Sensei Kase by Slater Williams

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  • Опубликовано: 25 июл 2024
  • This video is about Sensei Kase

Комментарии • 20

  • @nicoladiodovich5594
    @nicoladiodovich5594 4 года назад +3

    Favoloso maestro Kase

  • @albertkazemian603
    @albertkazemian603 2 года назад +1

    Rest in peace 🙏 OSS

  • @mcronrn
    @mcronrn 5 лет назад +1

    Thank you for posting! It is interesting to see Kase Sensei instruct!! 👍🏽🙏💪🏾👊

  • @karat3dad2010
    @karat3dad2010 5 лет назад +2

    Is he saying to drop the body to generate more power using a shorter stance? I see he uses Fudo Dachi more often then Zenkutsu Dachi.

    • @shoomeni
      @shoomeni 3 года назад +6

      I believe that Kase sensei often emphasized power generation by dropping down his weight. The fudo dachi is also more rooted than zenkutsu dachi and doesn’t allow as much hip rotation.
      His principals were based on his own body structure and fitted his style very well.
      His students practice this characteristic style of shotokan with a lot of breathing and rooted stances apposed to JKA and JKS that focuses a lot on hips rotation, or Yahara sensei that focuses on compression/expansion. In my opinion all three methods are equally important to understand and practice in order to apply/combine in the proper occasion. Osu!

    • @mikeodonovan9299
      @mikeodonovan9299 3 года назад +5

      @@shoomeni I did some jiyu-kumite with him in 1987. He had a block like a tree trunk. R.I.P

    • @shoomeni
      @shoomeni 3 года назад +1

      @@mikeodonovan9299 I miss the old school Shotokan karate that sensei Enoeda, Kato, Shirai, Kase, Kanazawa and Asai practiced. They all had a personal flavor that seems to be lost in modern standardized way of practice.
      The shu, ha, ri is lost but they all left a big impression in the way their students practice.

    • @markwalker4142
      @markwalker4142 3 года назад

      He’s telling them to ground the power , to deliver from a more stable base instead of it being floaty and weak. Hentei waza is how this is manifest. Good to see Marc Stevens at his younger years. Great karateka and not known universally. As good as Hooton of not better. Dynamic and he hits hard as I’ve felt it .!

    • @Gisimaru
      @Gisimaru Год назад +1

      @@mikeodonovan9299 👍 👏

  • @jenssperling6020
    @jenssperling6020 Год назад

    I ll never forget...a seminar with SHIHAN KASE in sweden...he gave me a little tate uke on the right hand.couldnt move the hand for 1 week.R.I.P. O SHIHAN.

  • @OverSooll
    @OverSooll 3 года назад

    The ritualistic noise of slapping Gis is good just to cover the beating you take in the street or in the ring when you practice this art-I know 'cause I did for years

    • @MagDiSante
      @MagDiSante 3 года назад

      ... So You probably did it BAD for years ... it can happen of course but You shouldn't blame the art, as someone already wrote :-) !

    • @OverSooll
      @OverSooll 3 года назад

      @JC de Frontenac I wasn't sucking at shotokan at all, it's just a limited art

  • @mindbender6417
    @mindbender6417 3 года назад +1

    It is not. Karate is E = (m x v^2)/2 - that is importent - not P whatsoever. Think about a bullet - it has a lot of energy because of huge speed - it has no acceleration and very low mass.

    • @jenssperling6020
      @jenssperling6020 Год назад

      100% agreed...Karate tecniqus re usin the IMPULSE.

    • @mindbender6417
      @mindbender6417 Год назад +1

      @@jenssperling6020
      Yes, I can go on on the subject. If we take the first derivative of that kinetic energy formula, we can see that by increasing the mass by 1 kg gives the energy increase by just 1 time. However, if we increase the speed by 1 m/sec, we get the energy increase by 2 times.

  • @JORGEFERNANDEZ-dx8lh
    @JORGEFERNANDEZ-dx8lh 3 года назад

    Que estupidez

  • @taghasth
    @taghasth 2 года назад +1

    It's way too rigid ... they look like robots doing these jerky movements in the air ... in combat karate, they are fortunately much smoother than in these so-called traditional styles