Video begins with a conversation between two figures, the observer and fictional character from Sherlock Holmes' older brother, Mycroft Holmes. The observer asked Mycroft for his opinion about the controversial figure of John Wayne Gacy (a psychopath, serial killer, and sex criminal in the US, nicknamed "Killer Clown"). He was executed by injection. Of course, this conversation is impossible, especially apart from fictional and non-fiction characters. Mycroft lived in an earlier era (1893-1908) than Gacy (1942-1994). The observer (i think this is Kyo perspective) asked Mycroft to pretend he was Gacy so that the conversation would be more intense. Mycroft is known to be smarter and has more rational-deductive abilities than his younger brother, Detective Sherlock. Mycroft agree, by the symbol at minute 01:33 (the clown) and the number 8213, referring to the title of Gacy's home horror film (released in 2010). The observer asks by showing his thoughts. The figure of a small child is depicted with many symbols of trauma, social isolation, and fear. In my opinion, the pink color (Baker Miller) shows the symbol that makes the child grow up and remain comfortable with this 'abnormal' situation. (clip at 02:37). What's interesting is that the big devil's head that appeared in his room had been changing into the form of an adult man (perhaps his father, who was the first to traumatize him). This means he sees humans in general as demons even sometime he missed to have normal life (look at image of child walks with his father). we know that Kyo is great at writing with multi-layered metaphorical qualities. In fact, he often insert many separate symbols that must be read macro-wise and sew the context threads together so that they are connected to each other. Even though in simple terms this song might explain that a child's upbringing in childhood determines how he grows as a human being, in my opinion, this song cannot be separated from the big theme of Dir en Grey's criticism of humanism as they have been doing so far: how humans can carry out a series of crimes, manipulation, and damage on earth. Humanism was killed by humans themselves. Dir en Grey for me rejects the definition that humans should be good creatures, but the complexity, the chaos of human identity to sometimes be good and sometimes be evil, that is the definition of what humans should be. This life is a burden because it is not easy to be a good human being (we are surrounded by an environment and society that is full of rot). Sometime, monsters don't come from somewhere; they are born by humans or cycle of Karma. they're born by agony, injustice, trauma, pain, ego, anger, attachment, etc. Anytime we can be a monster, or create someone into monster. The Devil in Me
Oui c'est tout à fait comme cela que je ressens les paroles de kyo, au début je m'imprègne de la musique, j'essaie de ressentir les paroles même si je ne les comprends pas puis je lis les traductions et là révélation tout correspond. Ça fait 23 ans maintenant que je vis et ressens dir en grey de cette façon et le bonus est quand je vais les voir en concert.
I interpreted the music video differently. I saw it as an observer talking to an AI. First they have the AI acting as Mycroft to talk about Gacy, and learning of them through the lens of the fictional genius. Then, they have the AI act as Gacy himself. to speak directly to him. When he asks to see inside the "AI Gacy's" mind, it generates AI images for the Observer, and that's what we're seeing in the video. At times, the AI-Gacy also speaks to the observer as a deep faked Gacy mugshot.
I spoke too soon about the use of AI in this video. I didn't realize it would be integral to the story like this. What a cool idea - someone using a bot to try to truly visit a killer's heart and mind. I like that it even showed one scene being rendered. Incredibly effective. It reminds me of concept behind The Cell with a relevant modern take.
The style in The Cell is a PERFECT comparison, and such a forgotten gem. The movie itself obviously suffered in a lot of ways, but visually it had a lot that I think needed to be re-explored.
Can I just say the use of Baker Miller pink is fucking genius and if anybody knows the history behind that color, you know why it’s so genius the color itself has such a dark history If you are a crime enthusiast, please look up Baker Miller, pink, and the studies done on it and I think that really adds a great element to this video
@@kitsune6701 you’re welcome. The color has been historically used to help sedate, mental patience or lessen the aggression in inmates so a lot of prisons and mental health facilities. Will sometimes use this color because it’s been studied and it has a tranquilizing effect on the brain.
