This video is what's up. I always find this to be a tricky concept to help students with. They always struggle to connect with the fact that it is the gesture that matters more than the "notes" so to speak. Love your channel.
This is a tough concept to teach, I’m still trying to work out the most articulate way to explain it. I’ve been checking out your content as well, great stuff! Keep it going.
Boa tarde!!! Meu nome é Sandro, sou trombonista do Brasil, mais precisamente da cidade de São Gonçalo do Sapucaí-Minas Gerais!! Coloquei um tradutor de legendas e gostei muito dos vídeos acho que deu para aprender muito!!!
Sir, I'm very curious about something... I'm not a musician but I do enjoy music to the fullest within my limited understanding of it. I wonder if you could share your expertise on a trombone solo that I really like; the technical aspects of it, execution and so on... Congrats on your channel.
Thanks for supporting the channel! What solo are you speaking of? I can’t tell you why you like it because that’s totally subjective. I can help you identify certain things musically and why they may resonate with you. 😉
Your video have help me improve my playing considerably. Thank! I have a question thar might be a good topic for a future video. What do you do when you sit down to practice and you start to have a bad session? Do you stop, do you keep plugging along, or do you do something else?
Thanks for checking out the videos. I'm really glad the tips have helped. That's actually a really good video topic you suggested! I've used a combination of the three things you mentioned. Playing a brass instrument is a mental game as much as it is a physical game. On some days your brain may need a break. Other days your chops might need a break. It is very important to have an outlet outside of music that brings you joy. When we play, we need to keep life in perspective. After all, that's what we want our music is represent. A healthy balance of vibrations that's pleasing to the listener. That's usually achieved through a doing a little bit of everything. I hope this helps!
You can certainly do that but for some (myself included) it can be tricky starting the phrase out there! Of course with practice that position choice works just fine.
Hi Dion Tucker"give a dog a bone here , UK 🇬🇧 no teeth guy at the moment I'm struggling with what seems like a double lip turn , I keep practising it im just wondering if I'm practising it correctly Dion it sounds like a double lip turn going up a partial on the 2nd one when played properly it sounds ace , bit of a teagarden one 😀 ?
I'm not sure what you mean by a double lip turn. I can imagine the sound you're talking about when you said Jack Teagarden. I would say it's part lip turn, part slide inflection.
@@TheChopsShop, that's what it is Dion you hit the nail on the head it's lip turn and the rest in the same position you just slur up through the partials again for the effect , I'm getting it now my friend no worrys it just needs practise to make it 10/10 , I must say it was confusing me because it sounds like a double lip turn but it's not it's lip turn keeping on the same partials and slur
Dion did you know Jack Teagardens personal horn is for sale on ebay 😳 jazz trombonists should get in on this one and demand that this horn belongs in a glass case at the Lincoln Centre or some simular place 🤔 what do you think Dion ?
@@TheChopsShop hi on that particular lip turn you couldn't understand properly what I was on about well if you have time have a listen to Do you know what it means to miss new orleans with Rebecca Kilgore quartet with Tim laughlin and hsve a listen to Dan Barrett's solo and on the passage of on the lyrics Do you know what it means then he plays the lick with lip turn , this is about the best way I can explain it to you and of I may ask would you say its a typical Teagarden lick , I am now doing them all over the horn I've gone lip turn and slur crazy 🤪 🤣🤣
I’ve been reading a few threads about it and it seems like a horn he owned not necessarily one that he played. I don’t know if the price is right for that piece.
Generally lip turns are done in the same position. Limiting slide movement is usually why we use lip turns. You can move the slide and do a lip turn but the sound will be almost the same as not moving the slide. In the context of jazz playing, think of lip turns as a way to make fast triplets sound smooth.
I’ll be 100% honest, I’ve never thought about using that combination. It makes perfect sense to use those positions. I think it’s because I rarely start a phrase playing a high G in 4th, I’m gonna go try this now!
This video is what's up. I always find this to be a tricky concept to help students with. They always struggle to connect with the fact that it is the gesture that matters more than the "notes" so to speak. Love your channel.
This is a tough concept to teach, I’m still trying to work out the most articulate way to explain it. I’ve been checking out your content as well, great stuff! Keep it going.
