Thanks for being so resolute,your lessons are incredible.I have followed Mr Holdsworth since the Feels good to me album and was lucky enough to meet him at the jazz cafe in Camden and he sold me the forty reasons album, and he signed it for me,what a lovely man.James
You are not only underpraised for the content but on the fluidity on the video, no edits (or few) whatsoever and no mistakes playing, which is really really hard!
Thanks a lot man. I try haha. I usually do the lessons off the top of my head so I have to memorize it just to make the editing easier. Again, thank you!
When I first heard Alan I knew he was next level. I tried to find an album to listen to as a way in to his music and metal fatigues wasn’t clicking for me. Someone suggested sixteen men of tain and I remember listening for the first time being completely blown away. I’ve been playing for 15 years and I had never heard anything like his phrasing. It really feels alien. I think only guitarists can understand quite how unconventional it is. Thanks for this channel. It’s a great way to pay respect and help others to appreciate his art. I’ll definitely be investing a lot of time into it.
It's 3am in the UK and I Thoroughly enjoyed your breakdown at the end of a crappy week, your series goes some small way to filling the AH size hole left in the universe-thanks again.
Thanks again for your contribution. It takes time to put all this together as we all know. You are greatly appreciated by many sir ! I am such an AH fan and really appreciate all your efforts.
Thanks for the knowledge! I never liked this song too much until I gave it a detailed listen, now one of my favorite songs by Allan. The solo intro is the darkest thing I’ve ever heard in jazz, true brilliance in the application in the whole tone scale.
Hahah thanks! I didn't think it was so hard, as much as remembering some of these weird chords. Also there's so much transposition in Allan's material, it makes it a bit easier to remember. That's just me though.
Yeah! One of those things that Allan's chart made sense to him when he knew how long to hold the scale for. Trying to write it out with measures makes it even more difficult!
Awesome, as usual!! i prefer to handle the C# add#11 at the 11th fret of the 5th string with the lower note ( G# , then C# on 4th string, F on 3rd string and G on the 2nd string at 8th fret)...Thanx for helping me understand Allan's masterpieces
Really great job Thank you for saving me tons of work and I really appreciate you breaking down His chords are challenging on piano too but just amazing
Thank you so much for another great analysis that you shared with us. The chord section for the solo is indeed utterly brilliant and yes, very reminiscent of the idea for the Giant Steps changes. I will definitely buy your book once it is available!
thanks for the lesson. I have bought a guitar recently and was studying some chords and was looking for some "pratical" allan holdsworth song, and this one is perfect because it's got triads and 7's inversions and you explain crearly how can you see the chords, what is perfect for me how is looking for some vocabulary, even if allan uses it in a unique way!
Thank you! Yeah not ALL Allan is scary, some is 😁. Let me also suggest Leave Them On, Devil Take the Hindmost and Atavachron. Those are all pretty simple too 👍
Thanks but that one is a Gary Husband tune. I only want to stick with AH tunes. Also I think the entire harmony of the song is on keyboards. Im sure someone has a lesson on the solo section. I try to shy away from that. Good luck but TBH if you want something done right, do it yourself! Thats what I try to do.
I was really interested to learn how Allan counted this tune. I always heard it as a 4/4 measure (1, 2-and, 4), then an 11/4! Perhaps because I hear Gary N phrasing it that way.
@@2204JCM Well I mean, his time is good, but its a bit free-er than how we usually think of it. The beauty again of his writing, he goes by feel. "Everything is in 1" haha. ruclips.net/video/c8NbuOZgWmc/видео.html
I was always intregued by free jazz however, Allan's version sounded like a discovery of what it must feel like to discover the elements of the universe for the first time.
First off you are a great teacher and giant person to show us these things which mortals cant play.. I wonder do you work in axe fx 3 at all and if so do you share your patches ? Im curious if these stomp patches work in Axe 3... I just got the III so im new to it .. Much thanks in advance...
Thank you so much!! I don't use an axe fx. I do have a Kemper, but if it wasn't that, I was using a Peavey JSX head. I do know that in order to get the chords right, you have to use the Roland GK-3 pickup and you're forced to use their presets in the multifx using. So I probably was using something in the Roland GP-10 that sounded decent.
