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Jareddavismusic
США
Добавлен 11 окт 2020
Hi, I’m Jared. I am a guitarist, composer and teacher. I teach private lessons and compose new music. Feel free to reach out to me. I’d love to work with you :) You can email me at jareddavismusic@gmail.com
Or my Instagram @jareddavismusic
www.jareddavismusic.net
Or my Instagram @jareddavismusic
www.jareddavismusic.net
Impromptu - For Messiaen Quartet (2024) by Jared E. Davis
Impromptu (2024)
This piece was written as an improvisation on paper. The past few years I have been deeply involved in Atonal improvisation. So much so, I wrote a book on it called “Atonal Improvisation and Jazz”. I approached the composition of this piece in the exact same manner as I would have approached an improvisation on my instrument. I thought of a starting note and structure, and improvised from that on paper with ideas from the book. The piece, like an improvisation, is not perfect, but what I wrote is what I wrote, and it cannot be changed.
Approximate duration: 7 minutes
Performed by Unheard-of Ensemble
Clarinet - Ford Fourqurean
Violin - Matheus Souza
Cello - Iva Casian-Lakoš
Pia...
This piece was written as an improvisation on paper. The past few years I have been deeply involved in Atonal improvisation. So much so, I wrote a book on it called “Atonal Improvisation and Jazz”. I approached the composition of this piece in the exact same manner as I would have approached an improvisation on my instrument. I thought of a starting note and structure, and improvised from that on paper with ideas from the book. The piece, like an improvisation, is not perfect, but what I wrote is what I wrote, and it cannot be changed.
Approximate duration: 7 minutes
Performed by Unheard-of Ensemble
Clarinet - Ford Fourqurean
Violin - Matheus Souza
Cello - Iva Casian-Lakoš
Pia...
Просмотров: 118
Видео
Atonal Improvisation and Jazz is officially released!!!
Просмотров 1222 месяца назад
“Atonal Improvisation And Jazz” is officially released and available as PDF or Paperback. I’ve been working on this theory and material for over 3 years. Follow the link in my bio to get your copy and join me in an Atonal revolution!! This book is extremely significant and near to my heart. I believe the concepts laid out in this book will progress the current state of music towards its next st...
How to actually play over Giant Steps Part 8
Просмотров 8873 месяца назад
“How to actually play over Giant Steps” Part 8, in this video I break down a simple strategy that can be used when using Messiaen Mode 3 over the changes. Okay this is the last part lol I noticed there was some confusion behind my lack of clarity in part 7, so I hope this reaches the people who dismissed the idea of using Messiaen modes over the changes as something bad and not jazz like. I hop...
How to actually play over Giant Steps Part 7 (Messiaen modes)
Просмотров 1,5 тыс.3 месяца назад
How to actually play over “Giant Steps” part 7. In this video I show you how you can use a single Messiaen Mode over different groupings of chords. B mode 3 for maj7, Bb mode 3 for dom7, and A mode 3 for min7. I also take a solo at 300bpm using this concept. Please watch parts 1-6 first :) This one was a bonus to shake off any doubts people have about using Messiaen modes over the changes. Hope...
The real theory behind Giant Steps
Просмотров 1,3 тыс.3 месяца назад
This video is Part 6 of the series “How to actually play over Giant Steps”. In this video I thought it would be fun to blow your mind a little to explain why the construction of Giant Steps is so complex. I have compressed a graduate thesis level analysis of the theory behind giant steps into a 90 second clip. You’re welcome lol and I hope you enjoy this :) #coltrane #johncoltrane #jazz #giants...
How to actually play over Giant Steps (parts 1-6)
Просмотров 9843 месяца назад
0:00 This series is called, “How to actually play over Giant Steps”. My goal is to help beginner or new to jazz players navigate charts with lots of fast moving chords. In this first part I show you a technique called “harmonic reduction”. A great tool to learn to play over tunes with lots of chords. 1:18 In part 2 I show you the true skeleton of the form and how section 1 is actually the same ...
