William's ex-wife took the children and they started living close the Diner, that was still running great. For the good old times, before the problems, she would take them there. William, on to their house, where he built an underground room he used to monitor cameras installed in the house, the Diner and in the street. He also started to prepare the warehouse to building Circus Baby Entertainment & Rental. He also returned to his Dave Miller persona, working at the Diner, taking a closer looka at his sons. The Crying Child After the Baby Incident, Michael became a rebel teenager who, rebelling against his father's will, bullied his younger brother. For the brother's unluckiness, he was also traumatized for actually having witnessed Baby killing his sister in the year before. For his luckiness, though, he had a reliable friend: Psychic Friend Fredbear. Unbeknown for him, the plush was actually a camera his father used to check on him. More unbeknown for him, when the plush talked with him, it was actually the spirit of his sister, who was haunting William's warehouse, and with supernatural abilities managed to speak through the camera system. The Bite per se You all know how it happened. Birthday party, bad joke, head inside the bear's mouth and chomp, child's head's crushed. He went to the hospital, but died. His sister tried to help him, but in the end he became a ghost purple bear, crying in the corners of anywhere the suit that killed him was at. William's Revenge After the Bite, Michael's mother committed suicide and he was taken under William's keeping. But Billy wasn't happy with his son, who caused the death of another one of his children. William projected the new building to have a place for torturing children - specially made for Michael, actually. The room was designed to mimic Michael's room from the other house, so when he would fall asleep, William would take him to the "nightmare" room (Michael would be drugged) and unleash nightmarry robotic versions of the Fazbear animatronics to haunt him at night, giving him some reminders of what he did to his brother. This marked Michael for life, and turned him a better person, actually. 1987 OMG, this is long, isn't it? Well, in 1987 another FFP opened, with new animatronics. William became Dave again and killed more five children. The place temporarily shut down, reopened in November, but didn't last after Mangle bit someone. Henry was once again without a job. The problem is that, in this attempt, they recognized Dave as William, so he had to hid himself for his own safety. Fixing past mistakes During the time hiding, William started pondering about his decisions in life, and how it screwed everything for him. He caused the death of his family, lasting only him and his older son. That was it! The solution! If he, William, ruined everything, Micheal could be the one to fix everything! He then sent a letter to Michael, explaining everything he should do. William was aware of the spirits and possessions, and knew his daughter was haunting CBE&R, so he sent Michael there first. Then Sister Location happened and all that jazz. Or should I say, casual bongos? Kill me. So, Baby first thought Michael was William, but then she recongnized his brother and saw an opportunity for her and the other sentient robots from the Rental to leave - using him as a "human disguise". To prevent his brother died from this, she did some black magic researchs and found a way to prevent him from dying. Then Ennard came to be, Michael was fooled into the Scooping Room and became a suit. Ennard tried to live a life as a regular human being pretending to be Michael, but unfortunately the black magic didn't prevent flesh from rotting, so the disguise was ruined and Ennard left Michael' body, now living in the sewers, waiting for It to start shooting, hoping to get a role in it. But, even though Michael became an undying walking corpse, his job wasn't done, he had one last thing to do: free the souls of his father's victims. So, he went to work at FFP, that reopened in the 90's, to check if the possession thing was really going on there. Oh, Henry died there before Michael begin to work. Michael got a fake name - Mike Schmidt (he wasn't as good with names as his father was) -, and worked there. He was unfortunately fired for being a smelly corpse and "supposedly tampering the animatronics". So he waited for when the pizzeria closed for good. With the help of Shadow Freddy, who was actually the spirit of his younger brother, he dismantled the animatronics, freeing the children's souls from their physical restraints. For Michael's unluckiness, in FNaF Universe rotten FNaF 3 No one likes FNaF 3. You all know what happens here. The Future After Fazbear's Fright burnt down,"
Recipe: Western style Fried Rice w/ Pan-fried Sesame Chicken Ingredients: Food Items - Chicken Breast - White Rice - Eggs - Spring Onion - Peas and Carrots - Garlic - Sesame Seeds Sauce/Seasonings - Low Sodium soy sauce - Black Vinegar (yellow cap) - Ketchup (sub tomato or tamarind paste if despise ketchup) - Honey - Rice Vinegar (or regular vinegar) - Onion/Garlic powder - Salt/pepper - Neutral oil Optional Ingredients (Will cover how to use at the end after main recipe) - Onions - Bean sprouts - Chili Flakes/Spicy Red Chili powder - Cornstarch or Flour (for a battered version) - Sesame Oil - Chili Oil (lao go ma) - Red wine vinegar - Shaoxing wine Cooking Instructions: Step 1: Rice Fork your chicken good and cube it up. (The purpose of the forking is to tenderize and infuse seasonings. It cooks faster internally) Toss in a mixing bowl and add a 1-2 teaspoons (or as much as you desire) of onion/garlic powder with