What about going out to 7th (5-7-5) on that 3rd measure triplet for a natural slur? The legato triple tongue you did sound clean however
That’s definitely an option but I’m weary of fast passages where I have to go to 7th position. I’ve had a bad experience. Lol😐
Boa tarde!!! Meu nome é Sandro, sou trombonista do Brasil, mais precisamente da cidade de São Gonçalo do Sapucaí-Minas Gerais!! Coloquei um tradutor de legendas e gostei muito dos vídeos acho que deu para aprender muito!!!
Thanks, I appreciate you checking out the content! I love your country! 🙏🏾
yes we need more videos like this
I’ll keep em coming! Thanks for checking out the content.
Fantastic. Great discussion, demonstration. A killer video! I'm loving the slide technique and articulation here, too. Yeah!
Thanks Paul! I’m glad this video has been helpful. It’s a tough topic to describe.
Very helpful explanation and suggestion to start on the target note. Thanks again!
I’m glad the explanation was helpful, this is a tough topic to articulate.
That was helpful. Thank you.
Awesome, my pleasure! 🙏🏾
Sir, I'm very curious about something...
I'm not a musician but I do enjoy music to the fullest within my limited understanding of it.
I wonder if you could share your expertise on a trombone solo that I really like; the technical aspects of it, execution and so on... Congrats on your channel.
Thanks for supporting the channel! What solo are you speaking of? I can’t tell you why you like it because that’s totally subjective. I can help you identify certain things musically and why they may resonate with you. 😉
Your video have help me improve my playing considerably. Thank! I have a question thar might be a good topic for a future video. What do you do when you sit down to practice and you start to have a bad session? Do you stop, do you keep plugging along, or do you do something else?
Thanks for checking out the videos. I'm really glad the tips have helped. That's actually a really good video topic you suggested! I've used a combination of the three things you mentioned. Playing a brass instrument is a mental game as much as it is a physical game. On some days your brain may need a break. Other days your chops might need a break. It is very important to have an outlet outside of music that brings you joy. When we play, we need to keep life in perspective. After all, that's what we want our music is represent. A healthy balance of vibrations that's pleasing to the listener. That's usually achieved through a doing a little bit of everything. I hope this helps!
What about playing the triplet Gb to Ab to Gb with the Ab across the grain? So 5-7-5-6- etc..
You can certainly do that but for some (myself included) it can be tricky starting the phrase out there! Of course with practice that position choice works just fine.
Hi Dion Tucker"give a dog a bone here , UK 🇬🇧 no teeth guy at the moment I'm struggling with what seems like a double lip turn , I keep practising it im just wondering if I'm practising it correctly Dion it sounds like a double lip turn going up a partial on the 2nd one when played properly it sounds ace , bit of a teagarden one 😀 ?
I'm not sure what you mean by a double lip turn. I can imagine the sound you're talking about when you said Jack Teagarden. I would say it's part lip turn, part slide inflection.
@@TheChopsShop, that's what it is Dion you hit the nail on the head it's lip turn and the rest in the same position you just slur up through the partials again for the effect , I'm getting it now my friend no worrys it just needs practise to make it 10/10 , I must say it was confusing me because it sounds like a double lip turn but it's not it's lip turn keeping on the same partials and slur
Dion did you know Jack Teagardens personal horn is for sale on ebay 😳 jazz trombonists should get in on this one and demand that this horn belongs in a glass case at the Lincoln Centre or some simular place 🤔 what do you think Dion ?
@@TheChopsShop hi on that particular lip turn you couldn't understand properly what I was on about well if you have time have a listen to Do you know what it means to miss new orleans with Rebecca Kilgore quartet with Tim laughlin and hsve a listen to Dan Barrett's solo and on the passage of on the lyrics Do you know what it means then he plays the lick with lip turn , this is about the best way I can explain it to you and of I may ask would you say its a typical Teagarden lick , I am now doing them all over the horn I've gone lip turn and slur crazy 🤪 🤣🤣
I’ve been reading a few threads about it and it seems like a horn he owned not necessarily one that he played. I don’t know if the price is right for that piece.
I don't understand this a t all. So you can only do lip turns using notes in the same harmonic series (same slide position)??
Generally lip turns are done in the same position. Limiting slide movement is usually why we use lip turns. You can move the slide and do a lip turn but the sound will be almost the same as not moving the slide. In the context of jazz playing, think of lip turns as a way to make fast triplets sound smooth.
How about playing that first one 4,3,2,1 in a smooth motion moving in?
I’ll be 100% honest, I’ve never thought about using that combination. It makes perfect sense to use those positions. I think it’s because I rarely start a phrase playing a high G in 4th, I’m gonna go try this now!