Wash and Blocks - Atonal Guitar Duo
Просмотров 876 месяцев назад
This is an original composition by Kevin Metzger and myself. Live take is from a recent performance at Friendly Rio Market in Austin, TX.
Four Seconds - Atonal Guitar Duo
Просмотров 676 месяцев назад
This is an original composition by Kevin Metzger and myself. Live take is from a recent show at Friendly Rio Market in Austin, TX.
Freddie Freeloader - Atonal Guitar Duo
Просмотров 5376 месяцев назад
This is an atonal interpretation of the Miles Davis tune "Freddie Freeloader". The clip is from a recent live performance at Friendly Rio Market in Austin, TX.
Bach Collage - Atonal Guitar Duo
Просмотров 636 месяцев назад
We superimposed WTC book 1, prelude no.1 in C with Violin Partita no.3 in E. This is a live clip from a recent show at Friendly Rio Market in Austin, TX.
Atonal Guitar Duo - Composition #2
Просмотров 1476 месяцев назад
This is the Atonal Guitar Duo's second composition Kevin Metzger and I wrote together. The form is strict, but it also leaves plenty of room for improvisation. This clip was recorded at Texas State University, where we gave a lecture and performance as an official guest artist for the 2023-24 Season.
A Child Is Born (Atonal Reharm) Duo LIVE with Kevin Metzger
Просмотров 11310 месяцев назад
A Child Is Born (Atonal Reharm) Duo LIVE with Kevin Metzger
Atonal Composition #1 for Duet LIVE with Kevin Metzger
Просмотров 13210 месяцев назад
Atonal Composition #1 for Duet LIVE with Kevin Metzger
Chromatic Approaches (Enclosures) Lesson
Просмотров 14610 месяцев назад
Chromatic Approaches (Enclosures) Lesson
Improvisation for Unrestored Harpsichord - Jared E. Davis
Просмотров 14310 месяцев назад
Improvisation for Unrestored Harpsichord - Jared E. Davis
Pairing Chords in a Key with Pentatonic Scales
Просмотров 23211 месяцев назад
Pairing Chords in a Key with Pentatonic Scales
EASIEST WAY TO LEARN EVERY MAJOR AND MINOR CHORD
Просмотров 32111 месяцев назад
EASIEST WAY TO LEARN EVERY MAJOR AND MINOR CHORD
How to memorize the notes on the fretboard
Просмотров 55111 месяцев назад
How to memorize the notes on the fretboard
Storm Clouds (for string quartet) - Jared E. Davis
Просмотров 42Год назад
Storm Clouds (for string quartet) - Jared E. Davis
Arctic Sunrise - Jared E. Davis. (performed by SMART orchestra)
Просмотров 139Год назад
Arctic Sunrise - Jared E. Davis. (performed by SMART orchestra)
Piano Ostinato (2019) - Jared E. Davis
Просмотров 2882 года назад
Piano Ostinato (2019) - Jared E. Davis
Call Of The Void - trio for piano, flute, viola
Просмотров 723 года назад
Call Of The Void - trio for piano, flute, viola
Improvisation using water and glass sounds
Просмотров 283 года назад
Improvisation using water and glass sounds
Now try Bach's A minor fugue 😈 (great playing btw)
@@allsortsoffolk Which one??
@@jareddavismusic BWV 1000 (originally g minor iirc but transposed to A for guitar)
@@allsortsoffolk Pshhh a real guitarist doesn’t need to transpose bach. You should tune your guitar to the correct key like a real baroque musician ;)
@@jareddavismusic I can do what I want as long as I pronounce his name BachhchChchchkckkck
Lol 😆 maybe that was the wrong lick he thought of 🤷♂️
the difference in tone is irreconcilable tho
@@EVMetal27 Is it? ruclips.net/user/shortsc3BOqKzEKEA?si=7wsfqWkU8v466JwZ
@@jareddavismusic yeah the notes sound way muddier with a plectrum, he is one of the few players I have ever heard that can play these kind of arpeggios without them sounding slightly muddy, idk what it is I am not an expert. Clearly he has a tone that people like tho, since he is one of the most popular guitarists in the world right now.
