Видео

En cours de technologie c trop bien 😂😂😂

This going off when you've forgotten you have it playing invokes exactly the kind of primal fear I wanted thank you for your service!

i shiggled myself :3

Got the sound effect at 32:52 while watching Mr. Frog eat Rex lol

it helps me focus mom

NO BECAUSE I FORGOT I HAD THIS ON AND IT SCARED THE SHIT OUT OF ME LMAOOOO

watching rn on my ipad

4:38 almost had a heart attack. This is the perfect video for an ocassionally boost of adrenaline and dopamine while studying or doing something boring

But what is

I listen to these while gaming, do recommend because, even when playing games that have in no way or relevance with doors, it keeps me on my toes. Finally someone to be my Player 2!

Yves Klein (French pronunciation: ​[iv klɛ̃]; 28 April 1928 - 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art. Klein was born in Nice, in the Alpes-Maritimes department of France. His parents, Fred Klein and Marie Raymond, were both painters. His father painted in a loose post-impressionist style, while his mother was a leading figure in Art informel, and held regular soirées with other leading practitioners of this Parisian abstract movement. Klein received no formal training in art, but his parents exposed him to different styles. His father was a figurative style painter, while his mother had an interest in abstract expressionism. From 1942 to 1946, Klein studied at the École Nationale de la Marine Marchande and the École Nationale des Langues Orientales. At this time, he became friends with Arman (Armand Fernandez) and Claude Pascal and started to paint. At the age of nineteen, Klein and his friends lay on a beach in the south of France, and divided the world between themselves; Arman chose the earth, Pascal, words, while Klein chose the ethereal space surrounding the planet, which he then proceeded to sign: With this famous symbolic gesture of signing the sky, Klein had foreseen, as in a reverie, the thrust of his art from that time onwards-a quest to reach the far side of the infinite. Although Klein had painted monochromes as early as 1949, and held the first private exhibition of this work in 1950, his first public showing was the publication of the artist's book Yves Peintures in November 1954. Parodying a traditional catalogue raisonné, the book featured a series of intense monochromes linked to various cities he had lived in during the previous years. Yves Peintures anticipated his first two shows of oil paintings, at the Club des Solitaires, Paris, October 1955 and Yves: Proposition monochromes at Gallery Colette Allendy, February 1956. Public responses to these shows, which displayed orange, yellow, red, pink and blue monochromes, deeply disappointed Klein, as people went from painting to painting, linking them together as a sort of mosaic. From the reactions of the audience, [Klein] realized that...viewers thought his various, uniformly colored canvases amounted to a new kind of bright, abstract interior decoration. Shocked at this misunderstanding, Klein knew a further and decisive step in the direction of monochrome art would have to be taken...From that time onwards he would concentrate on one single, primary color alone: blue. The next exhibition, 'Proposte Monocrome, Epoca Blu' (Proposition Monochrome; Blue Epoch) at the Gallery Apollinaire, Milan, (January 1957), featured 11 identical blue canvases, using ultramarine pigment suspended in a synthetic resin 'Rhodopas', described by Klein as "The Medium". Discovered with the help of Edouard Adam, a Parisian paint dealer,[11] the optical effect retained the brilliance of the pigment which, when suspended in linseed oil, tended to become dull. Klein later deposited a Soleau envelope for this recipe to maintain the "authenticity of the pure idea."[13] This colour, reminiscent of the lapis lazuli used to paint the Madonna's robes in medieval paintings, was to become known as International Klein Blue (IKB). The paintings were attached to poles placed 20 cm away from the walls to increase their spatial ambiguities. All 11 of the canvases were priced differently. The buyers would go through the gallery, observing each canvas and purchase the one that was deemed best in their own eyes specifically. Klein's idea was that each buyer would see something unique in the canvas that they bought that other buyers may not have seen. So while each painting visually looked the same, the impact each had on the buyer was completely unique.[14] The show was a critical and commercial success, traveling to Paris, Düsseldorf and London. The Parisian exhibition, at the Iris Clert Gallery in May 1957, became a seminal happening.[3] To mark the opening, 1001 blue balloons were released and blue postcards were sent out using IKB stamps that Klein had bribed the postal service to accept as legitimate.[15] Concurrently, an exhibition of tubs of blue pigment and fire paintings was held at Galerie Collette Allendy. The art historian Olivier Berggruen situates Klein "as one who strove for total liberation," forming connections between perverse ritual and a disdain of convention. Klein had studied judo in Japan between 1952 and 1954, and also displayed an interest in Zen Buddhism.[18] According to Berggruen, he used ritual as a means not to attain belief, but rather as a forum through which to reach abstraction-transcending worldly vestiges temporarily, and returning to earth as a new being. Recently my work with color has led me, in spite of myself, to search little by little, with some assistance (from the observer, from the translator), for the realization of matter, and I have decided to end the battle. My paintings are now invisible and I would like to show them in a clear and positive manner, in my next Parisian exhibition at Iris Clert's. Later in the year, he was invited to decorate the Gelsenkirchen Opera House, Germany, with a series of vast blue murals, the largest of which were 20 metres by 7 metres. The Opera House was inaugurated in December 1959. Klein celebrated the commission by travelling to Cascia, Italy, to place an ex-voto offering at the Saint Rita Monastery. "May all that emerges from me be beautiful," he prayed.[20] The offering took the form of a small transparent plastic box containing three compartments; one filled with IKB pigment, one filled with pink pigment, and one with gold leaf inside. The container was only rediscovered in 1980. Klein's last two exhibitions at Iris Clert's were Vitesse Pure et Stabilité Monochrome (Sheer Speed and Monochrome Stability), November 1958, a collaboration with Jean Tinguely, of kinetic sculptures, and Bas-Reliefs dans une Forêt d’Éponges (Bas-Reliefs in a Sponge Forest), June 1959, a collection of sponges that Klein had used to paint IKB canvases, mounted on steel rods and set in rocks that he'd found in his parents' garden. Despite the IKB paintings being uniformly coloured, Klein experimented with various methods of applying the paint; firstly different rollers and then later sponges, created a series of varied surfaces. This experimentalism would lead to a number of works Klein made using naked female models covered in blue paint and dragged across or laid upon canvases to make the image, using the models as "living brushes". This type of work he called Anthropometry. Other paintings in this method of production include "recordings" of rain that Klein made by driving around in the rain at 70 miles per hour with a canvas tied to the roof of his car, and canvases with patterns of soot created by scorching the canvas with gas burners. Klein and Arman were continually involved with each other creatively, both as Nouveaux Réalistes and as friends. Both from Nice, the two worked together for many years and Arman even named his son, Yves Arman, after Yves Klein, who was his godfather. Sometimes the creation of these paintings was turned into a kind of performance art-an event in 1960, for example, had an audience dressed in formal evening wear watching the models go about their task while an instrumental ensemble played Klein's 1949 The Monotone Symphony.[21] Klein is also well known for a photomontage, Saut dans le vide (Leap into the Void),[22] originally published in the artist's book Dimanche, which apparently shows him jumping off a wall, arms outstretched, towards the pavement. Klein used the photograph as evidence of his ability to undertake unaided lunar travel. In fact, "Saut dans le vide", published as part of a broadside on the part of Klein (the "artist of space") denouncing NASA's own lunar expeditions as hubris and folly, was a photomontage in which the large tarpaulin Klein leaped onto was removed from the final image. As well as painting flat canvases, Klein produced a series of works throughout his career that blurred the edges between painting and sculpture. He appropriated plaster casts of famous sculptures, such as the Winged Victory of Samothrace and the Venus de Milo, by painting them International Klein Blue; he painted a globe, 3D reliefs of areas of France and dowels which he hung from the ceiling as rain. He also stuck sponges to canvases and painted dinner plates. Many of these works were later manufactured as editioned multiples after his death. In Blue Obelisk, a project that he had failed to realise in 1958, but that finally happened in 1983, he appropriated the Place de la Concorde by shining blue spotlights onto the central obelisk. The art critic Pierre Restany, who spoke of how his first meeting with Klein had been fundamental to them both,[23] went on to found the Nouveau Réalisme group with Klein in Klein's studio/apartment on 27 October 1960. Founding members were Arman, Francois Dufrêne, Raymond Hains, Yves Klein, Martial Raysse, Daniel Spoerri, Jean Tinguely, and Jacques Villeglé, with Niki de Saint Phalle, Christo and Gérard Deschamps joining later. Normally seen as a French version of Pop Art, the aim of the group was stated as 'Nouveau Réalisme-new ways of perceiving the real' [Nouveau Réalisme nouvelles approches perceptives du réel]. He suffered a heart attack while watching the film Mondo cane (in which he is featured) at the Cannes Film Festival on 11 May 1962. Two more heart attacks followed, the second of which killed him on 6 June 1962.