salt/pepper. Mix it and let it sit in the fridge for 30-60 minutes. Start cooking your white rice now while preparing the eggs and veggies. It should take 10 minutes or so. I highly suggest blanching the carrots and onions, if frozen in boiling water, before cooking.... Or follow the video.... If you're using fresh peas/carrots, you don't have to blanche them. The steps for the video is self explanatory. Pre-heat pan, coat oil over it, and saute veggies for 1 minute on medium high heat, add your eggs, and cook on high heat for 1 minute, add rice. Stir for 2 minutes on heat and add 2-3 TBSP of low sodium soy sauce (or Light Superior Soy Sauce for authentic brand, but it's not low sodium). Drizzle a 2-3 teaspoon of black vinegar (or rice wine vinegar, light/dark soy mix - 2-4 TBSP light/.5-1 teaspoon of dark soy). Authentic approach Coat pan with oil, pre-heat until ready. Saute onions and veggies for 2 minutes, medium high, and place on the side. Now add your rice and stir it around so it's more even in the pan. Once you're ready, turn the heat to high and slowly mix your eggs all over your rice (don't fast pour). If you drizzle it correctly, you can coat the rice with yellow egg. 😮 Mix the rice while adding the egg so it doesn't stick from the heat. Add your veggies back (add oil if needed because it's sticking) and cook while mixing for 3-5 minutes. Add your soy sauce/black vinegar mixture. Rice is done, set aside. Step 2: Protein Let's make the sauce. You will add 2-3 TBSP of ketchup (or tomato/tamarind paste to sub), 2-3 teaspoons of honey, rice wine vinegar (or regular vinegar), minced garlic, and 2-4 TBSP of low sodium (or Light Superior soy sauce.) Whisk and blend. Ready your meat, pre-heat Pan on medium high (coat Pan with oil) and saute your chicken for 4-8 minutes on all sides till you get a slight browning. Add your sauce glaze and cover 1/3 of the meat. Let it finish on medium high or high heat for 3-5 minutes. Prepare your rice bed, glazed chicken, garnish with sesame seeds and chopped spring onions. Optional touches Instead of grilled chicken, you can mix it with cornstarch and/or egg wash for a light batter. Season it with your onion/garlic/red chili powder in the cornstarch dredge. Deep fry for 8-10 minutes on 350 (F) degrees. While cooking, preparing the glaze, add red chili flakes to it for spicy hit. Use white onions while cooking your veggies for flavor. On a wok with a high BTU burner, the cooking cycles change, more fast paced, and requires lots of tossing, but this gives you the authentic restaurant flavor (wok hay). You'd cook the glaze for 30 seconds, toss your battered meat, and flip/toss while cooking for 2 minutes. Serve on the rice. Drizzle sesame oil at the very end, your chili oil, shaoxing wine, and bean sprouts. Enjoy and please leave a like if you really tried this recipe! 🖤❤"
I want to clarify that I did not strike anyone's video. I do not have any pending take down notices. I believe someone else must have done it on my behalf? @MoistCr1TiKaL
Hey! It’s been a while since I’ve posted--I was working on a frankly unreasonable number of projects these last two months, some of which I hope to be able to show you soon, but it left me with very little time to add to this blog. A couple of days ago, I was reminded I have to get back to this when I saw a comment come up on my last post “Action is his reward.” With permission, I’m reproducing it here: I am rewarded by your enthusiasm and I can relate to most of the content that you produced for this blog post. However, this project may not the best case for the perspective you are presenting, as it stands with today's technology trends and capabilities (perhaps limitations as well). I hope some day, doing this style of work proves to be more cost effective, as I would love to see more of this style in hopefully even more ambitious productions. Let me elaborate some other perspective that may explain my point better and hopefully have more people appreciate lesser understood details about what is presented in that teaser. If you think about a team of people creating this whole thing from scratch and let's say during the process they might be using some techniques uniquely advantageous and otherwise impossible when not animating using computer aided techniques, you can appreciate making those techniques work as they work in traditional animation medium will pose its own challenges. It is only fair if I gave two examples as well... For example computer simulation of any kind is hard if not impossible with non-continuous representations of motion when they don't interpolate in a relatively plausible way. Another example would be re-creating a traditional "looking" style, let alone being attempted at a scale like this, will just be a huge technical undertaking. Now, I have a consistent problem where I open my mouth intending to add just a sentence to a conversation and a nine-volume encyclopedia pops out instead. Accordingly, my attempt to answer the poster succinctly turned into a post-long response that I decided might as well just be a post, so here it is! Thanks for your comment! You may be right that Spider-verse isn’t the best example, and certainly I wouldn’t hold it up as an example of the kind of production I intend to create--just as a very good example of stylized CG. I suspect that rendering in a stylized way, and making this style work with their existing methods, was quite expensive for SPI! I recall an artist who worked on Paper Man describing it as twice the work of ordinary CG. That's certainly a danger with stylized approaches--but I think it's an avoidable one. The problem, it seems to me, is that you really can't approach