@@EVMetal27 Did you even click the link?
@jareddavismusic I did! I heard you playing with a clean tone and the lick sounds pretty good. All I am saying is that you don't sound like Matteo.
@@EVMetal27 Well yeah. We have different guitars, amps, effects, microphones, strings. I don’t care about matching his tone. I only care to demonstrate that it is definitely possible to play those arpeggios with a pick
With pick sounds soo bad
@@rosthanlinux ruclips.net/user/shortsc3BOqKzEKEA?si=FV0bdepaVV-jEpVS
@@jareddavismusic bouncy
@@rosthanlinux what an original thought
@@jareddavismusic still bouncy
Great job however it has completely different feel when you play it with fingers.
@@electrofuzz7396 ruclips.net/user/shortsc3BOqKzEKEA?si=JSvik0N3TC24Alr4
E la Musica, quando?
accents are not correct.. try again
It's more a question of is it efficient rather than is it possible. But just because you can, doesn't mean you should
@@GothJedi are you proud of this comment?
It's good but still lagging off the beat
@@jimhan8490 there is no beat. I played it freely and added the tab playback after
With pick it’s not so clean!
@@utente1-xn3ct ruclips.net/user/shortsc3BOqKzEKEA?si=GFiax7ALskLoTfJY
Mancuso playing effortlessly with prefect tone. The other... Not so much...
@@tmcmeans1 ruclips.net/user/shortsc3BOqKzEKEA?si=XgiMppIhSRMy5G6H
Play it on a clean tone
@@guitarreilly ruclips.net/user/shortsc3BOqKzEKEA?si=8WAGMHJzYkoHOEP8
@@jareddavismusic mate you are some player ! Congratulations
Je n'aime pas et je ne peux pas bien jouer d'une guitare à manche fin
Comme c'est joli une guitare électrique avec un manche plus épais
not nearly as clean as the non pick version
ruclips.net/user/shortsc3BOqKzEKEA?si=M1_9fWm6fN6ialI9
Well you can't play asturias with a pick. That would have been a solid example.
Hey you’re close!
xd he just doesnt like using the pick, it is just great how he is able to do anything with only his fingers. i thought we should use a pick cause fingers were not as precise
Isn't that the beginning of the dragonball z theme?
@@iamaprimate haha No I don’t think so
@@jareddavismusic I'm playin haha. But it does sound like it innit
@@iamaprimate All I heard in the theme was “Dragon Dragon, Rock the Dragon” lol
Oh Hahaha. Listen to the Japanese version that's why
@@iamaprimate Ohh yeah! It totally is, like going down, Do Sol Re Do. It’s absolutely the same lol
I can’t wait to dive into this!
Thank you for checking it out! I hope you enjoy it! and let me know if you have any questions while you go through it :)
Very cool ❤ But why you play music in super market?
@@prinrugcheeb5224 It’s an actual venue in Austin TX lol. Its just a fun thing to do 🤷🏻♂️
Who is that guy?
@@michaelroach2401 what guy?
@@jareddavismusic The guy who played the part nobody can play except Matteo.
@@michaelroach2401 That is me lol I’m the guy.
It's probably safer to say that it's the attack that is better articulated with the fingers, but not impossible. Also, players that use a pick wouldn't be as likely to come up with those types of ideas because they're not as comfortable with a pick, like 3 nps ideas. Still, that doesnt mean they're impossible, just like the creator of the video demonstrates.
He can do it twice faster and cleaner on a classical guitar without any effort. I don’t understand why people try to emulate him so much… he’s on another level do your own thing. He has just something more which is not achievable with mere practice.
