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Les Saisons Saint-Eustache
Франция
Добавлен 21 сен 2016
Annonce du concert de Baptiste-Florian Marle-Ouvrard - 27 avril 20h
Concert des Saisons Saint-Eustache par Baptiste-Florian Marle-Ouvrard, organiste titulaire du grand orgue.
Au programme:
JS BACH : Fantaisie et Fugue en sol mineur BWV 542,
Choral Wachet auf ruft, uns die Stimme BWV 645
GF HAENDEL : Concerto op.4 n°5 en fa majeur
CM WIDOR : Allegro vivace (5e Symphonie),
Andante Sostenuto (Symphonie gothique),
Toccata (5e Symphonie)
IMPROVISATION
Réservation en ligne jusqu'à la veille du concert (billetterie Tilt 12 euros cf. lien). Achat sur place 15 euros / Tarif réduit 10 euros.
www.tilt.com/tilts/27-avril-recital-baptisteflorian-marleouvrard
Réalisation vidéo: 16'-8'-4' Productions.
Au programme:
JS BACH : Fantaisie et Fugue en sol mineur BWV 542,
Choral Wachet auf ruft, uns die Stimme BWV 645
GF HAENDEL : Concerto op.4 n°5 en fa majeur
CM WIDOR : Allegro vivace (5e Symphonie),
Andante Sostenuto (Symphonie gothique),
Toccata (5e Symphonie)
IMPROVISATION
Réservation en ligne jusqu'à la veille du concert (billetterie Tilt 12 euros cf. lien). Achat sur place 15 euros / Tarif réduit 10 euros.
www.tilt.com/tilts/27-avril-recital-baptisteflorian-marleouvrard
Réalisation vidéo: 16'-8'-4' Productions.
Просмотров: 1 350
Видео
Teaser du concert inaugural - 23 mars 20h
Просмотров 3,5 тыс.7 лет назад
Concert inaugural des Saisons Saint-Eustache par Thomas Ospital, organiste titulaire du grand orgue. Au programme: Johann Sebastian BACH : Prélude et fugue en Ré Majeur BWV 532 Wolfgang Amadeus MOZART : Fantaisie KW 594 Franz LISZT : Prélude et Fugue sur BACH César FRANCK : Prière Marcel DUPRE : Cortège et Litanie Jean GUILLOU : Toccata. Réservation en ligne jusquà la veille du concert (billete...
The Grand Organ of Saint Eustache
Просмотров 197 тыс.8 лет назад
S’il vous arrive de vous demander ce qui se trouve derrière ces grands tuyaux imposants alors cette vidéo est pour vous. Vous pourrez visiter les entrailles de l’un des plus grands orgues de France qui se trouve à l’église Saint-Eustache à Paris. Vous découvrirez les détails du somptueux buffet dessiné par l’architecte Victor Baltard en 1854. La partie instrumentale est reconstruite en 1989 par...
Plus de musique et moins de bla-bla ce serait mieux …!
Voici un instrument à l'image du Christianisme et de toute sa science et de son intelligence
Thank you for a Sumptuous and beautiful presentation❤❤❤
Este órgão da Igreja de Saint Eustache é algo de muito imponente e com sons maravilhosos. Gostei muito desta demonstração. Quando entro numa igreja e me ponho a apreciar a parte exterior dum órgão, fico impressionado com a sua imponência, com a arte que exibe; mas, quando ouço os seus sons maravilhosos, acontece algo em mim que não consigo explicar. Vou tentar: tenho diante de mim um "monstro", terrivelmente complexo nas suas entranhas, capaz de emitir sons duma grande amplitude - ou não - todos eles magistralmente combinados, uns, suaves, outros, potentes, uns, doces, outros, assustadores, que tanto mexem connosco. Contudo, este "monstro", apesar dos sons com que nos deleita, mantem-se totalmente calmo, não se agita, não esbraceja, não nos assusta; até parece querer ser nosso amigo, e, às vezes, conversar connosco em particular, no silêncio duma igreja calma e acolhedora. Mas, ele é enorme, e poderia esmagar-nos com a potência do seus sons... Mas, não! Mantém-se calmo, a confiar-nos as suas "histórias", até as de grandes batalhas, ou, também, de suaves brisas da Primavera. Foi assim que, em Berlim, na Igreja de Santa Maria, eu deixei um amigo, aquele seu órgão belo, muito bem recuperado, numa tarde em que tive a sorte de participar num workshop, sob o tema da registração e sua exemplificação. É verdade, passados muitos anos, recordo a nossa conversa ("You are an organist! - Non, I love an organ, yes!"). E continuo apaixonado por ele...
orgues, au pluriel, est un nom féminin.
C’est somptueux ! Et quelle belle présentation!
En introduction, vous nous dîtes que cet instrument date de 1989. Qu'en est-il des Orgues anciennes ou des organiers qui y ont œuvré ? Par exemple Jean Dunand (Villeurbanne 69) refusé après le montage. Sauf erreur de ma part, Baker mit involontairement le feu dans l'Orgue et détruisant tout ou partie. Et les autres ? ? ? Il est un mot que j’exècre : air. En facture d'Orgue, on dit toujours VENT . . . .
