- Видео 12
- Просмотров 48 128
Margarita Slepakova
Добавлен 31 янв 2012
☆ Website : www.margaritaslepakova.com
☆ Instagram @margaritaslepakova : margaritaslepakova
☆ Instagram @margaritaslepakova : margaritaslepakova
G. F. Händel - No, no, I'll take no less (Semele) - Margarita Slepakova, Le Sommeil
“Semele tells about the space where ‘divine’ and ‘human’ are drawn to each other in an effort to create union."
This live recording of Handel’s aria "No, no, I'll take no less" is part of Le Sommeil’s upcoming program Semele, which explores the myth through Baroque operas by Handel, Marais, and Eccles. Filmed in the historic le ventre art center by award-winning cinematographer Wawrzyniec Skoczylas.
Georg Friedrich Händel - Semele's aria "No, no, I'll take no less" from opera Semele
If you'd like to support our upcoming album, you can do it here: www.patreon.com/c/LeSommeil/shop
Le Sommeil:
Margarita Slepakova - mezzo-soprano
Elena Abbati - violin
Soko Yoshida - violin
Giulio Padoin - cello
Pablo ...
This live recording of Handel’s aria "No, no, I'll take no less" is part of Le Sommeil’s upcoming program Semele, which explores the myth through Baroque operas by Handel, Marais, and Eccles. Filmed in the historic le ventre art center by award-winning cinematographer Wawrzyniec Skoczylas.
Georg Friedrich Händel - Semele's aria "No, no, I'll take no less" from opera Semele
If you'd like to support our upcoming album, you can do it here: www.patreon.com/c/LeSommeil/shop
Le Sommeil:
Margarita Slepakova - mezzo-soprano
Elena Abbati - violin
Soko Yoshida - violin
Giulio Padoin - cello
Pablo ...
Просмотров: 691
Видео
Margarita Slepakova: "Ah! Belinda" (Dido & Aeneas, H. Purcell) - live
Просмотров 1343 месяца назад
Margarita Slepakova: "Ah! Belinda" (Dido & Aeneas, H. Purcell) - live
Wolfgang Amadeus Mozart, La Clemenza di Tito, K. 621, "Parto, parto" (Sesto) - Margarita Slepakova
Просмотров 3796 месяцев назад
Wolfgang Amadeus Mozart, La Clemenza di Tito, K. 621, aria "Parto, parto" (Sesto) - Margarita Slepakova Margarita Slepakova - mezzo-soprano Mischa Kozłowski - piano Video: Wawrzyniec Skoczylas, Tomek Ebert, Robert Pludra Audio: Wiktor Szymański
Samuel Barber, "Must the winter come so soon" (Vanessa) - Margarita Slepakova
Просмотров 1 тыс.9 месяцев назад
Samuel Barber, aria "Must the winter come so soon" from opera "Vanessa" (1958) Margarita Slepakova - mezzo-soprano Mischa Kozłowski - piano Video: Wawrzyniec Skoczylas, Tomek Ebert, Robert Pludra Audio: Wiktor Szymański
Lucio Silla, K. 135, Mozart, "Il tenero momento" (Cecilio) - Margarita Slepakova [live]
Просмотров 718Год назад
Lucio Silla, K. 135, Act 1: "Il tenero momento" (Cecilio) Cecilio - Margarita Slepakova Capella Cracoviensis dir. Alessandro Moccia Festival Opera Rara 2023, Teatr im. J. Słowackiego in Cracow Sneakily recorded by my dad from the audience using his phone. Thanks, dad!
