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@@hardsurfacmodeling I fully comprehend. Please choose a slower playback rate from the menu.

I apologize for the issue. You can adjust the video speed for better viewing.

You should prepare two models, a detailed High-poly and an UV unwrapped Low-poly, then bake the high-poly on the low-poly in substance painter or marmoset toolbag or elsewhere.

unfortunately, I have no experience in C4D.

Because I made it invisible from the Dome light option.

Substance Painter managed it by it's default.

Sure I will.

Sure, ambientcg.com/ polyhaven.com/textures

Your welcome 😊

your welcome Brandonhall :)

@@CGwithSalar Something I just noticed after watching this again. When you exported your textures. You exported out a Glossiness Map, but when you import the texture in to Max, You imported a roughness map in.

@@brandonhall3353 Ow! You are right. It was an unwanted mistake. By the way, the roughness map equals the inverted glossiness map. So you can convert them to each other easily.

Your welcome

:)) thank you for your honest comment. I understand the problem now, I won't do that again. By the way, you can slow down the playback speed from the video setting.

Aside from the speed issue, I'm very thankful you took the time to help us all with the video. Thank you very much champion. @@CGwithSalar

Glad you liked it

A black amount means you don't have any reflection. Gray is the most common amount for reflection in metal-roughness workflow, but you can get brighter reflection with a white amount if you need it, especially about glass, water, and metal substances.

@@CGwithSalar Thanks. Because I saw many people who do not use bitmaps for reflection slot in metalic/roughness workflow and only use pure white or gray color. if i use graybitmap in refl slot, the result much better than pure colors? I wanted to know if there is any problem if we use the gray bitmap in the reflection slot in the metalic/roughness workflow? For example, concrete material that does not have a pure white reflection and is in the gray range. And concrete does not have constant reflection in all points of its surface, and it is better to use bitmap. Can I use the gray bitmap in the reflection slot (metalic/roughness workflow)? In the past, I mostly used specular gloss workflow, and because of this, I have these questions in above. Thanks alot.

@@mahmoudzaefi2958 There is no difference, but using bitmap is not necessary. For concrete or anything like that, it is better to use pure gray color instead of bitmaps for both metal-rough and spec-glass workflows because a bitmap has more process than a color defined by shorter codes.

​@@mahmoudzaefi2958 and remember, every regular material has reflection, even black holes on concrete. They are just rougher.

@@CGwithSalar thanks.

You can slow down the speed of playing videos using youtube options. Some people like me feel bored when it is too slow. However, you are right, and I will not do that again.

@@CGwithSalar Don't mind replies like these. Thanks for good tutorial.

@@Meranobium Thanks 🙏

If you have any problem, ask me, and no need to bring a gift 😉

Thank you. 1. Default gamma in 3dsmax is 2.2, and 3ds max changes the gamma of every input bitmap to 2.2 by default, but PBR texture does not need to change. So, we override it to 1.0, the original gamma of PBR texture. 2. i recommend reading this article from vray: docs.chaos.com/display/VMAX/VRayMtl (part Translucency) 🙏

@@CGwithSalar Thank you

Might I will do it.

Hi Jim, I fixed it. Now, you can get it.

@@CGwithSalar your a superstar thx!

Thank you, Tomer. I appreciate it.

1. ...or select Override while you import the bitmap. Thank you for the tutorial! Thanks Tomer for the suggestions!

قربونت امیر جان

Glad you like it!

Thanks, will do!

You can slow down the speed in RUclips thru the setting of the video itself.

Glad it was helpful!