Mussorgskij: Eine Nacht auf dem kahlen Berge (Urfassung)∙ hr-Sinfonieorchester ∙ Andris Poga
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- Опубликовано: 2 окт 2024
- Modest Mussorgskij:
Eine Nacht auf dem kahlen Berge ∙
Urfassung ∙
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Andris Poga, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 20. Januar 2023 ∙
Website: www.hr-sinfonie... ∙
Facebook: / hrsinfonieorchester ∙
ARD-Mediathek: www.ardmediath... ∙
#4K
© 2023
Hessischer Rundfunk (hr)
О! Я ввосторге от этого звучания Мусоргского!!!
That was an absolutely wonderful 15 minutes. Thanks for the upload.
Vielen Dank!
Ein Tipp an alle Liebhaber dieses Stücks: das Ballett dazu vom Choreographen Igor Moiseyev und seiner Kompagnie gehört zum Allerbesten und Anspruchsvollsten, was es tänzerisch gibt. Es besteht aus zwei Teilen: der erste Teil ist ein Volksfest zu russischen und ukrainischen Weisen. Der zweite Teil zu Mussorgskys Musik ist der „Hexensabbat“, Hexen und böse Geister feiern eine riesige nächtliche Orgie. Ist hier auf RUclips zu finden, wenn man nach „Night on bald mountain ballet“ und „Igor Moiseyev“ sucht.
Absolut lohnenswert, und unverständlicherweise nicht sehr bekannt
Wunderschöne und spannende Aufführung dieser spätromantischen und fein komponierten Tondichtung mit farbenreichen doch perfekt entsprecheden Tönen aller Instrumente. Der geniale Dirigent leitet das ausgezeichnete Orchester im rhythmischen Tempo und mit dramatischer Dynamik. Wunderbar und atemberaubend zugleich!
I was there!! It was my first Frankfurt Radio Symphony Experience in person.
Thank you for Sharing.
It all reminds me to take the same place where I enjoyed the performance the other day.😊
I envy you. I now live in rural Vermont - no professional symphony orchestras. After decades of living in San Francisco, live orchestral performances like this are something I miss. On a personal note, penguins are wonderful! 💙
@@TheStockwell Vermont is on one of my lists that I want to visit.
Well, Having options in life, definitely makes it better but being in a rural area is also awesome. We all see that we don't have. Isn't it ironic? I think it's very natural. Btw I think I know that feeling being in a rural area. I've stayed in Alaska for a couple of months. It was pretty away from civilizations. You know what? I miss it now. 😆
This can easily be a depiction of Mussorgsky's nightly drinking adventures with his drunk buddies roaming the notorious taverns from St. Petersburg's suburbs where Mussorgsky set one of his "permanent bases", surrounded with similarly minded fellows, drunk students, alcoholic artists, intellectuals and various characters from the folk he knew very well and interacted with them on a daily basis - poor, desperate, obsessed, toothless, with various psychological characters worthy of Hieronymus Bosch paintings. He put them into his songs and operas, he introduced real people, the poor, the serfs as individual characters and as a collective that has character of its own into his operatic work.
Despite it being less frequently performed and other redactions taking supremacy I still prefer Korsakov's redaction of "Boris Godunov". But in this piece I prefer Mussorgsky's original. It's disjointed, it's formally chaotic, it sounds weird and unusual, it's unchiseled yet original like anything Mussorgsky wrote.
Korsakov's redactions kept Mussorgsky "alive", but for this particular piece I think it's time for Mussorgsky's (original and Sorochinsky Fair) versions to take over.
*Just imagine Mussorgsky waking up in the trash on the corner of the street hugging his drunk mates, some poor peasant too, and the sun rises. They walk from periphery to the center of St. Petersburg and some ladies from upper class recognize him while he deliberately scandalizes them by taking hands of his buddies and singing with them one of the poor folk's tavern songs.
