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Lovely and smooth. Are the grace notes tongued or a lip slur? Whatever, they sound just right.

Very nice! Good model for my students.

We miss you in NC. Best luck in your new position.

This is my eupho Allstate this year

This is my all state this year and it ends at 1:04

This is my all state this year and it ends at 1:04

Hello, I'm from Taiwan. I want to know how you practice so that you can develop such a good tone

Please tell me how I need to practice so that I can be as good as you

Please tell me how I need to practice so that I can be as good as you

beautiful!!!

Can i get a score?

felicidades muy limpio su sonido que trombon ocupa?

too clean for ragtime, make it dirty, spice it up a bit

That sounded incredible!!! Well done! Do you have any tips for beginners?

Excelente!!!👏👏👏👏👏

Truly professional playing with every details of music. I believe that is the aim of our fundamental practice.

Perfect thanks 😮

Where can I find the piano accompaniments to this book?

Brilliant! Learning this on euphonium

You're amazing!

Absolutely beautiful Johnathan!

Wonderful!

❤

I really enjoyed that.

Great playing and recording quality as always!!

Awesome musicality, sound and recording <3

Wonderful! Hope to see more Rochut recordings soon :)

Outstanding performance. Such talent in the SLSO.

Amazing stuff!! Quick question: why do you have 2 microphones set up for each performer?

Im trying to learn this right now for a recital on trombone, thank you so much for being a good ro-model!

💪🏽🎶🎶🎶🎶

The piece really suites the trombone tone. I like the bright trombone tone. Impressive

Bravissimo Jonathan Randazzo ogni volta è un emozione unica❤

❤

Personally, I play it a little slower. Sounds more soothing that way.

Impeccable intonation, legato, phrasing everything! I suppose this music is in his blood with a name like Randazzo.

Best I've heard from a fellow trombonist. You can't forget you're playing a trombone, but you should be asking yourself, why a cellist would interpret this this way or that way and how that can transfer to the trombone. i might not agree with every bit of ritardando or agogic modifications, but he dared to do it and that's what counts. Bravo, maestro!

Absolutely amazing, helping me so much as a tuba player. Insane amounts of tone quality

Great playing and an amazinf sound!

Did you and your wife get married recently? I’ve noticed that her name has changed from Kate Stoneburner to Kate Randazzo!

Very beatiful! Thanks for sharing ☺️

This helped with lesson prep thank you!

Love your interpretation! I sincerely hope you record more of these suites!

Only other trombonists would be so impressed by strong instrumental facility (and Johnathan does have solid technique and tone) and an affected or mannered interpretation that they would be blinded to the musical failings of this performance. That's why first trombone positions in major orchestras are still generally 'principle' and not solo positions. He predictably hesitates at the end of every bar, even when the phrase crosses it, which is literally every bar! The first note of each bar 'is' the last note of each phrase! That's where the breath goes. There is a reason why cellists, who don't need to breathe ('but should'), don't stutter and stammer their way through this piece one bar at a time to prove their...musical introspection. Further, the 'need' of a breath doesn't justify taking one, however much you might attempt to setup expectation of it by excessive use of regularly occurring rallentando. It makes no musical sense. This doesn't sound like a piece, it sounds like explorations of harmony through arpeggiated chords one bar at a time. The idea of a study is to develop technique that you might come to make music, not celebrate the mechanisms that define technical challenge by drawing peoples attention to them that 'you' might be better appreciated 'over', rather than, and instead of the music, for...wrestling it into submission, in which case when you win, you lose...musically. When I played these, I sacrificed the...consequence of my 'apparent' tone and volume in order to allow me to 'reach'' the music that is out of reach otherwise. Failing musically is not an option, but playing more quietly is! Playing these pieces at a volume 'sufficient' to music (such as is sufficient enough to any of the 'other' principle wind players, instead of shouting your message in the style given to the orchestral trombone's usual voice, is the the only way. You must subvert your want of appreciation for your play to your obligation to make music. A lesson with a cellist would solve the major problems...while no doubt creating others.

i literally watch this playlist when i study everynight its so relaxing

Brilliant.

I wish someone could burn this for me.

What Trombone model is this ?

❤ You really have a beautiful sound! I'm also going to play this piece on my next exam, but on B-flat tuba 😎

I loved your playing! I thought having the tempo slower was a really nice touch! I have admittedly struggled a lot in the past with the phrasing and articulations on this one whenever I played it at the written tempo. Taking it down a few clicks made it much more beautiful in my opinion. I'm so excited for you to get to No. 23! Its one of my favorites out all 120! I will definitely be coming back to your Rochut videos in the future as I study them myself!