Before the fix, the illustration gives off vibe from a 2000s art work. I know the fix was better but the blackdned contrasting color feels so nostalgic to me, even if it comes of amateurish
That's exactly what I thought! Although I feel like what also created that 2000s vibe was the super fine details and if those were readded (which would take way too much time for a simple critique so I can understand why he wouldn't do that) it would definitely help retain that more "nostalgic" feel!
Both the artist and Naoki-sensei's version are beautiful. But I'm sorry, this time I got to disagree with Sensei. What I get from Naoki-sensei's corrections are not 'transparency' but more like 'lightweightness'. The character looks weightless and soft with Sensei's correction, which is pretty and I love how it looks, but this time Naoki-sensei changed the character's identity a bit too much. He altered the character too much, the girl doesn't look like herself in the original drawing. Her darker colour hair and skin are her motives, that what makes this girl 'this girl'. So when Sensei changed all of that, she looked like a different character altogether. Usually Naoki-sensei is not like this. I was hoping that Naoki-sensei could show us how a character with a dark colour palette can also look 'transparent'. But ofc, this is just my perception, everyone can have different opinions and views which is very understandable. I'm sorry if I was too blunt with my words. No offence is intended, Sensei, I promise.
Tldr: rather than looking 'transparent', the character looks 'weightless and soft' with Sensei's correction. I was hoping that Sensei could show us how a character with a dark colour palette can also look 'transparent' whilst also retaining the dark colour.
@@kumomos253house6 oh that's more or less what I wanted to say, thank you for translating it in Japanese (that's if what Google Translate translate what you said correctly. I apologise if I misunderstand your comment).
![How to make a picture that attracts people!? [Illustration Correction 183]](http://i.ytimg.com/vi/4BGHVZfjmi0/mqdefault.jpg)
![How to make a picture that attracts people!? [Illustration Correction 183]](/img/tr.png)
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
前髪修正した瞬間で顔周りの透明感ガラッと変わるのスゴすぎる
自分は仕事で絵を描いて15年になりますが、講座系の動画はさいとう先生のものさえ見ておけば良いと感じるほど有益な動画です。本当に頭が下がります
凄すぎて声が出ちまった…元の絵もメタリックな感じで良いけどね！
8:13
ここの顔の明るさにグラデーション付けることによる反射光の表現がマジで参考になった…最高かよ…
先生の色の選び方が本当に素敵です。明るいところは暖色、影になるところは寒色がやはり基本になってくるんですね…！勉強になります🙇🏻♀️
描き込み増やすと透明感消し飛ぶ
〜この両立難しい
色トレスと線の取捨選択ですね。あとは描き込みを色でやる、これで多少はカバーできます。線画を描き込みすぎると本当に重くなるのでバランス難しいです。
なんとなくですけれど、
元の絵は描いた後に色調補正やグラデーションマップ等でいろいろ加工し過ぎちゃったのかな？という印象です
さいとう先生の添削後を見ると、全体のキャラクター性を損なうこと無く、
描き込みする／しないを使い分けて見やすくなっています、さすがだ
Before the fix, the illustration gives off vibe from a 2000s art work. I know the fix was better but the blackdned contrasting color feels so nostalgic to me, even if it comes of amateurish
That's exactly what I thought! Although I feel like what also created that 2000s vibe was the super fine details and if those were readded (which would take way too much time for a simple critique so I can understand why he wouldn't do that) it would definitely help retain that more "nostalgic" feel!
光の反射をどう描くかというところに着地するんですよね…。線というより色の彩度と明度を使い分けていくスキルが大切なんですね。
格ゲーのキャライラストから化粧品会社のイメージイラストに、って感じの印象でした。
反射光を肌にも乗せることで透明感のみならず血色を際立たせられる効果がある…と。メモメモ…
透明感っていわれて
濃くね？
って思ったのはあながち間違ってなかったのか
まぁ具体的にどう、とか、変化がどうなるとかは分かんなかったし、元の絵も上手いけど添削されてどんどん変化していっていつもすごいなぁ
すごい!
Здорово .Вы просто Лучший😮
なるほどなぁ
Ternyata art yang menggunakan warna yang berdekatan begitu indah
手前の髪を真っ白にした時に「ﾜｯ眩しっ！！」って言った
Maestro, que programa de dibujo utiliza?
❤❤❤❤
can anyone tell me how i can send my illustration to sensei Naoki to make a correction?
自分も透明感のないでとでとのえになりがちだから助かる
Both the artist and Naoki-sensei's version are beautiful. But I'm sorry, this time I got to disagree with Sensei. What I get from Naoki-sensei's corrections are not 'transparency' but more like 'lightweightness'.
The character looks weightless and soft with Sensei's correction, which is pretty and I love how it looks, but this time Naoki-sensei changed the character's identity a bit too much. He altered the character too much, the girl doesn't look like herself in the original drawing. Her darker colour hair and skin are her motives, that what makes this girl 'this girl'. So when Sensei changed all of that, she looked like a different character altogether. Usually Naoki-sensei is not like this. I was hoping that Naoki-sensei could show us how a character with a dark colour palette can also look 'transparent'.
But ofc, this is just my perception, everyone can have different opinions and views which is very understandable. I'm sorry if I was too blunt with my words. No offence is intended, Sensei, I promise.
Tldr: rather than looking 'transparent', the character looks 'weightless and soft' with Sensei's correction. I was hoping that Sensei could show us how a character with a dark colour palette can also look 'transparent' whilst also retaining the dark colour.
「原作も先生の添削も素晴らしいのですが、これで完全に白肌の美女になりました
褐色のエジプト美女に透明感を出したいならどうすればいいでしょうか？」
…と、いうことですね
@@mocchilla
暗い色で透明感
は、無理だと思います
@@kumomos253house6 oh that's more or less what I wanted to say, thank you for translating it in Japanese (that's if what Google Translate translate what you said correctly. I apologise if I misunderstand your comment).
@@あいうえ男かきくけ子-q2i 「水遊びの白いワンピース褐色美少女」とかいけるんじゃない？
💙💙💙💙
透明感ってのは元絵の黒さのままでも体現可能だ
自分が「これ透明感あるな」ってもんを観察すればいいだけだぜ～？