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Private Kitchen
Добавлен 20 сен 2020
Private Kitchen is the online platform about and around Dutch media composers and their music. A ‘kitchen’ look and feel based on the Dutch expression “take a look in the kitchen”: see what people do. And it’s based on the understanding that ‘cooking’ and ‘composing’ are strongly related to each other.
Private Kitchen promotes Dutch media composers, their music and their role in the (inter)national media industry. It offers a platform for these media composers to present their work to peers, the media industry, and a general international audience. It facilitates conversations around one central question: How does music interact with other media forms? And how do these interactions affect the composer’s creative process?
The platform is produced by MiMM in close collaboration with ShortCutz Amsterdam and publishes continuously. The platform provides content based in a context in which media composers are active: film, identity, games, interactive sound art, theatre and science.
Private Kitchen promotes Dutch media composers, their music and their role in the (inter)national media industry. It offers a platform for these media composers to present their work to peers, the media industry, and a general international audience. It facilitates conversations around one central question: How does music interact with other media forms? And how do these interactions affect the composer’s creative process?
The platform is produced by MiMM in close collaboration with ShortCutz Amsterdam and publishes continuously. The platform provides content based in a context in which media composers are active: film, identity, games, interactive sound art, theatre and science.
Dennis Braunsdorf - Speaker comparison
Dennis Braunsdorf compares the Neumann KH 310, the Genelec 8351B and the Dutch & Dutch 8c Studio speaker systems in his own studio. First he plays an existing piece of music on all three systems to get a first impression. He then works with each speaker set for a month so that he can get used to the new system. All three systems are calibrated using the internal DSP systems. Curious about the results? Watch it in this video!!
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Read the article:
www.privatekitchen.nl/articles/dennis-braunsdorf-speaker-comparison
Dennis Braunsdorf (1988) is a composer and researcher in music technology. Dennis is specialised in electroacoustic compositions for media, in particular for Hollywood...
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Read the article:
www.privatekitchen.nl/articles/dennis-braunsdorf-speaker-comparison
Dennis Braunsdorf (1988) is a composer and researcher in music technology. Dennis is specialised in electroacoustic compositions for media, in particular for Hollywood...
Просмотров: 5 627
Видео
Aisling Brouwer - The score for Lioness: The Nicola Adams Story
Просмотров 29Месяц назад
Aisling Brouwer scored the film Lioness, a film about the female boxing champion Nicola Adams (2 x Olympic gold and World Championship). She based the score on Nicola's rhythmic punches in combination with the manipulated recordings of a cello. Read the article: www.privatekitchen.nl/articles/aisling-brouwer-the-score-for-lioness-the-nicola-adams-story Aisling Brouwer is a Dutch/Irish film comp...
Annelotte Coster - Collaborations with directors
Просмотров 32Месяц назад
Annelotte Coster describes her collaborations with various directors. Discussing possible concepts is her favorite approach and she prefers directors who know what they want. Read the article: www.privatekitchen.nl/articles/annelotte-coster-collaborations-with-directors Guest - Annelotte Coster annelottecoster.com Director - João Rodrigues Host - Alexa Rodrigues Video - Maja Silver Editing - Jo...
All about film composer Aisling Brouwer and the start of her career
Просмотров 108Месяц назад
Aisling Brouwer about her musical background and the start of her career. She studied music in Great Britain and LA. Started in London as an assistant to composers, etc., but gradually developed her own voice, a process that continues to this day. An inspiring story from Aisling Brouwer in this video! Read the article: www.privatekitchen.nl/articles/about-aisling-brouwer-and-the-start-of-her-ca...
Annelotte Coster, media composer and performer
Просмотров 1,2 тыс.Месяц назад
Annelotte Coster provides the necessary insight into her combined practice of media composer and live performer. She explains how both practices influence each other. Annelotte also explains what is important when dealing with directors. And she shows and demonstrates one of her favorite synths. Read the article: www.privatekitchen.nl/articles/annelotte-coster-media-composer-and-performer Guest...
