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This was very useful. I could use the titanium white for distant hills or backgrounds that need added whites. For closer values, I can switch to the Crimnitz whites for more warmth and punch-in values as objects get closer. I think that makes sense.

Can you do Veridian?

I love using transparent red oxide for an undertone

Just gorgeous.

I love vickys colour mixing

People have told me to "study an artist" and "find the works that truly speak to you". I've looked all over and appreciated a lot of great paintings, but have never found one artist who's work really fits the vision of what i'd like to create when i master oil painting. I just spent a couple of hours on your website staring at your paintings with my jaw on the floor. Stunning. I hope that one day i'll be able to paint like you.

Every video she does that uses series 6 and 7 pigments just proves that the old masters had it figured out. That vermilion and naples mix was pure magic.

Thanks very helpful.

Absolutely beautiful Vicky I’ve stocked up with about 10 Mh paints. I love watching your colour mixing. What a beautiful collection of art. Patricia xx

You got the whole CMY palette going to cover the whole spectrum, nice!

Zinc white is cool white

Some good tips on how to make mud.

wish you shown the transparent colours with just oil medium to show how Transparent they are !!..you wouldnt mix whites with the transparent colours,,its the whole idea of having a transparent colour.

Vicky como foi bom te conhecer, e conhecer cores novas para minha paleta, muito obrigada..Brasil

Thanks for doing these videos. I've been using the same oil paints for many years. I've started to experiment with new colors, brands and mediums.This is a big help. Also I plan to start teaching oil painting and I thought I better get up to speed on what's out there.I just bought some Williamsburg Extender Medium. It's very interesting. If you haven't tried it, I definitely would.

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thanks for the video

i love all grades of violet 😻

You could tell a lot more about paints if you take note of the Pigment #'s because they transcend the vendor. All the vendor really does is load the pigment, or determine how fine or course a grind it is, and what additives. The true nature of colors in oil painting is what they are made of. Master that, and you'll have a complete knowledge of the paint you are using. I'm aware of different blacks, but knowing that Micheal Harding's Ivory black is PBk 9 Amorphous Carbon, Lamp Black PBk 6 Carbon, and Vine Black is PBk 11 (same as that of any other Mars Black, iron oxide) will tell you much more later when you are looking for the right type of mix and have run out of options with Michael Harding.

I did my own Vine black from calcined grape seeds. And it is bluish black, nothing brownish hue in it at all.

This information is so helpful as I'm reorganizing my palette; thank you.

Can I be sent some stuff If yes how I email you?

Cobalt Violet Light, my absolute favorite oil paint color. I finally broke down and ordered an expensive tube from Michael Harding and was not disappointed. The color nearly glows and is yet not garish at the same time. I will treasure it and use it only for special paintings.

I wish you were still doing MH color mixes…

Led white has Been demonized, led is not as poisonous as we have been told.the reason is that lead is reflecting radiation.that is why they are removing them from homes. All the great masters none dies of lead, they died of syphilis. Pthalo blue is way more dangerous.

MH Indigo is a mix of PB15:3-Phthalo Blue, PV19-Quinacridone Violet, and PBk6-Lamp Black.

Eu posso está colocando pimentão?

Beautiful in mixes

It's crazy. It's más stone is scarlet, but if you glaze with it blue notes start to appear. Wonderful pigment

Que j aimerais avoir cettes couleurs à l huile!!!

cadmium yellow light, cobalt blue, pyrrole red, cadmium orange, viridian, ultramarine violet and lead white. add quinicridone rose, ultramarine red (if MH has it). and transparent yellow, red, brown iron oxide, quin gold, italian terre verte. seems like a good pallete to me.

Lovely!

quinicridone rose here looks lighter than the current quin. rose. or is it not available in American in that light shade. oh. cobalt blue cad yellow ligtht pyrrole red quin rose ultramarine violet. those colors mixed with each other and with cremits white and titanium/zinc mix. white.

Great color!

You should sell these. They'd be handy for some plein air painters who want to keep things compact and light. I even squeezed some of your colours into 20ml empty tubes myself which was messy and a pain in the bum to do.

Thanks for your demonstration. I was hoping to watch a side by side one, of cad red light, cad orange, genuine chinese vermillon

I replaced my mixing red Alizarin with Quinac rose permanently based on this wonderful video

you created a usefull video

If you start your set with primary colors do you use vermilion for tonal painting and hue in mixtures?

If I mix liquitex burnt sienna with cadmium yellow can I call it Naples yellow? I saw somebody do it with raw sienna.

A terrible comparison. She should have pre- measured the same amount of each of the whites and exactly the same amounts of each of the colors so we could see the difference in tinting strength and mass tone in mixes with these whites. She kept on dipping back into the tinting color to prove her preconceived notions of tone and strength of each of the whites, thereby making the comparisons nonsense. How hard would it have been to squeeze a similar-sized blob of each of the whites out on the palette, and then squeeze smaller-but-similar-sized blobs of the yellow 5 times. Do the mixes. Stop filming, clean the palette and begin again with the next color. If you're an Ambassador for MH paints, they'll give you as much paint as you want for an educational video about their product. You just wasted an opportunity to inform because you didn't do any planning.

This wd be quite use for a cityscape w traffic lights, just as a for instance

I can see Manet in these colours, a journey of discovery every one of those mixes

Salut bonsoir Mme Vicki ! Combien coûte 6 tubes de Michael Harding?

meu deus

very good this ink, I tested it on my channel, after a little look

Thanks a lot for your effort. I would apreciate a lot, if you could make some tinting scales with whites , and some more basic colour mixtures to keep the original scent and not a greyish colour.

The amount of yellow wasn’t consistent. You added little to the first white and much more to the second white…. You even add more color ie red to fourth white. Hardly a good comparison. The value of the blue in first color was way too much more than the amount of yellow. You’re actually mixing the hues into white to get a value you want, rather than what the whites will produce. Sorry, no so useful…….more of a random sample rather than a performance sample.

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it’s so good for warm underpainting! i use it as an alternative to burnt sienna. it’s transparent of course so it keeps the white of the canvas showing underneath which gives the painting a ton of light when it dries and u paint over it!