Beatles hoodie, Incesticide poster and Holdworth tutorial. You my friend are cool as hell in my book! Maybe it's just my circle but there's not a lot of guys I know who can really appreciate all of those things, for whatever reason. What are the other posters? And what other albums can I listen to that are similar to the B Side of Incesticide? I was kinda shocked to find out how many Nirvana songs were more or less ripped off but I don't know of anything that sounds like those!
Thank you! Ive been saying Allan and Kurts writing are cut from the same cloth but on VERY different ends. Tell me a song that sounds like "In Bloom"! All those artists shaped my musical journey HEAVILY. The other posters are different movie posters for Dawn of the Dead, my favorite movie! Most of that Bside of Incesticide stuff (my personal fav) are all early Nirvana. Anything written from 87 to 89. Anorexorcist, If You Must, Blandest, Spank Thru, Vendettaganst, Erectum, all written around that time but not released till the boxed set. Most ended up on Inces or Bleach.
@@TurrigenousOfficial I'd love to hear 'if Allan Holdsworth covered Nirvana', esp something off Incesticide!! Gimmicky perhaps but it would give you a chance to elaborate on this 'of the same cloth' idea. I've ofc heard comparisons to John Coltrane, but never Kurt Cobain! I'll never forget when I came home on a summers day between maybe 4th and 5th grade and my mom sitting at the kitchen table w her friend and casually asking me what I was listening to in my headphones and slapping that cassette on the table. 😆 she was horrified. Anyway, I should have clarified: I was asking what other bands have that kind of spirit and vibe of bside Incesticide. I never heard anything like it before or since
@@TurrigenousOfficial this clip, or rather the thumbnail, seemed appropriate 🤣. You might have to search manually for the video to see the thumbnail but it's just the guy trying to finger a very Holdsworthian chord shape ruclips.net/video/xWatQNIX-H8/видео.html
Alan did a concert here in Las Vegas about ten years ago, after the show he and his wife had a table set up with CDs for sale. I asked Alan which CD would he recommend that I buy, he picked the sixteen men of Tain.
Interesting! When I did my solo analysis video, a lot of solos from that record were either very 'pattern' based, or used lines that were REALLY creative that I haven't seen Allan do before. I would imagine he was the most proud of that one then!
Btw, I am attempting a Tone One capture of the AH Lead patch, until then I have a ToneNet download of that Magic Stomp lead patch, not quite there, but close. Hence the capture, which will be practically exact… BTW, Line 6 Yamaha really needs to release the UD / Magic Stomp delays / chorus algorithms / patches, they are over 20 years old, sound great , and there’s nothing else on the market that matches it
I think Allan played the first chord moving the bass note between F and E, like (F G C) (E G C) and then he played the second chord (D F Bb) That's the bass line that Dave Carpenter played on the record (F/E/D) and Allan played it like that live, check out the dvd live in warsaw!
Very good observation! I had forgot to mention that as I have seen him do it but it always seemed like an extra detail as Ive seen more vids of him playing a straight E.
It is also possible thats how it originally started and AH had changed it slightly after a few years of not playing it. He did something similar in Leave Them On. I mentioned that in the video I did on it.
Thank you! It's a lot of things. Ear, logic, experience from lots of transcribing Allan stuff and what his style/chord vocabulary is. As well as transcribe, slowing down the file and even spectral analysis haha
Thanks for shedding light on this beautiful tune and all the others. Any chance that you could do a video on The Fifth? I know it's credited as a band composition but Allan must have made a large contribution to it. It also sounds like something a mere mortal could attempt!
I didnt know it was creditied to everyone. I thought it was just a Chad tune. I debated on maybe in the future doing "Downside Up", a personal fav. I cant guarantee it but maybe ill learn it if I get the bug haha. Thank you for watching!
John, question…. What UD/Magic Stomp AH preset do you prefer for the Allan chords clean tone? I have noticed that AH Chorus 1 is great for spaciousness, a la the Em chord scale section on Letters of Marque for example, but where chords are moving faster, less spaciousness, Chorus 2…(as in the A section) of Letters of Marque, for example.