Celia Swart - Our Patio - Anatomy of a cue #10
Просмотров 1,5 тыс.2 месяца назад
Composer Celia Swart takes us on a journey, showing how her mesmerizing piece Our Patio is connected to a Paris building by Dudok, an inspiring flute ensemble, a videographer with a drone - and two people embracing. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-celia-swart-our-patio About Celia Swart Celia Swart is a contemporary composer and multimedia artist. She has been ...
Manel Fornells - AIEX message - AI Composition Competition Winner 2024
Просмотров 1,8 тыс.3 месяца назад
Manel Fornells composed and created the winning music for the short video 'AIEX Message', created specifically for the AI composition competition 2024 by MiMM | Private Kitchen. Manel Fornells is a 26-year-old film composer and business analyst currently based in Haarlem, Nederland. Manel graduated from the prestigious ‘Composing for Film’ Master's program at the Conservatorium van Amsterdam (C...
Bertus Pelser - Playgrounds Inmotion - Anatomy of a cue #9
Просмотров 1,4 тыс.4 месяца назад
In this Anatomy of a Cue, Bertus Pelser shows how a combination of creative freedom and his dual role as both sound designer and composer enabled him to create a soundtrack that completely blends music and sound and moves along effortlessly with the changing pace of the animation. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-bertus-pelser-playgrounds-inmotion About Bertus P...
Matthijs Dierckx - How does your creative process start?
Просмотров 1,5 тыс.4 месяца назад
In this video Matthijs Dierckx explains how he works as a game composer. He reflects on questions such as ‘How do you keep the music interesting if you don't know how long a game player will stay on a certain level? Why is it useful to implement your own music into the game? And why is it wise to play the game in question yourself?’ Read the article: www.privatekitchen.nl/articles/matthijs-dier...
Dennis Braunsdorf - Can Audiogridder replace Vienna Ensemble Pro?
Просмотров 4,9 тыс.5 месяцев назад
In this video Dennis Braunsdorf explains the differences between Audiogridder and Vienna Ensemble Pro in Cubase. In addition, Dennis shares three tips for setting up and using Audiogridder in his workflow using a main computer (Mac Studio) and a server computer (Windows). Read the article: www.privatekitchen.nl/articles/dennis-braunsdorf-can-audiogridder-replace-vienna-ensemble-pro Dennis Braun...
Matthijs Dierckx - How does composing music for games work?
Просмотров 2,4 тыс.6 месяцев назад
In this video Matthijs Dierckx explains how he works as a game composer. He reflects on questions such as ‘How do you keep the music interesting if you don't know how long a game player will stay on a certain level? Why is it useful to implement your own music into the game? And why is it wise to play the game in question yourself?’ Read the article: www.privatekitchen.nl/articles/matthijs-dier...
Merlijn Snitker - The Resistance Banker - Anatomy of a cue #8
Просмотров 8298 месяцев назад
In this Anatomy of a Cue, Merlijn Snitker reveals how one of the central themes of his score for The Resistance Banker originated from an unexpected combination, how he works with the director and editor, and how the theme was developed to support different scenes in the film. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-merlijn-snitker-the-resistance-banker About Merlijn S...
Matthijs Dierckx - How did it all start
Просмотров 6058 месяцев назад
Matthijs, a journalist, launched Control Magazine for Dutch game development but yearned for music. He shares in this video how his musical journey began at a game jam, merging game design, writing, PR, and marketing with his musical prowess. This fusion propelled his career as a game composer and sound designer. Read the article: www.privatekitchen.nl/articles/matthijs-dierckx-how-dit-it-all-s...
Shortcutz 10th Award Gala 2023 flashback & Best Soundtrack Award handout by Tom Holkenborg
Просмотров 1,3 тыс.9 месяцев назад
With the new edition upcoming in january 2024, in 2023, Shortcutz Amsterdam held their 10th annual Award Gala for Dutch short film. Awards were presented by guests like photographer and director Anton Corbijn, producer Jan Harlan (The Shining/Eyes Wide Shut) and actrice Gaite Jansen (170hz, Peaky Blinders). In cooperation with MiMM/Private Kitchen, Shortcutz awarded The Mr Zee Best Soundtrack A...