this sort of production as if it were conventional CG, with a conventional methodology and pipeline, and expect to reap the cost benefits I think are potentially realizable with it. You'd have to treat this kind of production very differently. For instance, you mention simulation as something that would be difficult with non-continuous motion, and you're quite correct. So simulation itself would be the first thing on the chopping block for the production, outside of the occasional FX shot. It's one of the many steps that gums up the works of CG production and prevents us from getting to that an-artist-can-sit-down-and-just-make-something state. Plus I generally don't like its results on an artistic basis (at least in this stylized context). When traditional animators animate clothed characters, the clothing takes part in the character's silhouette and becomes a part of the performance. They never had any difficulty animating cloth by hand. Yes, I am actually claiming that hand-animating cloth would be faster then simulating it, and I know how insane that sounds from a conventional CG perspective. But stylization completely changes the game. Consider the monkey test I posted a few months back. The monkey is unclothed, of course, but there definitely parts of his body that require secondary animation, notably his hair tufts and ears. The hair tufts at least would most likely be simulated if this shot were approached in a conventional manner. The way I approached the shot was not only to animate them by hand, but to animate them from the very beginning--the very first key poses I put down already included the ears and hair tufts as an inherent aspect of those poses, already contributing to silhouettes and arcs. It’s pretty difficult to get an accurate idea of exactly what percentage of my time animating the shot was devoted to them, but I’m going to guess it was only a few percent. This is only possible because the stylized look allowed me to ignore the “higher frequency” details that would be required for a fully rendered character, and I expect these same details would also be unnecessary for character clothing. I’m much more interested in character silhouettes then I am in wrinkles and clothing detail, so some simple secondary that’s really just part of the character’s pose would actually be more effective. The idea here is that this isn’t just any form of stylization--it’s a specifically chosen set of stylizations that support each other in the goal of massively reducing the amount of work involved. And that means choosing subjects that work with the grain of those stylistic choices. For instance, you may be wondering how I’d approach a long flowing cape or a long coat. The answer is...I wouldn’t. I wouldn’t generally put characters in long coats or capes. There are about a million stories you could tell that don’t require anyone to wear a cape. Creating low-cost CG in this manner would be about making the design choices that let you get the most bang for your buck production-value wise while maintaining the essentials of character animation, a very different goal then that which I suspect drives companies like SPI and Disney to create stylized CG. This also applies to the NPR rendering. There are a lot of ways to approach this problem, and some may be very time consuming! The two-tone methods I’m using here aren’t, though. I was able, as an individual with some understanding of the problem but no custom tools, to sit down and do the shading for the Monkey test without much trouble. Partly this is again choosing the most direct path to something that both looks good and is efficient to create. The simple two-tone present in the monkey test carries far less detail then the more painterly frames from Spider-verse, but I think it wouldn’t have any difficulty supporting emotionally engaging characters or exciting action scenes. That said, the efficiency of this process could be improved a lot, and there’s a lot of room for R&D here--there’s still a required level of manual tweaking that I’d like to get rid of, and the two tone shapes could be improved. I’m hoping to tackle some of those problems this year. There’s still the question of how that process, however reasonable on a small scale, would scale up to a large production like a feature film. In many ways, it may help to think of the look development for such a production as being less like a conventional film production pipeline, and more like a game. Ideally, except for certain FX shots, such a production would not even have a rendering/compositing stage--what you would see working on the shot would simply be the shot. It might be quite literally “in-engine” if using a game engine as the hub of production turns out to be the right way to approach it (this is something I’m getting more and more interested in). While this doesn’t remove all potential issues with scaling the approach to feature film size, I think it does drastically simplify the problem. Of course, we haven’t actually produced a long-form project using these techniques, and I’m sure there are going to be unforeseen roadblocks, so we shall see! In any case, thanks again for your comment! I hope this illuminates how I envision this production process being different from the way I imagine that Spider-verse is being done, and why I think that the immense cost gains I’m claiming here are achievable.
Albert got prison 20 years.Also I'm going ban for 3 Days Reasons: Albert got guilty with no reason and same like to ChefRush Patrick 3 people saying Guilty to Albert So dont to that again Albert guilty AGAIN!!😡😡😡
Guilty dammit!!
“Not Guilty!” - Albert
@@CDATHEBEST ORDER IN MY COURT -Patrick Said.
