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Getzen Co.
Добавлен 4 июн 2014
Career Advice with Dr. Jon Whitaker
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Просмотров: 342
Видео
When to Braze & When to Solder
Просмотров 3667 месяцев назад
In this video Christan talks about the difference between soldering and brazing. Since instruments are made in stages, you can't solder parts together, then later on go and solder more parts to what you have already soldered. Since the temperatures used are the same, the original solder would melt and the instrument would fall apart. We use braze since the melting point is higher and allows us ...
Changing Over to a Getzen
Просмотров 1,2 тыс.7 месяцев назад
Christan sat down with Professor of Trombone, Jon Whitaker, to discuss his process for making the decision to switch over to a Getzen 4047ET. Follow Jon: jwtrombone jwtrombone www.jonathanwhitaker.com/ Follow Getzen: www.getzen.com/ getzencompany getzencompany store.edwards-instruments.com/
Career Insight with Peter Ellefson
Просмотров 1 тыс.Год назад
Pete visited the showroom to pick out a couple 4047ET trombones. While he was here he sat down with Christan to discuss his professional career as well as his work with Getzen on developing the 4047DS. www.peterellefson.com www.getzen.com/ getzencompany getzencompany store.edwards-instruments.com/
Enzo Turriziani and his 4047ET
Просмотров 3,3 тыс.Год назад
Christan met up with Enzo Turriziani, Principal trombone Vienna Philharmonic, in New York. They sat down to discuss the development of the new 4047ET model. They touch on what Enzo is currently up to and what he has planned for the future. Follow Enzo: enzoturriziani enzo.turriziani www.youtube.com/@enzoturriziani4230/featured Follow Getzen: www.getzen.com/ instagram...
Peter Moore Visits Getzen
Просмотров 4,1 тыс.Год назад
Christan sits down with London Symphony Orchestra's Principal Trombonist, Peter Moore. Peter is an incredible musician and one of the most likable people. Many important topics are discussed such as horn maintenance, health and wellness, and the benefits of visiting the Getzen factory. Follow Peter: peter.moore_ petermooretrombone.com/ www.youtube.com/@UC6cfbEi4kKKYmn0DA4q5w_g ww...
Ian Bousfield Visits Getzen
Просмотров 2,4 тыс.Год назад
Ian discusses the updates made to the NEW 4147IB, some of his teaching techniques, and what he has coming up. Follow Ian to stay up to date: www.ianbousfield.com/ ian.bousfield.7 ianbousfieldofficial Purchasing a dome cap for your 4147IB is possible through any Getzen dealer. Find one near you today: www.getzen.com/dealers/ Follow us for more: getzencomp...
Getzen Company - Ian Bousfield & his 4147IB trombone
Просмотров 12 тыс.Год назад
Ian discusses the development, goals, and characteristics of his signature trombone, the Getzen 4147IB Custom Reserve.
Zoltán Tasi
Просмотров 5053 года назад
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Buda Gulyás
Просмотров 2883 года назад
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Gian Marco Simonett
Просмотров 3023 года назад
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Kevin Consolacion
Просмотров 1133 года назад
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Jeremy Conner
Просмотров 1073 года назад
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Rickey Huggins
Просмотров 933 года назад
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Ruslan Melnichenko
Просмотров 993 года назад
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Nothing like a shires😊
I really enjoyed this video, and particularly appreciated knowing about Christian's friend, the dentist, who freelances as a bass trombonist. For a while, I struggled with "I didn't make it as a full-time professional player, so now what?" and it's good to hear of others who are continuing to find success in music while in careers not directly-related to the trombone. Lot's of great things here. Thanks for sharing.
He’s a great teacher and performer.
Great to see the man himself!
Thanks for having me! Already looking forward to my next visit!
Wonderful: Marketing laws USA vs Great Britain…..hilarious!
Wonderful discussion thank you 🙏
This man could play a paper-and-comb and make it sound like a Stradivarius. Amazing musicianship, my favourite trombonist ever.
Great interview! Thanks Peter and Christan!
