Видео

Nice

Just fabulous!🎉

1:26 2:11 3:25 [Larghetto] 5:18 [Triolische Steigerung] 6:01 Allegro con fuoco

thank you gillian lovely

1:27 2:57 3:37 [Arpeggien] 5:07 [Bass-Triller] / 5:24 [Fanfaren] 6:32 [virtuos] / 7:50 [aus der Ferne] 9:02 [Rezitativ] 9:41 [Adagio]

don,t show her playing at all.

vibrato spoils the sound aweful

very fast

wow

best organist in the universe.

Couperin hace del clavecín un verdadero lujo tímbrico, descriptivo e imaginativo merece el calificativo de " el grande" que se le suele asociar. Buena versión.

What an instrument!!!!!!!!!!!!!!!!!! Virgil loved it...

16:24 18:22

Thank you for posting this piece! It helped me to prepare it for a program I played at the Cathedral of St. Mary in Cheyenne, WY in 2021. It's hair-raising! This piece was one of Mildred Andrews favorites, too. She was Professor of Organ at the University of Oklahoma. My biography on her life was recently published with Wayne Leupold Editions 🎶

Breathtaking!

Great !

Of course, Liszt's grandfather Georg was a church organist and teacher. Unfortunately, as with Liszt's father, Adam, it was impossible to make a substantial income. Georg managed farms until he was sacked for borrowing the farm cart to go to his 3rd wedding. Adam was an excellent cellist and possibly a very good pianist- Liszt's teacher, who often performed for Haydn and possibly Beethoven. Perhaps its this history that persuaded liszt to democratise classic music. Transcriptions to bring classics to open concert halls rather than private palaces. It made him a pop celebrity and millionaire.

Utterly ruined by the poor dynamics of the recording! I know this recording and it's not how it sounds originally. If it wasn't bad enough having constant interruptions from the philistines at U tube advertising rubbish.

It's funny that Liszt this piece composed for Pedal piano.

I played this on my senior organ recital in April, 1970, at Grace Lutheran Church, River Forest, IL. My professor thought it was the first time it had been heard in metro Chicago. Its fun to play 😇🎺 🎹🎹🎹🎵🎶

DAME GILLIAN!!!!!

8

Magistrale! Da maestra! Con gran maestria! Perfetto! Eccellente! Applausi!!

Why such a fast tempo. It's nothing but noise?. This tempo doesn't allow me to savor the beautiful harmonies of this masterpiece

Like a sunrise

16:53 fugue

Sorry too fast.

Why do most organists want to win a speed-contest?

Hands up who came here after hearing the Organ accompaniment to Nosferatu ^_^

What a magnificent perfect performance of this long, difficult work! Athend would like to see a photo of the beautiful Dame Weir.

George Malcolm did it best

Absolutely stunning performance but I'll reserve judgment on the instrument.

Una belleza de Toccata,gracias Muchas toccatas aceleradas ganan mucho en belleza.

It's me or the beginning sounds a bit like Paganini's first caprice?

I was utterly convinced when I first heard this on Radio 3 in the 1970s when GW was in her 30s. Had no idea who GW was or even who wrote this astonishing virtuoso organ music. Will go to my grave in awe.

I can't believe Ms Weir even sat at the console of this collection of dull sounding tin and wood. I have children's electronics toys with better tonal quality than this monstrosity.

Viel zu schnell!!! Vor allem die Fuge war eine einzige lärmende Raserey. Und das Adagio? Da war kein Adagio. Grauenvolle Interpretation…

It feels too fast to me. It sounds best played a little more slowly in a big cathedral, for which this Romantic piece was probably composed.

boring

THE SUPREME MASTERPIECE IN THE HANDS OF THE SUPREME PERFORMER.. THANKS MISS WEIR..BACH THE COSMIC MUSICIAN.

THE SUPREME MASTERPIECE IN THE HANDS OF THE SUPREME PERFORMER.. THANKS MISS WEIR..BACH THE COSMIC MUSICIAN.

THE SUPREME MASTERPIECE IN THE HANDS OF THE SUPREME PERFORMER.. THANKS MISS WEIR..BACH THE COSMIC MUSICIAN.

THE SUPREME MASTERPIECE IN THE HANDS OF THE SUPREME PERFORMER.. THANKS MISS WEIR..BACH THE COSMIC MUSICIAN.

Think the piece only comes alive at this tempo. Was never really convinced by this piece, but GW makes an excellent case for it

Not sure what kind of Landowskian instruments y'all are used to, but this sounds like a perfectly acceptable character for a harpsichord to have, and it suits this piece very well imo

This has to be the most exciting performance of this piece I have ever heard. Lots of energy!

Undam! That last statement of the chorale in quadruple fortissimo starting at 26:27 had a salutary effect on my adenoids.

3:27 that's nasty, like Vivaldi Storm nasty

Beautiful playing.

She's a genius.