I never see Chris rush so happy with Albert
edit:I meant chef rush sorry
William Afton and Henry opened in 1967 the family friendly Fredbear's Family Diner, featuring a brown furry suit of a bear as a mascot. Henry would usually wear the suit, as they didn't have enough money to hire someone to do the job for a long time and they were studying at the time. William studied engineering and Henry business adminstration and communication. William met an unnamed woman, with whom he married and three years later had a boy challed Michael. They met in the court; William was being charged for murdering a child that allegedly was crying outside the Diner for being scared of Fredbear, the bear, and she was working selling hot-dogs in from of the building. (Btw, he was released because they didn't have evidences pointing it). It took them four years to actually achieve any success with the Diner, as they learnt from little Michael that Fredbear was boring. William them designed a new mascot: a yellow furry suit of a rabbit called Bonnie. The chemistry between both characters worked like black magic and the success rained on them like rain in a rainy day. The amount of money they got was so much, William used it to test his engineering skills, designing the first two Spring Lock suits: which were obviously Bonnie and Fredbear. The success increased. Freddy Fazbear's Pizza The Diner's success was so big, a company decided buy it and open a franchise around it. Hanry and William sold it, seeing a whole lot of profit coming from it, but there was a catch: the company used sneaky legal actions that allowed them to have the diner 100% under their possession, erasing Henry's and Michael's name from it. The company then opened Fazbear's Entertainment to take care of everything. William was so pissed because of this he cut any relationship with anyone involved with the franchise. Henry, on the other hand, didn't know any other thing to do, so he asked for a job; he became Phone Guy. FFP opened in 1973, and featured four furry suits of animals: Freddy Fazbear, a recolour of Bonnie, Chica and Foxy The Pirate. This made William even more pissed when he learnt they made four animatronics without him. He started planning his revenge. Btw, the Diner was still opened - as a sister location for FFP. The Origin of Purple Guy In 1976 William had twins: a little blonde girl and a little brunette boy. He started to teach Michael to take care of them, because "Daddy won't be around forever". During his free time, William started designing and projecting new robots (he hated the name "animatronics") and plans for his own company: Afton Robotics. But he had another plan under his sleeve: ruin FFP from the inside. He disguised himself as Dave Miller and started working applied for day time security guard at FFP. As he was always wearing purple - the uniform's colour - and usually hid in the shadows to stay out of sight of anyone who might recognize him, he was nicknamed by every child as "The Purple Guy". During this time, in 1980, he did his evil plan: using the Spring Bonnie suit he built years earlier, he lured five children to a back room, murdered them and hid inside the body of the animatronics. In case you're wondering what he did with the fifth one, he obviously hid it inside a spare Freddy suit he then painted yellow, duh. Fortunately for Billy, they actually caught Henry instead of him, as one of the cameras caught him walking around in one of the suits. He got out sometime later, as they managed to prove he had some mental disabilities and had a fixation with wearing the suits around, and had no violent behaviour. But Dave? Well, he was fired when FFP closed. Circus Baby With the help of the money he got from selling the children's organs in the black market, William opened Afton Robotics and had everything ready to open his own kid-friendly restaurant: Circus Baby's Pizza World. The problem is that he got a new hobby, and this where his hill went down. He liked so much the idea of killing children and the profit he could get from selling their organs - healthy children organs are way more valuable than adults' -, he made special alterations in his robots, turning them into kid-kidnapping and killing machines. The problem is that, in 1982, he accidently let his daughter get close to Baby when he wasn't looking; and Baby killed her. He knew he was the one to blame, but he actually blamed Michael for this, saying that he, as the older brother, should've protected her. This incident lead to the pizzeria's cancellation and William's divorce. His wife took Michael and the other boy with her, leaving him alone. His new hobby and this incident in his life lead him to become a human monster. The Children Going a little away from the entire "Afton story arch", let's talk about the children he murdered. The first one came to possess a Puppet from FFP. The other five, with the help of the first one, possessed the suits they were stuffed inside. They then started killing any adult they could at night, when there was no children around, because they thought every adult was the "Purple Guy" they heard of when they were still alive. The Bite of '83 William's ex-wife took the children and they started living close the Diner, that was still running great. For the good old times, before the problems, she would take them there. William, on to their house, where he built an underground room he used to monitor cameras installed in the house, the Diner and in the street. He also started to prepare the warehouse to building Circus Baby Entertainment & Rental. He also returned to his Dave Miller persona, working at the Diner, taking a closer looka at his sons. The Crying Child After the Baby Incident, Michael became a rebel teenager who, rebelling against his father's will, bullied his younger brother. For the brother's unluckiness, he was also traumatized for actually having witnessed Baby killing his sister in the year before. For his luckiness, though, he had a reliable friend: Psychic Friend Fredbear. Unbeknown for him, the plush was actually a camera his father used to check on him. More unbeknown for him, when the plush talked with him, it was actually the spirit of his sister, who was haunting William's warehouse, and with supernatural abilities managed to speak through the camera system. The Bite per se You all know how it happened. Birthday party, bad joke, head inside the bear's mouth and chomp, child's head's crushed. He went to the hospital, but died. His sister tried to help him, but in the end he became a ghost purple bear, crying in the corners of anywhere the suit that killed him was at. William's Revenge After the Bite, Michael's mother committed suicide and he was taken under William's keeping. But Billy wasn't happy with his son, who caused the death of another one of his children. William projected the new building to have a place for torturing children - specially made for Michael, actually. The room was designed to mimic Michael's room from the other house, so when he would fall asleep, William would take him to the "nightmare" room (Michael would be drugged) and unleash nightmarry robotic versions of the Fazbear animatronics to haunt him at night, giving him some reminders of what he did to his brother. This marked Michael for life, and turned him a better person, actually. 