Cameroon Music | Bottle Dance | Bamenda Music | Ni Ken, Ni Alfred Kwende, Abuhtimbi, John Minang |

Bottle dance is a soul touching jam from the grass field of Cameroon, North West Region to be precised. It is believed that Bottle Dance is from Bafouchu Clan in Mezam Division.
The dance instructions and steps are mouth-watering and only unique to this particular area of the world. I made this mix for you and your family, dance to it and please do share and subscribe. It will motivate me to do more. Let me know in the comment section which of these tracts was your favourite. Enjoy the traditional rhythm.
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DJ Proff Proff a timeless all genres DJ from Cameroonian living in Germany made this mix just for you and your love ones.
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Featuring on the mix:
Ni Ken,
Ni Alfred Kwende,
Abuhtimbi,
John Minang,
Foso De Prince,
Wara Festus
#Bottledance Bottle Dance
Bottle dance is one of the unique musical styles peculiar to the people of the grass field precisely from the Northwest Region of Cameroon. The instrumentation doesn't employ many instruments but has a vibe that complements unique dancing steps. Dance in Cameroon is an integral part of the tradition, religion, and socializing of the country's people and bottle dance typical represents that of the Mankon and Pinyin people.
Originating from late 19th-century Cameroon, the Bottle is a dance for couples, in which both partners´ movements act out a speaker's words and is referred to as bottle dance because of the resounding overshadowing sound of bottle clinging melodiously with a conductors voice to guide and instruct dancer's steps. It is always a beautiful thing to watch as these dancers move in unison especially covered in the colorful traditional northwest regalias.
This particular music rhythm and melody has been consumed by both the aging and youthful population over the years and seems to appear very appealing to the taste boards of a typical English community. The goal is to make it a genre, export it to the mainstream media-backend bone by the commercial appeal.
At a time where Cameroonian artists are finding it quite difficult to lay their hands on the music sound that represents them or can easily identify to, it's important to dive back into those folkloric chants, rhythms, and cultural dances we enjoyed while growing up and making the best from it as the main melodies to our music creations.
Its the consistency in it that will eventually make it a trend and more meaningful, the amazing thing about Bottle Dance is it allows any artist who wishes to adopt the genre to hardly run out of inspiration, it serves as a blank page for " storytelling" penning down relatable life experiences.
Just like Njang gradually gaining visibility in the Cameroon music urban scene artist should disrupt their creative decisions on venturing into other melodies like Bottle Dance, Mbaghalum, and other styles peculiar to thé Grassfield.
There exist a National Union of Bottle Dance Artistes in Bamenda and it's important to form a Côme together to discuss thé possibilities in preserving and prolonging this legacy some music legends introduced. It's important music producers equally introduce this in their beat-making creative decisions and there are just a handful of music artists and producers in this generation who have paid homage to this folkloric sound, de want more and we need more.