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Is it right that this isnt needed if you film with a Rec709 LUT? That is only for the Slog3 filming workflow right?

Do you expose two stops up in camera ?

What about the new moment adapter? It seems better than these?

1:00 not necessarily, in recent years a lot of budget anamorphic lenses were released

hey mate thanks for the video. I just got an FX6. Is there a way to view my footage in the monitor with a LUT on it, while recording it in S-Log? I know there is, but is there with the monitor that comes with the FX6, or does this only work with external monitors? I'm stuck.. and filming a shoot in SLOG is so boring haa.

Love From India ❤

Really helpful video! Thank You!

Does anyone have any recommendations on lens filters for these? I shoot in a lot of daylight scenarios and want to shoot with the wide open. I just bought a 24mm and 50mm. Any suggestions would be great!

Hi, leuke shots en vibe. Waar woon je in België? Ik ben van Oostende.

So bad

What instrumental did you use in this? i watched this vid 3x just to hear it again lol

Gold one fam

Thanks for that! My concern is this: when i dialed the fx6 to the 12800 base, but Monitor it in ei6500 isnt that dangerous because the waveform doesnt Show me anymore of something is clipping in the Original footage ?! Great Video

thank you this was driving me insane

With my FX-30 to get no noise in low light conditions, I ditch Cine EI and use Flexible ISO, so I can go to the loweste value - 200 in my case for ISO. Then of course I need more light, but 0 noise. Dynamic range decreases with this scenario, but what I care (in low light conditions) is to have more stops under middle gray, and ISO 200 has the most - 9. I am a beginner, but this is what makes sense for me - I really don’t understand why it is recomanded to bump the iso higher in low light, this just brings noise, but maybe I am missing something.

do you know why even when i'm in cine EI mode and when i change the gain/iso preset nothing change on my screen ? Thank's

Sounds like Seppe the voice-over :)

As a fx6 newbie this video helped a lot! thanks man.

Please, Don't use anything but the base ISO's for both S-Cinetone and S-Log3 you are giving up dynamic range and introducing noise to your image. For S-log over expose by a stop or two, make sure nothing clips and bring it down in post to avoid noise. Learn how to use the Cine- EI Mode and you will be on your way to understand your camera better!

I bought the Great Joy after seeing this content (thank you) and then adapted my Sirui 50mm and 75mm 1.33x lenses with it, resulting in 1.8x squeeze - and this is what made these lenses come to life. Without the adapter, the Siruis provide the 1.33x focal width benefit but lack all other anamorphic characteristics, like outer-frame swirls and distortion, and waterfall bokeh. But, with the GJ adapter, you get all this and more of that ‘Panavision’ anamorphic quality. I shot this combo on my Red Komodo and I love it. (All shots apart from the girl with the umbrella): ruclips.net/video/9OJkw2Cv-Xw/видео.htmlsi=h-zfpJk1qqqPcPIN

there is a lot of noise in you (this) video right.. why?

Could you use a mini jack to 1 XLR male adapter to get merged audio with two mics or non-stereo audio with one mic, leaving a free port on the FX6?

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Ongelofelijk jammer dat die rode xlr converter het geluid niet splitst. Ik gebruike de rode wireless via de Sony XLR-K3M op een alpha Camera. Daar zit ook een mini jack plug in voor kanaal 3-4, dat werkt wel maar het geluid is dan niet om aan te horen. Dus haal ik het nog steeds uit de recorder zelf. Hoofdpijn dossier. Dank voor de tip van de splitser! Hoewel ik dan wel de shotgun mis...

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Are you showing the menu settings of the FX6? its confusing because the text says FX3 in the beginning - I was under the impression you can't turn of the NR in the FX3

Shit with the Angénieux 28-70mm I guess ? 😊

Have you ttried the Moment? im deciding between the GJ and the Moment. The GJ is half the price.

Hey mate, which Aivascope version was used in this video?

nice comparison, but i was expecting the real deal compared hehe

How was the fringing on these lenses wide open?

Which Fillmore focus is that i look that look of it

It’s really good.Its Giving me the Discovery Channel's Documentary Vibe😂🖤🖤

Love the reel man!

Adobe podcast is a life saver 😅

another hit! im hooked.

had to subsribe because of your humor. please make more. fx6 user here!! which lense or lenses for this shoot?

Makes absolute sense. Love it. Show don't tell. Very important to create authority.

I miss working on a team! Looks like fun 🎉

Also, this is the exact lens I need. 😂 I have the 55mm.

You missed the opportunity to make a Belgian waffle…

I don't know much about this topic. But I could say your perspective is quite right. I have seen people record a literal short film with a smartphone they mainly focused on good lighting, cut scenes, matching background music, quality transitions and great after effects effects. I mean there are many factors that affect a film and you can't hold back just because of your recording gear is somehow not as good as the competition. It is truly praise worthy if you are pulling out quality content with having less great equipment than others. I appreciate your talent keep it up. If you read this far then ‘Thank You’ and hope you have a great day ahead. 🏆🎯💯👑

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Keep it up bro! its interesting to see the different things we all work on. Regarding weddings and events, "one for the meal and one for the reel" as we say!

Another banger!

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This is great!