@@giulianocianciolo8268 🤣🤣🤣 why don’t you just marry him then
@@jareddavismusic mate i’m not hating, i’m just saying what i think. He says that playing those arpeggios with finger is easier because right hand is steady. He also said it’s possible to pick this lines, it’s just a lot harder to keep it clean, without wrong accent and with the right tempo. I’m classically trained so i think I know what I’m talking about
@@giulianocianciolo8268 I think you’re just in love with matteo
@@giulianocianciolo8268 ruclips.net/user/shortsc3BOqKzEKEA?si=Mn3zJNr6GRUbpDsj
@@jareddavismusic ok bro. Playing his lines is seriously easier than having a conversation with you. Wtf is that link? You flex a video where you can’t even play with the right accents sounding like a middle-schooler. If you really can’t hear the difference go play video games or other stuff honestly music is not your thing. Thinking about music as a competition is literally the worst thing you can do. And by the way you really look obsessed with him. You have 7 shorts and 2 of them are about you trying to convince yourself that he’s not doing anything special. Have a nice one
double the pace and you proved them wrong
But eddis booouncy
Wouldn't it sound better if you hybrid picked these lines? Yes I know, you're just trying to prove that it can be done with JUST a pick. But I think if you were to replicate it like he does, a hybrid picking technique could achieve the same level of clarity and syncopation. Just because it is possible doesn't mean it's the best option; you look like you're having a hard time keeping the time whereas Matteo looks beyond comfortable in his demonstration. It's hard to say that this is a good job because personally, if I spent enough time trying to prove Matteo wrong, I could do the same lick with just a pick, rushing it, and making it sound not like music but just noise, just to say it can be done. Perhaps if you spend even longer, trying to master this one lick, you could clean it up, slowing the tempo, etc. But I feel like Matteo's picking technique is still superior since there's almost no fuss and just pure rhythm and a solid conveyance of musicality with his technique. I also think Matteo wasn't trying to be literal because if he wanted to, I'm sure he could just add multiple string picks (polyphonic phrases) in and around his arpeggio making it literally impossible (without the use of hybrid picking).
ruclips.net/user/shortsc3BOqKzEKEA?si=vzO37dLvA83hHmPX
Its sound Bouncy and not smooth, u can play with a pick but u wont have the same smoothness and feel.
Wow where did you come up with that? Was it an original thought?
ruclips.net/user/shortsc3BOqKzEKEA?si=vzO37dLvA83hHmPX
You didn't get to the speed he got to. You cut it before the last part that he meant. He plays it ultra fast.
So what? It’s only slightly faster not “super fast”. It’s not difficult to increase speed of a passage if the technique is good.
wow you are as good as matteo. there. isnt this what you wanted?
LOL No, you have completely missed the point
Ok...ahora de manera limpia y perfecta con el tempo y sin distorsión ( mucha suerte)
ruclips.net/user/shortsc3BOqKzEKEA?si=MzNHlztaKGUq4m6k
Why are you reading other people’s Bb transcriptions tho
why not?
You’ve dispelled my doubts. Kudos dude, this is awesome.
I appreciate that thank you 🙏
This is super impressive. But Matteo is playing it slowly here. The pick max speed is Matteo’s slowed-down-so-you-can-hear-it speed.
Thank you, but also Why does that matter?
Nice, but it is bouncy
lol
You’re killin! Glad I found your channel!
Thank you so much!! 😊
That's absolutely incredible that you can play that with a pick haha. But I think it would be impossible to match the speed and smoothness that is possible with fingerstyle playing. You played that about as well as is humanly possible with a pick but it sounds very forced and unnatural. Matteo sounds effortless and calm and faster.
You should watch the new one with a clean tone and side by side comparison
You disproved your thesis real quick at the end there. Cut that out!
It is just one example. There are many ways to use the theory. If you don’t like it, make your own example
@@jareddavismusichey I just wanna say I was being a jerk in my comment. This is a cool idea.
@@DaMonster Thank you for saying that. ❤️ I believe it’s very important that musicians choose to support each other rather than put each other down.
Clearly not impossible, but you gotta admit it's not exactly a novice level line
It’s definitely not. Very difficult with pick, but still possible :)
@@jareddavismusic true enough!...definitely next level stuff!... and no dis, to flat pickers, but it's pretty cool seeing some people bringing fingerstyle into the genre
@@jareddavismusic nice work, btw!...very much dig!
