What Constitutes Good Landscape Painting? | Boris Koller & Jan-Ove Tuv

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  • Опубликовано: 7 сен 2024
  • Should you paint landscapes from imagination or climb the highest mountains to observe nature from a birds eye perspective?
    Boris Koller and Jan-Ove Tuv sit down to talk about their experience, how and where the youngsters go wrong, and the quality of painters like Vermeer, Lars Hertervig, and John Constable.
    Chapters from this episode:
    00:03 Symmetry in painting is death
    02:25 Paint what you know
    06:21 Why not to use mirrors when you paint
    14:28 Echoing or repeating certain elements
    16:13 Inventing landscapes
    19:50 Structure before rhythm and imbalance
    22:22 Horizons are the main problem
    24:13 Structure before emotion
    28:55 Vermeer: the best landscape composer
    30:44 Hertervig's "Borg Island": Dramatize and bind together
    38:12 Painting from memory, a photograph, or the motif itself?
    43:10 Hertervig unifies sky and earth and "flattens" the image
    50:26 No sketches beforehand, like Caravaggio
    53:08 Place important elements in the dark!
    53:48 Animating nature
    55:55 How to paint sunsets
    This episode was filmed and edited by Bork Nerdrum.
    The centerpiece was a 19th century reproduction of G. F. Watts' Hope.
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Комментарии • 10

  • @transientimages
    @transientimages 6 месяцев назад

    I can't get enough of Boris, I've never seen a man with so much insight.

  • @DArtist2010
    @DArtist2010 11 месяцев назад

    I truly enjoyed this conversation. The comments like "there is no good French painting; all these impressionists, they're from the north of France, they came from Normandy, and this is not France, this is Norway", absolutely cracked me up. Boris is not wrong! Very informative about many issues. I will have to watch more than once!

  • @anthonydimichele837
    @anthonydimichele837 Год назад

    Great conversation. I wish it didn't end so soon. I am a beginning landscape painter and Boris is very inspiring.

  • @rutbrea8796
    @rutbrea8796 2 года назад +2

    I cannot travel to a mountain top to paint a landscape on a bird's eye. I am 74 years old, and since I was 13 I have been painting portraits. I usually paint from photos. What do you think? People tell me my paintings are beautiful, but I am self taught. Could afford an elite art school. Painting is my passion, but I do become frustrated sometimes.... I like your videos, and your individuality. I admire you all. Thanks for sharing with us.

    • @Jacobis90
      @Jacobis90 5 месяцев назад

      Ok then drop a link and let’s see them

  • @Pat_Ham357
    @Pat_Ham357 Год назад

    This guy is great.

  • @yutu49
    @yutu49 2 года назад +1

    Two things:
    An empty rectangle is a field of energy at rest; the finished painting should also be a field of energy at rest: how you achieve that by balancing the elements is your task.
    The energy fields of the painter's rectangle have been mapped: these maps are known as the bipartite and tripartite systems; while most artists ignore these as just being some old recipes for composing images, these maps are the representations of the energy hierarchies of the rectangle: these hierarchies can be used to create dynamic asymmetrical paintings.

  • @rutbrea8796
    @rutbrea8796 2 года назад +2

    Can you give or show an example of what you're talking about? Sometimes I can't understand what you're saying. Thanks again for sharing with us your knowledge.

  • @rutbrea8796
    @rutbrea8796 Год назад

    Mr. Boris Koller, why didn't you show us one of your masterpiece? Your discussion makes so much sense. You don't agree on placing your paintings in front of a mirror, and I agree with you. Please show an example of your paintings. I received this video again, and had to comment on it. Thanks for sharing. I wish that I could have learnt from you. My favorites are Rembrandt.

    • @omnesilere
      @omnesilere Год назад +1

      Google images: Boris Koller