1987 OMG, this is long, isn't it? Well, in 1987 another FFP opened, with new animatronics. William became Dave again and killed more five children. The place temporarily shut down, reopened in November, but didn't last after Mangle bit someone. Henry was once again without a job. The problem is that, in this attempt, they recognized Dave as William, so he had to hid himself for his own safety. Fixing past mistakes During the time hiding, William started pondering about his decisions in life, and how it screwed everything for him. He caused the death of his family, lasting only him and his older son. That was it! The solution! If he, William, ruined everything, Micheal could be the one to fix everything! He then sent a letter to Michael, explaining everything he should do. William was aware of the spirits and possessions, and knew his daughter was haunting CBE&R, so he sent Michael there first. Then Sister Location happened and all that jazz. Or should I say, casual bongos? Kill me. So, Baby first thought Michael was William, but then she recongnized his brother and saw an opportunity for her and the other sentient robots from the Rental to leave - using him as a "human disguise". To prevent his brother died from this, she did some black magic researchs and found a way to prevent him from dying. Then Ennard came to be, Michael was fooled into the Scooping Room and became a suit. Ennard tried to live a life as a regular human being pretending to be Michael, but unfortunately the black magic didn't prevent flesh from rotting, so the disguise was ruined and Ennard left Michael' body, now living in the sewers, waiting for It to start shooting, hoping to get a role in it. But, even though Michael became an undying walking corpse, his job wasn't done, he had one last thing to do: free the souls of his father's victims. So, he went to work at FFP, that reopened in the 90's, to check if the possession thing was really going on there. Oh, Henry died there before Michael begin to work. Michael got a fake name - Mike Schmidt (he wasn't as good with names as his father was) -, and worked there. He was unfortunately fired for being a smelly corpse and "supposedly tampering the animatronics". So he waited for when the pizzeria closed for good. With the help of Shadow Freddy, who was actually the spirit of his younger brother, he dismantled the animatronics, freeing the children's souls from their physical restraints. For Michael's unluckiness, in FNaF Universe rotten FNaF 3 No one likes FNaF 3. You all know what happens here. The Future After Fazbear's Fright burnt down,"
Recipe: Western style Fried Rice w/ Pan-fried Sesame Chicken Ingredients: Food Items - Chicken Breast - White Rice - Eggs - Spring Onion - Peas and Carrots - Garlic - Sesame Seeds Sauce/Seasonings - Low Sodium soy sauce - Black Vinegar (yellow cap) - Ketchup (sub tomato or tamarind paste if despise ketchup) - Honey - Rice Vinegar (or regular vinegar) - Onion/Garlic powder - Salt/pepper - Neutral oil Optional Ingredients (Will cover how to use at the end after main recipe) - Onions - Bean sprouts - Chili Flakes/Spicy Red Chili powder - Cornstarch or Flour (for a battered version) - Sesame Oil - Chili Oil (lao go ma) - Red wine vinegar - Shaoxing wine Cooking Instructions: Step 1: Rice Fork your chicken good and cube it up. (The purpose of the forking is to tenderize and infuse seasonings. It cooks faster internally) Toss in a mixing bowl and add a 1-2 teaspoons (or as much as you desire) of onion/garlic powder with salt/pepper. Mix it and let it sit in the fridge for 30-60 minutes. Start cooking your white rice now while preparing the eggs and veggies. It should take 10 minutes or so. I highly suggest blanching the carrots and onions, if frozen in boiling water, before cooking.... Or follow the video.... If you're using fresh peas/carrots, you don't have to blanche them. The steps for the video is self explanatory. Pre-heat pan, coat oil over it, and saute veggies for 1 minute on medium high heat, add your eggs, and cook on high heat for 1 minute, add rice. Stir for 2 minutes on heat and add 2-3 TBSP of low sodium soy sauce (or Light Superior Soy Sauce for authentic brand, but it's not low sodium). Drizzle a 2-3 teaspoon of black vinegar (or rice wine vinegar, light/dark soy mix - 2-4 TBSP light/.5-1 teaspoon of dark soy). Authentic approach Coat pan with oil, pre-heat until ready. Saute onions and veggies for 2 minutes, medium high, and place on the side. Now add your rice and stir it around so it's more even in the pan. Once you're ready, turn the heat to high and slowly mix your eggs all over your rice (don't fast pour). If you drizzle it correctly, you can coat the rice with yellow egg. 😮 Mix the rice while adding the egg so it doesn't stick from the heat. Add your veggies back (add oil if needed because it's sticking) and cook while mixing for 3-5 minutes. Add your soy sauce/black vinegar mixture. Rice is done, set aside. Step 2: Protein Let's make the sauce. You will add 2-3 TBSP of ketchup (or tomato/tamarind paste to sub), 2-3 teaspoons of honey, rice wine vinegar (or regular vinegar), minced garlic, and 2-4 TBSP of low sodium (or Light Superior soy sauce.) Whisk and blend. Ready your meat, pre-heat Pan on medium high (coat Pan with oil) and saute your chicken for 4-8 minutes on all sides till you get a slight browning. Add your sauce glaze and cover 1/3 of the meat. Let it finish on medium high or high heat for 3-5 minutes. Prepare your rice bed, glazed chicken, garnish with sesame seeds and chopped spring onions. Optional touches Instead of grilled chicken, you can mix it with cornstarch and/or egg wash for a light batter. Season it with your onion/garlic/red chili powder in the cornstarch dredge. Deep fry for 8-10 minutes on 350 (F) degrees. While cooking, preparing the glaze, add red chili flakes to it for spicy hit. Use white onions while cooking your veggies for flavor. On a wok with a high BTU burner, the cooking cycles change, more fast paced, and requires lots of tossing, but this gives you the authentic restaurant flavor (wok hay). You'd cook the glaze for 30 seconds, toss your battered meat, and flip/toss while cooking for 2 minutes. Serve on the rice. Drizzle sesame oil at the very end, your chili oil, shaoxing wine, and bean sprouts. Enjoy and please leave a like if you really tried this recipe! 🖤❤"
Shelby: Guilty
Lionfield: Guilty
Ohio Final Boss: Guilty
First you was a meme and then he was a person to endemine and then he became cool
Guilty!
