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Piano Rewind
Добавлен 9 сен 2021
ruclips.net/channel/UCtFDZVah_2poQc7nfEp1cgg
Welcome to Piano Rewind, where the love for piano reignites regardless of the hiatus! 🎹 Join me, an amateur pianist turned enthusiast after two decades hiatu, as I share my personal experiences, struggles, triumphs, and the tips and tricks I've gathered along the way. Subscribe now and join me on this melodious journey as we rediscover the joy of piano playing, one key at a time. 🎶✨
Welcome to Piano Rewind, where the love for piano reignites regardless of the hiatus! 🎹 Join me, an amateur pianist turned enthusiast after two decades hiatu, as I share my personal experiences, struggles, triumphs, and the tips and tricks I've gathered along the way. Subscribe now and join me on this melodious journey as we rediscover the joy of piano playing, one key at a time. 🎶✨
Romantic Love song: Frühlingsnacht (Spring Night) lied von Robert Schumann, arr. Liszt | Score Video
The audio is a live performance by German pianist Annika Treutler.
"Frühlingsnacht" is the last song in Liederkreis, Op. 39, a song cycle composed by Robert Schumann in 1840, which is often regarded as one of the pinnacles of the German Romantic Lied tradition. The Liederkreis, meaning "song cycle," is a set of 12 songs based on poems by Joseph von Eichendorff, a prominent German Romantic poet. "Frühlingsnacht" (Spring Night) stands out for its joyful celebration of love and nature, themes that were central to Romanticism.
Background and Context
Schumann composed Liederkreis, Op. 39 during what is known as his "Year of Song" (1840), a period when he wrote around 150 songs. This creative outb...
"Frühlingsnacht" is the last song in Liederkreis, Op. 39, a song cycle composed by Robert Schumann in 1840, which is often regarded as one of the pinnacles of the German Romantic Lied tradition. The Liederkreis, meaning "song cycle," is a set of 12 songs based on poems by Joseph von Eichendorff, a prominent German Romantic poet. "Frühlingsnacht" (Spring Night) stands out for its joyful celebration of love and nature, themes that were central to Romanticism.
Background and Context
Schumann composed Liederkreis, Op. 39 during what is known as his "Year of Song" (1840), a period when he wrote around 150 songs. This creative outb...
Просмотров: 68
Видео
Underrated Piano Piece: Fanny Mendelssohn Notturno G Minor | Score Video
Просмотров 1122 месяца назад
Fanny Mendelssohn's Notturno in G Minor is a captivating piano piece, displaying the nuanced beauty and emotional depth characteristic of her compositions. Fanny Mendelssohn, often overshadowed by her brother, Felix Mendelssohn, was a gifted composer and pianist in her own right, though societal norms of her time restricted her public musical career. Composed around 1838, Notturno in G Minor re...
Powerful Live: Chopin Etude Op. 25 No. 12 "Ocean" | Score Video (Daniel Kharitonov)
Просмотров 882 месяца назад
This brilliant rendition is a live performance by Daniel Kharitonov, a young rising star from Russia. Background of Chopin's Étude Op. 25, No. 12 Frédéric Chopin's Étude Op. 25, No. 12 in C minor, often referred to as the "Ocean Étude," is one of his most powerful and evocative works, composed between 1835 and 1837. This piece is the final étude in his Op. 25 collection, which he dedicated to C...
A Live Mastery of Chopin's Étude Op. 10, No. 1 (Waterfall) | Score Video (Daniil Trifonov)
Просмотров 1173 месяца назад
This brilliant rendition is a live performance by Daniil Trifonov. Background of Chopin's Étude Op. 10, No. 1 Chopin's Étude Op. 10, No. 1 in C major, composed in 1829, is the first piece in his ground-breaking collection of twelve études dedicated to his friend and fellow composer Franz Liszt. These études not only serve as technical exercises but also stand as works of great musical beauty. O...
The Most Beautiful Sadness: Rachmaninoff's Élégie Op. 3, No. 1 | Score Video (Nikolai Lugansky)
Просмотров 973 месяца назад
Sergei Rachmaninoff's "Élégie," Op. 3, No. 1, is a deeply emotive and introspective piano piece that reflects the composer's early style. It is the first of five pieces that make up the "Morceaux de Fantaisie," a collection composed in 1892 when Rachmaninoff was just 19 years old. The background of "Élégie" is tied to Rachmaninoff's experiences and emotions during this period of his life. The p...