🔥🔥🙌 A masterpiece, Dir en grey always showing us extraordinary work,👏👏👏 guys you are legends. Thank you for your incredible work.💖 Have a wonderful concert, ♥️♥️♥️ I love you so much Dir En Grey 🔥🥁🎸🎤👿🙌
after this MV, I thought again that hell, heaven, and purgatory - all this already exists here and now in this world... An amazing deep idea and cool creative work. This is very extraordinary, serious, and after that something remains in the soul, like a dagger in the heart... 🖤
To be quite honest, I think Marrow was the least interesting album. It had some real shiners on it though. The Pledge & Namamekashiki Ansouku were fantastic songs. The single versions of Clever Sleazoid & Ryoujoku no Ame were better than the Marrow versions. And Agitated Screams Of Maggots was ok I guess. But Uroboros, Dum Spiro Spero and Arche were when they started to get better. I like the balance of "pretty music with gruesome grotesque music." Or stuff that is really emotional like Footsteps In The Lonely Valley. Very pretty but sad.
@@kitsunegiblaze8022 I agree, Uroboros through Arche is definitely their best work to date, but I feel like I see a lot of people write Marrow off completely. Though maybe I’m a little biased because I discovered them when Withering came out in the US so Marrow was the first album I was hyped for the release of lol.
@@necrosapling -- I got into them in 2003, kinda by accident, because of a website called "Project-J" which was where I first heard the song "Cage" -- then later I found "Centigrade-J" a completely different website, which hosted english translations of Diru songs done by Brian "Boo" Stewart who would later go on to create the Purple Sky magazines. (One of the first english print magazines about J-Rock). I remember downloading a ton of Diru songs because I was really fascinated with their music style, it was like... partly Visual Kei, partly chunky Nu Metal. I definitely do remember when Withering to Death first became available in the USA through Hot Topic, via the western label Warcon Records. While I do love Withering to Death, later albums such as Uroboros and Dum Spiro Spero and Arche completely outclass it. Marrow was... decent in some parts, I really preferred the sadder prettier kind of songs over the muddy "Sludge Metal" type stuff. Their older material from Vulgar and Kisou was a lot more straightforward Rock / Metal stuff. There wasn't quite as much of a "Progressive Rock" influence back then, but it was still great stuff. Nowadays I would say Dir en grey is right up there with Deftones and Dredg. Very experimental kind of music. Very "risk taking." Very "who cares whether or not people will like it, let's just do it our way and see what happens."
@@necrosapling -- Marrow just felt too "sludge metal" except for the really pretty sad songs like The Pledge and Namamekashiki Ansouku... their early stuff going back to Kisou and Vulgar was like a crossbreed between Industrial and Nu Metal, so that was really appealing to me. Withering to Death was their big break in the USA because they were able to sign with Warcon and have WtD re-released in American stores like Hot Topic and Fye. And of course, Diru being a guest band on the Family Values Tour certainly helped them get a foot in the door. Go back and listen to the earlier albums like Kisou and Vulgar, they had a very edgy, very rocky sound back then too, but on Uroboros and DSS and Arche, they really leaned in on the Progressive Rock stuff, with very long songs that have multiple tempo changes. And oh my gawd, the Unraveling EP was amazing. The remakes of The Final and Kasumi and Macabre were simply wonderful.
The machine replicated the infernal mind of John Wayne Gacy and I think the use of the color pink refers to Gacy's childhood/teenage years when he was physically and verbally abused by his father. I found the MV's concept quite interesting!
I love how they did not only go new ways exploring AI, but specifically addressing its use and the implications thereof in the video. I will forever remain fascinated by this band.
how do you think they do? i mean specifically adress it in the video? i also felt like there was heavy use of AI, but I failed to see a certain message behind it?