Ohio 💀
Bro bringing dead meme 💀
Ohio final boss: juilty 💀
Patricks hair killed me 🤣🤣🤣
Yeah
It’s giving me a dash of Karen
The way he spit out water out his mouth 🤣🤣
I know right like that’s water ewwwwwwwwwwww 🤮🤢💩☠️😂
Edit comment about photo
I want to clarify that I did not strike anyone's video. I do not have any pending take down notices. I believe someone else must have done it on my behalf?
@MoistCr1TiKaL
🤣🤣🤣🤣🤣
I thought u we’re Isoplays
*Shelby Shawarma cameo was needed in "za" courtroom* 😂🤣
I know he lost it when he seen za ketchup on shawarma
@@ahandfullofjosh2730 yes za josh seen it! 😂
thanks 😂
The wig was the best actor in this skit!😂😂😂😂😂
Albert's crimes finally caught up with him 😂
Albert_iscooked
@@boredniko2406 at last
😂
Ketchup on SUSHI is down right a doomsday weapon.
On pierogi too.
Ketchup on sushi is diabolical
Shelby : gulty
Lionfield : gilty
Satoru : julty
Judge guilty dammit!!!😡
Hey! It’s been a while since I’ve posted--I was working on a frankly unreasonable number of projects these last two months, some of which I hope to be able to show you soon, but it left me with very little time to add to this blog. A couple of days ago, I was reminded I have to get back to this when I saw a comment come up on my last post “Action is his reward.” With permission, I’m reproducing it here: I am rewarded by your enthusiasm and I can relate to most of the content that you produced for this blog post. However, this project may not the best case for the perspective you are presenting, as it stands with today's technology trends and capabilities (perhaps limitations as well). I hope some day, doing this style of work proves to be more cost effective, as I would love to see more of this style in hopefully even more ambitious productions. Let me elaborate some other perspective that may explain my point better and hopefully have more people appreciate lesser understood details about what is presented in that teaser. If you think about a team of people creating this whole thing from scratch and let's say during the process they might be using some techniques uniquely advantageous and otherwise impossible when not animating using computer aided techniques, you can appreciate making those techniques work as they work in traditional animation medium will pose its own challenges. It is only fair if I gave two examples as well... For example computer simulation of any kind is hard if not impossible with non-continuous representations of motion when they don't interpolate in a relatively plausible way. Another example would be re-creating a traditional "looking" style, let alone being attempted at a scale like this, will just be a huge technical undertaking. Now, I have a consistent problem where I open my mouth intending to add just a sentence to a conversation and a nine-volume encyclopedia pops out instead. Accordingly, my attempt to answer the poster succinctly turned into a post-long response that I decided might as well just be a post, so here it is! Thanks for your comment! You may be right that Spider-verse isn’t the best example, and certainly I wouldn’t hold it up as an example of the kind of production I intend to create--just as a very good example of stylized CG. I suspect that rendering in a stylized way, and making this style work with their existing methods, was quite expensive for SPI! I recall an artist who worked on Paper Man describing it as twice the work of ordinary CG. That's certainly a danger with stylized approaches--but I think it's an avoidable one. The problem, it seems to me, is that you really can't approach this sort of production as if it were conventional CG, with a conventional methodology and pipeline, and expect to reap the cost benefits I think are potentially realizable with it. You'd have to treat this kind of production very differently. For instance, you mention simulation as something that would be difficult with non-continuous motion, and you're quite correct. So simulation itself would be the first thing on the chopping block for the production, outside of the occasional FX shot. It's one of the many steps that gums up the works of CG production and prevents us from getting to that an-artist-can-sit-down-and-just-make-something state. Plus I generally don't like its results on an artistic basis (at least in this stylized context). When traditional animators animate clothed characters, the clothing takes part in the character's silhouette and becomes a part of the performance. They never had any difficulty animating cloth by hand. Yes, I am actually claiming that hand-animating cloth would be faster then simulating it, and I know how insane that sounds from a conventional CG perspective. But stylization completely changes the game. Consider the monkey test I posted a few months back. The monkey is unclothed, of course, but there definitely parts of his body that require secondary animation, notably his hair tufts and ears. The hair tufts at least would most likely be simulated if this shot were approached in a conventional manner. The way I approached the shot was not only to animate them by hand, but to