Rens Machielse - Balcony Cacaphony - Anatomy of a cue #7
Просмотров 8659 месяцев назад
Media composer Rens Machielse highlights the collaborative effort behind the creation of the animation film Balcony Cacophony. The music and animation were developed together, with the music influencing the animation process through a click track and adaptations made to synchronize the two. Read the article: www.privatekitchen.nl/articles/anatomy-of-a-cue-rens-machielse-balcony-cacaphony About ...
Loek Dikker - The film industry & author rights
Просмотров 70110 месяцев назад
Loek Dikker - The film industry & author rights
Business, rights & the craft - Working as a session musician
Просмотров 73910 месяцев назад
Business, rights & the craft - Working as a session musician
Loek Dikker - The creative process - part 2
Просмотров 1,3 тыс.11 месяцев назад
Loek Dikker - The creative process - part 2
Cooperation in a music session | Working as a session musician
Просмотров 66111 месяцев назад
Cooperation in a music session | Working as a session musician
Being a session musician | Working as a session musician
Просмотров 77611 месяцев назад
Being a session musician | Working as a session musician
Loek Dikker - The creative process - part 1
Просмотров 83311 месяцев назад
Loek Dikker - The creative process - part 1
Loek Dikker - The Hollywood Adventure
Просмотров 85511 месяцев назад
Loek Dikker - The Hollywood Adventure
Nicholas Thayer - In:finite - Anatomy of a cue #6
Просмотров 1,1 тыс.11 месяцев назад
Nicholas Thayer - In:finite - Anatomy of a cue #6
Invitation - AI in Music - Music & Technology - Exposure Symposium 2023
Просмотров 104Год назад
Invitation - AI in Music - Music & Technology - Exposure Symposium 2023
Charley van Veldhoven - Publishing a Piano Album
Просмотров 688Год назад
Charley van Veldhoven - Publishing a Piano Album
Charley van Veldhoven - Composition strategies
Просмотров 1,3 тыс.Год назад
Charley van Veldhoven - Composition strategies
Anatomy of a cue #5 - Federico Solazzo - It's Nice in Here
Просмотров 1 тыс.Год назад
Anatomy of a cue #5 - Federico Solazzo - It's Nice in Here
Charley van Veldhoven - Musical background and Approach
Просмотров 611Год назад
Charley van Veldhoven - Musical background and Approach
I ended up going with the Kii Three over the D&D. Slightly lower price point, but the integrated controller and tighter bass fits my situation better.
Great set-up idea. Thank you 🙏 I’ve also got the hots for your desk. Can I ask what it is and where it’s available? I also have an S88 controller so this would be ideal.
very interesting ... having 8351B for more than a year now i can relay a bit to this "mids all over the place" thing. I use them for home listening and wouldn't say this is huge disadvantage. In some cases is even interesting and more spacious then let say a super focused image. But on vocals its sounds somehow chaotic, because part of the spectrum (more in the heights) is focused and part not but you expect from a focal to be focused. Still very enjoyable speakers. I have other criticism on D&D, but i heard them only for a 2 hours and nod in my room, so wouldn't say i can judge them really. But one is sure - vocals are phenomenal with them.
Curiously, The first thing I noticed when I got my Neumann KH-310's was how accurate the presentation of the reverbs were, I could clearly hear the tails of the different reverbs going simultaneously. different ears in different spaces perhaps...
Unless you have heard truly high-end setups (which the Dutch & Dutch are) you wouldn't be saying that. But yeah, indeed there is some measure of subjectivity to all of this. Some might even argue that hearing absolutely everything is not at all optimal for most mixing cases. Personally I'd happily mix with any type of sealed box speaker (aka the notorious Yamaha NS-10) + good pair of headphones as high-end fine tune and reference. And I have access to and have worked with high-end audio for many years now (decades actually), yet my current go-to setup and where I've got my best results is a simple pair of Slate VSX headphones (albeit with carefully tweaked custom EQ settings) + good headphone amp + good DAC (Prism Audio). This simple low-cost (if you disregard the headphone amp and dac) setup yields better and quicker results than I could get with 20k€ + 100k€ studio room. Yeah, we live in strange times.