@@gruetzchan I mean clearly the imagery is AI-generated, but as part of the story. The video clearly shows a user prompting ChatGPT to first just tell him information but then act like the actual killer himself. One might only wonder where such possibilities can lead.
same!! From the teasers I was a bit worried but seeing it all come together I understand the use of AI and John Wayne gacey, dir en grey never fails to disappoint - but I do have to say I hope they don’t continue using AI constantly 😣
@@fryprosody ai is not just background i think its the purpose of the song, the risk of use , i find this brillant dir en grey have already use AI on live to do OTOGI background in overseas lives
Love the aesthetics! I think the concept is inspired by “The cell” movie! They go inside a murderer’s mind and depicts very dope landscapes like the ones in the MV. I think they’re trying to re create the same but going inside John Wayne’s mind. Obsessed with that movie and now obsessed with the MV! ❤
very interesting and nice to see you back with amazing music! Dir En Grey has aged like fine wine,still vulgar but with a much more refined version of themselves.😈🤘 Greetings from Singapore
俺はこの人たちがヴィジュアル系ど真ん中してた時に出会えて今も音楽を続けてくれて、しかもブッ刺さる曲を作ってくれてるなんて、幸せだと思わないといけないな。
いつの間にかファンになって10年以上経ったけど、メンバーそのまま変わらず新曲を享受出来るのは本当にありがたいことだなと、年月が進む毎に痛感させられる
あの国民的映画「テリファー 聖夜の悪夢」の日本版イメージソング!!!
国民的…🤔
テリファーちゃん……
「誰が産んだ?」という歌詞が胸に響く。ジョンゲイシーだってシリアルキラーになりたくて生まれてきたわけではないはずだ。父親から人格否定を浴びせられ続けたこと、愛情を注がれなかったことは少なくとも彼が多重人格&シリアルキラーとなった原因の一つだと思う。虐待について、そして子を持つことの責任について深く考えさせられる一曲。
ジェニファーロペス主演の
「CELL」
っていう映画面白いですよ😀
Video begins with a conversation between two figures, the observer and fictional character from Sherlock Holmes' older brother, Mycroft Holmes.
The observer asked Mycroft for his opinion about the controversial figure of John Wayne Gacy (a psychopath, serial killer, and sex criminal in the US, nicknamed "Killer Clown"). He was executed by injection.
Of course, this conversation is impossible, especially apart from fictional and non-fiction characters. Mycroft lived in an earlier era (1893-1908) than Gacy (1942-1994).
The observer (i think this is Kyo perspective) asked Mycroft to pretend he was Gacy so that the conversation would be more intense. Mycroft is known to be smarter and has more rational-deductive abilities than his younger brother, Detective Sherlock. Mycroft agree, by the symbol at minute 01:33 (the clown) and the number 8213, referring to the title of Gacy's home horror film (released in 2010).
The observer asks by showing his thoughts. The figure of a small child is depicted with many symbols of trauma, social isolation, and fear. In my opinion, the pink color (Baker Miller) shows the symbol that makes the child grow up and remain comfortable with this 'abnormal' situation. (clip at 02:37). What's interesting is that the big devil's head that appeared in his room had been changing into the form of an adult man (perhaps his father, who was the first to traumatize him). This means he sees humans in general as demons even sometime he missed to have normal life (look at image of child walks with his father).
we know that Kyo is great at writing with multi-layered metaphorical qualities. In fact, he often insert many separate symbols that must be read macro-wise and sew the context threads together so that they are connected to each other. Even though in simple terms this song might explain that a child's upbringing in childhood determines how he grows as a human being, in my opinion, this song cannot be separated from the big theme of Dir en Grey's criticism of humanism as they have been doing so far: how humans can carry out a series of crimes, manipulation, and damage on earth. Humanism was killed by humans themselves. Dir en Grey for me rejects the definition that humans should be good creatures, but the complexity, the chaos of human identity to sometimes be good and sometimes be evil, that is the definition of what humans should be. This life is a burden because it is not easy to be a good human being (we are surrounded by an environment and society that is full of rot). Sometime, monsters don't come from somewhere; they are born by humans or cycle of Karma. they're born by agony, injustice, trauma, pain, ego, anger, attachment, etc. Anytime we can be a monster, or create someone into monster.