Les organistes français sont les meilleurs au monde❤
Magnifique ❤
Les grandes orgues font partie des meilleures instruments de musique, à mon avis. Je passerais des heures à écouter.
Belle présentation de l'un de nos plus beaux instruments et parfaite explication de son fonctionnement.
BRAVOS pour vos explications de ce merveilleux orgue MERCIS
J'ai eu le privilège de monter et de passer au milieu des tuyaux lors de journées du patrimoine. Nous n'étions que quatre et l'organiste qui nous a exoliqué le fonctionnement de ce fabuleux instrument. J'en garde encore, plus de dix ans après, un souvenir ému devant cette merveille.
nice gay boys :)
Dutch Organ. brothers VandenHeuvel
I am very impressed with the sound achieved by the Dutch firm, Van Den Heuvel. I have read that they have studied closely the tonal specifications of Cavaille-Coll, down to the most meticulous measurements, and it is really quite amazing the impressive sound they have developed while rebuilding these historic instruments. Bravo.
I didn't realize he is blind until I heard him play.
Great!!
I heard the organ in 1974 while researching Vietnam history in Paris. The sound at that time as i recall was somewhat tinny, if that is a correct description. It was in any case a very big sound and seemed more up front than St. Sulpice, which I often visited.
La marque d'un musicien qui comprend véritablement l'âme de l'orgue est celui qui comprend comment travailler avec la résonance de son espace ... trop d'organistes continuent de jouer à un rythme sans respect pour la résonance d’une salle. L'écho et le silence qui suivent font partie de la performance en tant que fanfare brillante. Sans le silence, la fanfare devient juste du bruit¯\_(ツ)_/¯
N'OUBLIONS JAMAIS LE FLAMBOYANT MAÎTRE💛 🦁💛JEAN GUILLOU qui fut le TITULAIRE des grandes orgues de st Eustache de nombreuses décennies (que de souvenirs d'enfance me reviennent à l'esprit!!!)et qui a permit de doter cette Eglise malgré les bâtons dans les roues qu'on lui a😤😤😤 jalousement mis en travers de Son Entreprise louable de L'INSTRUMENT D'EXCEPTION que l'on peut Voir et surtout Entendre!!!🎼🎶🌿✝️🌿🎶🎹🧖♂️🐇🎼💚de nos jours!!!🌿🇲🇬🦫🇲🇬🌿
What is the name of the wonderfully atmospheric piece played at the beginning? I’d love to know if it is available on iTunes.
I think it was improvisation.
Saint-Eustache est une église inoubliable.
Jean Guillou nous manque tellement...
❤🎉❤🎉❤🎉😢🙏😢🙏😢👏🏼👏🏼👏🏼🎹🎹🎹🇲🇽🌎🇲🇽🤗🤗🤗
PASSIONNANT MERCI
I play a North German style organ. But I have to say this is one of the romantic style organs I would KILL to play. lol
Quel plaisir de revoir cet orgue exceptionnel de st eustache à Paris !
Very interesting and informative. Merci!
Presentation et illustration sonore absolument captivantes.Qui joue la piece d introduction?
Moi aussi je voudrais bien le savoir. En plus le son qu'il y a au tout début est incroyable. Une atmosphère étrange.
Il s'agit d'une improvisation réalisée expressément pour la vidéo de présentation sans doute. Reste à savoir qui de Thomas ou de Baptiste l'exécuta... Mystère !
Very nice presentation of a beautiful, fabulous instrument. Thank you, gentlemen.
A magnificent instrument!
Over and over world famous organists insist on presenting "Pipe Organ 101" (How An Organ Works), a tragic waste of time and talent.
Quel orgue magnifique
Une merveille parmi des tas d'orgues merveilleuses, et quel son qui vous emporte au ciel jusqu'au royaume des anges...
Stunning. Thanks for sharing a part of your heart. CVD
But does it have a cowbell?
Very fine! I will always think of Professor Guillou when I hear this organ.
This fine explanation and demonstration of the nature of the various pipes and the components of them presents itself not simply as information, but also as an addition to the artistry of your playing. I appreciate your talent, intellect, and communicative skills.
nice gay boys by the way.
@@musicisitall You think that since men who aren't American do not speak the same language as you are gay?
...6'12 erf désolé mais il manque le Biseau dans votre description 'partie horizontale qui sépare le pied et le corps du tuyau et qui permet la production du son (comme une flûte à Bec, un sifflet, un appeau...) Respectueusement malgré la tarditude de mon post^^
This is the only instrument I've laid eyes on which, not content with offering a choice of 32' pedal reeds along with a presumably open metal 32' Principale basse in the Pedal division, boasts another open metal rank (32' Montre) on the Grand-Orgue. I hadn't realised, when I walked in during an unplanned walk, just what the scale of the building was, and the "buffet" at the far end of the nave looked relatively normal in its proportions, albeit outstandingly easy on the eye. It was not until I took stock, having completed a few laps of the interior, that it dawned on me that what I had taken to be 16' Montre pipes were in fact the 32' ones, and the ones which looked like the 8 footers were of course 16'. At that stage, I still did not realise that they were *all* associated with a manual division - I suppose their scale was slightly on the slender side, but I don't recall noticing.
