Видео

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Dommage pour l'enregistrement. Musicalement , c'est l'une des meilleures versions. C'est ma préférée.Tous les chanteurs sont au top, ainsi que l'orchestre et même, la meilleure direction de Mr Chaslin.. Bravis tous.

I believe there is a video of the last encounter of Silvio and Nedda, is not good quality but is something

The Norma's cabaletta composed by Wagner is more like Verdi's early works than Bellini. lol

1:11:51 Pour mon ame notes

Steohanie Blythe is a force of nature here! Such a deep voice.

Awesome performance!!!

Galvany is singing LEONORAAAAAAA

No hay ninguna grabación de la ópera completa con Dimitri??¡¡

J aimais tellement sa voix et sa sensibilité Elle me manque….. Merci pour tout

My sister performed in this production, and this is the only recording that we have ever found. Do you know if any video footage was taken?

I attended that performance whole cast was wonderful.

ZOWIE!!!!!!

Thanks for sharing this wonderful rendition!

Allen Case is Don Ottavio. Is this the same Allen Case who played "The Deputy" on TV in the 1960s?

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LUCIA POPP IS BACK

Those constant breaks, NOT between numbers but somewhere in the first or last chord of a recitative or a number are REALLY annoying!

Bravissimo per tutti !!!! Benissimo, Bellissimo J.D. FLOREZ !!!!!

Rigoletto inascoltabile.

1:29:20

Grandissimo❤❤❤

Is there a video from this concert somewhere?

Does anyone have the exact date for this recording?

ma senti che esperti i commentatori... ma perchè il buu?. in fondo è una opera bella, non sarà un capolavoro ma si lascia ascoltare volentieri e a momenti entusiasma

Thank you for sharing this video. Even though it's audio form, I enjoyed the performance very much. ❤❤❤❤❤❤❤

L'ho conosciuto personalmente! Un simpatico e grande. " baritenore"

bizzarro cast: interessante però sentire Bonisolli e Milnes fare prodezze in ruoli così complessi per loro.

Always and forever Warren

Some very slow tempi. Some great singing!

This comes from a production staged at San Francisco Opera between 18 September and 12 October 1984.

Fuori ruolo vocale...i do delle invettive sono ridicoli per volume e le stesse agilità di forza tali non sono. Adoro la Devia e trovo che sia il più straordinario soprano nel repertorio leggero degli ultimi 30 anni...ma Norma non è per lei

Super Samuel😊

Необыкновенно хороша Лармор в этой партии,в которой когда-то блистала Тебальди. Лармор-достойная партнерша Хворостовскому, вообще состав-блестящий! Спасибо за радость!

On ne dira jamais assez à quel point Charles Burles fur un ténor léger exceptionnel

Are anymore of duet between Juan Diego Florez and Rolando Villazon?????

Well match!!!

Con tutto il rispetto l'Almaviva di Bonisolli non mi convince

R. VILLAZON MAI ERA SIMPATICO PER ME!!ESSAGERA ?TROPPI BACI E ABBRACCI ETÈRNE RISATE. ORA INSOPOPPORTABIE IN "STELLE DI DOMANI"POI LA BICICLETTA E PERCHE NON A PIEDI IN STRACCI!!!????? TUTTI -GRAN PARTE PER ME NULLITA!☆I PIU STUPENDI -E TROPPO E TROPPO!!MARTA BEATRIX DARDAY

R. Villazon mai mi piaciuta. Era la conAnna Netrebko- lei prima mi piceva tantissimo -come ore non piu!!!sentire Villazon von DIVINO JUAN DIEGO FLOREZ LA DIFFERENZA E LUCI DA PIANETI. VILLAZON E SORDO E CHIECO DI PRESUNZIONE METTERZI IN QESTA STUAZIOE. SOLO E SOPPORTABILE MA CON DIO DEL BELCANTO DIVENTA IL PIU NANO POSSIBIE!!MARTA BEATRIX DARDAY