The Devil in Me
最高のコメント
Oui c'est tout à fait comme cela que je ressens les paroles de kyo, au début je m'imprègne de la musique, j'essaie de ressentir les paroles même si je ne les comprends pas puis je lis les traductions et là révélation tout correspond. Ça fait 23 ans maintenant que je vis et ressens dir en grey de cette façon et le bonus est quand je vais les voir en concert.
nice interpretation, good to read
I interpreted the music video differently. I saw it as an observer talking to an AI. First they have the AI acting as Mycroft to talk about Gacy, and learning of them through the lens of the fictional genius. Then, they have the AI act as Gacy himself. to speak directly to him. When he asks to see inside the "AI Gacy's" mind, it generates AI images for the Observer, and that's what we're seeing in the video. At times, the AI-Gacy also speaks to the observer as a deep faked Gacy mugshot.
Wooow that’s really good explanation
私は Dir en Grey を 20 年前から知っていますが、彼らの芸術的なスタイルを賞賛しており、決して失望することはありません。
Yes,I love dir en grey very much❤
日本はポジティブで売れ線なアーティストが好きな人が多いせいか周りに進めても興味を持ってくれる日本人の友達はビックリするくらいいないのでディルのライブは一緒に行ってくれる友達はいないが笑でもここまでダークでセンスがありルックスもカッコいいバンドは海外にもいない唯一の存在だと思う
薫さんワイルドでめっちゃカッコいい、、、
この重く遅くどっしりした感じ、最高過ぎる。Phenomenonとかベルゼバブとかこう言う訳分かんない曲マジで好き。
万人受けしないバンドが25年メンバーも変わらずコンスタントにCD出して、CDが売れなくなった時代にまだ1万枚売ってトップ10入りするの凄い
90、00、10、20年代でトップ10入り果たしたアーティスト一覧見てるとDIRだけなんか異質なんだよな
The world just changes, Dir en Grey evolves 😊
どちらも好きで下げたいわけじゃないけど
復活後の東京事変にランキングや売り上げ勝ってたのはマジかよって思ったな。
向こうは歌番組、紅白、主題歌など使われまくり
DIRは雑誌以外メディア露出0なのに
@@supaburo
男性は辛いときDirを聴いて、女性は辛いとき椎名林檎を聴いてる気がする。
一番異常なのライブ数でしょwwwまじで毎年何回ライブしとるねんw
体力が異次元すぎる。本当に意味がわからんくらいライブしてる京くんかけもちしまくりだしアンドロイドだと思ってる。多分サブ機体が何体かある
Я живу в Узбекистане и я обожаю эту группу ❤ слушаю их со школьных времен
ライブの時の京の動きが激しかった。加えてシャウトにハイトーン。
相当体力消耗するだろうなこの曲は
DIR EN GREYはアルバムごとに変化しているのが本当にすごい。
このシングルを聴いて、次のアルバムも今までとは違うものが来そうだと感じた。
こんなに進化して鮮度保ってるバンドいない。当時のバンドを今かっこいいと思えるのは本当に珍しい。やってること日本一どころか世界一かっこいいよ
I spoke too soon about the use of AI in this video. I didn't realize it would be integral to the story like this. What a cool idea - someone using a bot to try to truly visit a killer's heart and mind. I like that it even showed one scene being rendered. Incredibly effective. It reminds me of concept behind The Cell with a relevant modern take.
The style in The Cell is a PERFECT comparison, and such a forgotten gem. The movie itself obviously suffered in a lot of ways, but visually it had a lot that I think needed to be re-explored.
Can I just say the use of Baker Miller pink is fucking genius and if anybody knows the history behind that color, you know why it’s so genius the color itself has such a dark history If you are a crime enthusiast, please look up Baker Miller, pink, and the studies done on it and I think that really adds a great element to this video
Das ist ein sehr interessanter Fakt. Danke!