I don't particularly have one. IIRC I was using chorus 6? But I don't use the magic stomp often. I actually just use a Roland Jazz Chorus profile on my Kemper haha
can you please give us some more insight as to how the gk-3 is used for this song? as in, what unit it gets plugged into and how to set up the harmonizer for certain strings and all of that. the more detail you can disclose the better, thanks!
Thank you! I wish I could but I really don't know. Im not a gear person. I can tell you as much as I know. The Roland GK-3 pickup is a synth pickup, and can also allow you to tune the strings in a different way, as well as give the guitar different sounds. So when you play an E, it recognizes its an E, and shifts it to what you programmed it to. For this tune, IIRC, Allan has the GK pickup set to normal tuning, but only the top 4 strings (D G B e) a 5th higher, but also blends the real guitar with the GK pickup (theres a setting on the pickup itself, GK only, both, and guitar only). On top of that, Allan experimented with a sound with the GK unit thats very horn like, and blended it with his lead sound. Which is why his lead tone from 97 to 98 sounds so unique. I think on "Downside up", the head melody is JUST what that GK pickup tone would sound like, without the distortion. Almost sounds like the synthaxe but its not. In terms of how all that stuff was configured, I have no idea :\ Sorry!
@@TurrigenousOfficial sorry, i should've been more specific. i know what the gk is and what it does, but what i was asking more specifically is what's your signal set up here in this video to achieve the fact that you're pitch shifting only the top four strings like allan did in this song? i can see you have the gk pickup on your guitar and that you're able to pitch shifting individual strings with it, but what unit are you plugging that gk's 13 pin output into and how are you setting up those settings to pitch shift the top four strings on it, are you using a boss gp-10 or something like that? thanks!
@@mezzafinook Oh I'm sorry! Yes I'm using the GP-10. Its been a while, I can't remember exactly but it wasn't too hard to do. IIRC I had saved settings for specific tunings for songs, like 5ths etc.
@@TurrigenousOfficial thanks, bro! you're doing the lord's work working out his songs by ear and making lesson videos for us all to learn and grow as musicians from!
Thanks for watching! Its not out yet. Im trying to work with AHs family so they can release it and take part of the profits (however bit or small) but it seems to be taking a very long time :(.
@@cfibanez Thank you! I felt it was only right. I don't expect to make a ton off of it but just to give back to someone that gave me and so many others so much, its the thought that counts. Even if I need to release it myself im still gonna give them something. Thanks for the comments and check out my other videos for more lessons!
Originally I think it was part of his pledge campaign. Ultimately it ended up in the unreal Allan Holdsworth facebook group along with all the others ive used.
I don't really have them on hand since I don't really use them. But it's just a program within it that you set, there's no amp simulator or anything, just an effect
Oh my mistake, I realize this is for 16 men. You can't use the magic stomp perfectly for this one. You need the roland hex pickup because ONLY the top 4 strings are harmonized. Something only a special pickup can do
He mentioned at the end of the video someone that sounded like Allan and did a great job, but i cant understand the name. Can someone please point me to this player? thanks!!
One quick Q, if I may. When you refer to the "harmoniser", is this a pitch shifter giving perfect 5ths to every note played regardless of scale, or does it give you 5ths that are always diatonic with the scale you are playing? Thanks.
can you start a communal society where you are head guru and we live and play holdsworthian music and play shows at the communal for funds PLEASE MAN!!
![Blox Fruits Dragon Rework Update [Full Stream]](http://i.ytimg.com/vi/EqDAp8udhm0/mqdefault.jpg)
The best teacher in the business. Thank you for everything you do!
That's very kind thanks 🙂
The whole album is a complete masterpiece - a stunning achievement.
Agreed, and the same applies to everything Allan recorded!
One of the greatest albums I’ve ever heard…
⅚
Agreed. I think it’s his best work.
Allan's sheer genius was to take all of his incredible technique and improvisational vision and produce a dazzling musical statement.
TRUTH!!!
