G. Goltermann Cello Concerto No.3 Op. 51 in B Minor | Fast and Slow Tempo

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  • Опубликовано: 10 дек 2024

Комментарии • 15

  • @irebustini
    @irebustini 2 года назад +4

    Wow! Beautiful piece, lots of challenges and opportunities for practicing virtuosity. It is beautifully played! I will definitely add this to my list of pieces to play in a near future. Thanks!

    • @Cellopedia
      @Cellopedia  2 года назад +3

      Great idea. All of my students enjoy it ( after few weeks on misery )

  • @pangpang-cheese
    @pangpang-cheese 2 месяца назад +2

    Hello😀thank you for this video💛
    (저 지금 이곡 배우고 있어요🎼🩷)
    This video helped me playing with more details😊
    I’m also cellist like you🎻

    • @Cellopedia
      @Cellopedia  2 месяца назад

      Great to hear from you! Have you play other music by Goltermann?

  • @Kedy_Routines440
    @Kedy_Routines440 5 месяцев назад +1

    I am also a cellist like you. You perform very beautifully. We like you a lot ❤🤞

    • @Cellopedia
      @Cellopedia  5 месяцев назад

      Thank you 🙏 It is good to hear that from a colleague ❤️

  • @beybladebattles5125
    @beybladebattles5125 2 года назад +2

    awesome

  • @hichemchergui3784
    @hichemchergui3784 12 дней назад

    ❤❤❤

  • @ragey2214
    @ragey2214 2 года назад +1

    I have to play this piece now and I don't know how to practice it. Should I play it by segments or play the whole piece but in a slow tempo like in the video?

    • @Cellopedia
      @Cellopedia  2 года назад +2

      I think that working measure by measure in slow tempo is the first, time consuming, but very important step. Later on you should try to increase tempo and start working on playing through.

  • @josepgarrido115
    @josepgarrido115 Год назад

    Hello, any advice for practicing the staccato that is tied? any method or study?

    • @Cellopedia
      @Cellopedia  Год назад

      For practicing tied staccato on the cello, here are some tips...
      Begin at a slow tempo to focus on the precise coordination between your bowing hand and the left hand. The key is to achieve a clear articulation with each staccato note, even in a legato context. Practice the staccato movement separately. On an open string, practice short, controlled staccato bow strokes within a single bowing (slur). Focus on using small, precise movements of the bowing hand, particularly the fingers and wrist. As you become comfortable, gradually increase the tempo while maintaining clarity and control of the staccato notes. Experiment with varying bow pressure and speed. Tied staccato requires a balance between the two to achieve the desired articulation without breaking the legato line.
      Mastering tied staccato is a gradual process. Consistent, mindful practice will lead to improvement over time.

  • @Snow-th5qx
    @Snow-th5qx 2 месяца назад +1

    i would say, beautiful performance that can improve in a lot of ways. Bow distribution is confusing, fingers organisation a bit too. Your vibrato could be more romantic in a powerfull way. Good work on the technical parts tho, spicatto is clean, octaves too! Good performance overall, hope i could help! 💪👍

    • @Cellopedia
      @Cellopedia  2 месяца назад

      Thank you, Maestro! Once you feel a bit less confused, could you please review my other videos?

  • @ziqilin9925
    @ziqilin9925 9 месяцев назад

    Pls delete the ad thx