- Видео 21
- Просмотров 190 256
William Fonteneau
Швеция
Добавлен 4 ноя 2013
DISASTERPIECE GUITAR & BASS COVER
Disasterpiece by Slipknot using my Jackson DK2M Slime Swirl equipped with Blackout pickups and my Squier Classic Vibe P Bass into the Quad Cortex. I'm using the EVH sim boosted with an Evil Ned into an Orange Cab. No Magic trick nor post EQ thingy, what you hear is straight from the QC into the audio interface.
That song really made my cat want to storm the place, several appearances from 1:30.
Thanks for watching!
That song really made my cat want to storm the place, several appearances from 1:30.
Thanks for watching!
Просмотров: 137
Видео
OROBORUS GUITAR & BASS COVER
Просмотров 717Год назад
Download the preset here: cloud.neuraldsp.com/cloud/p/bb937123-47e8-4c44-9492-715fceae88df I covered one of my favorite Gojira song using only the Quad Cortex amps and IRs. It’s pretty straight forward: I used the EVH 5150 6L6 into an EVH cab with a sm57 and a ribbon microphone simulation. For the bass I used a Mesa amp into a 8x10 cab. Snapshots of the settings can be seen at 1min55 for the gu...
HM2 CLONES SHOOTOUT - Death Knob VS Evil Ned VS Eyemaster
Просмотров 1,8 тыс.2 года назад
My love for simplistic pedals got me 3 HM2 clones with very differents flavors that I'm putting side by side in this video. Each tracks has been recorded using a Torpedo Captor loaded with Ownhammer IRs (zilla fatboy v30 and h75 with a sm57). I haven't processed the track, just one left one right, and added the drums. I'm using a ESP LTD Alex Wade signature (dimarzio D Activator), set to drop G...
Fortin SIGIL VS Mesa Boogie MINI RECTIFIER
Просмотров 5 тыс.3 года назад
Doing a quick A/B comparison between 2 high gains monster: the Fortin Sigil and the Mesa Boogie Mini Rectifier. No mix or post processing, the tone is straight out of a T Bone MB75 for the Creamback M65 (left) and a SM57 for the Vintage 30 (right). Demo with drums share the same EQ settings for both amps (6). Both are boosted with the Fortin Grind set to 7. Mini Recto is on "modern", in 25w mod...
LACE DEATHBUCKER - Demo
Просмотров 12 тыс.4 года назад
In this video I play through a Lace Deathbucker mounted in my Jim Root Strat. I was pretty curious about this radical looking pickup and how a aluminum pup would sound compared to a high output passive pickup. I choose the EMG H4 that I had mounted for quite a while in my guitar. I used my Fortin Grind (set at 7) into the Fortin Sigil. All EQ at 6 and gain at noon for both the pickups. The amp ...
EMG SHOOTOUT - Active VS Passive
Просмотров 15 тыс.4 года назад
Here I am on a boring afternoon with a Fender Strat and 4 EMG pickups so I figured: why not comparing them, blindtest style! Active vs Passive: 81/H4 (ceramic) vs 85/ H4A (alnico 5). The H4 and H4A are not the cheap indonesian HZ version, but recent (2019) american made ones. I tried to be as consistent as possible: all pickups where mounted with the same height in my Jim Root Strat, using the ...
CREAMBACK M65 VS GREENBACK M UK - High Gain Tone
Просмотров 2,6 тыс.4 года назад
Let's compare those 2 Celestion speakers, side by side and together. In this video I used a Jackson SLS3 and a Maxon OD808 into a Fortin Sigil. The cab is a Zilla Fatboy loaded with the Creamback and the Greenback, both UK made. I'm using the attenuated output (-20db) of a Torpedo Captor in between the head and the cab in order to crank the power amp. The SM57 placement is roughly the same for ...
Fortin Sigil - Power Trip "Soul Sacrifice"
Просмотров 2,4 тыс.4 года назад
Having fun on the Fortin Sigil playing some Power Trip. No postprocessing or mixing it's just raw, straight out of the SM57, one guitar left, one guitar right, original track in the back. I recorded using a Torpedo Captor to attenuate the volume (-20db), what you hear is a neighbour friendly bedroom volume yet with the master cranked. • Signal chain : Jackson SLS3, Fortin Grind, Fortin Sigil, T...
Nano Attack vs Maxon OD808 - The Tight Fight!