Thanks for being so resolute,your lessons are incredible.I have followed Mr Holdsworth since the Feels good to me album and was lucky enough to meet him at the jazz cafe in Camden and he sold me the forty reasons album, and he signed it for me,what a lovely man.James
You are not only underpraised for the content but on the fluidity on the video, no edits (or few) whatsoever and no mistakes playing, which is really really hard!
Thanks a lot man. I try haha. I usually do the lessons off the top of my head so I have to memorize it just to make the editing easier. Again, thank you!
When I first heard Alan I knew he was next level. I tried to find an album to listen to as a way in to his music and metal fatigues wasn’t clicking for me. Someone suggested sixteen men of tain and I remember listening for the first time being completely blown away. I’ve been playing for 15 years and I had never heard anything like his phrasing. It really feels alien. I think only guitarists can understand quite how unconventional it is.
Thanks for this channel. It’s a great way to pay respect and help others to appreciate his art. I’ll definitely be investing a lot of time into it.
My pleasure! That was my goal. Enjoy!
The whole LESSON is a stunning masterpiece. Thank you for your incredible thoughtfulness TurrigenousOfficial, in putting it together.
Thanks so much!!
My favorite album
It's 3am in the UK and I Thoroughly enjoyed your breakdown at the end of a crappy week, your series goes some small way to filling the AH size hole left in the universe-thanks again.
I try my best. Thanks for following and watching!
Thanks again for your contribution. It takes time to put all this together as we all know. You are greatly appreciated by many sir ! I am such an AH fan and really appreciate all your efforts.
Thank you so much! It's my pleasure :)
Thanks for the knowledge! I never liked this song too much until I gave it a detailed listen, now one of my favorite songs by Allan. The solo intro is the darkest thing I’ve ever heard in jazz, true brilliance in the application in the whole tone scale.
Thats great! Glad I could help. That happens to me pretty often too, where I gotta dig into a song a bit and then get it.
An excellent video, John! So much great material. Worth every minute of watching.
Youre WAY too kind. Thank you so much!
We don't mind long lessons :)
you are the best! thank you so much for your work, wish you all the best!
Thanks!!
thanks so much for doing this! This may be litterally the hardest music in the world to analyze and teach! This is one of my favorite of his songs.
Hahah thanks! I didn't think it was so hard, as much as remembering some of these weird chords. Also there's so much transposition in Allan's material, it makes it a bit easier to remember. That's just me though.
That chart follow along was crazy. Can't imagine trying to read it when you're used to reading a standard real book chart
Yeah! One of those things that Allan's chart made sense to him when he knew how long to hold the scale for. Trying to write it out with measures makes it even more difficult!
thanks for the lesson man, allan inspire me every day, cheers from argentina!
Thank you! :)
Yes!!! Thanks for doing the solo analysis again!!!!
Thanks! I dont think ill be doing this all the time but for this long solo section, I thought it was important.
Incredible video. A real eye opener about Allan's playing. Great stuff.
Thank you!
excellent work thanks for the detailed chord analysis, as usual. really helpful for anyone who wants to juggle Allan's music. ciao from Italy
Thank you so much!
Thanks for making this lesson. This is my favorite song of all time.
Qué barbaridad! Es una moustrocidad. Qué estupendo trabajo, ayuda mas a entender la genialidad de Allan!
Thanks!
Amazing stuff,thank you so much man
My pleasure, thanks!
Awesome, as usual!! i prefer to handle the C# add#11 at the 11th fret of the 5th string with the lower note ( G# , then C# on 4th string, F on 3rd string and G on the 2nd string at 8th fret)...Thanx for helping me understand Allan's masterpieces
My pleasure! Thank you so much for watching :).
Really great job
Thank you for saving me tons of work and I really appreciate you breaking down
His chords are challenging on piano too but just amazing
Thank you and thanks for watching!
Thank you so much for another great analysis that you shared with us. The chord section for the solo is indeed utterly brilliant and yes, very reminiscent of the idea for the Giant Steps changes. I will definitely buy your book once it is available!
Thank you so much! I hope to get it out soon! Waiting for Allans family to move forward with it.
thanks for the lesson. I have bought a guitar recently and was studying some chords and was looking for some "pratical" allan holdsworth song, and this one is perfect because it's got triads and 7's inversions and you explain crearly how can you see the chords, what is perfect for me how is looking for some vocabulary, even if allan uses it in a unique way!
