L' AAcheron est certainement l'ensemble baroque le plus exceptionnel qu'on puisse entendre, en ce moment, en France...et peut-être ailleurs... La viole de François Joubert est subtile et puissante, et li est entouré de musiciens exemplaires.. Quel plaisir raffiné de les écouter!
En muchas ocasiones se olvida o se maldice el precioso don de escuchar, la vida y sus tormentosas circunstancias nos amargan la belleza del sonido, escucharlos y sentir el sonido es como un baño de agua fresca en el quemante sol, gracias ...
L'Achéron François Joubert-Caillet, treble & direction Andreas Linos, treble Marie-Suzanne de Loye, tenor Robin Pharo, bass Sarah van Oudenhove, consort bass Angélique Mauillon, harp Miguel Henry, theorbo Philippe Grisvard, virginals Yoann Moulin, organ www.lacheron.com
Welcome to Early Music! You're probably referring to the large bass lute with the long neck, which is known as a "theorbo", played here by Miguel Henry. It's an amazing instrument! Here's a great solo performance on Theorbo, which anyone who's interested in this instrument should watch: ruclips.net/video/qeUcGD4rRRc/видео.html There is also a "consort bass" viol being played here by Sarah van Oudenhove, who is seated in the middle of the ensemble. The _consort bass_ is the largest type of bass viol and is so-called because it was intended primarily to play the bass line in consort music accompanying smaller viols (as used here). However, the bass viol in general was always the most popular type, so there are several other variations (so called "division" viols, "lyra" viols, the 7-string French bass viol, "viola bastarda", etc.) Most of these are somewhat smaller than the consort bass used here, and are optimal for other types of repertoire. There's some really nice French solo repertoire for the 7-string bass viol written by Marin Marais, St. Colombe, and others that's worth looking at if you like music for bass viol. Here's one of my favourite performances on this instrument, written by Marais: ruclips.net/video/gBLu0KQF80U/видео.html
@@andreafalconiero9089, if you mention the term "consort bass", do you actually mean a Violone? Because actually it does more look like a bass viol to me rather than a Violone in G, what I definitely can say that she sizewise is not playing a Violone in D.
@@tobiasstudtheol No, I mean a _consort bass,_ not a violone. This is a standard bass viol that was commonly used to play (primarily English) consort music. These instruments were often produced in matched sets, with the consort bass being the lowest instrument in the group. The _violone_ (contrabass viol) was never properly a part of the viol consort, although it could be added if available to all sorts of ensembles. As I said, the consort bass is generally a 6-string instrument that is slightly larger and perhaps more resonant than those constructed for virtuosic solo work (lyra viol, etc.) but covers the same pitch range as other bass viols. That's what she's playing.
@@andreafalconiero9089, thanks for your interesting explanation. I am myself, although a multi-instrumentalist, no violist but I really adore viols. So, sometimes I still need to learn.
Surely Luigi Boccherini must have been influenced by Scheidt's music. He appears to pay homage to it in several pieces. This is a lovely performance on genuine baroque instruments.
What if One or two of these musicians ripped a real stinker? The stench alone in that confined medieval space could be a'mind bending religious experience.'
Well done indeed. Captivating. I have loved this piece for 40 years, and here it is in perfection.
You can really hear the Renaissance turning into the Baroque era in this piece.
L' AAcheron est certainement l'ensemble baroque le plus exceptionnel qu'on puisse entendre, en ce moment, en France...et peut-être ailleurs... La viole de François Joubert est subtile et puissante, et li est entouré de musiciens exemplaires.. Quel plaisir raffiné de les écouter!
Beautiful. May you all play this music throughout your lives making audible the harmony of the spheres and God's celestial harmony!
So beautifully played! Thank you!
Thank you for keeping this music alive for all the world to hear; to enjoy & be inspired!
Very found of early german baroque music !
prächtige und lebendige Musik - so packend gespielt!
Wonderful..., this is certainly the music the angels play...!
This is the real early baroque sound.
Instablaster...
ABSOLUTELY captivating! BEAUTIFUL ensemble playing...BRAVI, tutti! Bellissima!
En muchas ocasiones se olvida o se maldice el precioso don de escuchar, la vida y sus tormentosas circunstancias nos amargan la belleza del sonido, escucharlos y sentir el sonido es como un baño de agua fresca en el quemante sol, gracias ...
Very intriguing recording with both warmth and spirit
Good video recording, Philippe de Magnée!
Schütz, Scheidt, Schein : les "3 S" du premier baroque allemand.
Tres bonne interprétation de cette musique peu connue mais tellement belle.
Amazing work their performance! Unique instruments and perfect hall sound acoustics! Thank you very much!
Fantastic playing and amazing sound!
Apesar de terem sido escritas por volta de 1620, sou absolutamente renascentista... magnífico trabalho...! Best regards from Mairiporã, Brazil..!
Thanks to this wonderful performance, this has become my favourite composition by Scheidt. Well done, as always!
Vous faites un travail magnifique, mille merci.
Fantastic Stuff
Bravi! Sublime music and interpretation. It doesn't get better than this.
This is wonderful!