Dreamy Performance: Debussy - Clair de lune | Score Video (Maria João Pires)
Просмотров 1973 месяца назад
🎹 Welcome to Piano Rewind! 🎹 "Clair de Lune," meaning "Moonlight" in French, is the third movement of Claude Debussy's Suite Bergamasque, composed in 1890 and revised in 1905. This evocative piano piece is renowned for its delicate and ethereal quality, capturing the serene and reflective essence of moonlight. Its gentle arpeggios and lyrical melody create a dreamlike atmosphere, transporting l...
Sad Classical Piano Music & Artwork 2h (Chopin, Rachmaninoff, Schubert, Liszt, Tchaikovsky)
Просмотров 1973 месяца назад
🎹 Welcome to Piano Rewind! 🎹 Immerse yourself in a 2-hour journey of melancholic classical piano music with vintage oil paintings, creating soothing and cozy space for you to release the negative emotions. This collection, featuring the timeless works of Chopin, Rachmaninoff, Schubert, Liszt, Tchaikovsky, etc., is curated to provide a serene escape from the hustle and bustle of daily life and c...
Most Melancholic : Chopin Nocturne in C-sharp minor, Op. posth. | Score Video (Menahem Pressler)
Просмотров 3353 месяца назад
#chopin #nocturne #reminiscence #classicalpiano #sheetmusic Chopin's Nocturne No. 20 in C♯ minor, composed in 1830 and published posthumously in 1875, is a solo piano piece dedicated to his sister Ludwika. Often called "Lento con gran espressione" or "Reminiscence," it gained fame through poignant historical moments. Holocaust survivor Natalia Karp played this piece for Nazi commandant Amon Goe...
Love BEYOND: Liszt's Liebestraum No. 3 in A-flat major (Dreams of Love) | Score Video (Tiffany Poon)
Просмотров 2674 месяца назад
#liszt #nocturne #liebestraum #classicalpiano #sheetmusic Liebesträume (German for Dreams of Love) is a set of three solo piano nocturnes (S.541/R.211) by Franz Liszt published in 1850. And this one is the most familiar of the three nocturnes. The performance is by Tiffany Poon. The three nocturnes are all based on poems. The translation of No.3 is as following: O love, as long as love you can,...
1h Classical Music & Art for Relaxation and Study: Guess the Composers
Просмотров 4634 месяца назад
🎹 Welcome to Piano Rewind! 🎹 Have you ever heard a song and thought, "I know this one!" only to be shocked that it's a classical piece by a composer you never imagined? These classical piano tracks totally fit that bill. I thought I knew them all, but wow, was I wrong! How to play the game At the beginning of each complete piece, you have 20 second to listen and guess the composer before the an...
#5 How I practice Debussy's Clair de Lune (40+ hours): Analysis & Tutorial
Просмотров 2284 месяца назад
Debussy's "Clair de Lune" has graced countless movies and TV shows, from romantic and reflective moments to those needing a touch of elegance and beauty. Some notable appearances include: - Ocean's Eleven (2001) - Twilight (2008) - Atonement (2007) - The Simpsons - The Blacklist - American Horror Story - Mr. Robot - The West Wing - The Good Wife If you're looking to learn "Clair de Lune" on you...
Chopin's Most Popular: Fantaisie Impromptu Op. 66 in C Sharp Minor | Score Video (Daniil Trifono)
Просмотров 2134 месяца назад
#chopin #classicalpiano #sheetmusic Most of people probably started on this piece as their first Chopin piece - Fantaisie Impromptu Op. 66 in C Sharp Minor. This version is performed by Daniil Trifono. It has also been featured in various movies and TV shows, often used to convey emotion or to highlight a character's musical talent, such as: Movies - "The Pianist" (2002): This acclaimed film ab...
1.5h Relaxing Classical Music & Art: Chopin, Liszt, Schumann, Debussy, Schubert, Handel
Просмотров 1,7 тыс.5 месяцев назад
🎹 Welcome to Piano Rewind! 🎹 Experience the relaxing melodies of timeless classical piano compositions featuring works by Chopin, Liszt, Schumann and so on, performed by various pianists. Each piece is thoughtfully paired with AI-generated art inspired by Vincent van Gogh, creating a perfect blend of auditory and visual tranquillity. Ideal for studying, working, or unwinding after a busy day, o...