Mussorgsky was a character. Very depressed and obsessed with death too, but a great artist and an original musical genius.
my little moment of intense pleasure, maybe better than sex. the tormented music of Mussorgsky and the paintings of the equally tormented Venetian master, Tintorto. as crazy as it is magnificent and vibrant. always brings tears to my eyes
@@RIRI-el6xm internalized wretchedness of life, "suitably" falling on sensitive souls, then objectified in material as art, then our reception where beauty of the artwork is the integral part of tragedy and of our inconsolable sadness over the artist, over ourselves and over the world.
But it's so beautiful, thus we return to shed more tears.
@@gorankatic40000bc yes !!!
Я в восторге. Это очень необычно звучит, не так как мы все привыкли.
Оригинальная версия, я думаю.
@@brendanward2991 Да, так и есть. Нам привычнее редакция Римского-Корсакова. А это авторская редакция.
Es würde helfen wenn in der Videobeschreibung noch "Urfassung" drin stehen würde. Denn das hier ist tatsächlich Mussorgskis eigene Version und nicht die viel häufiger aufgeführte Rimski-Korsakov Fasssung.
Danke für den Tipp! Wir haben das jetzt ergänzt.
Welche Unterschiede weisen die Versionen auf?
@@nicoledu Die Unterschiede sind erheblich. Ich würde vorschlagen, sich hier auf RUclips beide Versionen anzuhören. Ich persönlich bevorzuge die Urfassung und mag mich mit der Rimski-Korsakov Fasssung immer noch nicht anfreunden 😅
Die Rimski-Korsakov Fassung ist wesentlich dramatischer und düsterer. Möglicherweise wird sie deshalb öfter gespielt
Danke! Es was für mich nicht klar warum diese Version so anders war! Das ist total interessant.
Dämonisch. Auch wenn es Rimsky-Korsakow sicher gut gemeint hat; die Urfassung ist doch wesentlich authentischer und fesselnder.
This is the most horrendous version of this piece I have ever heard. There is no sense of foreboding, it's very tribal sounding and personally I think it's disgusting. All the mystery of the piece has been removed.
Interesting hearing the original version rather than the RK 'remix'.
It‘s really rather a remix than an new orchestration^^ I‘m a little bit mad at RK for throwing away so many creative and joyfull parts from Mussorgsky🥲
Прекрасно!
This version is totally different from the korsakov, s one .. Its Wonderful but strange too at the same time !
Wenn man das Stück so hört in dieser Version, bekommt man erst mit wieviel Gewalt dem Stück durch die Verunstaltung und Romantisierung von Rimskij-Korsakow angetan wurde. Man will nie mehr eine andere Version als diese hören. Danke dafür.
Wait what version of night in bald mountain is this??
It's the original version orchestrated by Mussorgsky himself! Usually the version of Rimsky-Korsakow is known and played, but he didn't just orchestrate differently than Mussorgsky but also changed and shortened the piece
Ravel's version is really just "Based on Themes of Mussorgsky"
Love this “original” version, and a fine performance, too.
Chubby conductor!
Reminds me of Augustus Gloop.
Or Samwell Tarly from GoT
Chubby listener here, alas^^
Poga may be chubby, but that does not denigrate or detract from his conducting. And a willingness to do Mussorgsky's original version of "St. John's Night on the Bare Mountain" is commendable. In any case, he is positively svelte compared with the great bear who is Leif Segerstam... L.S. bore a tremendous resemblance to Santa Claus when he appeared at Roy Thomson Hall in the mid-nineties to conduct Mahler 7 with the Toronto Symphony Orchestra, but he stood, and he could dance surprisingly gracefully through the third movement Scherzo. Now, he is massive enough that he must sit during performances, and even getting out of his conductor's chair seems to be a real effort (at least on evidence of his wild YT N. R-K. Scheherzade video). Still, his recorded legacy is quite considerable, and often excellent, particularly in his fellow countryman Sibelius. He is also noted for his wonderfully idiosyncratic use of the English language, as captured in excerpts on the musicians' page of the New Zealand S.O.^^
Onslow..?