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Carlos Cortesi
Добавлен 10 июн 2020
I specialize in business and educational videos in South Florida. Here I'll post numerous tutorial views and camera reviews to share what I've learned in my work. Enjoy!
Canon C70 // 5 Reasons NOT TO BUY
What's up guys on these we will cover 5 reasons why the Canon C70 might not be for you. Enjoy!
SDI vs. HDMI article:
www.boxcast.com/blog/hdmi-vs-sdi-video-connections-whats-the-difference#:~:text=The%20Major%20Difference%20between%20HDMI%20and%20SDI&text=SDI%20connections%20can%20be%20found,is%20restricted%20to%20shorter%20distances.
Follow us on Instagram at:
carlos.cortesi?hl=en
For business inquiries visit us at:
www.carloscortesi.com/
SDI vs. HDMI article:
www.boxcast.com/blog/hdmi-vs-sdi-video-connections-whats-the-difference#:~:text=The%20Major%20Difference%20between%20HDMI%20and%20SDI&text=SDI%20connections%20can%20be%20found,is%20restricted%20to%20shorter%20distances.
Follow us on Instagram at:
carlos.cortesi?hl=en
For business inquiries visit us at:
www.carloscortesi.com/
Просмотров: 9 658
Видео
Video Production Van Set Up Guide // Ford Transit //5 TIPS FOR BUYING A VAN
Просмотров 3,6 тыс.10 месяцев назад
What's up guys, on this video we will be going over our newest production van, its upgrades as well as 5 tips for buying your own mobile studio. Enjoy! Ford Transit 250: shop.ford.com/configure/transitcommercial/model/customize/cargovan?gnav=shopnav-fbc Insulated Wall Liners: upfitsupply.com/product/duratherm-wall-liner-ford-transit/?attribute_pa_wheelbase=148-in&attribute_pa_roof-height=mid-ro...
Sachtler ACE XL Tripod (75mm Bowl) vs. Cayer BV30L 72 inch
Просмотров 2 тыс.Год назад
Here is a brief comparison between the $2,000 Sachtler ACE XL Tripod vs the $100 Cayer BV30L 72inch. Is it worth the price difference? Follow us on Instagram at: carlos.cortesi?hl=en For business inquiries visit us at: www.carloscortesi.com/
10 Video Equipment Tips 2023 | Intermediate and Advanced Videographers
Просмотров 196Год назад
Welcome to our equipment video! Here we will cover 10 tips to get the most out of your videography equipment. Contents: 00:00 - 00:18 Intro 00:18 - 01:26 Tip #1: Learn Manual Settings 01:26 - 02:30 Tip #2: Get a Cinema Camera 02:30 - 04:40 Tip #3: Invest In Your Editing System 04:40 - 06:48 Tip #4: Invest in Quality Production Gear 06:48 - 07:35 Tip #5: Learn Everything About Your Equipment 07:...
8 COSTLY Mistakes When Hiring A Videographer
Просмотров 100Год назад
8 COSTLY Mistakes When Hiring A Videographer
Canon C70 // 7 Tips For Cinematic Videos
Просмотров 6 тыс.Год назад
Canon C70 // 7 Tips For Cinematic Videos
Canon C70 // 5 Tips For Cinematic Videos!
Просмотров 28 тыс.2 года назад
Canon C70 // 5 Tips For Cinematic Videos!
Canon C70 Raw Color Grading Tutorial
Просмотров 2,4 тыс.2 года назад
Canon C70 Raw Color Grading Tutorial
B ROLL HOW TO GUIDE // 6 STEPS TO FILM CINEMATIC VIDEOS
Просмотров 7612 года назад
B ROLL HOW TO GUIDE // 6 STEPS TO FILM CINEMATIC VIDEOS
Canon C70 vs Sony Handycam DCR-SR45 (A Ridiculously Fun Comparison!)
Просмотров 7 тыс.3 года назад
Canon C70 vs Sony Handycam DCR-SR45 (A Ridiculously Fun Comparison!)
Canon C70 Clog2 Color Grading - Premiere Pro
Просмотров 1,7 тыс.3 года назад
Canon C70 Clog2 Color Grading - Premiere Pro
Are being tempted by the C80? My C70 still has me perfectly happy...
