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Thanks so much! Indeed did some musical running today, and still have some time left though ;-)

Dank je. En ook geschikt om mee te beginnen zeg ik, probeer maar eens ;-)

Inderdaad, heerlijk in de ochtend! Mijn dagelijkse chakra-reis i.c.m. jouw "beautifull day" werkt goed samen♡ ​@@jeffhijlkema

Hi there Thomas. Thanks. Great to read the production resonates with you this way. It's all about inspiration I think. Adding reverb is all a matter of taste. Maybe it also depends on wanting to go pure orchestral or instead doing more cinematic stuff. Keeping it dry out of the box will save details, but wanting to have more depth, width and grandeur will ask for reverb, as you know ofcourse ;-). In 'My mare' I went for the more bigger feel. This was my send reverb chain, using two reverbs after another: 1. Score stage (Seventh Heaven, Liquid Sonics). 2. Rear Large Hall (Cinematic Rooms Pro, Liquid Sonics). Both full mix in the plugin itself, and around -9bd amount in Cubase (different amounts on the several orchestral sections auxes). Regards, Jeff

Thank you.

@@eylam9690 thanks, and sure that bohemian cello has more character!

Thanks again Harry, definitely took your 'octaves lecture' in account in my revision. I've tried a somewhat higher tempo from the start on, and in the original Finale file it even has, but with Tallinn the polyphonic character doesn't expose that well, bearing in mind Tallinn has this more lingering character by itself in my opinion. As a personal taste I also tend to like 'German-schleppend'.

Thank you.

Thank you. I use both post and pre reverb, sometimes even in one project. Pre reverb mostly to create depth placing instruments or sections more to the back, like woodwinds and brass sound. I then start with the fader down, dragging the dry instrument sound in till it blends right with the rest of the palett in my opinion.

@@jeffhijlkema thanks a lot for your answer! I use reverb only for the tail effect, I use reverb inside plugin and library ( mostly spitfire in my case) for the room. But I always have an issue in blending my reverb with send, it always blends some dry sound with it, and it creates some phasing issue... That's why Im' wondering how you use it!

Thanks. I get your point man. I think the Tallinn pallet is broad and divere enough to write pieces with that could stand real performances out there in a church environment. For me when using Tallinn with other libraries it loses it's special transparant character, that's why I use it solely, or with Miroire sometimes.

Thanks so much. And thanks to the great character of these recorded Tallinn instruments.

@@jeffhijlkema Do you have a favorite microphone setup for this library?

@@MamaSymphonia my set up really differs each time I use it, but it's always a blend of spot-tree-sur. Thereby I pan the spot and tree mics per instrument, to make them have their own place in the 180 degrees spectrum.

Thanks! I think Tallinn is more usefull for the slower tempi, it's just more lingering, cause of it's baked in recorded space. Miroire does the faster stuff somewhat better with it's more dry Teldex studio sound and better staccato's. And then ofcourse there's the difference in instruments where Tallinn has an organ, instead Miroire had woodwinds and brass. Sure I get your dilemma ;-). I myself got Tallinn first, while I love the Arvo Part atmosphere of it. Miroire I purchased purely for the more baroque kinda music. On my channel I have some pieces using Tallinn or Miroire only so you can check their performances and vibes solely.

Hi there fellow blue-finger, thanks for your encouraging reaction, that's sweet. This is indeed the longest contribution to my channel. Have you heard OASIS 2? It's about this long, surprising and energetic ;-) Take care, Jeff

❤️

@@HarryKoopman Thanks ever so much Harry, as always. Mixing this busy polyphonic miniature was a challenge. Great, you spotted that one rather clear 5th parallel, that slipped through 😱. Let's say it's a visionary blink to the era of pop music 🤪.

@@FredrikJonassonMusic Thank you! It's all about inspiration. I also got inspired by the sound and vibe of the Tallin vst itself... Curious for what you come up with next then, let me know!

@@M4TThanks! It sure helps making decissions. At some ideal point theory can even become sort of a intuitional feeling. I think that's how J.S. Bach composed.

@@viktorritchey 👊

@@geoff-brady Thanks so much for your encouraging reaction. Interesting @ Oldfield; ofcourse I do know some of his music, but it wasn't my inspiration. Thinking of that era I unconsciously might have somewhat been inspired by J.M.Jarre and Vangelis 😉.

Thanks Marcel! Well, that's actually a interesting idea pouring the cinematic vibe into a symphonic form 🤔

Hey there again and thanks for your reaction! That's exactly where I went for; the more energy and presence, as well for more detail and transparancy at some point. Enjoying your music as well man! Good luck with things ;-)

Thanks for your nice reaction. Curious about your result, just let me know when it is released ;-)

Hi again Victor! Well, at the time it was dedicated to 2020 indeed, also transforming my uptill then knowledge into a piece ;-). This was just a revisit of that vibe ;-)

Hi there and thanks! Great to see you here again.

Thanks so much for stepping by Romain! Great OASIS 2 resonated with you.

@@romaingreffemusic thank you!

Hi again Victor, thanks for stepping by and give your reaction! Don't know who did these voices in Vocalise 3 (Heavyocity)? The visuals had to more or less complement my OASIS 1. Be well, Jeff

@@mikebbuk Thanks. No A.I. by the way. The video I made compiling a lot of free footage, creating my own story with it. You might like my OASIS 2, That I released a few days ago 😉.

Hi there, thanks for your encouraging reaction. You did that explended Zelma cover Dune style did you? That was overwelming.

Thanks, man! 🙏 It was through that Zelda assignment that I found your channel, so I'll be on the lookout for more of your videos! I really enjoyed your take on the Zelda theme, as well as your thoughts on how you approached making the piece. Excellent work! 👍

@@ugo7145 Thanks Ugo. And yes, all videos are free to use for commercial purposes as long as you create your own videos with it.

Hi there, thanks for stepping by! Oh man you're def right, I've tweaked the hell out of this BBCSO Pro leader violin, and as a violinist myself it became pretty frustrating at times. I kept holding on to this one while it blends well with the rest of the orchestra.

Thanks

Hi there dear Harry! Thanks so much for your kind reaction, as always. The Dutch Metropole Orchestra Hall sound was a bit what I was after indeed, rubbing against a jazzy, swinging, uplifting vibe ;-). Concerning the pure orchestral it's indeed all nearly BBCSO Pro you hear.