Most Beautiful Piece: Bach - BWV1031: II. Siciliano (Transc. Kempff) | Score Video (Beatrice Berrut)
Просмотров 6135 месяцев назад
#bach #piano #classicalmusic This is, in my opinion, most beautiful piano piece from J.S. Bach: Flute Sonata, BWV 1031: II. Siciliano (Transc. Kempff). This version is performed by Beatrice Berrut, a Swiss pianist, as an encore at the Tel Aviv Museum of Art.
#4 How I practice Chopin Etude Op25 No1 in A-flat major (72+ hours): Tutorial & Analysis
Просмотров 1,2 тыс.2 года назад
#4 How I practice Chopin Etude Op25 No1 in A-flat major (72 hours): Tutorial & Analysis
#3 How I practice Brahms' Intermezzo op118 no2 in A major (40+ hours): Tutorial & Analysis
Просмотров 9822 года назад
#3 How I practice Brahms' Intermezzo op118 no2 in A major (40 hours): Tutorial & Analysis
Chopin Etude Op25 No1 Practice Run: Oops I Messed Up!
Просмотров 4852 года назад
Chopin Etude Op25 No1 Practice Run: Oops I Messed Up!
The Unspoken Love: Brahms - Intermezzo Op118 No2 in A Major | Score Video (Seong Jin Cho)
Просмотров 3872 года назад
The Unspoken Love: Brahms - Intermezzo Op118 No2 in A Major | Score Video (Seong Jin Cho)
Chopin - Etude Op. 25 No. 1 in A-flat Major "Aeolian Harp" | Score Video (Daniil Trifonov)
Просмотров 1,1 тыс.2 года назад
Chopin - Etude Op. 25 No. 1 in A-flat Major "Aeolian Harp" | Score Video (Daniil Trifonov)
The Most Beautiful Score Ever Written: Chopin Nocturne Op. 48, No. 1 | Score Video (Seong Jin Cho)
Просмотров 2,7 тыс.2 года назад
The Most Beautiful Score Ever Written: Chopin Nocturne Op. 48, No. 1 | Score Video (Seong Jin Cho)
#2 How I practice Chopin Nocturne Op. 48 No. 1 in C minor (120+ hours): Tutorial & Analysis
Просмотров 52 тыс.2 года назад
#2 How I practice Chopin Nocturne Op. 48 No. 1 in C minor (120 hours): Tutorial & Analysis
#1 How I practice Chopin Fantaisie Impromptu Op. 66 in C Sharp Minor (90+ hours): Tutorial & Tips
Просмотров 4,3 тыс.3 года назад
#1 How I practice Chopin Fantaisie Impromptu Op. 66 in C Sharp Minor (90 hours): Tutorial & Tips
I don't know the nocturnes well enough to judge their relative difficulty, but I don't think this one is hard, as Chopin goes. Most of his big pieces are more challenging
WOW!!
Great, video! Just a thing, did you use the approach of learning all the piece in each hand separately or divide it in small chunks and then start integrating both hands? I usually practice bar to bar but I do not know if my approach is efficient at the end of the day since the entire piece is "new" until I reach the other bars
I used to practice each hand separately. However, my latest teacher told me to start a piece with both hands. The intention is to train the right reading which mine is pretty bad. If the score is too hard to read on the fly, I will have to still practice hands separately. I don't do bar to bar but do by section. When a section I can play slowly without mistakes, I start the next section. I like this way because bar to bar, they're not independent but connected. How you phrase, touch, dynamics, fingering, etc. usually is cohesive within a section. And I like to form the correct muscle memory as early as I can. Correction is always harder later on. This way also allows me to enjoy the music earlier :) Once I get through all the section, I will paly backward (play the last page, then the 2nd last till the end, etc.). If I always start from the beginning, the fist few pages are always well practiced but the later pages are not. I also try to start from random place to practice particular bars. I hope these help :) happy practicing!
I prefer op62 no1 :)
I like it too :)
You haven't been transposing it? Heed Art Tatum: ”Play the tune in every key, and it will come to you." Work on the ending first. How do you count? To the beat or from the beat? Counting “to the beat" (ta-ta-ta-3], ta-ta-ta-4], ta-ta-ta-1]) will help. Muscle memory is a terrible, unproductive process; transpostion works. Period. Simple. Helps with mobile do, functional harmony, memorization, learning speed, and the fact that music is an aural art. Cheers,
This isnt jazz, its a completely diffrent approach
I personally haven't done any of that. I do partially agree that muscle memory isn't a super effective method as it's not reliable. However, regardless you like it or not, it will form through repeated practice. So probably better leverage it plus have another method as security. For counting, I don't intentionally count any more. I think classical music, just like poem, it's in some sort of standard form so not hard to follow. I occasionally use metronome to check my speed.