The C70 is an amazing camera and the main one I still use on my projects. Regarding the C80, it looks amazing! However the C400 has considerable advantages (including the faster CFexpress Cards and 6K at 59.94P Cinema RAW Light 12-bit). If you mainly film in Cinema RAW Light (I think changing tint, exposure and ISO while editing is awesome) this is important because the C80 limits you (according to the current specification sheet) to 29.97P at 6K Cinema RAW Light. Say you are filming an interview (talking head at 23.98P and b-roll at 59.94P), if you want to film Cinema RAW Light 12-bit, you will have to film in 6K in order to avoid a sensor crop (invalidating one of the main advantages of full a frame). To get around this, you could film the talking head at 23.98P in 6K .CRM, and then film the b-roll in any of the 4K 4:2:2 10-bit modes at 59.94P. However this presents two issues: 1. The b-roll won't be in Cinema RAW Light so you won't have the same editing flexibility as your talking head. 2. The b-roll might look considerably softer than the talking head (I'm speculating as I have not tested it) because one image is proper 6K and the other is a super sampled 4K (also, at least on the C70, the Cinema RAW Light videos looks a bit sharper to me). Hence why the C400 might be a better option for some people who are concerned about the points above; since you get the 6K at 23.98P and 59.94P for both talking heads and interviews. Just my opinion!
Great video. I had the privilege of attending Swan Mountain Guide School and getting hired to work for them at their Salmon Forks Outfitters Camp. Best time of my life. Incredible company and Family.
I ended up trying to save money and bought the adapter from another C70 user. Then I bought two EF lenses used and I didn't love the result. I didn't realize I bought the Mark 2 version of the 15 to 35 and it is not giving a full frame field of view. There is a barely visible black circle around the edges of the image. Although it's very hard to notice in most shots I stopped using it and trying to figure out a better option. I am wondering if the 15 to 35 mark 3 2.8 would be better. It has image stabilization but maybe I should test it
I unfortunately did not own any EF glass and I bought the adapter and a 15 to 35 Mark II Canon. I bought a bunch of VF glass on a deep discount and now I have been stuck with them and have pretty bad results. The only lens I like is the 15 to 35 and it doesn't have stabilization so it's difficult to shoot with. Not only that but it does not have a full frame field of view so there is a circle around the image that is barely noticeable but is there through the entire zoom range. I threw this lens on my R5C which is full frame and noticed the circle around the outside.
Concise and to the point! Super helpful thanks man.
What a pointless comparison. Most "cinema cameras" you listed are mirrorless. And you don't even have to go up to an FX6 for more quality. An FX3 is fine.
I refer to Cinema Cameras as those dedicated for video only with advanced features like the ones I listed. Canon refers to them as the "C" cameras instead of "R", and Sony as the "FX" (or in some models, CineAlta) instead of "Alpha". Many newer cameras are technically "mirrorless", so that's an unhelpful observation for comparison. Also, I would personally choose the FX6 over the FX3 due to its internal NDs, SDI port, longer battery life, and more professional XF-AVC video format; hence why I highlighted it in this video.
Dope overview my man! Thinking about getting rid of my studio/office I got during covid since we are primarily shooting at client locations these days. Going to miss my old spot but this looks way more useful. Might get a larger version so I can have a mobile editing booth
Thank you, glad you liked it!
Your title should have been: ‘If you are clueless, a RUclipsr, and don’t know anything about video, don’t buy the C70 lol
I just bought the Canon C70 and you're absolutely right about Wide DR. I did a "Let's Talk" video where I talk about how well this picture profile work with talking head as well as vlogging. CLOG2 is a profile I reserve for shooting RAW ST/LT because I want to get the most out of those large video files. Great tips for those who are starting out with this amazing camera. pay attention noobs.
Thank you! Glad you enjoyed it!
bad review buddy. 1) its like complaining that the caravan doesnt do what the RV does. Common sense is get an RV which costs more for a reason. 2) u say the c70 is basically weak compared to your friends sony (which tend to have a weak color scale and the battery tends to over heat) but its ur “go to cam”meaning your main A CAMERA 3) Another oxymoron is thats it cant shoot good for pictures. why even say that when COMMON SENSE is that its a CINEMA CAMERA (as all cinema cams are for MOTION PICTURES NOT PHOTOGRAPHS. Lock in on ur subject,hit record, then crop a section out and thats ur photograph from the motion picture. 4) SO WHAT if its a 35 mm crop sensor its not that much smaller than a full frame . 35 is actually good too (if thats the look you want) However i use ALL ef L series lenses with a speed adapter which works perfectly fine for compatibility and turns it to full frame and brings in way more light in low light scenes with the an L lense 4) i noticed NONE OF THE FOOTAGE U SHOWED EVEN LOOKS CINEMATIC, which leads me to believe you dont know how to film properly with that camera. Learn ur camera before doing a bad review buddy. seperate the FACTS from opinions. This video came across my feed and im not even looking for reviews on this. ps i have 2. c70s and a 5d mark 4, which is everything i meed for film and photos.