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i love playing this for my drivers ed students

the fact that Yoshi just dances the whole time but then suddenly stops moving entirely when "mlem" is hilarious

we going to HR with this one 🗣🗣🗣

I was falling asleep AND I JUMPED

gut relaxing video

"what if he was called 'freakshi' and he licked armpits that would be funny i think" Ayn Rand - Atlas Shrugged

Bro I'm not playing MC with this

I am inside your walls

"Dreams have meanings" My dreams:

3:56 I play this video in the background while playing Pressure on Roblox and THIS sound played the exact moment Pinkie spawned

"mrem" very inspirational

mlem ❤

mnum

reporting this so youtube staff has to sit and watch the full hour of this lol

bro this shit keeps pausing automatically

this video makes me want to tickle my pickle for a nickel :) thanks you for making this

Put music over Yoshi dancing. Trust me.

9:37 my stomach growled to this lol

Gotta love the algoritem

potato potato potato potato IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIII/ IIIIIIIIIIIII

potato potato potato if you read you are gay potato potato potato potato hm you really potated so you are the real potato but if you read you not a potato! pota

thats not even an hour!

Putting this on while studying to keep me awake 💪💪💪

this is amazing, I have put this on while playing minecraft and it is truly terrifying!

god dammit I accidentally left auto-play on in the background. thanks for stopping my heart for a moment

I put a speaker in my friends room and have been playing this on loop and hes going crazy. Tysm

Played this while i was on call woth my friend, he is now clinically insane and lets say were no longer friends.

YOU MONSTER

bro it was playing in the background of my pc i was afraid of hacker until i saw it

Yoshi will always be the cutest video game character ever

I DOWNLOADED A VINE BOOM SOUND EFFECT AND ACCIDENTALLY LEFT THIS TAB OPEN. MIND YOU THAT ITS CURRENTLY 11:27 AND THIS SHT SCARED THE LIVING TOMBSTONE OUT OF ME

is this the same. thing?

i love this channel for a reason and its videos like these

This is the only this getting me through my long hours of collage work. It's like a serotonin Jump scare.

this scared the crap out of me