Просмотров 4 тыс.5 лет назад
Big thanks to Romain Saule for the drumtrack! Follow him here: romain.saule • Signal chain : Jackson SLS3 - Nano or Maxon - Peavey 5150 MKI - Torpedo Live, Redwire IR: Marshall 1960 412 with Greenback and sm57 - Audient id14. No post EQ, raw signal. • Peavey settings : Lead Channel - Pre gain : 4 - Bass : 6 - Mids : 5 - High : 6 - Post gain : 5 - Presence : 7 - Resonance : 7 Hori...
Fortin Grind vs Maxon OD808 - The Tight Fight!
Просмотров 9 тыс.6 лет назад
Big thanks to Romain Saule for the drumtrack and the help on this video! Follow him here: romain.saule • Signal chain : Jackson SLS3 - Grind or Maxon - Peavey 5150 MKI - Torpedo Live, Redwire IR: Marshall 1960 412 with Greenback and sm57 - Audient id14. No post EQ, raw signal. • Peavey settings : Lead Channel - Pre gain : 4 - Bass : 6 - Mids : 4 - High : 7 - Post gain : 4 - Prese...
Marshall MS2 - Kvelertak "Sjøhyenar - Havets Herrer"
Просмотров 2836 лет назад
Having some fun with the very tiny Marshall Mini Stack 2 (MS2). Recorded with a Fender Jim Root Strat straight into the amp, SM57 microphone into an Audient id14. No post production, only raw left and right! Thanks for watching! My work : www.themaker.se Instagram : william.mkr Facebook : theMakerDesign/ © Song by Kvelertak : kvelertak.com/
Fender Jim Root Stratocaster - Slipknot "Three Nil"
Просмотров 5 тыс.6 лет назад
Playing some sweet Slipknot to demo my new Fender Jim Root Stratocaster Olympic White. • Signal chain : Fender Jim Root Stratocaster - Maxon OD808 - Peavey 5150 MKI - Torpedo Live, Redwire IR: Orange 412 with V30 and sm57 - Audient id14 No post EQ, raw signal. • Peavey settings : Lead Channel - Pre gain : 3 - Bass : 6 - Mids : 4 - High : 7 - Post gain : 4 - Presence : 7 - Resonance : 6 • Maxon ...
Gojira "Love" - Cover
Просмотров 1,2 тыс.7 лет назад
• Cover of the song "Love" by Gojira from the album "Terra Incognita" • Signal chain : Jackson SLS3 - Fortin Grind - Peavey 5150 MKI - ZillaCab Fatboy (celestion creamback M65 - Zoom H2N. No post EQ, raw signal. • Peavey settings : Lead Channel - Pre gain : 5 - Bass : 6 - Mids : 4 - High : 7 - Post gain : 1 - Presence : 7 - Resonance : 6 • Fortin sets on 4 My work : www.themaker.se Instagram : ...
Deafheaven "Sunbather" - Intro Cover
Просмотров 7368 лет назад
Covering the beginning of Sunbather until the first "clean break". I love the groove of this part. I'm using a Jackson SLS3 into a Peavey 6505 with a Fortin Grind in front as a boost, and a Earthquaker Devices Ghost Echo in the loop. Recorded with a Zoom H2N. My work : www.themaker-design.com Instagram : wllmfntn Facebook : TheMakerDesign/ © Song by Deafheaven : deaf...
Sheffield 6505 VS Celestion Vintage 30 - Peavey 6505+112
Просмотров 43 тыс.8 лет назад
I changed the speaker in my 6505 combo for a Celestion Vintage 30, lets check the difference ! Note : the Sheffield has nothing written on it (no brand, origin (probably china), etc), so I sent some pictures to Peavey. They confirmed me it was a real Sheffield 6505, it's pretty common in the combo version to have this "unmarked" speaker. Celestion : celestion.com/ Fortin Amps : www.fortinamps.c...
Gojira "The Heaviest Matter of The Universe" - Cover
Просмотров 2 тыс.8 лет назад
Gojira "The Heaviest Matter of The Universe" - Cover
Fortin Grind & Peavey 6505 + 112 - Gojira "Of Blood and Salt"
Просмотров 9 тыс.8 лет назад
Fortin Grind & Peavey 6505 112 - Gojira "Of Blood and Salt"
Celestion G12H Anniversary VS G12EVH - EVH 5150
Просмотров 31 тыс.9 лет назад
Celestion G12H Anniversary VS G12EVH - EVH 5150
Pasiva es más redondita!! Más suave!