Prayer - for agnostics - sublime!
And prayer for believers too !
Wunderbar herzlich gegrüßt von Joachim Ehlers aus Schallstadt südlich von Freiburg,dank auch an das Streichergrubbe Gamben Outhere music
Beautiful ! Superb !
Magnifique!
Wonderful performance! Bravo!
Bravissimi!
...thank you for this great video recording!
I can't wait for October to arrive. Greetings from Mexico. Keep on the amazing work! DFTBA
Too beautiful!
Scheidt's right up there with Schutz. Shame he died so young.
Up there in heaven
Scheidt died in the age of 67 years. This happened to be quite old in his days. He even survived the ordeals of the Thirty-Years-War.
I thinl you mix him up with Johann Hermann Schein. (St. Thomas school cantor 100 years before Bach) who actually died quite young.
Yes, but the last days were quite sudden.
lovely
Perfekt. Thank you for sharing!!
Magnificent!
Triple-Amazing.
What the ''ancients'' had was harmony. ''Armonia'' - we need that in composition again
From 3:57 to the end is so beautifull , wonderfull and some much !
Ravissement au réveil de ce dimanche matin, 21 juin 2015
Love the moment at 2:33 :)
L'Achéron
François Joubert-Caillet, treble & direction
Andreas Linos, treble
Marie-Suzanne de Loye, tenor
Robin Pharo, bass
Sarah van Oudenhove, consort bass
Angélique Mauillon, harp
Miguel Henry, theorbo
Philippe Grisvard, virginals
Yoann Moulin, organ
www.lacheron.com
François Joubert-Caillet Siete bravissimi!!!!!
WOW that sound !!!!!
M. Henry looks like he's playing an italian chitarrone, is is because of italian taste in Scheidt's music?
Thank you! Miguel plays a theorbo, this instrument was used in Italy, but also in Germany!
I think I see Robin Pharo on bass viol! Nice!
amazing.
5:38 gives me goosebump
Lindo!
🌺
Wonderful! I am very new to this side of music. What is the bass instrument played? Is there a bass Viol? is Thank you!
Welcome to Early Music!
You're probably referring to the large bass lute with the long neck, which is known as a "theorbo", played here by Miguel Henry.
It's an amazing instrument! Here's a great solo performance on Theorbo, which anyone who's interested in this instrument should watch: ruclips.net/video/qeUcGD4rRRc/видео.html
There is also a "consort bass" viol being played here by Sarah van Oudenhove, who is seated in the middle of the ensemble.
The _consort bass_ is the largest type of bass viol and is so-called because it was intended primarily to play the bass line in consort music accompanying smaller viols (as used here). However, the bass viol in general was always the most popular type, so there are several other variations (so called "division" viols, "lyra" viols, the 7-string French bass viol, "viola bastarda", etc.) Most of these are somewhat smaller than the consort bass used here, and are optimal for other types of repertoire.
There's some really nice French solo repertoire for the 7-string bass viol written by Marin Marais, St. Colombe, and others that's worth looking at if you like music for bass viol. Here's one of my favourite performances on this instrument, written by Marais: ruclips.net/video/gBLu0KQF80U/видео.html
@@andreafalconiero9089, if you mention the term "consort bass", do you actually mean a Violone? Because actually it does more look like a bass viol to me rather than a Violone in G, what I definitely can say that she sizewise is not playing a Violone in D.
@@tobiasstudtheol No, I mean a _consort bass,_ not a violone. This is a standard bass viol that was commonly used to play (primarily English) consort music. These instruments were often produced in matched sets, with the consort bass being the lowest instrument in the group. The _violone_ (contrabass viol) was never properly a part of the viol consort, although it could be added if available to all sorts of ensembles. As I said, the consort bass is generally a 6-string instrument that is slightly larger and perhaps more resonant than those constructed for virtuosic solo work (lyra viol, etc.) but covers the same pitch range as other bass viols. That's what she's playing.
@@andreafalconiero9089, thanks for your interesting explanation. I am myself, although a multi-instrumentalist, no violist but I really adore viols. So, sometimes I still need to learn.
Same tune as William Byrd's Rowland from Fitzwilliam Virginal Book.
Outstanding! Are those gut-string frets on the viols?
Usually they players tie old gut strings around the neck as fret, they are adjustable for better intonation. It looks to me like they do it.
They're all lute players (the viols and the lute have the same tuning).
quite right
Surely Luigi Boccherini must have been influenced by Scheidt's music. He appears to pay homage to it in several pieces. This is a lovely performance on genuine baroque instruments.
Bravi! Io cercherei solo di dare un po' più di "messa in voce" e di "aria" ai suoni. Complimenti.
One must be careful how one pronounces this Great Composers name LOL
We Germans don't have that problem :-)
please SACD
I don't why people decry white people so much. Their culture is so rich and profound.
Culture war, cultural Marxism destroys everything in their way. Christianity is in their way.
What if One or two of these musicians ripped a real stinker? The stench alone in that confined medieval space could be a'mind bending religious experience.'
asshole douchebag you just ripped one, the stench of your mind is an non-religious occurrence