G. F. Handel - "O sleep, why dost thou leave me?" (Semele) - Margarita Slepakova [Live recording]
Просмотров 630Год назад
Georg Friedrich Haendel, Semele, HWV 58 / Act 3 - aria "O sleep, why dost thou leave me?" by Margarita Slepakova, mezzo-soprano Live from the festival Baroque Vivant 2022 in Basel Recorded by Clara de Asís Photo credit: Kinga Karpati
G. F. Handel - "Ah me! Too late I now repent" (Semele) - Margarita Slepakova [Live recording]
Просмотров 759Год назад
Georg Friedrich Haendel, Semele, HWV 58 / Act 3 - aria "Ah Me, Too Late I Now Repent" by Margarita Slepakova, mezzo-soprano Live from the festival Baroque Vivant 2022 in Basel Recorded by Clara de Asís Photo credit: Kinga Karpati
G. F. Handel (La Resurrezione) - Notte funesta (excerpt) - Margarita Slepakova
Просмотров 245Год назад
G. F. Handel - La Resurrezione - excerpt from recitativo of Maria Maddalena "Notte funesta" Margarita Slepakova - mezzosoprano Ensemble La Calisto Recorded during the sound check before the concert. Video by Oz. J. Tabib
G. F. Handel (La Resurrezione) - Ferma l'ali (excerpt) - Margarita Slepakova
Просмотров 288Год назад
G. F. Handel - La Resurrezione - excerpt from aria of Maria Maddalena "Ferma l'ali" Margarita Slepakova - mezzosoprano Ensemble La Calisto Recorded during the sound check before the concert. Video by Oz. J. Tabib
G. F. Händel - Dopo Notte (Ariodante) - Margarita Slepakova
Просмотров 31 тыс.3 года назад
Georg Friedrich Händel - Ariodante HWV 33: aria „Dopo notte” Margarita Slepakova - mezzo-soprano Elena Abbati - violin Rahel Wittling - violin Soko Yoshida - viola Carla Rovirosa - cello Pablo FitzGerald - archlute Weronika Kłosiewicz-Paine - harpsichord Audio: Leonardo Bortolotto Video: Ernest Wińczyk Recorded at Schola Cantorum Basiliensis 2020
Jacquet de la Guerre | Margarita Slepakova | LeSommeil | Synagogue Session - «Sur une Mer»
Просмотров 4,9 тыс.3 года назад
Élisabeth Jacquet de La Guerre - air "Sur une Mer" from cantate «Le Sommeil d'Ulysse» (1715) LeSommeil project: Margarita Slepakova - mezzosoprano Elena Abbati - violin Claudio Rado - violin Teodoro Baú - viola da gamba Pablo FitzGerald - archlute Weronika Kłosiewicz-Paine - harpsichord Video: Wawrzyniec Skoczylas, Tomasz Ebert Audio: Leonardo Bortolotto Many thanks to Daniel, Mimi and Willem f...
Margarita Slepakova - G. F. Händel - Scherza infida
Просмотров 7 тыс.6 лет назад
Georg Friedrich Händel (1685 - 1759) - „Ariodante” act 2 aria: „Scherza infida” Margarita Slepakova - mezzo-soprano Andrew Burn - baroque basoon Lukas Hamberger - violin Rahel Wittling - violin Emilie Mory - viola Caroline Nicolas - cello Benoît Fallai - theorbo Joan Boronat Sanz - harpsichord Recorded at the Master Recital at Schola Cantorum Basiliensis in January 2018 margarita.slepakova@gmai...
Absolute fire!
Замечательно, и очень радует слух, жаль, конечно, что на яндекс музыке аккаунт удалили
Спасибо вам большое!!! Мы постараемся поместить нашу музыку и там 🙏
Just fantastic!!
Thank you!! <3
It's so beautiful 💙 Thank you 💙
Thank you, dearest Kinga!
Fabulous singing!
Thank youuuu so much!!
Belle interprétation !
Merci beacoup! <3
Pięknie!
Ещё респект команде ,кто срежесировал видио,звуковой дизайн! ..Атмосфера кайфа от музыцирования,вообще все мелочи подчёркнуты,а мелочей нет:глаза ,грифы инструментов,руки, освещение, всё ,,работает,, в видио.
В восторге! В исполнении настоящих музыкантов ощутил дух красоты,изящества,то что хотел вложить,быть может,,бессмертный,, Гендель.В этом ,,перпетуум мобиле,,ощущается бурление,и вместе с тем дыхание жизни.Ещё понравились струнная группа,клависин,переход в минор,цезуры,тонкая нежная каденция у вокалистки,и многое другое,что не выразить,молодцы!!!
Большое спасибо за такие теплые и вдохновляющие слова! Нам очень приятно, что вы нашли время написать этот отзыв и что вам удалось почувствовать ту красоту и изящество, которые мы старались передать в музыке Генделя. Ваша оценка деталей, таких как работа струнной группы, клавесина, минорные переходы и каденции, действительно вдохновляет нас продолжать развиваться и совершенствоваться. Мы очень рады, что вам понравилось наше исполнение! <3 <3 <3
Wow
hello summer 2024 and this is still the best performance of this song i could find on this platform 🤷
That is sooo kind! <3 We are glad that you like it. We had fun making it :)
so klar und doch mit Emotion, brava
Herzlichen Dank für Ihren Kommentar. Ich weiß ihn sehr zu schätzen.
As always, beautiful singing and music making!
Thank you so so much!!!
I was disappointed. There are some quite good performances of this wonderful aria out there and this is definitely not one of them. The singing lacks dimension and expressiveness, no attention to the words, it all sounds the same. This is how beginners sing. Just going though the notes, nothing more.