I'm a bit confused, are they all that were made before 2019 indonesian made, I just saw a pair of H4 and H4A and they are labeled EMGHZ and on the back it says made in USA? Considering trying this set and I never really played any EMG pickups
@@antonstefanov2146 I don’t really know actually. I think their passive line was named HZ at the beginning and was usually stock in budget guitar (which would explains the made in indonesia). Now, and since when I dunno, the passive line is just named H and made in USA. The different models are supposed to be passive equivalent of the active lineup. H4A for the 85 (A for alnico), H4 for the 81 (ceramic). Honestly I really like their passive pickups! The H4 was my favorite (even over the 81!) :)
@@WilliamFonteneau It seems they got rid of the HZ labeling part at some point for some reason, I've seen them in budget guitars too. There are still HZ labeled USA made one too. Anyway, kinda surprising to me that in this demo I liked the H4 better than the actives!
HM-2 should be dialed back a bit -- should sit slightly behind overdriven high gain amp.
Is that a Strat body? It looks thinner and sleeker…I like it.
@@bluwng it’s a Jim Root Strat :)
@@WilliamFonteneau thanks
OD808x ftw 😊
OMG that strat makes me moist.
@1:46 that cat did not understand they were supposed to MOSH
Very nice! Love that new guitar.
Loved it. Straight to the point and no "look at me blah blah BS". At the end the favorite it's going to be personal taste. I'm really loving the Grind on a Rectifier but a Super OD on a Soldano, and so and so. Great vid!
I guess I'm sticking to my peavey 4x12 cab for a longer time. I feel like replacing it with greenbacks but I do like the sound when I got then.... it's tad cheap too
Fortin
The one pickup strat is fly as hell. Why keep what you don’t use?
Goddless Devotion?? Love Feared!!!
i hate distortion when comparing pickup, its all the same, it got compressed, gain ruin them all
I think you should down tune your guitar more. You'll get better tone that way.
I have a EL34 212ST which came with Chinese G12EVH so this whole thing doesnt even make sense.
great comparison, i have a peavey 4x12 very old with sheffields i definitely will keep the sheffields, i have a randall with jaguars and i will keep them too, i have a couple of marshalls with whatever comes in marshalls amd i just dont use them because the old peavey and randall sound great, the marshalls just sound good enough, i forget what marshalls they are but they are not mg or any of the cheap ones, they are old and very common marshalls , replacing stock guitar speakers that sound good and are not blown with actually kinda shitty cheap speakers like celestion and eminence doesnt make sense for me, i do not know how much they cost but the speakers themselves have to be cheap to make compared to their cost, for a real upgrade you got to go higher than shitty oem type guitar speakers, EV,JBL,Altec,Fane that type stuffis an upgrade
I prefer the warmth and lowend of the sheffields allthough it might be cool in a 4x12 cabinet to use 2 celestions and 2 sheffields to add some additional focus and mids.
I have a guitar with an EMG H4. I had a Les Paul with them in it. They are so sterile. I can't stand passive EMGs.
I have an EMG H4 and H4A in a Jackson King V that came stock in the guitar and it’s one of the best passive pickups I’ve ever played through in my guitar playing career. It’s got everything I love about regular passives in regards to the actual output of the pickups so I won’t go overboard with the gain, as well as both pickups having rails instead of pole pieces, which is what I would argue the absolute best part about these pickups. With that being said, I’ve been dying to get my hands on a Deathbucker bridge/Alumitone neck combination so I can have a set of pickups that would blend perfectly with my Solid State amps and let me play through them without needing a boost. I’ve been eyeing the lace Alumitone set to use going straight into my Randall RG3003 which is an absolute beast of a solid state head. Considering how tight the Deathbucker sounded in this demo, I have a feeling I’m fixing to be really happy with the results I’m about to get because the Randall is one of those amps that sounds beautiful going straight in. I’ll definitely be experimenting with boosts too like the Boss SD-1 and hopefully a TC Electronic Spark Booster if I can get my hands on one in the near future.
The EMG has more mids but I hate the brittleness. I honestly think an SH4 trembucker would sound better yhan either more mids but nicer and a smoother top end. Nice build btw 👍
hi, is it possible to unsolder emg h4/h4a paired with a single pickup for a 5 way switch in my ibanez prestige?
They don’t need soldering, the whole set is solderless, you can combine it with one of their 5 way switch. Check their website you should find the info you need!