1. Not a single movie camera can take professional photos. This is a stupid quibble) 2. Super35 is a cinema standard. Alexa35 also have Super35 sensor, and it's not a disadvantage. Super35 gives you a natural cinema look. 3. SDI...yes, its a disadvantage of C70. If C70 have SDI - C300M3 would be useless)) 4. C70 can easily record Raw ST/LT in all modes and 4k 120fps on cheap V60 cards, so you don't need to buy V90 5. Buy a cage and everything will work....Its one of the main advantages of C70, you can take the camera and shoot without any accessories, or you can take a cage and rig C70 whatever you want
I agree, i feel its pretty clear what the c70 was made for (solo op, run n gun, maybe b or c or crash cam on a bigger production) and i think it meets those needs well. i never expect great photos out of a cinema camera, if FF is essential to the project this camera wouldn't even be in the pre pro conversation, i dont expect run n gun cameras to have SDI, most cameras use CFexpress or CFast so the media is actually cheap for this camera, i dont expect a run n gun camera to be modular.
And now the C80 is coming to rule them all.
Really sad I didn't find your channel before I ended up purchasing the R5C... I probably would be in a totally different position right now although the image quality that I'm getting from the C70 has me tearing up
This is a really amazing video for me as I've only had the C70 for a week. I'm blown away by the performance outside but most of my lenses frock too much to shoot indoors which is where I do most of my work. I really need a good lens option and all of mine are currently RF. I'm trying to decide if I should buy a wide-angle EF and speed booster combo
sony best anyways...;-)
Good stuff Carlos!
It’s a great camera. I love the C70. Most cameras are great these days and actually deliver more than we need. If you’re watching this and in the market for a camera - you’ll be able to make fantastic work with whatever camera you choose.
Lol!!! I guess money removes the need for talent. You saw your friends low light footage of a building and you got FOMO? The S1H kills the FX3 for low light but nobody will be honest on youtube.
How does the s1h best it in low light ? I’m not a Sony user .its team Canon and Panasonic
@@creativegreatsvisuals Sony is better with highlight recovery which is the opposite of what you need in low light. s1H far cleaner at iso 4000 than any FX3 iso which breaks up sooner
Don’t you get more dynamic range when shooting Clog2/3 at ISO 800? Why would you want to go lower than that hurting your shadows I use the C200/R5C combination so honestly curious about this. Ty
You get the best dynamic range when filming at ISO 800 in Clog2 (not Clog3); but not every scenario requires the most dynamic range. The native ISO 800 still gives you noise in the shadows (specially in RAW); for the cleanest image I try to keep my ISO as low as possible. So if I don't need the dynamic range (see the false color tool to ensure there are no crushed blacks or overexposed highlights) then I try to go lower than ISO 800.
Hi Carlos, how do you set the slow shutter below 1/15 sec? I choose "slow" in "shutter mode" but I can't go below 1/15. I can only increase to 1/30.
Hey, question....Does that particular model fit in your garage back there?
Unfortunately it does not.
Ну ахуеть, у RED нет встроенного крана, вы не сможете помыть руки
Excellent tips! I'm new to my C70 and all this "real world" information really helps
main reason not to buy: canon releases a camera with native RF mount (which is meant to be for full frame lenses) but puts a super 35 sensor into the camera; making all the new lenses cropped. that's some low IQ stuff right there, they're intentionally handicapping their own cameras. with sony raising the bar at every single release; canon better step up their game with their overpriced releases. if I was sony, i'd be generous with a few more releases and have more people switch over to their ecosystem and starve canon from cash. they have almost x4 marketcap already, just run them into the dirt.
Can't find myself replacing the C200/c300 design
And there are 1000 reasons to own one..
