Just found your channel, Nick. Great stuff! Question - wouldn't the third measure be bIII instead of biii since we are playing the major chord, not the minor?
Interesting… when I heard it in the A section, I thought the fifth bar was F7 which makes the bass make more sense. Where did you hear it with a major 7 so I could check it out?
@@nickmainella I like the sound of the major 7th though!!! Gives it even more tension. Like most standards… probably has been played both ha. Love the videos man:)
![Twenty One Pilots - “The Line” (from Arcane Season 2) [Official Music Video]](http://i.ytimg.com/vi/E2Rj2gQAyPA/mqdefault.jpg)
THANKS, NICK!
Nick…awesome! Top 100 tunes! Tons of learning here!
Love this tune, Nick! Nice vid.
very clear and practical analysis, thank you!
You are welcome 😁
A BIG thank you, Nick. I learned this tune a long time ago (mistakes and all). Love your analysis. I can follow. Beautifully done, my new friend.
Glad it was helpful!
Just found your channel, Nick. Great stuff! Question - wouldn't the third measure be bIII instead of biii since we are playing the major chord, not the minor?
Yup that was a mistake in my PDF. Good catch!
Hello Nick, I cannot seem to find the Patreon link. Please provide. Thank you
So if you see a two dominant cord, why might just call that instead of a 5of 5? That just makes it more complicated
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Interesting… when I heard it in the A section, I thought the fifth bar was F7 which makes the bass make more sense. Where did you hear it with a major 7 so I could check it out?
That does make more sense. I have probably just been thinking about it the wrong way or learned it the wrong way. Thanks!
@@nickmainella I like the sound of the major 7th though!!! Gives it even more tension. Like most standards… probably has been played both ha. Love the videos man:)