Hi! Thanks so much for your comment :)
Another courageous, talented anonymous keyboard warrior comment. I'm sure Handel's eagerly taking on board your feedback.
Una voz bella, pastosa y de gran técnica técnica. SIente en su corazón lo que está cantando. Enhorabuena.
Thank you so much for your words! It means a lot <3
@@margaritaslepakova9374 Gracias a ti, Margarita. Mis palabras son sinceras, tienes una voz privilegiada. Además, el acompañamiento musical, los instrumentistas, permiten que tu voz fluya libremente. He escuchado muchas interpretaciones de "Dopo Notte", y la tuya es junto con la de Janet Baker y Anne Sophie Von Otter, la más delicada. Soy un simple aficionado a la ópera, pero mi opinión es sincera, como te dije al principio de este comentario. Saludos cordiales.
Fantastic!!! 🌹
Soprano
Божественный голос и неповторимая манера исполнения. Не просто талантливо, это даже больше - это гениально! PS: Вы удивительно похожи на мою двоюродную сестру :)
ЭТО ИЗУМИТЕЛЬНО КРАСИВО 😍😍🌹💓
Very beautiful !!! Many thanks for sharing , and we all need more often from Margarita´s presentations 😇
I have discovered your interpretation one year ago. And it is always a delight to hear it. I love your voice and the energy You bring in it. Thank You
Thank you so so much! This is the greatest reward of music making if it brings as much joy for someone to be listening to it as for us to be performing it. I appreciate you taking the time to share your experience.
Mesmerizing!!
Thank youuu! <3
Absolutely beautiful!!!
Thank you so much!!!!
Certainly the best version I've heard in all respects.
my god this voice and self control you dear lady deserve a title!. like if u agree
O my! This is so nice of you. Thank you so much. I really appreciate it <3
La voz linda de la mujer ; me recuerda la cantante Argentina esa que canta las canciones de Monteverdi .... no recuerdo el nombre de la soprano !
I like this performance very much! I notice that this is in a half-step lower key than in the original score. I have been looking for a version on this key, but I cannot find it anywhere. Do you know any source in which I could find this aria on this key? 🥲🙏
Thanks so much! We're thrilled you're liking the recording. And thanks for asking about the key. We're performing in the original key actually but in the 415 pitch as this an appropriate historical pitch for performing Haendel. If you're interested about historical pitches I can recommend this video of Elam Rotem when he is discussing the matter in detail: www.earlymusicsources.com/youtube/historical-pitch And if you're interested in early music in general his whole channel is a great source of information. Warm greetings!
@@margaritaslepakova9374 Oh, I get it now! Thank you very much for your response!!
Gratulacje, Margarita! Pozdrawia Elsner, warszawa, teoria:)
Ale miło! Dziękuję serdecznie!
Čisto!
Необыкновенной красоты голос ... И сама вокалистка хороша собой !
Spasibo vam bolshoye!!!! <3
Sir GFHaendel should be moved by this marvelous performance. I have been in love with Ariodante ´s XX - XXI presentations, but never seen a benchmark performance like this for this song - aria --- what a beauty DAME MARGARITA !!!!!!! AND SCHOLA CANTORUM BASILIENSIS 🥲🥲🥲 THANK S FOR SHARING
Thank you so so much for these words. I am very much humbled and moved by them!
😅😅beauty of haendel Exelent performans bravo
Thank you so much! 🙏
Super interprétation , merci Margarita !
Thank you so much!
* * * * *
Ho provato a trovare dei difetti a questo Concerto. Impossibile. Anche la sempre aleggiante invidia professionale... si è dileguata, al cospetto di tanta grazia composta ed armonia tra le parti. BRAVO a tutto l'Ensemble e ... attendiamo nuovi traguardi. Grazie di cuore. sa
The so-called religious people are desparately looking for heaven, and they have no idea that heaven is already here.. in this music performance.
We are very moved by your comment. Thank you so much <3
beautiful! brava!.... ❤
Thank you!
This is top !!!
Thank you so much! <3
Note deliziosamente tenute
<3 <3 <3
Dopo notte, atra e funesta, splende in Ciel più vago il sole, e di gioia empie la terra; Mentre in orrida tempesta il mio legno è quasi assorto, giunge in porto, e il lido afferra. After night, dark and baleful, the sun shines brighter in Heaven, and with joy it fills the earth; While in horrid storm my boat is almost engrossed, arrives in port and grabs the shore.
Intelligently and musically sung, awesome!
Thank you! <3
Amazing. Brava!!!
виночерпий, бездонный кувшин приготовь: пусть без устали хлещет из горлышка кровь, эта влага мне стала единственный другом: ибо все изменили: и друг, и любовь в тему произведения