You're pretentious AND talking out of your ass! Congratulations, @yvesjeaurond4937!
@yvesjeaurond4937 You have zero idea what you're talking about, and it shows.
The most technically difficult aspect of this nocturne, for myself, is the left hand of the agitated return of the main melody. Those oscillating, wide intervals are murder.
To me is more at the section 3 right hand to have the right level of voicing, clarity, speed and accuracy ...
I have to agree that this is the hardest nocturne, it toook me sooo long to get down when I first learned it about a year and a half ago. And even now I’m still working parts of it
Well done on your persistent! After 5 months non stop practicing it, I don't want to hear it again haha
@ hahaha I feel that. Def got a little sick of it for a bit but then I became so busy for so long that I just wasn’t practicing it much, then I liked it a lot again and could actually play it.
We are so lucky to see this vid on youtube ! Bravo!!!
Thank you so much for your kind words :) I'm grateful that you like it.
excellent Thx :) je devrais apprendre ce morceau ! :) @+
You won't regret it!
Guau, I'm currently planning on buying the K500, sounds really good!
I love the piano too, especially after tuning :) if I have to pick one thing to complain about, it's quite loud so make sure you have a rug and furniture to absorb the sound.
Mimicking another player??? That's not a good idea. Anyway Seong hasn't quite got the Chopin touch needed to play. Rubinstein yes
I think which one is the best etc. really down to personal taste. I pick the ones that move me. For professional pianists as concert artists, yes, mimicking isn't a good practice. However, for amateurs like me, I would be thrilled to play like some of the best. That's my goal :)
Your will power is quite astonishing ; same with me as a youngster of 18 , when I started playing the piano. But I spent way too many hours with practicing difficult pieces , that were above my real abilities to actually perform them ( Chopin Etudes etc. ) . 2 years later I got 20 lessons for free from an old professional piano player , who could still play remarkably well . I learned a lot , playing the Mozart Sonatas in C major and in F major . But then he would tell me , those pieces being still too difficult for me - and he was totally right ( which I didn't want to accept for quite a while ) . I really wanted to study piano seriously , prepared a program all by myself and went to audition at the Munich Musikhochschule . I remember yet the Pathetic Sonata c - minor ( Beethoven ) , the Chopin Etude op.25 f - minor and Jardins sous la pluie ( Debussy ) . My choice for a " modern " piano piece was Maple Leaf Rag ( Scott Joplin )😊 Of course they refused me... Actually I wanted to learn to play the piano , when I heard first time - aged 12 - Rhapsody In Blue by George Gershwin , but we couldn't either afford a piano nor a teacher... Without a really good teacher it took me many years to become a piano player , earning my money on the stage ( in the meantime I studied Jazz Trumpet - I had played this instrument since my 9th year , even on stage with a youth orchestra ) . I played some bar piano to earn money , then theatrical music and everything I could get . That's the way I found out , how to " practice on stage " . But of course I had developed a lot of routine out of many different situations and challenges . My advice to my pupils and students : Play many pieces , which you could play in front of an audience after ONE day practice. After one year's work you will play at least dozens of pieces , that you can really play ! Maybe you have at this point some pieces in your program , which took you 2 or 3 days ( and of course you would try again to play a " 2 - weeker ", that's human ) . If you're experienced enough ( maybe after 5 years ) , you can try to play a piece , that takes you about 2 weeks to a month to play fluently ( maybe one mistake per half a minute , 80 - 90 % of the usual performing tempo ) . Then you will find out the rest yourself. But you shouldn't wait (now ) for too long to take at least one lesson per month . Good luck !
Thanks for sharing your story. It's really inspiring! I guess when you really love something, you can chase for a long time and never give up. Thanks for the daily dose of encouragement and positive energy!
The hardest one but also the most beautifull one. I've been struggling to learn the last part maybe this video will help me!
Glad it was helpful! Keep practicing :)
this is super inspiring! I want to give this piece a go next year
Go for it!
Thank you, just found your channel, very helpful ❤
I'm so glad to hear that :) any suggestions and feedback are welcome!
I enjoyed this piece. Thank you for your presentation.