animate them from the very beginning--the very first key poses I put down already included the ears and hair tufts as an inherent aspect of those poses, already contributing to silhouettes and arcs. It’s pretty difficult to get an accurate idea of exactly what percentage of my time animating the shot was devoted to them, but I’m going to guess it was only a few percent. This is only possible because the stylized look allowed me to ignore the “higher frequency” details that would be required for a fully rendered character, and I expect these same details would also be unnecessary for character clothing. I’m much more interested in character silhouettes then I am in wrinkles and clothing detail, so some simple secondary that’s really just part of the character’s pose would actually be more effective. The idea here is that this isn’t just any form of stylization--it’s a specifically chosen set of stylizations that support each other in the goal of massively reducing the amount of work involved. And that means choosing subjects that work with the grain of those stylistic choices. For instance, you may be wondering how I’d approach a long flowing cape or a long coat. The answer is...I wouldn’t. I wouldn’t generally put characters in long coats or capes. There are about a million stories you could tell that don’t require anyone to wear a cape. Creating low-cost CG in this manner would be about making the design choices that let you get the most bang for your buck production-value wise while maintaining the essentials of character animation, a very different goal then that which I suspect drives companies like SPI and Disney to create stylized CG. This also applies to the NPR rendering. There are a lot of ways to approach this problem, and some may be very time consuming! The two-tone methods I’m using here aren’t, though. I was able, as an individual with some understanding of the problem but no custom tools, to sit down and do the shading for the Monkey test without much trouble. Partly this is again choosing the most direct path to something that both looks good and is efficient to create. The simple two-tone present in the monkey test carries far less detail then the more painterly frames from Spider-verse, but I think it wouldn’t have any difficulty supporting emotionally engaging characters or exciting action scenes. That said, the efficiency of this process could be improved a lot, and there’s a lot of room for R&D here--there’s still a required level of manual tweaking that I’d like to get rid of, and the two tone shapes could be improved. I’m hoping to tackle some of those problems this year. There’s still the question of how that process, however reasonable on a small scale, would scale up to a large production like a feature film. In many ways, it may help to think of the look development for such a production as being less like a conventional film production pipeline, and more like a game. Ideally, except for certain FX shots, such a production would not even have a rendering/compositing stage--what you would see working on the shot would simply be the shot. It might be quite literally “in-engine” if using a game engine as the hub of production turns out to be the right way to approach it (this is something I’m getting more and more interested in). While this doesn’t remove all potential issues with scaling the approach to feature film size, I think it does drastically simplify the problem. Of course, we haven’t actually produced a long-form project using these techniques, and I’m sure there are going to be unforeseen roadblocks, so we shall see! In any case, thanks again for your comment! I hope this illuminates how I envision this production process being different from the way I imagine that Spider-verse is being done, and why I think that the immense cost gains I’m claiming here are achievable.
YES GUILTY DAMMIT
@@DungTran_iajddis i aint reading allat💀
@@DungTran_iajddisamen to whatever you wrote
Guilty Dammit 😠@@DungTran_iajddis
Chef Rush neeeds an Nobel Prize for resolving all these food crimes
Judge Judy wouldn’t be so proud but she would still show appreciation for their effort of delivering justice at the end of the day. 🤣🤣🤣⚖️
funny seeing this video and after scrolling down on next short, theres the jail video versiom of Albert 😂
Shelby: Shawarma
Lionfield: Pizza
Ohio Final Boss: Sushi
Put him in jail! "Guilty damnit!!"
that you dead got me 😂😂
Chef Rush needs a Nobel Prize for exposing what Albert did to Italian and Japanese food🕵💪
And Arab don’t forget that 😂
And arab
@@sweetplaysclaw7084 Actually it's Turkish
@@TheDarkGrimmTurkish? I though the Shelby’s guy was Arab
Also Arabian
Patrick flinging the hair on his wig all over the place intentionally is hilarious!
😂
The Cooking arc is getting crazy asf🔥
The way he flipped his head to fix his hair was hilarious
Albert’s crimes finally caught up with him. 😂😂😂
Not me!! Left me laughing😂😂😂
Ketchup belongs on a Hot Dog, A Burger, and Chicken Nuggets!
*Guilty Damnit!*
And french fries!
@@PolarBearChoujin2470 exactly
Ketchup does not on hot dogs look it up.
Anything involving potatoes.