This was a performance where there is only one day of rehearsal and then several performances are given. Deutekom writes about this in her memoirs: I have done many operas in this way, even once a work that I had never sung before: Rigoletto. That happened in Bilbao with Matteo Manuguerra in the title role. I didn't feel completely comfortable with it, so I told him that I had never sung that role on stage before. Don't worry, was the answer. Except for the first scene, we're up together all the time, so come after me - but he forgot to mention that in the second scene he had to get on stage before I did for his meeting with Sparafucile and in the third scene for his scene with the choir. When he jumped into the second scene he suddenly noticed that I was about to shuffle behind him, so just in time he snapped at me: No, no, not yet. By the way, he was a colleague you could work with, someone of the 'don't worry, I'll get you through it, because I've done this opera so many times' type. And then you know that nothing can happen to you, because those people are there.
There in Bilbao I sang my only Gilda's . I would have liked to do that role more often, but you always have to wait and see whether someone sees you in a certain role. That music was nice to do, it suited me vocally and I thought it was a nice part, but it was a bit more dramatic than they were used to. Manuguerra said to me afterwards that he finally had a soprano in front of him who could match him in the Vendetta duets. That really excited him so much in the aggressive music of that Vendetta duet that he felt like he had to take it out, so he grabbed a chair towards the end of that duet and smashed it to pieces. Afterwards he also told me that that evening had proven to him that Gilda was always understaffed with sopranos with voices that were much too light.
(...)
In my case, however, they found it difficult to see Gilda in me because of my physique. When I accepted the role, I also had the idea: I would like to see the face of that Sparafucile when he knows who the Gilda will be. The bass they had engaged in Bilbao knew that role and all the tricks of the trade after several performances, and when I asked him how he wanted to carry me around in the last act, after he had killed me , he saw no problems at all. When the time came, he rolled me up in a large piece of tarpaulin and dragged me along, so there was no lifting at all.

Canta Ileana CotrubaS SI NU stiu de ce este Montserat pe imagine

LA PIU MASSIMA TRAGEDIA AUMENTARE LA VOCE DEL DIVINO , UNICO JDF DI PETTO PER CANTARE IL SESTETTO FORTISSIMO DELLA"LUCIA DI LAMMERMOIR"ETC. QESTO PUO DISTRUGGERE UNICO , REGALO DIO GRANDE DELLE SUO NOTTE ALTE E PASSAGGIO DA PETTO IN TESTA. JDF NON DEVE ESSERE EDGAR NELL SESTETTO. JDF EDGAR UNICO QANDO MUORE COME MAI NESSUN. TUTTI CANTANO, JDF E EDGAR MORENTE. MA JDF VALE E UN DIAMANENTE SOLITARIO SENZA ALCUN PIETRE INTORONO. ROSSINI IN CIELO ORA DA CC. 200 ANNI SAPEVA TUTTO:ARRIVERA IL UNICO , DIO MAI RIPETE!!DIAMANTE SOLITARIO. JDF. E NEI CORI ROSSINIANI E ALTRI JDF VOCE COMANDA , ROSSINI SAPEVA ARRIVERA SUO OERFEZIONE UNICO ETERNO. IO AMO JDF PIU DI TUTTO QANDO CANTA SOLO PER ESSERE PIENO E SENZA INQINAMENTO ALTRE-ALTRI VOCI!!!SOLO IL PIU BEL UOMO , VOCE , TECHNICHA E PERSONAGGIO DIO MAI CREATO!!-MAI RIPETERA!!!JUAN DIEGO FLOREZ!!MIO UNICO ETERNO IDOLO DAL MOMENTO SENTITO , VISTO 1996. MARTA BEATRIX DARDAY

28:40

2:57:27

Сколько раз я пел Альмавиву ! Сердце заходится...Моя молодость !

So many wonderful, tragic examples! I think it's the divine Hvorostovsky #2 or #4. Thank you for this!

Ужас!

Name another tenor who sings Otello while also singing Edgardo at the same stage of their career? I don't think so!

Sentito in teatro un vero usignolo, sparito presto dalle scene che contano.....forse si è bruciato, poca tecnica, troppa fretta