Видео

La Gioventu' di Tazio

i saw the documentary … why does and older man be so obsessed by a young boy so inappropriate … getting pedophilic vibes dislike

The music the film is sublime

Allora gli jadisti hanno conquistato la Siria senza nessun appoggio politico?

This may be my favourite film of all. Stunning. Dirk Bogarde is extraordinary and it so heartbreaking and beautiful to watch. ❤

Aschenbach looked terrible after his “make-over”.

My favorite movie. It always fascinates me, the best cinema ever! And it breaks my heart, every time.💔

Una metáfora exquisita sobre el fin de una época.Y el inicio de la gran guerra y su horror

Obra maestra, si tu corazon no late no eres humano ni tienes sentimientos

My favourite film. I adore it and Dirk Bogarde is magnificent. Dazzling Mahler.❤

Imagine that Tadzio is a girl, & his energy, flamboyance, detachment, a quality of staring politely, a self-centeredness, & a playful fascination with this old, solitary man would all come through as a very natural mutual attraction. And it would be poignant, moving. And despite a flippant detachment, her care for the old man is real. Except the adolescent is young man. Mahler's score escorts us over to imagine such a bond. And we're moved by it. At the end when Tadzio points to eternity is a gesture exclusively for the old man. It's his declaration of that fealty of the heart, the bond. The old man responds to this declaration, in kind. And dies from the epidemic infection. The message is simple. Love is love. We can't dictate who we fall for. I can't recall the movie now, it was 40+ years ago I saw it. The old writer likely had the chance to leave Venice & escape being infected, but he chose to stay, knowing the risk. And he was glad to. It was not sad. His love, & their mutual declaration, was a benediction before he passed. At peace for the first time in perhaps decades.

Adoro la figura quasi senza volto del gondoliere non in regola, apparentemente gentile, come apparentemente vivace e ordinata è la città, in realtà corrosa dall' interno dal colera. La musica sottolinea ed amplia come in struggente marcia trionfale la corrosione interna di von Aschenbac, che soggiace con tormento alla sua passione. Ma per me il film è tutto sulla dicotomia essere- sembrare, sul gioco degli specchi tra realtà soggettiva e realtà apparente.

❤❤❤

The movie is masterpiece but poor Björn I am so sorry for what he experienced

Perse dreqin nuk del i lirë filmi në you tube????Sa do të pres ende për t'a parë???😢

WONDERFUUUUUULLLL

MAHLER AT IS BEST

4:52 peak

Il film e troppo tagliato in immagini veritiere manca la nudita completa di tadzio o in spiaggia o in sala da bagno

VISCONTI. ÉSTA PELI HIZO MUCHO DAÑO....

bu harika

Quel magnifique et triste film , divine musique

I forgot to add that I am now reading the story by Thomas Mann.

Watching this great movie for the umpteenth time. Superb acting by DB ,Mahler’s music is so beautiful.

Dirk Bogarde after playing many light roles finally came into his real abilities, tour de force acting, 3:16 a terrific movie. One of my top 5 faves.

Bjorn Andersen is indeed a gorgeous beautiful ethereal boy in this movie. Very attractive. But had he known what this movie did to him, he should have went on to be what he truly wanted to be, A pianist. He's as gorgeous as the pianist Franz Liszt, who the women , just couldn't keep their paws off of. Beauty is exceptional, most people made physically lacking of it. Bjorn on the other hand looked angelic, w/ those feminine eyes. enough to make one head do a 360.

Vajon Visconti ezt a lányos képű szőke fiút is megrontotta?

Pobre viejo gey se murió de amor

❤

Красота человека, действительно завораживает. Испытала это на себе. Это как держать в поле зрения птицу, парящую в небе, так красиво, грациозно, и невероятно изящно кружащуюся в небесных массах. При этом недосягаемую никоим образом, от того еще более манящую и заставляющую затаить дыхание и следить взглядом, любуясь. Я тоже падка на красоту. Я любуюсь красивыми людьми обоих полов, это так естественно, как по мне.

Tu corazón estaba preparado para la muerte 9:41 9:41 ❤

Insinuante por ambos lados

Mahler's music became part of my torrid gay teen years after this movie. It's an intense watch. Not sure a film like this would be made now.

❤❤❤❤❤❤❤❤

Mhh, if you knew what happened to the guy, you would retain your enthusiasm!

