@@Eldiran1 The reason is supported by the fact that one manuscript copy contained it and another did not; unfortunately both are lost. One of them belonged to Mendelssohn, the other one I don't know the owner. Carl Weinrich recorded in the 50s omitting the here red-marked measure.
Not primitive (otherwise), it’s quite creative and Bach-like, badass registration as many have said and quite Zelda-like like the C Minor fugue from Toccata in C Minor
Curious registration for the fugue: it begins like a synthesizer cosmic sound. I use to play alternating the manuals from a soft to a rich plenum at the end (with G-sharp on the last chord), thus rendering the work as grandiose "Prelude and Fugue".
Das kling wie automatisch. Spielt das ein Mensch? Oder wurden die Noten in Midi eingegeben und wiedergegeben? Tut mir leid, wenn mein Kommentar jemandem nicht gefällt. Aber ich höre hier keine Zäsuren und keine Agogik.
I think the difference between what the performer played and what the sheet music is? Not necessarily that the performer made a mistake, just that they could've had a slightly different version of the piece than the one gerubach has.
Somewhat of a bizarre registration for the fugue. And the (lower) mordents played on the 8th note beats at the beginning of the fugue, but in-between the beats by the time he gets to around mm. 20. (?)
Panda Completely disagree. This is probably one of the most interesting renditions of the piece. The stops chosen here works well with the sombre themes of the fugue.
@@klop4228 Phone speakers? Are you serious? :D I personally wouldn't dare to listen to any organ music with that. Sad truth is, the majority of my subscribers/listeners (~60%) *does* make exactly that particular mistake.
@@FckingLOL I found this to be a fitting registration, too. A bit unusual perhaps during the first few measures, but fitting. Also, this particular "Regal" (the solo reed stop) sounded rather outstanding in this stop combo.
1:18 - The Old Bach Gesellschaft Ausgabe did not engrave this measure in their publication of 1867.
gerubach so why they put a red measure? Is there another version of the same scrolling?
Bump . I wanna know too .
@@Eldiran1 The reason is supported by the fact that one manuscript copy contained it and another did not; unfortunately both are lost. One of them belonged to Mendelssohn, the other one I don't know the owner. Carl Weinrich recorded in the 50s omitting the here red-marked measure.
instablaster
The choice of registration in the fugue is clever and gives it some color to pimp the otherwise primitive subject
Not primitive (otherwise), it’s quite creative and Bach-like, badass registration as many have said and quite Zelda-like like the C Minor fugue from Toccata in C Minor
0:36 when your mom entered your room and you have to turn the phone off and hide it anywhere she won't see
PANIC
U a little child in pijamas?
LOL
I very like the registration of the fugue, it looks like an organ from the middle age. Thanks for this amazing work.
The fugue's register is just brilliant! Some new reading!
La registration de la fugue est piquante et originale. Cela fait ressortir son lyrisme. Merci. Un moment agréable. Cordialement
Olivier F
1:18 The Missing Measure was added
4:31 to 4:45 almost makes me cry
Haunting fugue
I love it when these organ pieces end on a picardy third!
I didn't think the fugue was Bach for a second, sounded more like a tribal instrument.
Bach is everything, that’s the point of his existence, like how Beethoven was, accidentally inventing jazz for example
@@bercaferca4554 Beethoven accidentally invented Jazz, but only after Bach had already done so a century earlier
Curious registration for the fugue: it begins like a synthesizer cosmic sound. I use to play alternating the manuals from a soft to a rich plenum at the end (with G-sharp on the last chord), thus rendering the work as grandiose "Prelude and Fugue".
Excelente Bach el padre de la música
Splendid 😊
This is unusually short.
Bro 1/n^2 is much more interesting than 1/n
Amazing!
Das kling wie automatisch. Spielt das ein Mensch? Oder wurden die Noten in Midi eingegeben und wiedergegeben? Tut mir leid, wenn mein Kommentar jemandem nicht gefällt. Aber ich höre hier keine Zäsuren und keine Agogik.
5:32
"Michel Chapuis" est la persone qui as jouée cette interprétation de l'œuvre. Donc, C'est un humain qui l'as jouée
Bravo bravo bravo bravo bravo
Wow
2:26
This is good👍
excelente fantastico
4:44
What do the red notes mean ?
I think the difference between what the performer played and what the sheet music is? Not necessarily that the performer made a mistake, just that they could've had a slightly different version of the piece than the one gerubach has.
To be verry basic here, it's the wrong notes. But they sound good so...
What's the significance of the red notes??
Intress
Somewhat of a bizarre registration for the fugue. And the (lower) mordents played on the 8th note beats at the beginning of the fugue, but in-between the beats by the time he gets to around mm. 20. (?)
По какой редакции играют? Есть текстовые расхождения с изданием Петерса.
The registration selection for the fugue, I feel, was awful.
Thank you! I feel the same way.
Panda Completely disagree. This is probably one of the most interesting renditions of the piece. The stops chosen here works well with the sombre themes of the fugue.
But, at least on phone speakers, you can barely hear the lower manual part
@@klop4228 Phone speakers? Are you serious? :D
I personally wouldn't dare to listen to any organ music with that.
Sad truth is, the majority of my subscribers/listeners (~60%) *does* make exactly that particular mistake.
@@FckingLOL I found this to be a fitting registration, too. A bit unusual perhaps during the first few measures, but fitting. Also, this particular "Regal" (the solo reed stop) sounded rather outstanding in this stop combo.
I don't like the registration but it's a good interpretation.
I'm actually not familiar with this P&F, thanks!
Prelude was amazing. That syncopated phrase was awesome....we can throw that fugue away though
Jackson Briggs I would say wrong registration - best in full organ. The fugue is better with a different registration than what is presented here.
Hell No !
Throw a Bach's fugue away? Which galaxy have you come from?
Wrong interprétation, thus is not stilus fantasticus.