Видео

Maravilhosa Missa como tudo o que Bruckner faz e o andamento mais lento, gostei muito, obrigado pela postagem! ❤🎉❤🎉❤🎉

Gli ottoni della Chicago sono come la voce della Nilsson cioè raggi laser che penetrano anche i muri più spessi.

12:55

6:23

33:33 36:46

Ascolto da molti giorni e quasi ogni giorno questa potentissima e solenne messa che mi dà la sensazione di essere proiettato dalla terra fino in mezzo alle nuvole in cielo ed essere sempre più vicino alla dimensione divina. La musica di Bruckner è una potente, fervente preghiera a Dio e al suo Creato. E' musica di una bellezza inesprimibile, che ti scuote nell'intimo e lascia un segno profondo. L'ascolterei in continuazione, intenerisce l'anima e fa venire la pelle d'oca. Grazie per la condivisione// I have been listening to this powerful and solemn mass for many days and almost every day, which gives me the sensation of being projected from the earth to the clouds in the sky and being ever closer to the divine dimension. Bruckner's music is a powerful, fervent prayer to God and his Creation. It is music of inexpressible beauty, which shakes you to the core and leaves a deep mark. I would listen to it over and over again, it softens the soul and gives me goosebumps. Thanks for sharing//

Wow having this for free - THE reference recording from 1963 ... Thx so much!

Mega

Barshai's DSCH is always worth hearing - this is among the best. (He is also a strong advocate for Lokshin, a lesser but still underrated composer.) Thanks for the upload!

Mi Nutro di Immenso

Bellísimo 😊

Phew !!!!! Simply Blissful

12:56

It's a shame, that Price has never sung Carmen on stage. She's just hypnotizing in this role. I love her strong, confident and full of emotions performance. That being said, I doubt you could find any better cast, than this one. Franco Corelli, perhaps the greatest Don José ever recorded, shows his mastery again. The roles of young, innocent girls, clearly fitted Mirella Freni's repertoire. A very convincing Micaëla. 110% level sweetness in "Ma mère, je la vois" duet with Corelli. Last but not least, Robert Merrill as a manly, dashing Escamillo. I think he understood well, what it takes to perform that role.

Brava!

Isn't it so beautiful that we can watch a three hour opera for free on RUclips?! The quality is great!

the hype is real... i can't help myself but the opening fanfare is shrieking... i'd go with kempe any day

*1st movement 0:03 begins | *1:45 moment | *3:46 moment 2nd movement

*1st movement 0:03 begins | *4:20 moment 2nd movement (Toy Story) 8:12 begins *3rd movement 16:42 begins | 17:24 theme 4th movement 19:46 begins

1st movement 0:02 begins 2nd movement 9:10 begins 3rd movement 16:38 begins 4th movement 20:58 begins

*1st movement 0:03 begins | 1:20 moment | 2nd movement 6:44 begins *3rd movement (circus dance) 12:08 begins 4th movement 23:07 begins

7:04 7:20

1:12:20 wow

The only version that I've heard live or on recording, in which the Triumphal March is played as it should be and was written: with pomp, splendor and majesty. One can almost see the "red blasts of the trumpets" to quote Wilde!

MASTERPIECE

I hummed this to a poor fellow in a classical music record shop in Exmouth Devon when I was 12,having heard a part of it on the Freewheelers chidrens' adventure prog. on ITV in the 70's.I still love it at 66.Geoffrey Toone was the badie and Tom Owen, Bill Owen's son was one the intrepid badie hunters.Eric Flynn was the Major.

Sublime Karajan.

28:56

The 3rd movement is so ferocious. It's perfect.

James King was by no means a perfect singer but he could give very exciting performances. I’m not sure this is one of them.

47:50

27:00

53:00

Interpretazione difficilmente eguagliabile: virtuosismo tecnico e intesa tra direttore e professori ad un livello inaudito, capacità di trarre la magnifica poesia contenuta in questo capolavoro del Maestro russo semplicemente unica. Gloria alla cultura ed alla genialità russe.

Thankyou so very much for posting this treasure of musical history...

Astonishing! Thanks for this!

It’s 1 thing to put ads on a classical performance, but it’s another to put ads on something YOU DON‘T HAVE THE RIGHTS TO

1st movement 0:02 begins 2nd movement 6:31 begins 3rd movement 14:04 begins *4th movement 17:31 begins

1:15:00 .

Gundula ❤

Én is!!

So beautiful !❤

I believe this is what E Schwartzkopf would have sounded like if she continued to sing into the 1970s with the new style of recording in big spaces and recording studios with vast "atmosphere" and the acoustic were bigger and the singer farther from the mic with an actual reverb instead of that tight, close, pinched sound of the 40s and 50s and early 60s. This is PARTIALLY why Janowitz and Norman sound so much more pleasing aurally to the modern ear (those used to hearing classical recordings from 1970-onwards) than E.S. and the others from the golden era.

2 unskippable ads every 10 mins in a symphony, what's wrong with yt 😭😭😭😭😭

FLASH

1st movement 0:03 begins *2nd movement 10:21 begins 3rd movement 20:29 begins

It's hard to believe that this recording is over 50 years old.

33:40 4/4, 5/4, 3/4, 4/4

30:22 5/4? 33:50

Das ist vielleicht die beste Aufführung aller Zeiten dieses grandiosen Werkes! ❤