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@@DangerousHam I'm so glad hear that. Thank you and all the best!

@@cub3575 thank you!

@@gloomychai thank you! The 3rd mvt is a bit easier technically but with Mozart every note needs attention that's what makes it so difficult. You may want to look at different edition the articulation and slurs are not set in stone. The Mozart sonata k.292 is a great introduction to the first mvt even though he wrote it after the concerto. All the best on the competition.

@@TheBassoonist thank you!

@@jasperbutler2326 🤣

😃🤣 . It was great to meet you Nathay. Keep it up you sound great!

Learning with a good laugh is the best. See you next year!

Looking forward to meet you!

@@TheBassoonist Thank you et merci beaucoup

who

@@9sebitas941 🤫🧏

Merci beaucoup!

can't argue with that.

It's a Bell.

It's catchy!

Thanks!

Should I? ;)

Thanks so much!

of course. Worked with him when I was in school.

I have a bassoon teacher who was one of Frank Morelli’s students, his name is Robert Losinno. He’s told me about you; he told me one of his students, Matthew did the Stetson bassoon audition

Love is a stretch..

Haha

There is different ways to approach the embouchure and the type of reed shape, size may affect that. I like to have the entire reed in my mouth and usually encourage my student as well. The benefits are to have better support which leads to better intonation and sound. The lips on the back of the reed will also dampen the buzzy vibrations. For the high register, you want to have even more reed in to help getting the notes out.

Moi aussi!

Thank you!!

Thank you! I've been playing for 30 years but much of the intense learning happens in the first 10-15 years then it's perfecting with lot of work to continue to slowly improve. As a beginner, you can improve so much with just good daily practice.

Oh wow! Thank for the tips, I appreciate!

Barber Violin Concerto

J'en ai pleins d'autres versions si jamais..

Brother

@@Therealcookiemonster30 Bro that was 8 months ago the reply was 8 days ago 🤯

Thank you!!

I forgot how crazy those etudes were..😀

Thank you very much and I'm honored that the bassoon jazz king enjoyed it. I picked the fastest tempo I could achieve in a few weeks. If I spent too much time on it, it would definitely drive me insane. Listening to it again, I hear some things I could have done better but I don't think perfection was the driving factor in recording all 20 études. This was done during the pandemic and I wanted to have fun.As a whole, I think there's nothing quite like it in the bassoon rep. Finally, yes I do believe that in the right places you can use musicality to navigate difficult passages. Again, thank you for listening.

@@TheBassoonist believe me-it was inspiring!! I loved the entire Bitsch #3 video-music and acting/story! I just never had success because I would play it never slowing down playing with a metronome and circular breathing (sometimes I can't stop doing that!) and that's not going to get it done from both a musical place and a practical place. I really needed to hear a great version of this and now I have. I also like that #18 too! Fantastic and thank you once again!

I wish I could circular breath. All I have is a bad habit of puffing my cheek but I've worked on having a decent single breath capacity. I can't say that 3 and 18 were my favorite, I prefer the slower études which tend to be more melodic but like I said as a group they make a lot of sense. It makes all the French solo music much less daunting.

Thank you!!