I have to agree with you. He really captures all the emotional possibilities in this performance. Rhythmically sound, great use of rubato, clarity, point of view, and drive. Wonderful.
@kinpopdj No he is pretty clearly playing the first four notes in the right hand exactly with the left hand and the last three as two against three. When you do rubato you are supposed to keep the rythym correct even if you stretch them out.
I drew a diagram for where the notes went for the cross rhythms. Yes it's sooo pretty once you have it down, but it's really hard to get it. Just work at it, and you'll get it!
would you be able to upload it somewhere, or maybe even send it to me? (trying to get my head around this piece at the moment and I'd be really grateful to see how you interpreted it)
@@richard.tilley This is 6 years too late, but my strategy is to practice lining up the 4th 7-tuplet (since it falls halfway between the 4th and 5th 8-tuplets) and let everything else fall into place from there.
One of the humblest, but most competent and deliberative, interpretations of #3 I’ve heard. What a treat.
Beautiful. I love the balance of the crazy rhythms with the beautiful harmonies.
I have to agree with you. He really captures all the emotional possibilities in this performance. Rhythmically sound, great use of rubato, clarity, point of view, and drive. Wonderful.
The pianist is Daniel Pollack. This is from a Naxos release of Barber's complete published piano music.
This is THE BEST of ALL THE PERFORMANCES of the 3rd mvt. on RUclips. Daniel Pollack ROCKS!!
My son just played this piece. How lovely.
you know what, I really don't care if the rhythm is played perfectly because this is beautiful.
This and the first are my favorite of the excursions!
Samuel Barber is unsurpassed.
@kinpopdj No he is pretty clearly playing the first four notes in the right hand exactly with the left hand and the last three as two against three. When you do rubato you are supposed to keep the rythym correct even if you stretch them out.
What an incredible composition!
does anybody know who the pianist is? I love his interpretation of this excursion.
Working on this for an undergrad recital. Freakin' hard.
me too i completely agree but i think as well that its so beautiful ....whats do you think ?
How did it go in the end?
The Streets of Laredo. Great cover.
So beautiful it hurts
he is cheating the rythym of the main theme. it is marked 7 against 8 and he just broke the 7 into a group of 4 and 3.
You are correct. i just heard that. I'm studying this piece now.
John Browning version is my fav: ruclips.net/video/QTngYppwr7c/видео.html
anthony j. resta yeah John Brownings rocks! Anthony do you have your own version up yet?
I drew a diagram for where the notes went for the cross rhythms. Yes it's sooo pretty once you have it down, but it's really hard to get it.
Just work at it, and you'll get it!
would you be able to upload it somewhere, or maybe even send it to me? (trying to get my head around this piece at the moment and I'd be really grateful to see how you interpreted it)
@@richard.tilley This is 6 years too late, but my strategy is to practice lining up the 4th 7-tuplet (since it falls halfway between the 4th and 5th 8-tuplets) and let everything else fall into place from there.
哪個神人把它彈出來
my god... this is way to fast.. how can you enjoy the harmonies at this speed?
very carefully
I’d say it’s pretty close to what Barber intended. Although, I do agree that this piece is far too beautiful to be played at this tempo.