Not even a burger
Bayashi smiling in the corner
I just love how all food communities collaborate with each other ❤
The part where lionfield said guilty😂
I was expecting a death sentence😂
Bro puts Ketchup on everything 😂😂😂😂
There were 3 andre’s in the court 😂 he really is too powerful
This the reason i pay my Internet bill 😅
That wig I can't😂😂 *I wish I could pull it off*
as soon as he said witnesses I knew LionField would be a part of this
This had that Deadpool and Wolverine feel to it.
I knew one day he will face justice ⚖️😂
Albert was sweating his heart out 😭😭😭
Albert : not me 😂😂😂😂😂
Guilty!!! Been long enough 😂😂😂😂
Guilty dammit this sentence got me 😂
Albert sweating like crazy 😭🙏
Bro was drowning in sweat 🤣
It's a crime to be a bad chef 👨🍳 😂
Bro got that fresh karen haircut
Albert weapon: ketchup 😮
Sentence for 1,000 days= no cooking
Albert got prison 20 years.Also I'm going ban for 3 Days
Reasons: Albert got guilty with no reason and same like to ChefRush
Patrick 3 people saying Guilty to Albert
So dont to that again Albert guilty AGAIN!!😡😡😡
YES DAMMIT
Yeah ketchup on sushi is treason he needed to be in jail lmao
Ketchup: The condiment that ruins all food cultures.
The hair 😂
Chef Rush x Chef Gordon Ramsay collab should happen soon 🙋🏾♀️
Actually, they already did in a Masterchef episode, I guess
@@IamREGZCan you tell me which episode of which season please?
@@maxusblackeltiofavoritodet5568 S13E11, I just searched it on Google bro hehehe
Chef rush actung like he didn't do that by himself
Finally he got arrested for his crimes
Patrick with the wig is funny 😂😂😂😂😂😂😂😂😂😂😂😂😂
Albert got off lucky:
People have been sentenced to death for lesser crimes.
The judge is enjoying the hair a bit too much 😂😂😂😂😂
love you chefrush❤❤
albert: not me judge patrick judge patrick: oh okay
Bro Roast 3 national foods at once 😂😂
Italy : Non approvato 😠
Japan : 承認されていません 😠
Mexico : No aprobado 😠
Germany: Nicht genehmigt 😠
Edit:
1. Italy
2. Japan
3. Middle East
Patrick's Karen wig had me laughing 😂😂😂😂
I'm loving this whole crossover lore of cooking guys!!! 😭❤️❤️
i lost it as soon as he said guilty dammit
These collabs are getting crazy ☠️
The Guilty Dammit had me crying 😂😂😂
Patrick with the hair was it for me 😂😂😂😂😂
THE KETCHUP SOUND MATCHES THE WATER FORM HIS MOUTH 💀💀💀
"Life in prison!!!" well said Patrick Albert disrespects every food even Lionfield confronting him isn't enough to make him stop 😂😭
The hair flip is killing me😂😂
*Guilty Dammit!!! Got he Arested* 💀💀💀
How did you guys get an available courtroom to film this? LOL This is HILARIOUS!!!
He could plead insanity.
(you died) cheafrush that was so ultra😂😂😂😂😂❤
Puspaksindhu (no guilty)
Chef bro : (not guilty)
Albert : GULITY GULITY GULITY
GUILTY DAMMIT
Shawarma Man: Guilty!
Lionfield: Guilty.
Ohio Boss: Guilty.
Albert: who are dos people?!
When He Said Guilty Dammit Had Me In Stitches
The fact about Albert spiriting 😅 😂😂😂😂
Another fact is that he ALWAYS PUTS CACHUP EVERY TIME 😢😢
I can’t with the wig 😂😂
To those who said guilty, SHUT UP
I do NOT want to be Alberts Lawyer
At the beginning ChefRush should've said "All Rise For The Honorable Judge Karen Patrick" 😂😂😂😂
HEY ORDER!! ORDER IN MY COURT 🤣🤣🤣🤣🤣
Albert Gulty dammit!!😈>:)
Bro destroyed Japanese/ Arabic/ Italian food😂
Imagine you are an attorney and get to say guilty dammit the first thing in the court😂😂😂
Волосы судьи это что-то с чем-то ❤
And Albert continues cooking behind bars with Ketchup 🤣
Now albert has to teach us how to cook jail style
You have the right not to speak, but you have the right to laugh.
I noticed there's two chef rush
@@aimanafiq-sl4ce ?
This is literally gonna be Diddy in court 😂 💯
Lionfields guilty made me laugh
Bro just got nervous that he had to spit on all over the desk
Pov :if food crime is real
ROSTED Court dammit!!!!
Me: (looks at Albert with an menacing look)
It's criminal that Albert didn't say he was hungry behind bars 😂
Argentina 🇦🇷 : Albert, ya nunca más de ketchup tontos 😡😡😡😡😡
The wig 🤣🤣😭
Poor Albert 😂 But ketchup on that many things is a warcrime
Albert vs every country 😂😂😂
Bayoshi is next dammit
😏😳🤣
😂😂demin kill me😂😂