Видео

Appealing kind of playing - I heard him in BBC Notturno 30 sept. 2024.

I try a number of these cello suite pieces on guitar and when playing I am keeping the cello sound in my mind a bit, if not tempo, Wrong or right, it's the way I feel it. My main problem is hi tempo such as the 1st suite courant. I cannot do the tempo so I play it much slower and it has a whole new dynamic to my ear and I personally like it like that. Perfectionists will no doubt scorn at it as being wrong, so sorry to them, I can't do it another way. Thanks Pieter and the professors, I learned a lot today about my favourite composer. JSB.

I think most people lack the delicacy required to perform the Cello Suite No. 4. I don't like it when they rush the prelude or the bourrees. Thankfully, Yo Yo Ma, Pablo Casals and Mischa Maisky know/knew how to give it justice and play it beautifully.

Nasty self-absorbed guy. Sorry, just can't stand dudes like him...

Und wieder finde ich nicht mehr als zu sagen: Himmlisches Cello

congratulations, very nice!!

Beautiful

Im fascinated with the topic of how the dances may have influenced the tempos of live performances. So I went in search of videos of of dances in the tradition of the time. But alas, I haven’t found any. If someone has links, I’d be very happy to watch and influence my own playing this way. What an interesting meditation.

This must be very challenging. I enjoyed this performance very much. Thanks for sharing!

I have many recordings of this piece. This is the earliest version that I owned. It is still my all-time favorite. It is a very well balanced performance with a nice mix. The tempos are very satisfying, and the sound is very good. ❤👍🏿

Gefühlt nicht die "größten" Musiker dieses Erdballs, aber ich liebe diese Aufnahme.

Wonderfup. ❤ Thank you for sharing these emotions and ideas. And of course the passion forvBach's divine music. ✡️✝️🙋‍♂️

THAT CADENZA WAS SO COOL!?!?!?! DID YOU COMPOSE THAT YOURSELF?

Да....какой виолончелист,а мой любимый такой зажатый

So lame!

ruclips.net/video/GlzypQG0t64/видео.html Музыка + поэзия

[00:00:00] Alexandre Glazunov Two Pieces for Cello and Piano, Op.20 Oeuvre pour piano solo annoncée ultérieurement [00:11:09] Benjamin Britten Suite No. 3 for Solo Cello, Op. 87 [00:32:59] Mikhail Pletnev Sonata for Cello and Piano

GOOD LORD!!!!!!!!!!! Heavens gain is OUR tremendous LOSS........ All my Fav's are gone now.........RIP, one and ALL!

I’ve got his second and this third album and have always enjoyed the third as my overall favorite recording. To hear him speak in this video about the music and to show us he’s open to better understanding the music is pretty extraordinary. When he speaks of taking the baroque tools (gut strings, now, etc.) and figuring them out for himself, that’s making the music in an authentic way. His openness to hear from the historical experts but also ultimately disagree with them makes for revealing the complexity of the music and ideas about performance altogether. Looking forward to the next recording!

It is absolutely stunning to hear Pieter Wispelways play the suites on baroque cello. Somehow the notes live on a bit longer even though his interpretations herein are by no means slow. Clearly the Hall may lend to this but I believe it is his progressive passion for Bach and his desire to get to know the him through tone that carry the suites with such grace. This man is such an inspiration. Unreal.

Britten suite: A performance for the ages. Intense.

WAY TOO FAST, JESUS.

this guy always rushes and plays the suites in such a sloppy way. Watch Wtephen Isselris or Gautier Capucon for a more authentic clear version.

Beautiful Colin!😊

Bach fué tan genial que conocía profundamente nuestra naturaleza, no toleramos la libertad que nos brindó con sus composiciones,alguien nos tiene que decir como hacerlo,éste documental es la prueba de ello.Hay tantas versiones como violoncelistas en el mundo para nuestra fortuna,Bach es el símbolo de la libertad absoluta de expresión.

Love the gut strings and not taming the wolf idea but in those hammering chordal passages in Britten, it shows its limits. It’s just not designed for that kind of bow pressure 😅

G'day, Colin Hill! Very interesting and informative video! Thank you for all the effort and time that went into it. By the way, the portrait at 9:07 is of an unknown subject and not J.S. Bach.

yeahhhhh. sounding so good colin.

Good playing. I should learn this piece!

Saludos! Gracias por la información. 👍

,ярчайший и умнеший музыкантSteven Isserllis! Жаль,что так долго не слышала о нем и его!0

I love this piece; Great rendition; Congrats;

Deze Bach suites staan in de celloliteratuur op eenzame hoogte

Pour une interprétation vivante de ces suites pour cello qui accompagnent si bien les errances de nos âmes en quête d'essentiel. Merci à ce grand interprète et à son si bel instrument.

너무 아름답습니다.

Pieter Wispelways interpretation of the Bach Suites is expressive in his use of variation in tempos and dynamics. He pulls in your heart strings with bringing out the strong harmonies, his subito pianos and subito fortes and use of no vibrato for a plaintive cry. I absolutely love his interpretation.

I wish I had discovered Bach's cello suites when I was 12 instead of 23, I would have dedicated my life to learning and playing the cello! Here I am at 45 enjoying this documentary and regrets come back to haunt me.

6:57

Oh my God this is insane. Ty!

What a great demonstration and insight. Thank you

So when did this set of recordings come out?

I wish I had a cello.

rip the homie

19:50 life goals to be able to play like this

Very good team - enjoyed it vey much - thank you!

'Vispelveem'.

Thank you so much for uploading this! Wishing I bought the CD!

A bit off-topic: If you turn the sub-titles on, they will be generated automatically. The computer will show "Joe sweets" for "cello suites" "Bark" for "Bach", and "whisper way" for "Wispelwey" "satyr band" for "saraband" "North Lee" for "naughtily" "borough" for "bourré" and I'm only at 2.28....