Carl Filtsch: Romance sans paroles, Op.3/1
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- Опубликовано: 15 фев 2023
- It is always shocking to me to realise that Carl died at the age of 14. Look at the photo, how early he had to leave life on earth. He could compose 8 works, which were partly first published in London (1843). He also composed a piano concerto which was lost for a long time, but found recently. Life dates: 1830-1845.
Filtsch was born in Mühlbach (Sebeș) in present-day Romania. His father, a Lutheran church pastor in Mühlbach, was his first piano teacher. His first public success came at the Gesellschaft der Musikfreunde in Vienna. Carl and his brother Joseph, also a child pianist, arrived in Paris on November 29, 1841, and immediately sought out Chopin to be Carl's teacher. Though Chopin almost never taught children, and rarely gave a student more than one lesson per week, he agreed to teach Carl, and gave him three lessons per week.
Considered Chopin's most talented pupil, Filtsch received high praise from Franz Liszt, Friedrich Wieck, Giacomo Meyerbeer, Ignaz Moscheles, the music critic Ludwig Rellstab, and fellow child prodigy, Anton Rubinstein.
Filtsch began touring Europe on concert tours at the age of 13. After triumphant concerts in Paris, London, and Vienna, his promising career was cut short by an early death in Venice from tuberculosis.
According to numerous letters from Chopin and his acquaintances, Chopin considered Filtsch the most worthy interpreter of his music. A friend of Chopin, Ferdinand Denis, reported in an article in Vienna's Der Humorist in February 1843 that on one occasion after listening to Filtsch, Chopin exclaimed,
"My God! What a child! Nobody has ever understood me as this child has...It is not imitation, it is the same sentiment, an instinct that makes him play without thinking as if it could not have been any other way. He plays almost all my compositions without having heard me [play them], without being shown the smallest thing - not exactly like me [because he has his own cachet], but certainly not less well." 
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That is an insane story. Just off of this piece they are one of my favorite composers
You are a scholar and a genius. I wish you'd let us behind the curtain and explain how you find all these amazing pieces. Beautiful playing.
Du spielst wunderschön Julian 🌻. Dein Spiel rührt oftmals zu Tränen.
Very touching piece, beautiful playing ❤🎶🎹
Very nice!
Oh yes, Chopin's favorite pupil! Would be nice to hear from you more of his works!
Tragic story. Beautiful sad composition. Excellent execution.
His Mazurka (on the same opus number) is also very impressive. I think you should give it a look!
Wow! Filtsch's Op. 3, n 1 is rare!
Tell me please, _Herr Gamma_ , did you use the sound of a Bösendorfer? I ask because I had the impression of hearing some little reinforcements on the Bass. And that is a common characteristic of European brands.
Органный пункт
Да, жаль мальчика...очень жаль. не успел пожить!!!!
Подростки очень любят этот романс.
Ещё есть очень красивая пьеса D'adieu
Very nice! Great presented.🎹 Thanks.🌹
Easy enough for me to play, thanks a lot for the gem.
Muito lindo !!!
Très joli. Merci
❤❤❤❤
Impressive
Composizione interessante. Il climax sembra quasi vicino alla serenata di Schubert. Un saluto al canale e congratulazioni per l'ottimo lavoro.
suona schubertiano anche a me
@@PianoScoreVids E allora in fondo siamo perfettamente d'accordo. Del resto l'epoca era quella. Il ragazzo compositore conosceva Chopin suo maestro. Chissà se avrà anche conosciuto la musica di Schubert. Questo non è dato saperlo.
Скажите, я одна ощущала несоответствие размера или еще кто-то заметил? Произведение красивое, но исполнение на 3/4 звучало то триолями, то восьмыми. Особенно в конце.
Ну, ощущение что тут исполнение больше 6/8, нежели 3/4
Like the moonlight sonata
❤❤❤❤❤❤❤❤❤❤❤❤
Beethoven, Sonata quasi una fantasia sounds so obvious here
Not everything sounds like or has influences of Beethoven's Sonata quasi una fantasia. This sounds like Chopin. No wonder as he was a student of Chopin.
where can I buy or download this sheet music please?
suoni con emozione e tocco gradevole ma attenzione: lo stai pensando e suonando in 6/8, che sono 2 tempi composti, ma è scritto in 3/4, che sono 3 tempi semplici. in tal modo si sbagliano gli accenti tonici e stravolgi il senso della melodia. Pensalo in tre tempi e ti verrà naturale il respiro melodico.
Hai ragione!
First :DDDD