@@kitsune6701 you’re welcome. The color has been historically used to help sedate, mental patience or lessen the aggression in inmates so a lot of prisons and mental health facilities. Will sometimes use this color because it’s been studied and it has a tranquilizing effect on the brain.
@@MystressofStars thankyou
Thanks for the information, I never knew that.
@@MystressofStars Thanks for the Info. Thats indeed a whole another level to the video.
今回のこの新曲ライブで聞くとより心抉られて最高でした。ほんとに色んなことを考えさせられる曲。いつもだけど。ありがとう。
今回のPVのこのピンクと紫の雰囲気、異世界っぽくて凄い好き。目がチカチカしそう。
もうDIR EN GREYの世界観はいつ見ても度肝を抜かれるし心が洗われる。
ああ5/10長野市ホクト文化ホール楽しかった!もうサイコーだった!
やっぱ箱が小さいほどメンバーが近いから臨場感が大きくなるねえ
自分的には座席が上手なのもあってDieのアコギが美しくて感動した。
また行ける場所でチケットが当たったら行きたいな。
DIR EN GREY 最高!
ちゃんと現代独特の空気感をアーティスティックに取り入れながら核がぶれてないの本当にかっこいい
京さんのグロウル、歳を重ねるごとに深くなっている。毎度低音のあのゴボゴボと湧き上がるような声を聴くと安心してニヤケてしまう
もはや子守唄
歌詞見たあとに聴くとサビで京が泣きながら歌ってるみたいに感じてエモすぎる。
ここ最近で1番好きな曲になった。
生き方を教えて
生き方を教えて
🔥🔥🙌 A masterpiece, Dir en grey always showing us extraordinary work,👏👏👏 guys you are legends. Thank you for your incredible work.💖 Have a wonderful concert, ♥️♥️♥️ I love you so much Dir En Grey 🔥🥁🎸🎤👿🙌
序盤40秒ぐらいまで落ち着いた演奏で陰惨なホームビデオ感出しといて、45秒ぐらいから「お前こっち見ろよ」って言ってるみたいに空気変わるの、すこ
DIR EN GREYの代わりはいない。圧倒的な唯一無二の日本のロックバンド。
誰も勝てねぇって😌
表面上では見えない
"何か"がたしかに此処にある
ミディアムテンポで癖になる
何故か聴く度に違った曲にも聴こえます
寝る前に観たら夢に出て来そうな。
ここまで『ピンク』が毒々しく表現されている映像はなかなか無いし、短編の映画みたいな濃厚さ。
Baker Miller Pink......
after this MV, I thought again that hell, heaven, and purgatory - all this already exists here and now in this world... An amazing deep idea and cool creative work. This is very extraordinary, serious, and after that something remains in the soul, like a dagger in the heart...
🖤
This world is hell. We don't allow people to have peace and happiness.
来たぁ!新曲来た。早く聴きたかったので。DIR EN GREYは永遠に生きてるぞ。
永遠にDIR EN GREYだ。もう最高至高です。
高校生の時に出会い早25年…
未だイントロが流れるとなんとも言えない熱さが身体中を走るのがわかる
キャリアを重ねてくごとに歌詞の絶望度が高まっていく稀有なバンド
京さんのビジュは勿論だけどこんなに放出型の薫見たの久しぶりな気がして痺れる
もはや芸術だなこれは。
The effects in this video are so trippy!!
Thanks Dir En Grey for still sticking together after all these years and still making great music.
@@vulgartongueofficial Indeed, ai is very good at making strange looking visuals. lol
ラナンキュラスが好きすぎて、これ以上好きな曲は出ないかもしれないと思ったけど
同じくらい好きな感じで死にそう
予感とか再構築してくれてありがたすぎる
僕みたいな新しめのファンには本当にありがたい
i never thought i would get Dir En Grey going back to The Marrow Of A Bone days. i love it. 👌
Marrow is so underrated, that album is awesome.