So at 15:25 Ian suggests the new Getzens are ‘very nearly’ same quality as the old Elkhart Conns & Mt Vernon Bachs? That’s an admission of failure right? Why is he using this new instrument then??
Nice big fat high Eb's there.
This is great, Thank you.
More of these please!
Congrats!
I love my Getzen Super Deluxe.
I have a Getzen Super Delux. From what year, I do not know. I use it for jazz. Andrew Williams, a jazz trombonist, advocates using a big bore horn with an F attachment. I am thinking about it.
i love that getzen and griego started making a lot of this videos... very inspiring and informative
Bravo! Nice interview! Like it haha!😂 Greetings Enzo☺️
clicked so fast
Fastest click on a video I've even done. Been really interested in Peter's playing since I heard his story on RUclips. Looking forward to the full video of Howard's concerto!
Use of aperture to control dynamics at 25:28 - gold but often not understood!
In the video, Ian Busfield refers to competitors "instruments that have been put together from outsourced, cheap parts, and just thrown together". It is difficult to interpret it as anything other than that it is Conn and Bach you are referring to. Is this a statement Getzen and Edwards stand for?
Of course, I have no idea is this is a statement that Getzen stands for, but he may be referring to companies such as Shires who outsource the construction of some of their Q horns to China?
@@epicwaluigi7773 Maybe, but the horns they explicitly refers to is from Elkhart and MtVernon, very good back then but not today, due to this production method, must be what he means. Which is not only wrong, but silly. What Bach outsource today for they 42s, as far as I know, is the excellent Hagman and Meinlschmidt valves. Nobody would concider that as cheap parts.
@@tomnormannnilsen2770 oh yeah my bad, guess I took the quote out of context.
This Is a master class about a superb horn.... Christian, take my Money!!!
I have this horn 2022 edition. It’s Fantastic!🎉
I have this horn, i love it. The sound doesnt get brassy it just stays fat and projects. The high range resonates so well. I think versatility with this horn is the winning factor. It blends well in a section and is nice for solo work but also has the power to play 1st bruckner and mahler.
What a shame is 'low-brass-self-esteem'. Your playing a 'brass' instrument! Do you think for a moment that a woodwind player is ashamed of their 'woodiness'? The 'patina' of brassiness, come at lower volumes, is what allowed orchestras in the early 20th century to shimmer and shine without employ of an 'excess' of volume such as too much perturb the expectant composer's orchestration. That being the case, in days gone by you could actually hear the other voices during orchestral tuttis in Strauss, Mahler, Bruckner and Wagner, and the effect seemed no less loud but was...far more exciting and radiant! Now the sound just engages with the halls acoustic to cause...textural opaqueness. Now, inner voices are obscured, and so then too is the intended sound and music. Oboes and clarinets haven't gotten any louder. Why then do trombone players aspire to nothing but volume? They would do better to evolve and sooner come to defeat, by technique and craft, the mechanical challenges that , despite acquiring range and technique, they long ago unnecessarily and unmusically accepted and entrenched as being obligated to their instrument. That's why trombonists are typically only titled and paid as 'principles' rather that 'solo' trombone: they haven't yet 'earned the musical right, and what is worse, they never will because nobody, not other musicians nor conductors, even expects them to. A few have, but few are following them.
This fellow would sound great playing on a garden hose.
6:56 - First time I tried a Rath Contrabass Trombone I blew out all my air quickly. I had to think, "not a Tenor or Bass, not a tuba", different approach, different air. After realizing that I tried again and got a decent sound.
ian tell him that i play a griego on the world most famous trombone the hundertwassertrombone from manfred amrein ,any discount avaiable ? hahahah
Over 12 minutes of pretentiousness, and we didn't even get to hear what the instrument sounds like!
Waffle, waffle, waffle...another term in BS.
You don’t need to hear it with him at the business end!
So many people in the background trying to show off on horns they could never afford.
not a fan of the slide. My hand is XXL and does not fit the slide
Too lazy to hold the phone horizontally. I hope you put more effort into making the horns. You are not doing yourselves and favors by posting really shitty videos about supposedly high quality instruments.
So this is what its like to be a fly on the wall!