Thanks for listening
How many hours a day
About 1-2 hours, roughly 5 days a week
Nice channel
Thank you for tuning in :) any suggestions is welcome!
Im so dead I was supposed to play this piece as the one I had choosen for the entrance exam at my conservatory to finally begin studying music, focusing on what I love, and here I am, 9 days left until the competition and just arriving to the C part finding out how much works it needs, I don't even know if 10 hours a day can save me at this point and I doubt I can clear this until the exam even tho it may still be possible that I can present it being just good enough ... I already put big efforts into it and I really want to play it I don't really know if I should leave it here and just play a nocturne I know
If you tried your best, there won't be regret and what-if.
2:55 should be Ti natural to do octave, it's a lovely interpretation.
Good call out! Thanks for that.
I was wondering who played this because it was so beautifully played and of course it's Maria.
Is it weird that it took me a week to learn it fully I haven’t reached a 4 year mark in m6 piano journey
I'd say congratulations! I hope you're satisfied with the end product :)
I already finished this piece recently. I thought i reached my life goal and has a hard time to choose another piece that i liked as much as this one. Niw I am currently learning an Etude, op10 no6 i think.
Congrats! I did the Etude Op 10 No 6 last year. It's short and relatively easier. It sounds very beautiful.
No way this is the most difficult one.
care to hear your thoughts :)
Bravo, love your playing. You have inspired me to play this piece. I have loved it for years.
It’s a hidden gem. I’m glad you find the video inspiring :)
Incredible. Can I ask. How many hours a day do you practice? And do you only practice one piece till perfection or many pieces at the same time? Thanks
I practiced on average 1h per day, sometimes less sometimes more. I got frustrated too :) For this piece, I only did one piece at the time. All my later pieces, I have multiple going at the same time at different difficulty levels as my sight reading is pretty bad... I think I can do one piece for so long is only because I love it so much and I want to do as best I can. Till the end, tbh I was a bit sick of it even though my teacher thought I could still improve. I tried the Ballard No.1 for 3 months did half of it but parked it as I lost the motivation. So I guess the motivation is the key.
@@pianorewind Thanks. On the issue of sight reading, can I ask.... Given that playing from memory is the goal (and always sounds better!), is it better to learn small bits (one or 2 bars max) to memory and move on to the next few bars? Or is better to sight read longer passages till it is memorised naturally? Thx
@@slyowusu99 IMO, sight reading is a different skill than memorisation. Sight reading is when someone reads and plays a new piece close to the expected speed. One can usually sight read less difficult pieces. For memorisation, I never push myself too hard on that so I let it come naturally. I think this way is better as you want to have a good understanding of how to phrase, dynamic changes, voicing, tempo changes etc. and reading the sheet carefully is essential to get you to think. Memorisation is like the last step. I hope this makes sense.
@@pianorewind absolutely. Thanks
Благодарю, люблю это произведение Баха, сама часто играю его под соответствующее настроение. Подписка.
This is one of my favoriate piece too. Probably the first time I understand why Bach did so many great church music.
Just started working on this nocturne today. I'll definitely be coming back to this video as I work through each section. Hopefully, I can get the whole piece down roughly in the same time frame as you did.
Let me know if you need anything :)
great video, i'm about tos tart learning this piece and your video is very realistic and gives me hope i can achieve something nice!!
I'm glad. I'm coming back to get motived myself too :)
I liked this video a lot! Thanks for sharing, someday I will be able to play as good as you :)
Thanks for your kind words :) I'm glad you liked it. Your words motivated me too!
Trifonov is one of the best pianists alive currently.
I also guess the 4/3 polyrhythm was not really practised because it sounded off to me. But overall really well done!
Oh I actually practised that a lot. That bit is just really hard for me to have the clarity needed.
I like using pedal in the octaves section. I know its not in the sheet music - but consider that pianos and accoustics are always different. You can repedal a lot but no pedal sounds odd to me
Point taken. My practice room/living room is all tiled no carpet or rug due to dogs so with the pedal, it will sound like a mess...also could be my pedalling technique isn't good enough to be subtle.
I am also a restarter in playing piano.....after 30 years 🎉😂
At least this time, it's voluntary after careful consideration :)
Because of school I didn't have enough time to play as I wanted to. All day long it was not suitable for a school girl.....so I quit. All or nothing....😢
@@afrodite1832 It was similar to me and I also didn't like playing the piano back then. It was more my parents' expectation. So when the school work got worse, I was relieved as I stopped playing.