To be quite honest, I think Marrow was the least interesting album. It had some real shiners on it though. The Pledge & Namamekashiki Ansouku were fantastic songs. The single versions of Clever Sleazoid & Ryoujoku no Ame were better than the Marrow versions. And Agitated Screams Of Maggots was ok I guess.
But Uroboros, Dum Spiro Spero and Arche were when they started to get better. I like the balance of "pretty music with gruesome grotesque music." Or stuff that is really emotional like Footsteps In The Lonely Valley. Very pretty but sad.
@@kitsunegiblaze8022 I agree, Uroboros through Arche is definitely their best work to date, but I feel like I see a lot of people write Marrow off completely. Though maybe I’m a little biased because I discovered them when Withering came out in the US so Marrow was the first album I was hyped for the release of lol.
@@necrosapling -- I got into them in 2003, kinda by accident, because of a website called "Project-J" which was where I first heard the song "Cage" -- then later I found "Centigrade-J" a completely different website, which hosted english translations of Diru songs done by Brian "Boo" Stewart who would later go on to create the Purple Sky magazines. (One of the first english print magazines about J-Rock). I remember downloading a ton of Diru songs because I was really fascinated with their music style, it was like... partly Visual Kei, partly chunky Nu Metal. I definitely do remember when Withering to Death first became available in the USA through Hot Topic, via the western label Warcon Records. While I do love Withering to Death, later albums such as Uroboros and Dum Spiro Spero and Arche completely outclass it. Marrow was... decent in some parts, I really preferred the sadder prettier kind of songs over the muddy "Sludge Metal" type stuff. Their older material from Vulgar and Kisou was a lot more straightforward Rock / Metal stuff. There wasn't quite as much of a "Progressive Rock" influence back then, but it was still great stuff. Nowadays I would say Dir en grey is right up there with Deftones and Dredg. Very experimental kind of music. Very "risk taking." Very "who cares whether or not people will like it, let's just do it our way and see what happens."
@@necrosapling -- Marrow just felt too "sludge metal" except for the really pretty sad songs like The Pledge and Namamekashiki Ansouku... their early stuff going back to Kisou and Vulgar was like a crossbreed between Industrial and Nu Metal, so that was really appealing to me. Withering to Death was their big break in the USA because they were able to sign with Warcon and have WtD re-released in American stores like Hot Topic and Fye. And of course, Diru being a guest band on the Family Values Tour certainly helped them get a foot in the door. Go back and listen to the earlier albums like Kisou and Vulgar, they had a very edgy, very rocky sound back then too, but on Uroboros and DSS and Arche, they really leaned in on the Progressive Rock stuff, with very long songs that have multiple tempo changes. And oh my gawd, the Unraveling EP was amazing. The remakes of The Final and Kasumi and Macabre were simply wonderful.
映像を見て自分の中の悪魔の意味がわかった
いつも他のアーティストが表現できない部分を伝えてくれて本当に尊敬✨
すっと心に染み込んで毒で染め上げていくみたいなDirならではの格好良さ全然色褪せない。流石Dir
なんて奥の深い曲。
お前らがいる限り俺の青春は終わらん!いつまでも最強&最高&孤高でいろ
merry christmas everyone! 😈🎄
DIR EN GREY、かっこよすぎて歌い方、パフォーマンス、ライブ姿、全てがかっこいい👏京さんを超えるボーカリストはいないと思う。
ジョン・ウェイン・ゲイシーをテーマにした楽曲かあ……
たまげたなあこりゃ
来た!来た!カッコイイ!!ディルは進化してくバンド。期待より更にカッコイイ曲を届けてくれる!
マジでカッコイイ
今回もスルメ曲だろうから繰り返し聴いていつの間にかお気に入りになってるんだろうなと思ってたけど、1発でかっこいいって思った
3分くらいしかない曲なのに、2分くらいで早くもお腹いっぱいなのにまだ喰わせてくるような地獄を味わってる
The machine replicated the infernal mind of John Wayne Gacy and I think the use of the color pink refers to Gacy's childhood/teenage years when he was physically and verbally abused by his father. I found the MV's concept quite interesting!