Sir Dirk Bogarde was passed away on May 8th,1999. Today is 25th anniversary of his passing. A brilliant actor and writer.

Stunning cinematography, exquisite Venice, heartbreaking story, unrequited love. Music to die for.

This scene is the essence of the film. Explain everything. I don't think Tadzio was making fun of Gustav, the reason is simple. A 15 year old noble boy with some education would never make fun of a man who could be his father, rich, titled (baron), famous as a musician. Gustav is an authoritative figure. At most, a boy of that age could have made fun of an ugly peer, with crooked teeth, plump, with glasses... or a homeless person, a disabled person, but certainly not a distinguished and authoritative person like Aschenbach. I think that in the film Visconti wanted to make it clear that the blond boy wanted to experiment something with the older man, perhaps also because the boy had understood that Gustav is rich and wealthy (the same old story in short...). The famous shot in which Gustav seems to be "on top of" Tadzio from behind and the fact that both were sexually "involved" in this scene (objective data visible to all, if you want to understand...) speaks for itself.

All of you so boring

Happy103rd birthday to DirkBogarde march 28th 2024, wonderfully unique actor and writer.

Durante la mia adolescenza ho sofferto molto per gli sguardi famelici e gli stalking da parte di uomini adulti e sposati, ciò ha influito sulla mia vita sociale e accademica e sono diventata introverso : la bellezza ferisce infatti chi la possiede

No other movie has music and visuals so integrated.

I was 20 years old when I saw “Death in Venice”, by Luchino Visconti. I was first captivated by the aesthetic images of Belle Epoque Venice, the music of Mahler and above all by the angelic beauty of young Tadzio, whose ambiguous attitude towards Gustav Achenbach who came to the City of the Doges for its atmosphere conducive to the development of his art, music, who rather sees himself taken with passion for this devastatingly beautiful Polish teenager. Just like Achenbach's character, I was disturbed by the beauty of the adolescent that Visconti portrays, sensitive to the interest shown in him, cruelly exacerbating Gustave's feelings towards him. Tadzio's attitude reminded me of mine, that of the teenager that I was, ambivalent about his sexual orientation, as is often the case at that age, prey to adults, some of my teachers among others, without suspecting the torments aroused in the latter. Enchanted yes, but also saddened by this story taken from the novel by Thomas Mann, which I had not yet read at the time, for poor Gustave Aschenbach, victim of his passion and the epidemic of Asian cholera which devastated Venice in 1911.

J'avais 20 ans quand j'ai vu "Mort à Venise", de Luchino Visconti. J'ai été d'abord envoûté par l'esthétique des images de la Venise de la Belle époque, la musique de Mahler et surtout par la beauté angélique du jeune Tadzio, dont l'attitude ambiguë envers Gustav Achenbach venu dans la Cité des Doges pour son atmosphère propice à l'épanouissement de son art, la musique, qui se voit plutôt pris de passion pour cet adolescent polonais à la beauté dévastatrice. Tout comme le personnage d'Achenbach, je fus troublé par la beauté de l'adolescent que Visconti met en scène, sensible de l'intérêt qui lui était porté, exacerbant cruellement les sentiments de Gustave envers lui. L'attitude de Tadzio m'a rappelé la mienne, celle de l'adolescent que je fus, ambivalent sur son orientation sexuelle, comme c'est souvent le cas à cet âge, proie d'adultes, certains de mes professeurs entre autres, sans me douter des tourments suscités chez ces derniers. Envoûté oui, mais aussi peiné par cette histoire tirée du roman de Thomas Mann, que je n'avais pas encore lu à l'époque, pour le pauvre Gustave Aschenbach victime de sa passion et de l'épidémie du choléra asiatique qui a dévasté Venise en 1911.

Love Dirk Bogarde❤ Beautiful eyes. Haunting in a way. Hauntingly Beautiful

Tadzio is flirtatious and provocative. In this scene he shows his age, that is, 15 years old. He's not a man, but he's not a child either. She wiggles her butt in front of Gustav who almost faints. Book and film are different...

You may watch, you may not touch.

"Beach scene", aka "best scene".

Simplemente maravilloso. Por siempre Bjorn. Excelente película!!❤

Excelente….único y maravilloso. Bjorn siempre!!❤