@@niklassilen4313 I am saying what I say, And I have also owned and heard many many sound setups , in studios and in hi-end audio since the mid 90's , I love this stuff. I think its fair to say that different people work and respond differently to different equipment. Some folk like transmission line and back loaded horns with tube amplifier to listen to jazz or orchestral music, others like RnB in car speakers. Personally amongst all the hi-fi speakers that have crossed my path, I very much like Tannoy's coaxial speakers, Their soundstage and musicality are night and day compared to the Neumanns and other accurate studio monitors. In a studio setting where accuracy is the subject, the Neumanns do however, to my ear give me the information that I need to hear , just the way I need. I have not heard the Dutch and Dutch , I am sure they are amazing, Along with so many other great pieces of equipment. I did also once have a system that I thought was to revealing, as an analogy, it was like a photo where every aspect was in perfect focus, so amazingly clear and crisp, yet our eyes dont see that way , I'd imagine to some degree the same is true for our hearing, perhaps the way we perceive different types of distortion is one of them. I have also noticed myself leaning away from DSP and digital power amplified monitors, I dont know why, but I absolutely love the sound of Tripath amplifiers, more than multiple Class A and other expensive amplifiers I have had. I am glad to hear you have found your 'go to setup!" truly can be a long journey. When I build my next studio I am aiming to go with DSD, so Prism Audio is on the menu! I have a hybrid system ATM ,to much to list here, but I will note that I am mixing ITB and OTB, and many respectable digital convertors I am hearing in recent years via a console are bringing me back sonically to when I first started my recording journey with a Neve + 24 Track Reel to reel. I suppose my main point here is, technically better or even perfect may not mean it is going to apply that way to everyone (or all the time) and most importantly here, I really appreciate this video comparison you have made thankyou..!
Ability to c control the UI aside, how do these options compare to simply using the 2nd computer as a it was an external piece of hardware. Send audio to it over the network via e.g. AVB/Madi/Dante and then back to the main computer for summing. Using e.g. Apple Remote Desktop to control the plugin settings? Not as convenient, but I've got a feeling this would be better for latency and compatibility / stability.
Supposedly "Barefoot Audio" is the "best" studio monitors in the business. And most likely you'll need to win the lottery to afford them. Some "really good" German made Studio monitors is certainly Adam Audio. Probably in the same price range of Genelec. But you get 3 way monitors instead of Genelec's 2 way monitors. That's what turns me off about the Genelec brand, is lack of 3 way monitor offerings. For "the best" budget friendly (mostly) studio monitors, there really is nothing that compares for the price to Kali Audio and their studio monitors. Their 3 way monitors some of the best monitors having better sound quality against monitors that are 2 and 3 times the price of theirs. Neumann overrated and priced in my book.
Genelec is 3-WAY - 218 mm Bass, 130 mm Midrange and 25 mm Treble. What are you talking about?
@@theshoemaker1 he doesn't know what he's talking bout..
It's probably too late now, but GLM 5 and selecting the correct crossover frequency paired with Genelec 7350A sub are amazing, better than the Dutch Dutch IMHO. With that said, I need 3 GLM 5 profiles for my workspace. One profile is single to a very specific position (main listening position in front of my monitor) and tuned for keyboard (KORG Pa5X and DAW). Second profile for multi-position so I can move around my work space and still have a great listening experience and again with my DAW/KORG. And finally a 3rd profile for standard music listening where I have a different crossover frequency set and use GLM 5 for single position and then tweak the parameters until I get it perfect (for my ears anyway). The Genelec setup does need a different profile for regular music listening to bring out the Mids. I do like that the Dutch Dutch 8C doesn't need a sub and to be fair, they're only $2500 above the Genelec with a sub.
I have a single 7350A paired with 8331As. Bass management is seamless from 20 Hz, but the main speakers are adjusted about -3,5 dB. My listening distance is about 1,2 to 1,4m, I don't see why you would need a larger model like 8341/8351 in near field conditions.