Thank you! Yeah not ALL Allan is scary, some is 😁. Let me also suggest Leave Them On, Devil Take the Hindmost and Atavachron. Those are all pretty simple too 👍
@@TurrigenousOfficial thank you so much for the recomendations, after play this chords well, I gonna to take a look into your lessons
Great, thanks! Enjoy and have fun 👍
Thanx for keeping this stunning music live alive 😎👍
Thanks for watching!
This is a really good lesson of this song. Kudos man !
Thanks!
A great video, thank you.
Thank you sooooooo much!
Thank YOU for watching!
This was FA♭ #1!
Hahaha clever!
I would love a lesson on City Nights. I can't get the last 27 notes before the final 2 chords at the end.
Thanks but that one is a Gary Husband tune. I only want to stick with AH tunes. Also I think the entire harmony of the song is on keyboards. Im sure someone has a lesson on the solo section. I try to shy away from that. Good luck but TBH if you want something done right, do it yourself! Thats what I try to do.
I was really interested to learn how Allan counted this tune. I always heard it as a 4/4 measure (1, 2-and, 4), then an 11/4! Perhaps because I hear Gary N phrasing it that way.
Same result but seems much harder haha. I rememeber hearing AH say that after that part he counts to 12. Makes sense to me! :)
Allan didn’t know how to count time. His words.
@@2204JCM
Well I mean, his time is good, but its a bit free-er than how we usually think of it. The beauty again of his writing, he goes by feel. "Everything is in 1" haha.
ruclips.net/video/c8NbuOZgWmc/видео.html
Bravo!!!!!! Thanks.
Thanks for watching!
I really love your lessons John ✊
Thank you!
GREAT work, great videos...you are a Master, thank you so much
Thanks for watching!
THE CHORD LORD LIIIIIIIIIIVES!!!
I was always intregued by free jazz however, Allan's version sounded like a discovery of what it must feel like to discover the elements of the universe for the first time.
This is incredible! Thank you!
Thanks! :)
Sixteen Man of Tain is the pinnacle of jazz guitar music. Beautiful album and really difficult to make workshop on this.
First off you are a great teacher and giant person to show us these things which mortals cant play..
I wonder do you work in axe fx 3 at all and if so do you share your patches ?
Im curious if these stomp patches work in Axe 3...
I just got the III so im new to it ..
Much thanks in advance...
Thank you so much!! I don't use an axe fx. I do have a Kemper, but if it wasn't that, I was using a Peavey JSX head. I do know that in order to get the chords right, you have to use the Roland GK-3 pickup and you're forced to use their presets in the multifx using. So I probably was using something in the Roland GP-10 that sounded decent.
Beatles hoodie, Incesticide poster and Holdworth tutorial. You my friend are cool as hell in my book! Maybe it's just my circle but there's not a lot of guys I know who can really appreciate all of those things, for whatever reason.
What are the other posters? And what other albums can I listen to that are similar to the B Side of Incesticide? I was kinda shocked to find out how many Nirvana songs were more or less ripped off but I don't know of anything that sounds like those!
Thank you! Ive been saying Allan and Kurts writing are cut from the same cloth but on VERY different ends. Tell me a song that sounds like "In Bloom"! All those artists shaped my musical journey HEAVILY. The other posters are different movie posters for Dawn of the Dead, my favorite movie! Most of that Bside of Incesticide stuff (my personal fav) are all early Nirvana. Anything written from 87 to 89. Anorexorcist, If You Must, Blandest, Spank Thru, Vendettaganst, Erectum, all written around that time but not released till the boxed set. Most ended up on Inces or Bleach.
@@TurrigenousOfficial I'd love to hear 'if Allan Holdsworth covered Nirvana', esp something off Incesticide!! Gimmicky perhaps but it would give you a chance to elaborate on this 'of the same cloth' idea. I've ofc heard comparisons to John Coltrane, but never Kurt Cobain!
