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what are you talking about? thats _obviously_ christian bale

looking like theres potiental in his upcoming album....

his WHAT​@@anemodude9544

@@anemodude9544 What upcoming album?

I'm not sure I remember the specific focal length, but this was captured on Clavius lenses. They're modified Helios 44-2 series glass placed in a very robust housing, with optics to change their focal length from the native 58mm either longer or shorter. I believe at the time the set included a 28, 38, 58, and 88mm, all at a t2.8 (maybe slower on the 28). This was prior to Horizon Cine Glass officially existing, but the lenses would be available for rental through them, or if you wanted more information i'm sure they'd be happy to enlighten you. www.cine.glass/

I'm not aware of any cameras that can shoot single perf 35mm. To my knowledge there aren't any cameras that are user serviceable between 3 and 4 perforation, with maybe the exception of the Aaton Penelope but I have never done this with the penelope so I cannot verify that it's possible. I've only ever been on set with a 2perf camera once, and it was a Panavision Platinum. I'm sure more techniscope cameras are out there but they're pretty uncommon. Running times for 4 perforation 35mm are something like 4.22 minutes for 120 metres/400ft and something like 10ish minutes for 300m/1000ft.

Essentially just set your light meter to the sensitivity you're aiming for rather than the film stock. Important that you make it clear to your lab that your intention is to push the film during dev.

If you're aiming for something cleaner with 16mm I'd advise shooting on a less sensitive stock as well. Experiment with shooting 50D and pushing to 100. Do a camera test - the 100ft daylight spools can be loaded into an SR magazine (or at least they can be loaded into my SR1 mags, i'm not sure if that's universal) if you're looking for a more affordable way to do some tests with different stocks and push/pull ratios.

@@AdrianProleiko Thank you for the advice. Will come back here one day when the shoot is done and let you know how it goes 🤙

Interdimensional TV

If you're gonna do it, might as well do it right I figure. It's also lit with a skypanel s360, a couple 1200w pars, and some astra 6xs with DMX modules for the lightning flashes, along with a couple foggers and a rain tower to complete the look. No such thing as overkill.

What was the budget?

@@AdrianProleiko What was the budget?

@@Vatoxido Let's just say, they couldn't afford the crew's lunch that day.

@@MitchDrescher Now, that’s good writing.

Thanks!

hello rob cantor

Wtf old rob cantor account

Rob cantor jumpscare

:))

@@inchman7063 😭😭

It was a short film called "Dirt"

jordan please do refrain from stabbing my wife again

@@KampersandH I'll do my best. Liking and subscribing can raise chances. lol