@@syntheee Primarily the higher rated power output allows for much lower volume level listening while still retaining all the detail. 8351B 250w + 150w + 150w … 8331A is 72w + 36w + 36w. Don’t get me wrong, I think the 8331A are great monitors and cover the spectrum but they just don’t have the same kind of energy response of the 8351B.
Listen, I know the music was sped up. What is this music today? It's garbage. Who cares what you are monitoring on with that crap. Lol.
Great video Please explain how you connect between the mac and pc, Its not working with me and i couldn’t find online how to do it. Thank you
I really like the Neumann 310s but we use PSI A25m here as well as Geithain 901k for mains. Is it worth the extra money? Well I just do production work and I like a bit of energy in the room when doing that. A big clean bass speaker in a properly designed room, especially when you're doing mostly all electronic music (techno, UK Garage, house etc,) is an inspiring thing to have access to. I wouldn't want to work any other way. If you have to make mixing decisions in these genres you'll want speakers that can go down to about 28hz with minimum compression. But I reckon if all you had was the Neumann KH310s you could get away with producing club tunes without too much trouble. I would say that phase coherence on both the PSI and Geithain is perfect almost. Amazing for analogue only speakers. Okay the Geithains are a point source speaker so perfect phase is maybe not surprising. How PSI have managed to do it in a traditional driver configuration is a mystery to me but they did. But yeah I love mains and big speakers in general so for me extra money is worth every penny since it inspires a bit of energy while I work.
All the speakers discussed in the video and comments are point source, the Geithains are coaxial - like the Genelec in this video.
@@CollectiveIntelligenceMusic Well not quite. Neumann's are clearly arranged in a traditional way with the drivers not all emanating from one point. Geithains are coaxial yes but that's a separate, additional, feature. Point source meaning drivers are arranged to physically all fire from the same place. But anyway whatever. This is maybe an aside. The main thing is I don't think Neumann speakers would be a bottleneck. Rest is just preferences I guess.
@@Screaming-Trees That's not what point source means - point source is a term used to define a speaker that radiates sound from a single source, all of those speakers do that because when speaker drivers are positioned in the way they are on the Dutch and Dutch and Neumann they acoustically couple to one single source - making it point source. They don't need to be co-axially aligned to become a single/point source.
@@Screaming-Trees Let me start again, ALL of those speakers are point source - drivers should be within 1/4 wavelength of each other to act as a single source, which they are in these examples & as a result they act as a single point and emanate sound in a cylindrical pattern from the loudspeaker - the Geithains are point source, but the drivers are coaxially aligned which can help with time alignment and combing/phasing around the crossover points.
@@CollectiveIntelligenceMusic Okay let's split some hairs then. All speakers are point source but some are more point source than others is what you're saying. I am being facetious of course. Yeah the drivers are aligned not because this "can help" but because it does help and is clearly better than 1/4 length proximity when it comes to phase. Genelec have done it for precisely this reason. Even with all their dsp trickery you can't beat that kind of driver positioning. But this isn't going to matter. And that was my point. I think the Neumanns are fine. I would only ever upgrade from those if I wanted big, big, big speakers. Emphasis on big. Once you get past the Neumanns you are spending enourmous amounts for 1, 2, 3, 10% whatever. Whether or not this makes sense is on a case-by-case. You would know your own situation and whether this is worth it. I don't mix and I didn't buy the Geithains for perfect phase. I bought them because I wanted big mains. The other feature I was interested in was the cardiod bass response as that is actually something tangible that can help. Because I only write and produce I wanted something to keep myself inspired through the day. But if you don't need that the Neumann system might potentially be a great solution for you. It's not going to be a bottleneck. Berghain system goes down to 30hz. If you're writing tracks for those kinds of clubs you just need to worry about that. The rest of is case-by-case and preference. You would know better than I what your use-case needs.