Actually I got curious and did some digging with Google, and I understated the case: there are actually THREE 32' reeds, with a ContreBasson on the Récit Expressif, so there are two manuals with 32' stops, and three such ranks on the Pedal. It's just as well the scale of the building is a match for such long-period waveforms! Here's what the builder's website had to say about the specification: The new organ has five manual divisions of 61 notes and a Pedal of 32 notes. The Specification is exceptionally rich. The Positif has 18 stops, the Grand-Orgue 16 stops, the Récit Expressif 17 stops, the Grand-Choeur 19 stops, the Solo 11 stops and the Pedal 20 stops, altogether 101 stops, 147 ranks and 8,000 pipes. Amongst the uncommon features of this organ, the following are particularly noticeable: A grand Plein-Jeu based on the Montre 32' on the Grand-Orgue; the harmonic series up to the ninth in 32' on the Pédale (Théorbe: 4 4/7' + 3 5/9') , in 16' on the Grand-Choeur and in 8' on the Solo (Harmoniques: 1 1/3' + 1 1/7' + 8/9'), and up to the seventh in 8' on the Positif; A Plein-Jeu Harmonique 2-8 rank on the Grand-Choeur; A battery of hooded Tubas on the Grand-Choeur; A reed battery based on the 32' Contrebasson on the Récit Expressif; Five ranks of chamade reeds on the solo winded on 6 (!) different wind pressures increasing from bass to treble. Amongst the exceptional colours, the series of harmonic flutes (8', 4', 2 2/3', 2', 1 3/5', 1') on the Solo must be noted; this was introduced by Jean Guillou in the organs of "Chant dóiseau" in Bruxelles and of the Tonhalle in Zürich. Jean Guillou also had the idea to add a Sesquialtera to the Grand-Orgue in order to allow more soloistic possibilities to this manual. The Contre-Bombarde 32' was not specified in the original contract but the Van den Heuvel brothers thought that the existing Contre-Trombone 32' (with its wooden resonators of relatively small scale) was not assertive enough for such a large instrument; so they gave this new stop to the City of Paris. Thus the organ of the Saint Eustache seems to be the only one in the world which has three independent 32' reed stops. To which I can only add: Bravo! Excellence before profit ! ! ! Muchos kudos to the builders. PS: I guessed wrong, at least partly, in my unresearched post: the "presumably open metal" 32' Principale basse in the Pedal division turns out to be "wood & metal". I don't know if it's open, closed or a mixture. The builders' excellent website gives much more on this formidable instrument, at vandenheuvel-orgelbouw.nl/
Une enrichissante vidéo sur le fonctionnement de l'orgue et une musique vivante produite par les organistes. J'aimerais tellement y jouer
Wow that’s a big machine!
You did an amazing job at the tour and demonstration of this organ. Sometime you should do an entire audio tour of each stop. Thank you !
Meme les sourds sont pas d'accord avec les 45 personnes qui ont mis 👎. L'orgue est une merveille
I love the music played at the beginning of the video - very atmospheric
Who originally built the organ?
from Wikipedia: With 8,000 pipes, the organ is the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz's titanic Te Deum to be performed at St-Eustache in 1855. It was later modified under the direction of Joseph Bonnet. The present organ of St. Eustache was designed by Jean-Louis Coignet under the direction of Titular Organist Jean Guillou and dates from 1989 when it was almost entirely rebuilt by Dutch firm Van Den Heuvel, retaining a few ranks of pipes from the former organ and the wooden case, which is original. I don't know when the original organ was built. The church started construction in 1532. Construction took 105 years (!) The church was ransacked in the 1789 revolution. It was closed to Catholic worship in 1793 and used for a time as a barn(!); it was re-opened in 1795 with significant damage. The building was further damaged by a fire in 1844. Architect Victor Baltard directed a complete restoration of the building from 1846-1854, including the construction of the organ case, pulpit, and high altar and the repair of the church's paintings. The church was set afire during the rule of the Paris Commune in 1871, necessitating repairs to the attic, buttresses, and south facade. Living as I do in a place where a cathedral damaged in an earthquake, which includes a magnificent instrument, has been left to take its chances with the weather, I have to admire the dogged persistence of the "fidèles" in Paris. I do hope the Notre-Dame de Paris is soon put to rights in the same spirit.
We heard Thomas Ospital play in our local church (Lagrasse, Aude) a few years ago. He is the only organist we have heard there who could master the dynamic range of the instrument without overloading the ears of the audience, a mistake others make their all too often.
j'adore cet instrument, bravo pour le détail, et aux organistes.
What is that piece playing in the background beginning at 0:11 and ending at around 2:30. What ever that is I love it!!
splendide ; on vit dans un autre monde