I'm sure you've improved since this video but I'll leave you with this advice. When playing the octaves, try not to move your hands in and out of the keyboard too much. You want to minimize movement as much as possible. Playing thumb barely on black and then barely below black on white as you move chromatically.
Thanks for the advice :) I agree fully. That would make the arm more relaxed and better control the dynamic.
Thank you for putting this together. I just did a read-thru of this piece and came searching for tips on section C. (I like the tips for A and B sections as well 😉). Videos like these are great for restarters (or 10x restarter like me - kids/work, right?) to coach us thru the tricky bits.
I'm glad this video is helpful :) It makes me really happy!
Such a detailed guide and reflection :D Thank you for this video!
I basically took what my teacher told me and put the advice right here :)
Please, please don't suggest that anyone puts a coin on their hand and tries to stop it from falling off! This leads to awful tension in the hand. Check out Cedarville Music's 10 things to never do when practising! (I think it's 10, but maybe more!)
I guess it depends on how to achieve the objective (coin not falling off). The intention of this practice is to minimise the up and down movement which probably doesn't increase the tension (at least to me). But, agree, minimising the tension should be high priority.
That only occurs if one makes the categorical mistake of believing the goal should be solely for the coin to fall off; one is to minimize tension while maintaining the coin’s stability; then to include full motion; there is no room for tension when practiced correctly, rather a reduction of final tension, granted by the increased dynamo in motion’s completeness.
Incredible video, thank you algorithm for sending it to me. I'm working through the thrird section currently, so I appreciate all of the resources to help me with me practice!
Thanks for leaving the comment and let me know it's helpful. It makes me really happy :)
This is pretty much exactly what I’m going through right now! I’m almost done with learning to play the notes, only thing missing is fluency in the last 12 or so bars, but musically the doppio section is going to take forever to learn… I have an embarrassing recording on my channel where I just improvise the doppio instead of playing the notes because I couldn’t bring myself to stop at where I’ve learned hahah I share your passion for this piece, and your journey is really inspiring , great job!!!
Thank you so much and I'm so surprised after reading all the comments that so many people love this piece!
I liked the video before even watching because of that A++ description box. But seriously, great video and progress. Words cannot express how helpful those "sources" were for self taught players who can get a sense of techniques that need to be used, things that can't necessarily be shown simply from the sheet music. Once again, great video, I appreciate it!
Thanks for your kind words! I hope you're having fun with your practice :)
👍🏽☺️☺️
So inspiring- part B is so difficult!
I do find the broken cords difficult at first. I think the key is the muscle memory :P get your hands used to those movement :)
Great job. Hows it going now?
hahaha I've been slack.... I have done a Schuber's impromptu ages ago but haven't recorded. Thanks for checking in and keeping me motivated!
What a nice job. You need to pedal the octaves here, BTW. <3
hmm, how can I keep the octaves part less resonated if I pedal?
At 2:55 you play G - C with the left hand, but the score shows B natural - C. However, in the edition that I have, it's G instead of B natural. I suppose it's a mistake in the edition you show in the video.
You're Sharp! Yes, I played the version I heard that I like while my urtext is slightly different.
The pattern of the left hand in c section is similar to Schubert's Standchen/Serenade but it's fast 😮
This makes me curious. Do you know the exact name or No. of the Schubert piece you mentioned?
@@pianorewind it's a lieder, and it's D957
@@pianorewindbut they're not the same time signature.
I tried very hard at this piece until I pooped in my pants during the first section. RUclips probably blocked my gallant effort.
I think a lot of people find it hard too so we're all in the same boat!
Thanks for this video,, I am trying to master the C section but I only started playing in 2020 so it’s a struggle. Your video has really helped me especially with the polynomial section which I have yet to get close to. I am using the ghosting technique you have used and hope to get results that way. I love this section so don’t plan to give up on it but I have set myself a goal of getting it right (albeit slow) within 6 months. This video will really help. Thanks again.
I hope you're getting close or reached your goal? I have a piece I practiced so long and eventually lost interest.... I hope you did better than me.
Very, very beautiful. I like the strong voicing and the relative fast tempo which in my opinoin brings the music alive. And also the bass in the last part gives all a nice "chaotic" feeling which fits in nicely. It reminds me of Pollinis interpretation. Althought, especially at the start at the fast sections you are rushing the notes. Let them sing out a little more. Still its one of my favorite recording of it. Good job!
His version is my favorite too :D