@@hippiedave5775 I totally agree! I very much respect it. I just hate having long fingernails lol
@@jareddavismusic ...lol...they don't seem to detract from your shred 🤘
The difference is that you (or anyone else) are not Matteo Mancuso. It’s like a Ferrari, there are many other beautiful sports cars in the world, but Ferrari is Ferrari.
lol Just marry him then
Finally I'm playing music to myself.. This lesson made it happen, thanks millions Jared
Awesome! Thank you for watching and sharing that 🙏 Means a lot to hear that.
@@jareddavismusic I play bass, I have watched many videos on playing giant steps, but never got further than playing the main melody by year.. This lesson opened up improvisation in new way for me because you broke giant steps down in this way
Without a pick, my friend. Without a pick
I’m not asking for votes. It’s not a competition
@@jareddavismusic I agree, music absolutely is NOT a competition. But when a musician invent a right hand technique UNIQUE IN THE WORLD, I must to evidence this fact.
NO
No one asked you
handpicking has its advantages indeed.
long fingernails is annoying though
@@jareddavismusic but the sound is nothing like a pick
@@robertn2951 That’s just an opinion and varies with types of picks and fingernail thickness as well as fingernail shaping
@@jareddavismusic I will be happy to come and see you when you play on stage with Di Meola, Bonamassa, Vai, Abasi or Rabin. Until then, keep up the good work on your RUclips channel 👍
@@robertn2951 lol Thanks
The line played with the pick is the same notes, but sounds not remotely as smooth. It doesn't contradict Beato, although I do think Roy Marchbank might be able to get it closer, because he's the smoothest speed picker on Earth. But for a normal person to match Mancuso's smooth speed, I'll just say I'm not holding my breath.
It’s not a competition.
@@jareddavismusic Thanks for your brilliant "insight", but I was merely addressing the question you tried to answer with the video; is it possible to play the same line with a pick. If you can't stand to see people comparing two performances of the same notes, maybe don't post videos where the whole point was to compare two performances. Duh. 🙄
@@Gregorypeckory Did you watch the newer video with a clean tone comparison?
Wonderful. This is a great explanation and I didn't know he used Slonimsky Thesaurus. I love these types of movements in music by thirds, there's so much you can do with a freakin' third I mean who knew? When I was looking at the chord changes and it first hit me that all the different chords when seperated by their qualities are all a major third apart I seriously had my mind blown. Isn't it crazy how music theory is such a sound puzzle in so many ways? Everything just fits, that's why I love music. Then of course beyond the theory, music sounds great!
Also for anyone frustrated with remembering Messiaen mode No.3 on the fly, I just think of it as a major 7 add 9 chord with a Minor triad add 4 starting from the minor 3rd. So Messiaen mode No.3 on B would be a B major 7 add 9 (B, Db, Eb, Gb, Bflat) smashed together with a D minor add 4 (D, F,G,A) all in the space of one octave. Quick trick I thought of.
Thank you! I’m happy you like it:) There are so many cool things to discover in music and in GS! I think it’s best to think of mode 3 as 3 tetra chords of whole-half-half, that are a major third away. But yeah it’s also cool to see what other kinds of structures you can separate it into!
@@jareddavismusic right after I watched this one I watched a video on the Messiaen modes and I realized they were patterns and was like 😬 shoot that comment probably seems silly now.
@@milofonz7505 Not silly at all. It’s interesting to see how you thought if it not knowing it was a symmetrical scale! Almost like thinking of all 12 chromatic notes as a major scale and a pentatonic together
Well, you are right in this case. But in general you can do more when playing with fingers than with a pick. Which makes sense, because you actually have 5 picks when playing with fingers.
5 is definitely more than 1, I don’t like having long fingernails personally.
No, the 5 fingers are not equal to one pick, since you cannot alternate easily (except for some bass thumb techniques). Matteo needs to use 3 fingers to play 3NPS scales as fast as a pick.
Nice
These are some of the dumbest people on the planet I swear. Distortion actually makes playing clean harder in some cases and rarely makes anything easier and compression is not cheating. These people need another lobotomy because the first one was obviously half assed
lol 😂
Sounds like gradius music