Is the genuine simple thought no they're not There is no Golden Horn or golden woofer or golden mid-range or golden mid base driver. How old is any of the miracle clarity of what your ears can hear.. what your ears can hear in your brain can recognize all you will ever know. Disconnected so why go for that ultimate siren scream of which will never understand or understand audibly
It would have been cool to do the comparison without knowing which speakers you're listening to at the time. Then speak about their sound Then have someone reveal to you which was which. Then give your thoughts on the whole experience
i thought the gennys 8351’s had isssues some issues reseloved in the newer models……..i guess the midrange wasnt one of them 😂
Dennis was using GLM 4 ... GLM 5 and 8351 firmware updates along with crossover and multiple profiles will make the mids sound wonderful. Unfortunately Genelecs do need minimum 3 listening profiles. What I really enjoy with the Genelec is that no matter the volume level, they always sound accurate ... I tend to listen at lower volume.
No. Skills are more important.
such a cool interview ! I'm not a music producer or anything related but it's awesome to see how different artist approach their art, thanks so much !
Genelec makes even bigger and better speakers, with a completely different design, higher end. Should test some of those.
Nice review. Not sure why it brought out the haters in the comments. Everyone hears differently people.
Pointless.
Neumann 150 is better than all 3 of them - and cheaper :)
Not even close. Get an education. 👍
While I not agree that they might be "better than" or "worse than", I do agree that you can make the 150's (or any other same/upwards price range monitor) work wonders and never need anything else ever again. It's all on your skills and experience at that point.
@@hithere4289 the thing is, neither of these monitors are particularly good. 310’s have directivity issues because of the compromised baffle design, the Genelec have their usual harsh treble, and the 8C is a LF distortion nightmare. The 150 is just a better design than all of them.
Kind of weird to talk about how they are in different price ranges, and then never actually mentioning the price? Yes, I can Google it myself, but it seems like pretty relevant information.
how do they sound tho
In case somebody else wants to know prices: It's roughly 2500€ for Neumann pair, around 6000€ for Genelec pair and 15 000€ for D&D 8C pair.
Of course they are but these are not expensive speakers.
did you consider the Kii Threes?
sighted review is biased for more expensive ones, rather pointless overall. There's nothing wrong with the midrange on Genelecs, you may be not used to hearing it precisely after Neumanns with comb filtering from non-coaxial driver. On the other hand there are real and measurable distortion issues with D&D, it's fine for recreational listening but there's a reason they aren't really seen in any real studio
They are also designed to work with GLM ecosystem. Genelec make dummy models that are setup differently for plug and play, but the smart ones are not designed like that.
Which real studios are your reference ?
Can you provide a source for the distortion issues you mention?
@@l.s.1709 There are various measurement on a few sites if you google it.. KH310 ($5k) have very low distortion, while the Dutch 8C ($15k) have relatively high distortion that is audible in different situations at normal listening levels. I have not heard the Genelecs ($8500) A more reasonable comparison would have been with Neumann KH420 ($10k) possibly with subs, Ex Machina, ATC, and others in that higher price range.
@@l.s.1709 Guess my first comment was deleted... Dutch & Dutch have pretty high distortion, audible in normal listening levels and it's been measured. You'll find it on various sites with a search.
I'm a software developer at Dutch & Dutch, glad to hear you like them! What do you mean exactly when you say you "need to start them with an app" ? If you switch them off and on with the switch at the back they'll power back up in the same state they were in previously, so if you use external volume control then there's no need to interact with the app after initial setup. We know we have plenty of users who never touch the app.
are you competitors of Kii audio?
@@ProfessorJohnSmith I'm just a dev and don't really know much about our market segment or competition.
@@ProfessorJohnSmith Kii Audio system 3 (with their sub implementation called BXT) is 9 000€ more expensive than a pair of D&D 8C, so, yeah, well, I wouldn't say they are competitors but they get compared a lot.
@@MatthijsvanDuinCan you steal me a pair of 8Cs?
please talk four india speaker four equalitee and four no make race my friendly
Shut up
Really useful. Thank you! I have an old pc with 32gb mem just sitting doing nothing. I was going to turn it into a Linux NAS but Windows is still on there so this will be a much better option. 😊🙏X
wonderful
Such beautiful Work!