Someone commented that its the Baker Miller pink which helps reduce aggression and tension
@@crown_clown Yes, I read about the story behind this color, it's quite interesting and it makes a lot of sense that it was inserted into the MV.
海の映像が、厳しかった父親との唯一の楽しい思い出みたいなもんかな
MVだけで映画のようなストーリーが感じられる
殺人ピエロのジョン・ゲイシーか…
楽曲の聴き込むとハマってくる謎感はさすが。
このサビの浮遊感も新境地だと思う。
I love how they did not only go new ways exploring AI, but specifically addressing its use and the implications thereof in the video. I will forever remain fascinated by this band.
how do you think they do? i mean specifically adress it in the video? i also felt like there was heavy use of AI, but I failed to see a certain message behind it?
@@gruetzchan I mean clearly the imagery is AI-generated, but as part of the story. The video clearly shows a user prompting ChatGPT to first just tell him information but then act like the actual killer himself. One might only wonder where such possibilities can lead.
@@gruetzchan Just read the prompts written in the video and you'll understand. 😊
"They" did it first in the last Sukekiyo MV
@@_R4nd0m. And Otogi
Dirの新曲が出たときの高揚感は何にも変えられませんね!
最高!!が更新されてく~
どこかUnraveling味を感じるかっこよさ。何より詩踏みくらいからの京さんのがなりボイスがどんどん板についてきてる。
Soooo happy when new Diru drops 🔥🔥🔥
静かで激しい感じのメロディ部分もいいし
間奏の哀愁もいいよなぁ・・・
i now understand the concept of this mv.
same!! From the teasers I was a bit worried but seeing it all come together I understand the use of AI and John Wayne gacey, dir en grey never fails to disappoint - but I do have to say I hope they don’t continue using AI constantly 😣
@@fryprosody ai is not just background i think its the purpose of the song, the risk of use , i find this brillant
dir en grey have already use AI on live to do OTOGI background in overseas lives
浦安鉄筋家族のOP歌ってた頃とはまーったく違うバンドに進化したけど、カッコイイよホントに
尊敬する
これ初めて聴いた頃は暗いし絶望感が強いと感じていたが、だんだん自分の中に馴染んできている気がする。
「この感覚は自分だけじゃないんだ」みたいな安らぎというか癒しに近い感覚がある。
それと実際自分自身の中にあった陰鬱の素が具現化されているような気もする。
やべぇー!今回も狂気的かつかっこよすぎる、、、!!
そしてまさかシリアルキラーのジョンゲイシーが出てくるとは思わなかった、、、!
そしてピエロ繋がりで映画テリファーのイメージソングに…
@@jimsunff1563 絶対合う(笑)
Incredibly as always, DIR EN GREY!!!!
スルメと思いきや1発目からどハマりした
この年代でコンスタントに活動し続けてるのが凄すぎる
メンバー変わらないのもすげえ
感性が鋭すぎて本当に最高です
荘厳なまでに邪悪な曲。パステルピンクが内臓のようで、グロテスク。かっこいい。
英語でもコメントされていらっしゃる方が居ますけど、ベイカーミラーピンクを調べてみて。
今回のPVもかなりかっこいい‼️
特にジャケットもすごくセンスがいい…
待ってました、MV。
相変わらず素晴らしい芸術性に脱帽です。
20年以上ディル聴いてるけど好きなシングル曲トップ5に入るわ
滅茶苦茶良い
Love the aesthetics! I think the concept is inspired by “The cell” movie! They go inside a murderer’s mind and depicts very dope landscapes like the ones in the MV. I think they’re trying to re create the same but going inside John Wayne’s mind. Obsessed with that movie and now obsessed with the MV! ❤
京さんの登場の仕方カッコいい
very interesting and nice to see you back with amazing music! Dir En Grey has aged like fine wine,still vulgar but with a much more refined version of themselves.😈🤘 Greetings from Singapore
半端じゃない 愛しています DIR EN GREY! ❤️❤️❤️😘😘😘
After all these years they keep delivering!! Amazing single, incredible visuals, they knocked it out of the park yet again! Thanks for the music 🫶
Have loved Diru since I was 19 and theyve always blown my mind. Kyo still crazy as ever! always reinventing
最初は正直微妙かと思ったけどPV見ながら聴くとめっちゃ良いな❤
サイコーだなdirは😂
やっぱり聞けば聴くほど好きになっていくのがdir en greyの曲だな😂
Das ist so interessant, denn so geht es allen dir ich kenne auch, wenn sie neue Lieder von Dir En Grey hören. Ich nenne es den Dir Effekt. 😂
DIRの絶望的な歌詞、サウンドがこのバンドの醍醐味の一つだと思うな。
聴き込んだらクソいい
今となってはこの感じが通常運転だからむしろ安心。逆にみんな大好き「太陽の碧」みたいな曲を今突然書かれたらそっちの方が心配してしまう。
そしてしれっとB面に収録されてるリアレンジされたcageが超聴きてえ!
