Видео

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Штета што нема превода, макар на енглески језик.

Hermine May’s voice is amazing and new direction is super.

THANKS ! MERCI BEAUCOUP !🎗⭐👏🎗⭐👏

Super

Hi! Do you know where I can find/buy the whole recording? I am an extra in this opera (one of the kids at 1:16) and I'd love to have a copy! Thanks!

❤

Listen to her rendition of si mi chiamo Mimi beautiful!

Is there any film material from the production Aida auf Schalke, that took place some weeks before on 1st september 2001?

Voce inadatta, inscurita e pompata artificialmente, si vede come come nei passaggi la voce tende a schiarire e la ingabbia. I bassi sono cupi collassati e non risuonanti in alto. Vibrato caprino perché l’apparato fonatorio non è costretto da tensioni. In molti punti i suoni vanno indietro. Voce piccola e inadatta. Nilsson, Dimitrova, Cigna, Marton, Grob, queste sono le vere Turandot.

This is one of my favourite performances of La Traviata, everything is perfect, from the scene to the cast. Lovely.

A lovely voice. Pity I haven't heard more of it.

The singer looks and moves like I imagine as a Carman.

Mamma mia, tra Calaf, Liù e Timur è una gara al peggio. Un'altra Turandot inutile

Muy buena; gracias por compartirlo.

こんな贅沢なオペラを観れるのは一重にネットのおかげ！死ぬまでにベローナでアイーダを観たかったが十分でした ソリストも抜群だ

Linda puesta y bien cantada. Pobre Escamillo!!! Un clavel rebelde le quedó en el cabello. Tenía el mismo peinado de Carmen😅😅

Good and bad in this production. The worst is the terrible collection of poor French accents.

Thank's

Esse tenor não serve nem para cantar em uma churrascaria de beira de estrada.

Il tenore non lo commento ..La Signora Patane ..una delle mie Turandot preferite ..sempre . Questi Riddles ❤️❤️❤️

#HISTORIASOCIALXXI Representació de la Traviata excel•lent: Location: Ahoy Arena Rotterdam, The Netherlands, January 2000: Dixo ara este breu comentari d’este vídeo on line: Quant al protagonista no enganya, oferix l’amor que és batec de l’univers, misteriós, creu i delícia al cor: SINCER! Sóc a poc a poc elaborant més connexions tan emotives que considero que brollen al cor des d’esta lírica.

A l’inici ja interpretació del primer tempo de waltz és genuïna; i el posat de Violetta; i la claretat de la seua veu i les altres del clor són totes nítides. I la posada en escena del cor… L’explicació on Alfredo recorda y remarca emotivament el seu primer enamorament… Començo a indicar moments: 4:00 9:10 20:33 30:22 33:45 35:33 43:46 52:15 1:03:15 1:14:10 1:27:17 1:40:42 1:44:05 1:45:51 1:51:54 1:54:14 2:04:50

De las sopranos más increíbles haciendo el papel de Carmen. Escenario espectacular elenco sublime!!! Micaela una voz hermosa Gracias por esta grabación Un regalo para los sentidos Nada mas que agregar

Eine 🌺🌺🌺sehr schöne Inszenierung !

Sehr schöne Inszenierung, tolle Stimmen, herzlichen Glückwunsch an alle Beteiligten ! ( incl. der Pferde 🙂 ) 💐💐💐🌼🌼🌼

Bruttissima regia 😮😮😮😮 orrobileeee regia

Это моя самая любимая опера. Могу слушать её в любом исполнении бесконечно! Браво великому Верди!

Non capisco il costume degli uomini,quella sorta di bavaglio che hanno al collo 😂 pessima idea che rende soprattutto Germont ridicolo

fake 4k . Too low quality for viewing.

My poor friend Maurizio Frusoni….rest in peace

Franz Grundheber der beste Amonasro aller Zeiten. Sängerisch wie schauspielerische.

Good memories! This and Turandot are my favorites. Any recordings of that one??

Well it's certainly an interesting stage. Takes a little bit to get used to it. I like that Turandot actually had a reaction to each time Calaf got the riddles correct. Most women who played Turondot don't really react very much and I always thought they should. The orchestra needs a little kick in the ass though. They're not giving it enough passion.

Finalmente una vera regia......

This is a knockout staging of Carmen. The somber entrance of death on horseback was memorable. Kudos for NIkolov and Krasteva for their spell binding performances.

Great Marco Spotti

Marco Spotti fabulous as King

The enactment of Liu's death doesn't make any sense. Would a slave girl have gotten that close to a princess with a weapon?

It is such a pity, because all the singers were excellent, with lovely voices and they looked like the role (Carmen was very beautiful and the two men really handsome and believable). But the direction and the acting were very lacking, lifeless and almost amateurial. The soldiers marched nonchalantly, even at the change of guard, when the words (sung by the children) said "shoulders back, chest to the front". They didn't, LOL. Carmen's body language was completely inadequate. She felt like a high-society lady who just plays the seductress for a home theatre Sunday afternoon performance. It's a pity because she had all the physical prerequisites, and the sultry voice to match. (UPDATE: I was shocked to see how much better she was in another production, here. ruclips.net/video/3h-fP4zSH40/видео.htmlsi=Ao1I3X0j3t9l2MUm How much more "active", comfortable with her body... Unfortunately the other video didn't have a performance date, so I don't know whether it was from the same period or after, but the difference was obvious!) Don José looked bored or slightly annoyed most of the time, and when he first meets Micaela, he seems to view her with distaste - I first thought it was a directorial idea, but then he actually gave her a romantic kiss at the end, so he wasn't supposed to find her repulsive after all. The director of course was the main culprit. Most notably, he didn't know how to move crowds, which is crucial in this particular opera. Especially the scene at Lilas Pastia's was almost embarrassingly static and boring - not once did I feel the crescendo of drunken gaiety and joie de vivre. And because the people couldn't express anything with their bodies, they just rotated some toreador capes? What? Come on!

Musicalmente inascoltabile, rappresentazione pessima

I don't wanna be hateful but i don't think she is singing it right. She is forcing her voice to sound deeper than it actually is and it’s clearly not natural but like the energy tho ☺️

Mil gracias

The tenor is a Bad jock but she is an Amazing surprise. There is so much Callas in her, some notes if you close the eyes.....and she never tries to do it so, it just like this. InThe end of the Enigma scène, wich is even more difficult than the aria itself, she is almost perfect. Very few soprano understand the writing like this. I wish i saw her live.

How did I just find this jewel???? I am simply speechless. Such great production, singing, acting, costumes, stage, everything .... Does Il.Trovatore get any better than this? 😊

바리톤 김동규다....와....김동규 유명한 사람이었구나......그냥 방송인인줄 알았는데.....

Sehr gut Harry. Grüße von Gerlinde F. USA

🖤

テノール、ラダメスにピッタリの声質やね。しかし死ぬまでに一度ベローナでアイーダをみたい！

Horrible performance!