The fifth chord from the end in the piano is the same as the two before it, but played lower. It is an Am6 chord, with the RH playing an extra 'F natural' sandwiched between a A minor triads. This note is a minor second away from an important note in the chord, the fifth (E), and minor seconds are especially "dissonant" and recognizable. This kind of chord does not ordinarily spell "resolution" or closure, and in fact has a major F7 chord hiding inside of it, which adds an ambiguous color. But if you're a fan of his work, then maybe you are asking a more technical question. In the antepenultimate measure, the piano is playing fortissimo F#7 (major) chords, above a falling Bbm motif in the orchestra. Besides the rhythmic tension that comes from a surprise measure in 3/2, we are poised on the VI of the tonic, which traditionally implies a major 'I'. This oblique modulation to the resolution is given appropriate support and nuance by the Amin6 "color". Not seen in this piano reduction is another tone at the beginning of that penultimate measure (in the brass). If you only look at the score, you might miss a piece of the magic.
Fascinating! Thank you for uploading this (and parts 2 and 3, of course)
Love the tritone motif!
I liked it a lot! Such a sonority! Thanks for sharing.
..sharply melancholic..after all impreguinate of beauty.
🇧🇷
luv this never heard of this composer
Major sixth interval sorry! It sounds so dark too, love it!!
5:46 Is that Prokofiev?
+123eldest
11:20 too =)
03data
Indeed :D
123eldest
Oh wow, it's been a year (edit: almost 2 years), yet you reply instantly =O
03data
Just happened to be on youtube ^^
Actually all his piano works sound like Prokofiev and his symphonies sound like Shostakovich.
A wonderful concerto. Is there a cd available anywhere??
The fifth note from the end...can someone tell me theoretically why Golubev put that/why it works? He does it in other places too, it interests me.
The fifth chord from the end in the piano is the same as the two before it, but played lower. It is an Am6 chord, with the RH playing an extra 'F natural' sandwiched between a A minor triads. This note is a minor second away from an important note in the chord, the fifth (E), and minor seconds are especially "dissonant" and recognizable.
This kind of chord does not ordinarily spell "resolution" or closure, and in fact has a major F7 chord hiding inside of it, which adds an ambiguous color. But if you're a fan of his work, then maybe you are asking a more technical question.
In the antepenultimate measure, the piano is playing fortissimo F#7 (major) chords, above a falling Bbm motif in the orchestra. Besides the rhythmic tension that comes from a surprise measure in 3/2, we are poised on the VI of the tonic, which traditionally implies a major 'I'. This oblique modulation to the resolution is given appropriate support and nuance by the Amin6 "color".
Not seen in this piano reduction is another tone at the beginning of that penultimate measure (in the brass). If you only look at the score, you might miss a piece of the magic.
Здравствуйте. Где можно скачать ноты концерта1 Е.Голубева
Зарина Жомарт у меня есть ноты
Beau comme du Rachmaninov!
Go take a look on IMSLP
Someone was listening to Liszt's Sonata in B Minor, haha