FANTASTIC WORK. It's really important to say that Schrank is supposed to be played together with "Salz".... So if you want the full Enno Poppe experience.
0:00 I 0:38 II 2:15 III 3:20 IV - 17 Etüden für die Flöte, 3. Heft 7:20 V 10:27 VI 12:43 VII 14:45 VIII 18:07 IX - Fingernagel 20:19 X - Schweiss 24:29 XI Furthermore, III might've been a study for "Trauben"...? IV is the final part of the "17 Etüden" set, 2. Heft is an arrangement for Violin, can't find any info on the 1. Heft though VII is an arrangement of, or the source for, the second movement of "Obst" VIII is an arrangement of "Tropenwalzer" from "Arbeit, Nahrung, Wohnung" X is an arrangement of "Schweiss" from "Arbeit, Nahrung, Wohnung" and exists as a piece for cello + keyboard, or cello + bass flute, bass clarinet, violin and viola There also was something about that "Salz" should be performed right after this set, and if it isn't then the last two movements of Schrank should be swapped in order, right?
Wow, I think I forgot to add time-stamps... 'There also was something about that "Salz" should be performed right after this set, and if it isn't then the last two movements of Schrank should be swapped in order, right?' crap, you're right, although personally I don't like this fact. For me better sounds generally X and XI at the end... but it is a really good idea to listen to both pieces continously (especially when 'Salz' has a video now)
@@B-eSCH Feel free to add the time stamps to the video description so they show up as chapters :D Also tbh i agree on the ordering of X and XI. Well anyway, thanks for making a score video of Schrank! I'm excited for the coming Poppe uploads as well
@@B-eSCH that would be amazing to, though do you know of a complete recording of that piece? In the one recording on youtube the recording technology got a bit shaky during the Drei Arbeiten movement, cutting out some parts...
I like enno poppe, but I always feel his scores look VERY much like they're written for sibelius playback. Do you know what I mean? I guess it doesn't seem very player-friendly.
if you are talking about rhythm, I have to admit, they are pretty hard to learn, but I would say that it's because he is just very sensitive for various rhythm changes and transformations, I feel that in his music.
![Paweł Mykietyn - Epifora [w/score]](http://i.ytimg.com/vi/qQ7sfGo339o/mqdefault.jpg)
![Paweł Mykietyn - Epifora [w/score]](/img/tr.png)
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Enno Poppe: equilibrista professional entre l'absolut absurde i l'absoluta lògica! Gràcies per compartir.
Enno Poppe hype
sodelicious..........................
14:21-14:43 is one of the most beautiful things I've ever heard.
I love III & V.
FANTASTIC WORK. It's really important to say that Schrank is supposed to be played together with "Salz".... So if you want the full Enno Poppe experience.
0:00 I
0:38 II
2:15 III
3:20 IV - 17 Etüden für die Flöte, 3. Heft
7:20 V
10:27 VI
12:43 VII
14:45 VIII
18:07 IX - Fingernagel
20:19 X - Schweiss
24:29 XI
Furthermore,
III might've been a study for "Trauben"...?
IV is the final part of the "17 Etüden" set, 2. Heft is an arrangement for Violin, can't find any info on the 1. Heft though
VII is an arrangement of, or the source for, the second movement of "Obst"
VIII is an arrangement of "Tropenwalzer" from "Arbeit, Nahrung, Wohnung"
X is an arrangement of "Schweiss" from "Arbeit, Nahrung, Wohnung" and exists as a piece for cello + keyboard, or cello + bass flute, bass clarinet, violin and viola
There also was something about that "Salz" should be performed right after this set, and if it isn't then the last two movements of Schrank should be swapped in order, right?
Wow, I think I forgot to add time-stamps... 'There also was something about that "Salz" should be performed right after this set, and if it isn't then the last two movements of Schrank should be swapped in order, right?' crap, you're right, although personally I don't like this fact. For me better sounds generally X and XI at the end... but it is a really good idea to listen to both pieces continously (especially when 'Salz' has a video now)
also, seems like 1. Heft was not composed (or withdrawn? idk)
@@B-eSCH Feel free to add the time stamps to the video description so they show up as chapters :D
Also tbh i agree on the ordering of X and XI.
Well anyway, thanks for making a score video of Schrank! I'm excited for the coming Poppe uploads as well
really hoping to get once good scan of Arbeit Nahrung Wohnung, if I would, I could do a video of it too!@@sebastianzaczek
@@B-eSCH that would be amazing to, though do you know of a complete recording of that piece? In the one recording on youtube the recording technology got a bit shaky during the Drei Arbeiten movement, cutting out some parts...
My alarm is set
Hyped!!
I like enno poppe, but I always feel his scores look VERY much like they're written for sibelius playback. Do you know what I mean? I guess it doesn't seem very player-friendly.
if you are talking about rhythm, I have to admit, they are pretty hard to learn, but I would say that it's because he is just very sensitive for various rhythm changes and transformations, I feel that in his music.
bsd