It works with plugins too? I mean Eqs reverbs etc.
Yes, it works with Eqs and reverbs, too.
Do u use 10 gbE switches or the standard one
What do you mean?
@@dennidorf I’m asking if you use a 10 gigabit Ethernet switch for your network between the Mac and the PC or just a standard 2.5 gigabit or whatever it maybe?
@@newtension I was hoping it might be possible to connect the server directly with a cat6 cable but I know this is not the standard.
Great soundtrack! A musical composition that gives all its coherence to this story! Enhorabona! 👏
Thank you for sharing
Un fucking believable...the blood in his veins.. brought " tears "to my mind..my deepest respect to Leone
Thank you very much to the whole team for organizing and making this possible!
Welcome and well done to all nominees!!
Thanks brother!
Loek Dikker's music for Eric Red's "Body Parts" is simply a very underrated and far too unknown masterpiece.
This is nuts, for ages I wanted to see an interview with this man because I adore his score for Eric Red's Body Parts and boom, three in a row. Thank you Private Kitchen!✌💚
Excellent video. Very clear and concise. Thank you!
Thank you, too!
I've tried Audiogridder a while ago between 2 macs (my main one and a spare one connected thru ethernet) and I was not so convinced compared to the VEP demo I got. Maybe I could do an other test. Today when I'm short on CPU and I realy want to run plugin instruments or effects on a remote machine I use an instance of Logic on each Mac with the AUnetSend and AUnetRecieve plugins. Works quite well (screen sharing, Audio/MIDI configuration, etc... you get the idea). I presume there's the equivalent in Cubase or any major DAW.
Initially, Audiogridder didn't impress me due to the excessive loading times and playback issues I encountered; however, after restricting my setup to the BBC orchestra plugin as the only VST on my server computer, I noticed a significant enhancement in both smoothness and stability of performance.
@@dennidorf I see. However the purpose of such system is not to resctrict our system but to expand it 😀
You can also use Vienna Ensemble on instrument tracks;) It will be just be a little less efficient as when using a few instances.
Ok, fair ;). But you will encounter interruptions or "jumps" when switching between different Vienna ensemble tracks. And it is indeed extremely inefficient.
I don't understand. You can make it as an instr track and create midi tracks that output to that Vienna Ens. ?
Yes@@soulscape5083
Hi Dennis, great Video - thank you! When I tried audio grinder, "render in place" in cubase didn't work (although it does work with VE-Pro). Does it work for you?
I tested the 'render in place' feature within my setup, and it works as expected.
Awesome
Thank you, great video. I have been using Audiogridder for about 6 months now, and have found it very useful. I offload by processor hungry VST's to my server computer - its quite an old i7 but handles the load fine. A couple of pointers / questions for your viewers and yourself: 1) I connect my system using a switch, and I would recommend using a non-energy saving switch. I was getting drop-outs until I upgraded from a cheapish energy-saving switch to a more expensive and non-energy saving one. 2) On quite a regular basis my server plugins don't load, and I have to manually go into every audiogridder instance and re-enable to the server plugin. I am using Ableton. I was wandering if anyone else experiences this and has advice as to how to sort out the problem. 3) Instead of a dummy hdmi I installed an hdmi switch. It can choose between 2 inputs (main computer and server) and it works well. Its very useful if I need to view the server for any reason (updating plugins etc). I have a separate mouse and keyboard for each computer, but use the hdmi switch to choose which computer to view on the monitor. Very useful. 4) My Waves plugins will not load on the server. I tried multiple things to try fix this, but no avail. Anyone have the same experience or can offer some advice?
So far best explanation of how to setup Elgato for controller Orchestra Articulation. Thanks I have Subscribed.
Hol up?! Its the Phoenix 2 guy!
Fantastic work.
Inspiring!
I don't understand the transparent paper? The explanation was quite unclear. I'm interested to know what the point of that is.
11:40 was good
Don’t know you guys, but this interview was cool and informative! Thanks for making it :)