I'll never forget when I came home on a summers day between maybe 4th and 5th grade and my mom sitting at the kitchen table w her friend and casually asking me what I was listening to in my headphones and slapping that cassette on the table. 😆 she was horrified.
Anyway, I should have clarified: I was asking what other bands have that kind of spirit and vibe of bside Incesticide. I never heard anything like it before or since
@@TurrigenousOfficial this clip, or rather the thumbnail, seemed appropriate 🤣. You might have to search manually for the video to see the thumbnail but it's just the guy trying to finger a very Holdsworthian chord shape
ruclips.net/video/xWatQNIX-H8/видео.html
Funny you should say that 😀 ruclips.net/video/qebevLmJfNA/видео.html
Awesome
Man thanks for making this!!!
Thanks for watching! Check my other vids for more Allan lessons!
Alan did a concert here in Las Vegas about ten years ago, after the show he and his wife had a table set up with CDs for sale. I asked Alan which CD would he recommend that I buy, he picked the sixteen men of Tain.
Interesting! When I did my solo analysis video, a lot of solos from that record were either very 'pattern' based, or used lines that were REALLY creative that I haven't seen Allan do before. I would imagine he was the most proud of that one then!
Btw, I am attempting a Tone One capture of the AH Lead patch, until then I have a ToneNet download of that Magic Stomp lead patch, not quite there, but close. Hence the capture, which will be practically exact… BTW, Line 6 Yamaha really needs to release the UD / Magic Stomp delays / chorus algorithms / patches, they are over 20 years old, sound great , and there’s nothing else on the market that matches it
I agree 100%!!
I think Allan played the first chord moving the bass note between F and E, like (F G C) (E G C) and then he played the second chord (D F Bb) That's the bass line that Dave Carpenter played on the record (F/E/D) and Allan played it like that live, check out the dvd live in warsaw!
Very good observation! I had forgot to mention that as I have seen him do it but it always seemed like an extra detail as Ive seen more vids of him playing a straight E.
It is also possible thats how it originally started and AH had changed it slightly after a few years of not playing it. He did something similar in Leave Them On. I mentioned that in the video I did on it.
This is just excellent! Thanks so much. Question: how to you figure out the chords? Just by ear? That seems almost impossible no?
Thank you! It's a lot of things. Ear, logic, experience from lots of transcribing Allan stuff and what his style/chord vocabulary is. As well as transcribe, slowing down the file and even spectral analysis haha
Thank you for this
My pleasure. Thanks for watching!
Thanks for shedding light on this beautiful tune and all the others. Any chance that you could do a video on The Fifth? I know it's credited as a band composition but Allan must have made a large contribution to it. It also sounds like something a mere mortal could attempt!
I didnt know it was creditied to everyone. I thought it was just a Chad tune. I debated on maybe in the future doing "Downside Up", a personal fav. I cant guarantee it but maybe ill learn it if I get the bug haha. Thank you for watching!
@@TurrigenousOfficial My bad. I am sure I read that somewhere, but I think you're right it is a Chad tune. Downside up would be a good choice too.
John, question…. What UD/Magic Stomp AH preset do you prefer for the Allan chords clean tone? I have noticed that AH Chorus 1 is great for spaciousness, a la the Em chord scale section on Letters of Marque for example, but where chords are moving faster, less spaciousness, Chorus 2…(as in the A section) of Letters of Marque, for example.
I don't particularly have one. IIRC I was using chorus 6? But I don't use the magic stomp often. I actually just use a Roland Jazz Chorus profile on my Kemper haha
Roland Jazz Chorus, just magic. I am going to capture a JC-60 on a Nano Cortex
Phenomenal :-)
Thank you!
can you please give us some more insight as to how the gk-3 is used for this song? as in, what unit it gets plugged into and how to set up the harmonizer for certain strings and all of that. the more detail you can disclose the better, thanks!
Thank you! I wish I could but I really don't know. Im not a gear person. I can tell you as much as I know. The Roland GK-3 pickup is a synth pickup, and can also allow you to tune the strings in a different way, as well as give the guitar different sounds. So when you play an E, it recognizes its an E, and shifts it to what you programmed it to. For this tune, IIRC, Allan has the GK pickup set to normal tuning, but only the top 4 strings (D G B e) a 5th higher, but also blends the real guitar with the GK pickup (theres a setting on the pickup itself, GK only, both, and guitar only).