@@WilliamFonteneau thank you
We call them SHITFILLED for a very good reason. V30 all the way, there's no comparison.
Thanks!!
Which ohm dou you use for v30?
I don´t remember, I sold the amp a while back. I think it was 16ohms
Kudos for not talking in between the changes!
Bro, the quality of this video is so damn good.
Thanks man! Really appreciate 😃
Tasty
🔥🔥🔥
Great job! Dirty tone and clean playing.
footswitch ?
Sounds freakin awesome!! Which is the bridge pickup are you using in this lovely demo? Thanks in advance 🙌🏻
It was a Seymour Duncan SH1 :)
just noticed the deafheaven poster 😂
Same😂
It took me a minute to realize that your Stratocaster is an early Jim Root signature edition.
Thanks! Great vid - no talking, straight to the point! Love it and bought both the passive ones.
Kinda like both... would like an HZ in the neck and DB in the bridge.... although the amp choice and settings would be way different...
A 0:16 0:59 B 0:48 1:31
Gut Job!
Anniversary's sound more aggressive/tighter in my opinion.
1 angry strat nice
Thanks for the comp. I was thinking of buying used Peavey cab with Sheffields. They’re not bad but I would replace with WGS speakers.
I like the Creamback better its more open better balanced and is smooth let with more clarity. Rhe greenback sounds quite honky and nasal which is the greenback sound. The creambackis more articulate in the lows as well . Even though the creambaxk is supposed to be a higher powered version of the greenback they sound quite different. The Creamback M65 and the Heritage G12H30 75hz are more 2 current favorite speakers. They mix together amazingly well very full and fat but also bright and defined .
shape the pre eq and bosst the amp gain with hm2, but use the amp dist instead of the pedal dist, coz the amp dist is far better, right?
Exactly :)
@@WilliamFonteneau I just ordered an Eyemaster as an HM2, later to bosst my 6050+ with celestionV30 speaker, after watching your video.
@@kamenrider6669 Cool! Hope you like it! The Eyemaster is quite a chainsaw haha
@@WilliamFonteneau Finally, I canceled the Eyemaster order and got an hm2w, haha. Too noisy, seems need a good noisegate.
This is insane... did you have prior knowledge of their settings? (Exhumed, Entombed, etc) How long did it take to find the right EQ?
Nope I just went for I felt sounded good and close :) I didn’t change much my usual settings on my amp, just lowered the gain on the amp and didn’t use the gain on the hm2 to keep clarity
Nailed it
Nice vid. Awesome riff. Emg passives are way better than people want them to be.
Great cover of Feared! Loved it.
This Sheffield sounds more AC30 like - more nasal, with a cutting high end and absence of low end... Which I like, and more specifically like in a mix, that guitar needs to get above the kick drum, the snare drum, floor tom, and bass guitar. Listening in isolation like this can be deceptive. Our ears like fuller, rounded sounds... but that's what you achieve in the mix, where each element of the mix fills in and rounds out the sound. You've got kick drum and bass to anchor the mix, that solid low foot that everything sits on, and conversely, you've got ride, crash, hihat for the shimmery top, and then everything else in the middle fighting it out. But all together the mix sounds full and rounded. You don't get a mix like that with each element sounding full and round. If you try to pile all that together, you get a middy, marsh and it sounds horrible. So, I've always liked a higher end, cutting guitar sound... something the AC30 is known for. I never knew I liked the AC30, thought it was, like, a retro, Beatles sort of amp... until I found out a lot of the contemporary guitar sounds I like were recorded with AC30's! I will say this about the Sheffield, for regular playing, practicing, writing, even recording, I like the sharp high end of the Sheffield, but I usually play/record my amp on 1 (and still bother the neighbors) but day, in the middle of the day, I turned my amp half way to like 4 or 5, and it was instant ear damage... the high end was so piercing, so painful, it was horrendous. So... to REALLY judge an amp and speaker, you really need to be there in the room, and you need to listen at various volume levels. The EQ of our ear changes at different volumes, yeah, that's right, we hear a different mix of frequencies at different volumes. So, to really know what you like, and what works, you've got to listen also at really high volumes... that dark muddy speaker that was laughably bad at 1, might be PERFECT at 5 (I don't know if you can play a hundred watt head at 10, full volume, without disrupting air traffic and getting the feds on your a55... maybe even bring down a satellite too... sh!t is beyond loud).
Nice comparison, mate! That Fender never knew what hit it! 🔥
you still have this guitar?
I don’t own, sold it a few months back