Видео

How beautiful 😍

April in in Paris is going out for the late. Quincey jones rip Mr jones.

Paul is so clever! He opens his solo on Sacre Blues with a theme from Stravinsky's Le Sacre du printemps, hence the title. 😂

❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤

Nat could sing anything and capture my heart and soul. Thank you for these recordings.

キャピトルは好きなレーベルです。とにかく音が良いです。当時の最高の録音機材が使われていたのでしょうね。

+++

tell me about the setup this 78Rpm was played on.

Coltrane est le brillant reflet d'une époque. Une onde prodigieuse chargée de paradoxes d'où s'échappent l’insouciance, la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. Son architecture musicale est un court tunnel qui mène à la lumière 💫

Pure American Magic

Seems to be just an effortless session and still a masterpiece.

Miles really blows this to me

Great music

マッコイタイナー、ジミーギャリソン、エルビンジョーンズ、ジョンコルトレーン。この4人そろったアルバムって良いね。まじで。

Tenía yo15 años cuando escuché este disco por primera vez. En ese momento amé el cool jazz.

:')

Dieses Album ist ein Juwel! 👍🎷❤

This is good; Bird in full flight

A great beauty this music due to the undeniable talent of John Coltrane and his musicians.Marvellous really! It remains in our sensitivity for ever.

❤❤ im completely mesmerized

thanks for the upload

I hope publisher has nice day!!

i am awestruck

What a performance!

Coltrane c'est un truc de fou je l'écouterai tout ma vie beaucoup de respect pour cette personne légendaire paix a son âme ❤👏🇲🇦

The best.

47 blue note recording….the greatest jazz record of all time.

ドルフィーもリトルも楽器の音が美しいですね。こういうフリージャズなら退屈せず楽しめます。

確かに、じりじりとした音がする・・・いい感覚がする＾＾ジャズをこのアルバムから入った気がする。南青山のバー、ラジオだったかハーコートだったか、ジントニックを浴びるほど飲んで・・・３０年くらい過去の事だが。

Simply putting a microphone up to your speaker does NOT allow us to hear what you hear. -No matter who good your tannoy, amplifier, etc. If you are using valves, you MUST insert a high quality transformer stage between the final valve stage (i.e., the compensation/EQ stage) and your digital stage. This is because valves are VOLTAGE amplifiers, and, thus, are HIGH IMPEDANCE. Solid-State acts as a current amplifier, and thus, transistors produce low impedance output. In short, silicon and vacuum valve audio circuits do not play well together without an impedance matching stage. The impedance need not match exactly, as with an RF application. You need to simply NOT to load your high impedance valve line output with a low impedance transistor stage. A high quality line transformer is what you will need. E.g., a direct injection (DI) box. There is a fine stereo DI box for your situation that sells for about $240 . This will allow you to make digital transfers without loss AND it should also remove that HORRIBLE 50-60 Hertz HUMMMMMM -you so obviously have. No one likes power supply HUM. No one. Yet, if you know what you are doing, it is easily eliminated. Alas, you have HUM. Just listen when you lift the tonearm off the record! This is being caused by a GROUND LOOP (this often occurs when trying to match disperate impedances). Your preamp or power amp probably has a ground loop via the power supply because you are not using a "floating back panel" on your preamp's back I/O panel. Somehow, I just know this. No, it's not a lucky guess. You must seek to ground each stage of your circuit to the same ground point, in your power supply section (including the I/O panel). Usually, a point near the second electrolytic filter stage work best. Also, if you use a seperate heater transformer and simple LM417 chip to regulate your preamp's heater power supply, your preamp's hum will reduce and the bass transients will dramatically improve. You will want to keep all these ground wires the same length, bound together, and experiment a little when routing them. Initial valve phono stages are HI-MU and often reveal ground loops that line level stages will not. Such stages also produce strong inductive fields that carry hum and other noise. Shielding and careful grounding are the way we solve such problems. An isolation transformer at the line output, can also relieve this problem. My preamps are all older valve McIntosh, and they standardly use a cathode follower isolation stage. -Works great on isolation, but can still not lower the output impedance sufficiently. I increased the coupling cap sizes, but getting much below 40,000 Ohms is not possible without losing significant gain. A Direct Injection "DI" transformer is your best solution, -if you want to make professional digital OR analogue transfers from your shellac collection,...or SHARE YOUR MUSIC WITH US! You do want to SHARE music, right? That's why you are making this post, right? No matter HOW well you think you are "miking" your speaker, there is no way WE can hear what YOU are hearing. Sound does not work that way. Even if you build an expensive anechoic sound chamber, and used the finest Ulam condenser mike in the world, you would still not be able to match the performance of direct connection to you preamp stage via a DI transforming box. YES, technically, there is loss in a line transformer, however, the loss is NOT audible to ANY human ear. If you don't like line transformers than don't use valves. Your valve power amplifier necessarily has an OUTPUT TRANSFORMER (whether you know this or not), that directly feeds your speaker. This transformer causes FAR more phase anomalies, THD and IM, which produces far more fidelity loss and sound colouring than ANY DI box. Impedance matching may also be done using a solid-state Op-Amp circuit, however, this will end up causing new problems. And you will still need to EQ the transfer. Op-Amps are really not the answer. Heck, the average phase splitting stage in a valve amplifier causes significant phase distortion, unless you are using 1% (or better) metal film resistors. Even then, a $200 class D power amp (made within the last 10 years) will outperform ANY valve amplifier. If I switched your valve amp with an inexpensive class D amp (hidden inside the chassis of your valve amp), you would spend a half hour of pure joy, thinking that all the problems with your valve amp had magically repaired themselves. I know one thing. That HUM bothers the heck out of you.

Thank you for sharing this wonderful post. Great selection of tunes. I especially love this rendition of Nancy (with the laughing face) .

Nice!

@4:49 🔥

クラーク・テリーのtpはいつも歌心がありますね。音程が確かだし安心して聴けます。

<3

Legendary. And they kept the plane in as a feature, not a bug.

🎼🪄✨...Thanks, very cool, all the best, Fox🕶️

Great find.

I’ve been looking for this at the vinyl shops, no luck. Glad it’s here. So much to learn from as I play along, phrase by phrase, trying to get it right. In my own way of course.

ドルフィーにはクラシック音楽志向がありますね。エリントンに似ている気がします。

Beautiful ❤👈🏽

Haveing see this one as of yet the great george wallington and phil woods very good Peter Figlia wallington go george

That groove is outstanding! What a line up of players.

It' not clear: It's Dimensions & Extensions, right? So why does it say "Unissued?" (Working on the PDF update to my Sam Rivers book, so would appreciate a response.)

I've been waiting for this release from Sam Rivers for a long time and here it is...

Thank you very much.

数々のBNのテストプレス盤や未発表のテストプレス盤と本当に貴重なコレクションをULしていただき、興味深く聴かせていただいてます。これらが聴けるのは本当に感涙ものです。今回も幻の名盤、アドリブオリジナル盤の猫のマックリーンですか！！素晴しいコレクションとしか言い様がないですね！

Incredible! Do you have the test press of “back to the tracks”? What turntable/cartridge are you using here?

what's the turntable?

MORE ORNETTE!!!🎉