On top of that, Allan experimented with a sound with the GK unit thats very horn like, and blended it with his lead sound. Which is why his lead tone from 97 to 98 sounds so unique. I think on "Downside up", the head melody is JUST what that GK pickup tone would sound like, without the distortion. Almost sounds like the synthaxe but its not. In terms of how all that stuff was configured, I have no idea :\ Sorry!
@@TurrigenousOfficial sorry, i should've been more specific. i know what the gk is and what it does, but what i was asking more specifically is what's your signal set up here in this video to achieve the fact that you're pitch shifting only the top four strings like allan did in this song? i can see you have the gk pickup on your guitar and that you're able to pitch shifting individual strings with it, but what unit are you plugging that gk's 13 pin output into and how are you setting up those settings to pitch shift the top four strings on it, are you using a boss gp-10 or something like that? thanks!
@@mezzafinook Oh I'm sorry! Yes I'm using the GP-10. Its been a while, I can't remember exactly but it wasn't too hard to do. IIRC I had saved settings for specific tunings for songs, like 5ths etc.
@@TurrigenousOfficial thanks, bro! you're doing the lord's work working out his songs by ear and making lesson videos for us all to learn and grow as musicians from!
@@mezzafinook Thanks! I'm just trying my best
awesome buddy :)
Thank you!
I hate to sound ignorant but what is that thing attached to the bottom of your guitar ?
No prob! I think I mentioned it. Its a Roland midi pickip. Its also what AH used in order to harmonize only the top 4 strings a 5th up
Amazing! Thank you. Where do I find your book?
Thanks for watching! Its not out yet. Im trying to work with AHs family so they can release it and take part of the profits (however bit or small) but it seems to be taking a very long time :(.
Thanks. It looks you’ve been caught in the paradox of doing things the right way. Hope you succeed. Best. /C
@@cfibanez Thank you! I felt it was only right. I don't expect to make a ton off of it but just to give back to someone that gave me and so many others so much, its the thought that counts. Even if I need to release it myself im still gonna give them something. Thanks for the comments and check out my other videos for more lessons!
Where were you able to find Allan's chart that you used in this video? Doesn't seem like it's available anywhere online
Originally I think it was part of his pledge campaign. Ultimately it ended up in the unreal Allan Holdsworth facebook group along with all the others ive used.
John,I am assuming the harmonizer is a Magic Stomp patch, which one?, thx
Yes. I think it's something that you have to program. I don't quite remember
If you have that patch handy at some point and can make it available….
I don't really have them on hand since I don't really use them. But it's just a program within it that you set, there's no amp simulator or anything, just an effect
Oh my mistake, I realize this is for 16 men. You can't use the magic stomp perfectly for this one. You need the roland hex pickup because ONLY the top 4 strings are harmonized. Something only a special pickup can do
who is the guitar player you mention at the end around 37min? thanks
Alex Sill. You can find his solo on this tune from the Allan tribute show pretty easily on here.
He mentioned at the end of the video someone that sounded like Allan and did a great job, but i cant understand the name. Can someone please point me to this player? thanks!!
Sorry about that, Alex Sill!!
ruclips.net/video/7qZ7jLy-kAE/видео.html
@@TurrigenousOfficial thanks for the fast and kind reply!! Nothing to be excused at all!
One quick Q, if I may. When you refer to the "harmoniser", is this a pitch shifter giving perfect 5ths to every note played regardless of scale, or does it give you 5ths that are always diatonic with the scale you are playing? Thanks.
Good Q. The harmonizer always gives a perfect 5 regardless of the scale.
💯❤️🎸
Download partitura? Link?
All downloads I have are in the description 👍
r u using gr55?
I was using a GP 10 but that should work too
ufff ;3 nice
can you start a communal society where you are head guru and we live and play holdsworthian music and play shows at the communal for funds PLEASE MAN!!
Hahah, I suppose thats a compliment. Thanks!
I thouht it was of train :/
Hahaha