Absolutely! Its my first camera choice for all my projects!
Yeah! We need Canon C500 Mark III
Thank you! This was very helpful.
Booooo lol
"...and don't mind selling a kidney." Love it.
awesome Carlos, congrats on the new fan.
so I have this combo, C500 M2 and C7...Awesome combo and for SDI solution I use the Blackmagic HDMI to SDI converter and sometimes I use the SDI connection on my external monitors (Atomos Ninja V) I love your C500 M3 specs though, multiple resolution of RAW would be nice...
Good points. Just got a C70 and no regrets for my style of shooting (run and gun documentary). I came from a C100 M2 so the super 35 sensor is no stranger to me. Totally agree with the low light performance but I knew it before I bought the camera. The main thing I miss is no EVF. I like your wishlist for the ultimate camera - Maybe I've been foolishly loyal to Canon but they give you just enough without being insanely great - it's always been that way
These type of videos are ridiculous, it’s not the camera it’s the operator
Facts
The last point is really a gem, summarizing it really well, different shortcoming in each, and a c500iincould fix it for all.
This is so spot on... i own two C70s for the colors to match good.. and then a R5C for high MP photos and the low light (it has dual native ISO 800 and 3200) and then the R3 because it has Flicker detection build in for when filming on construction sites.. its a pain in the ass that canon dosent make so that all cinema line up cameras has C-log 2 and at least on profile that has the same colors and that they are not limiting the gear for working together... canon cameras should be able to match with other canon cinema cameras.
Only great up to ISO 1250? That is worse than my m4/3 camera. I do not believe it.
And you are right by doing so. I've used it several times in 3200 and the image is pristine. You just need to know your scenario.
Any camera is of course a compromise but I am a huge fan of this camera, we use 2 and at present have no plan to change at present (until Canon bring out a Mkii)
Agreed, the C70 is still my favorite camera and we use it on 99% of our projects. I am actually thinking of buying a 2nd one (unless Canon comes out with a Full Frame RF cinema camera).
☀️ "PromoSM"
I'd love to own a C70 but for my business I went with the R5C mostly because of the versatility of 45mp photos as well as the full frame sensor. The DGO sensor on the C70 is sweet though hopefully one day Canon comes out with a full frame C70 type camera
Those options for that price!! Thanks god I switched to Sony years ago
For horrible skin tones, awful menus and no raw?
I can pick a Sony Amy day. Skin tones look crap
@@DuffTV You can't beat Sony's color science, it's vibrant and beautiful
Mute points
I'm sure you learned a lot as a 14 year-old with your Sony camcorder; in a few years, the C70 may seem just about as primitive and archaic!
Good advice--thanks, Carlos!
Thank you!
Thanks, Carlos!
All great points. I appreciate that you mentioned the caveats in the first 2 points. If I'm buying a cinema camera, photography is not really on my radar to begin with. Also, the S35 sensor, I wouldnt say, is a reason to not buy. The DGO sensor is incredible with highlight retention, and low noise in low light. I have never had a problem in low light in the 3+ years I've used it shooting weddings and events. Some of the best cinema cameras on the market are S35 sensors. Last 3 points are spot on tho! Which is why I am hoping for a Box style cam with the same specs, to replace it. Great video!
Thank you!
Assuming you're looking for a camera for documentary work or short films, and vlogs which one would you choose among Sony fx3, Canon r5c, or Canon R6 Mark II? I also like to take pictures occasionally.
Personally I have a strong preference towards Canon. So out of the three you mentioned I would pick the Canon R5C because it has the cinema menu, RAW recording, and the XF-AVC 10-bit codec which edits great on my computer.
@carloscortesi6411 what kind of computer are you using?
Feels like a sony commercial 😅
Hopefully canon drops a C70 II FF this year 🙌🏼
c70 will stay S35.
This is very true, I was immediately turned away by the lack of SDI port. I do live streaming mostly and SDI is my go to. Canon should do something about this kinda lifestyle It doesn't help the community at all
One thing to keep in mind is that a lower iso, like iso 400 actually has a lower noise floor in the shadows while iso 800 had slightly noisier shadows to provide more room in the highlights. But agreed, vs the FX3 having dual base isos gets crazy clean at 12800. I really feel the RF mount being so late to the party be e-mount has meant Canon is just behind overall during this tough transition. Hoping they can round the corner and compete again.