Great song!. Dir en grey forever🇯🇵🙌🏻. Greetings from Chile🇨🇱👍🏻
最初聴いた時訳分からなかったけど日を置いて2度目聴いてみたら結構クセになる感じで聴き心地のいい曲だと分かった笑
曲ハードな部分もあって格好いいのだけど、まさに痛みを感じて人間の悲哀を感じて切なくなるしこういうところが好きだなぁと思います。
MVも不気味で悪夢のようでいて、曲と相まってちょっと物悲しい。好き。
I love the feeling of excitement everytime a new song is coming out. I love that this band never disappoints. Great song💗
ライブのバックの映像の時よりもAI生成使いこなしてるなぁ、カッコいい。
禍々しいデザインをピンクベタ塗りにしてるのも、DIRらしくハイセンスで良いですね。
テリファー 聖夜の悪夢
新曲の度にワクワクさせてくれるDIRが好き
Okay I gotta comment again, Kyo’s makeup is sick af!!!
すんげえぇ💭かっこよい。毎度、新たな表現で楽しませてくれる
How can Kyo go from looking and sounding so beautiful one moment to hideous the next
Wow, so happy to see them still making music. Haven’t listened to them in years, this song is great. Kyo’s voice is unmistakable.
これだけ長く活動してきてもまだ新しく変化し続けるのはすごい
インサレのときのように自虐的な歌詩が衝撃
86歳です、興奮して心臓がドキドキしています
しばらくしてもつづくなら病院行った方がいいかも。
川の飲みすぎだと思います
お大事に
本当に86歳で、この曲聴いて興奮してるのなら、気持ちはかなりお若いと思います。
きっと将来認知症にはならないかと。
Dirはまりすぎだろジィジ
ライブ前に見れて良かったです!!!
父子でいる情景が切ない。実際か願望か。
この曲は狂気に冒され引き返せないところまで行ってしまったモンスターの叫びに思える。だが哀れなことに、その叫びはもう誰にも理解や共感はされないのである。
I think this happened to real John Wayne Gacy he was once a kid..no kid is a murder. But he developed into a monster.
京さんの声、楽器の重低音、映像全てが圧倒されるもので引き込まれました!あの有名なシリアルキラーが出てくるのもすごく好きです🙌
映像の狂気的な美しさはもちろんなんだけど、歌詞が何よりえぐい
希死念慮が加速する
なんだ、コレ…すげえぇえ…最新が常にかっこいい
Someone has been watching a lot of true crime I see.
Indonesia?
And reels
And Barbie 😂
Or SKYND videos.
PVで2クールのアニメ位の情報量ある。
すんげぇ
毎回妥協しないで進化していくのなんなんだ😳
まさかのジョン・ゲイシー・・・
Ed ✅ John ✅ Bundy 🔲
アンドレイ・チカチーロもおりましたし・・・
Awesome PV, diru simply never disapoints.
全体的に悲壮感のある曲だな。
1:24 ここの血生臭い感じすごい好き