I do not understand the choking of the note C when it is not played in the first measure, it escapes me, can you explain to me, we therefore stifle the note C D and C? thanks for your explanation
I'm not exactly sure if this is what you are asking, but the a# grace note in the first measure is played like a flam. After that it's just regular mallet dampening, meaning striking the next note with one mallet while simultaneously dampening the ringing note with the other mallet. In this case c, b and a.
The X is a symbol that indicates mallet dampening, which I described in my previous comment. The X is not to be played, it just shows that the previously played note should be dampened. The X can be placed anywhere in the general vicinity of the note supposed to be dampened, Mr Zivkovic just happened to put them where usually the c and the d is located. I hope that cleared things up for you.
I'm doing this for my senior recital and your interpretation is fantastic! Very natural looking 👍 good job brother
Thank you, that makes me happy to hear. All the best to you!
thank you for your explanation and disponibilities
Anyway, thank you for your answers and congratulations for your interpretation.
Thank you!
Very good ! I gonna lurn this song right now
That's awesome! It's definitely fun to play.
nice
Thank you
I do not understand the choking of the note C when it is not played in the first measure, it escapes me, can you explain to me, we therefore stifle the note C D and C? thanks for your explanation
I'm not exactly sure if this is what you are asking, but the a# grace note in the first measure is played like a flam. After that it's just regular mallet dampening, meaning striking the next note with one mallet while simultaneously dampening the ringing note with the other mallet. In this case c, b and a.
is it like a flams?
I don't understand the notes c d c in the cross at the first measure
The X is a symbol that indicates mallet dampening, which I described in my previous comment. The X is not to be played, it just shows that the previously played note should be dampened. The X can be placed anywhere in the general vicinity of the note supposed to be dampened, Mr Zivkovic just happened to put them where usually the c and the d is located. I hope that cleared things up for you.
last question what does *1) and *2) mean at the beginning
Footnotes, just look at the bottom of the page the asterisks are on. There you will find ab explanations of dead strokes and mallet dampening.
The same guy who made ilijas made this
You are exactly right, it's from the same composer.
@@heavyvibes90 I am saying that ilijas is super complex but this is fairly easy
they are not playing why smother them
I understand better then on the first measure we stifle the note b c and b?
Yes, the notes you are supposed to dampen are b, c and b again.