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Thank you 🌹

Thank you 🌹

Thank you 🌷

Thank you 🌹

love this video! What is the name of the music in the background?

I love your observations and reminders. Have been thinking about feeling evoked over purely technical skill.

The pre mixing you do on your palette makes so much sense, thank you 🎨

Thank you for all that you do, a valuable meditation. I think Fantin rises above other artists for these reasons and has an ability to render his subjects in such a way they become more real because he’s painted our earliest responses to them as children, he captures our surprise and all of our senses as if we see it for the first time and then our memories conjure the fragrance , the taste the texture the delicacy the transience the beauty and he gave it as a gift with total humility. It’s a favourite painting

Incredibly, a few weeks ago I made a master copy of this work, in my painting classes and I learned a lot from what you mention in the video, thanks for sharing.

beautiful painting and beautiful words, thanks!

Beautiful piece! I remember doing a master copy of this one 15 years ago when I was first learning to paint

Been looking at this particular painting for about a week as I practice composition. I could never tire of Fantin-Latour. I enjoy your comments, especially on his humility; he is able to make everything he paints beautiful because he knows it already is.

Beautiful video on such an amazing artist, thank you.

Twoje malarstwo jest zachwycajace

Peonies are my favourite flowers, pink or white. I deeply love them. At my sense they are rather mystical ! I am used to admire peonies decorations or in paintings especially in chinese handcrafts and paintings or wooden sculptures in architecture decoration. Today, I have to say you expressed the nature of peonies in a very subtle way of painting to the point of translating the life in them with dynamic touches. You have also succeeded, through blurred and prolonged touches, in letting the materiality of the flower rise above, the performance of suggesting its fragrance as much as the spiritual aspect of his nature. This is how your painting is for me like an echo of the love I have for these flowers ! Thanks ✨

Beautiful Michael

Czy z takim darem się urodziłeś? Czy to lata pracy ?:))) Pięknie namalowane, pięknie opisane . Pozdrawiam serdecznie. Were you born with this gift? Or is it years of work?:))) Beautifully painted, beautifully described. Warmest regards.

The real question is, did Bob Ross hold his palette correctly? 😂😉

The beauty of painting a whispering calm!

Very pleasant and peaceful atmosphere. I also like the way you painted it, touch and palette choice ✨. My best wishes for the next year 🌟😃🎉

What a cute and fun video to watch! It also helped me to see how you have the Pochade Palette set up and how easy it is to just go out and sketch. Were you painting on a panel or paper? Had you planned on painting the ducks before you left to go outside, or did it just occur to you when you went outside? Thanks for sharing your process <3

For the first 4 minutes in I stared at this video trying to figure out what the red and black thing on your pallet was. 😂

That was fun to watch and calming, and must of been challenging but you did great!

Mr. Klein, this is unlike anything I've seen from you in the past as regards your palette set-up. Have you changed your approach altogether, or just for this painting? Also, why do you usually put your yellows on the other side of white? Beautiful work as always.

I’d like to see the entire process of this painting….is it available?

Color values are exceptional here, those shadow colors make the painting. Thanks!

Amazing!

Hello, allow me to offer my own opinion on the study of glazing in order to clear up the great confusion surrounding a practice which, once understood, is quite simple. For me, there are two ways to apply it, and several expected effects. The first (most common) of which is the enamel itself. It is always applied in the shadows or dark parts of the work. Its goal, through the play of transparency, is to modify the intensity, or the nuance of the color on which it is applied without covering it completely: it is in no way a question of repentance. This method of glazing always darkens the color it is applied to; and depending on the effects we wish to obtain, this can sometimes be similar to Leonardo da Vinci's sfumato. It is always applied in thin layers. The second method consists of applying a naturally opaque color or by making it opaque with white or even applying pure white in order to accentuate the lights on the lightest parts of your painting such as the petals of your flowers in your demonstration for ex. We must then speak more of vélature (Vélatura, smoke in Italian), than of glaze. They provide luminous accents: shine of jewelry, glass, metal, etc. Or again, they envelop the subjects in an evanescent veil, an effect of fog, of opalescence: the veils of virgins, in ancient paintings, were painted in this way as well as the lace of certain garments.

Thank you Michael you have a way of teaching. You gave me a new understanding of Munsell too.

Extremely beautiful, love all the brush strokes ❤️ 😍

Learning a lot from you--also just kind of love how you'll be totally focused on something small and very reflexive and focused and then you feel something and do something really bold--some real passion in there along with that very calm voice.

I always learn from being able to observe you work. Thank you for sharing Michael.

This is the worst tutorial I’ve ever seen. your pallet has a million different colors and tones on it from years of work. You talk in circles. No explanation of the colors you use, if you are using any kind of medium and you title it “for beginners “ 😂 I hope your Patron is a hell of a lot more informative than this mess

so once this dries, will you scrape the flowers down and then go in for a second layer?

Leaves are so difficult , why ?

Your brush technique is wonderful.

So Beautifully done ❤ Thank you for sharing your process! This could apply to so many subjects.

Thank you Michael.

Thank you for position, I hope you would talk some about if you were using turps vs medium as the painting progressed. I took a class recently that talked about using the damvar linseed oil and turps, but a friend told me the damvar would eat my brushes and it seems to be true.

Watching you paint is poetry

Great demo just a bit too slow 😊

I don't understand the point of painting a photograph. The camera has already done the painting for you.

Great demo

Very happy making 👌👍😎

Michael, you make it look so easy and magical ! Absolutely amazing ❤

Wow beautiful demo!!

This is great! Thanks for sharing this extra piece of content.

Love this painting, this could be most days. The beauty is in it being so natural!

What! It never occurred to me. Damn, that’s helpful.