Видео

Thanks for the video Tom, this was very helpful. Do you ever use multi band compressors for dialogue?

I wanna make Video CDs for the Sega Saturn with Surround sound. While I could use SRS Circle Surround to make stereo tracks that decode back into 5.1 as the speakers are playing them-that's still 2 speakers doing all the work. I want Pro Logic to function, I gotta find a way to do thi... Well hello BeSweetGUI, where have you been all my life?

What headphones do you recommend for editing/mixing?

I am glad I found your channel. 5.1 mixing for cinema and TV is rarely covered on YT. You're coming straight to the point, explaining how to make big improvements with little adjustments. Please keep on the good work. Best regards from Germany. ... subscribed

Thank you so much! You make very useful content! I look forward to the next ones.

Thank you for your videos Tom! Is there any chance you could do a video about how to process ambience? (Reverb, EQing and such) Saludos desde Sudamérica, Paraguay.

You are very helpful ..Thank You So Much..

So helpful and concise. Thank you!

Thanks for the super clear explanation on a confusing topic! I do a lot of work on short films that go to festivals where there is usually no guidance given on loudness. TV/streaming is louder than cinematic screening so I assume I should play it safe and do cinematic loudness. What do you all think?

Hi Tom, great videos! I have a question regarding your video. You mentioned loudness levels, and I'm curious to know the specific loudness level for FM Radio Station Commercials? Additionally, I believe the standard loudness for TV commercials is -24 LUFS. Could you confirm if this is correct? Thanks!

I learned a lot thank you.

Nice tip! I wouldn't have thought of that. Thanks.

I've watched some of your contents and here I am straight to oldest one. Good to know your channel here, please keep sharing. Thank you again. Warm Regards.

I've subscribed. Thanks for sharing. And most good things are getting less view on RUclips.

Perfect! However, how about this system in Cubase Pro 14?

Thank you

Really appreciate your work here. Sound mixing insight for film and TV and dialogue mixing is almost nonexistent on RUclips.

Great video! Thank you so much👻

Great video, Tom! I love your process.

This is a great insight and certainly doesn't seem to be common knowledge, but instead learned through industry experience or if you're lucky, someone like yourself. So, thank you for sharing, this is a big help.

You answered my question. Thanks.

Thank you

Great. Those renaissance plugins are top notch

Good stuff. Pretty much what I’ve been doing for years, so good to see other Pros use a similar approach

what about reverb for foley or adr? compression for reverb? would be interesting

Thank you

Even though I'm not going to use this information for tv and film this is exactly the kind of tip i was looking fpr to make my music more interesting. The only question i have would be , is there any wau other than ising dolby atmos to create a panning effect that comes from above or below instead of simply front back or sides?

I was checking a mix and trying to stay within these guidelines and played something on Netflix for comparison, everything sounded wayyy louder than my mix. Is there some loudness compensation going on when you stream Netlfix? Because the difference was huge compared to my mix, which is around -24 LUFS long term, I swear it was more than twice as loud. I was playing Netflix from my computer btw, because I know some TVs have some settings that mess with the audio levels.

This is so great!

Very cool

Currently I am binging your videos. Glad that I found your channel.

always nice to watch how other professionals work

informative, thx 4 the upload

great tips

Great video!

Thanks Tom! Thank you for taking the time to share your knowledge with this community. One note, and please correct me if I am mistaken. I believe at 2:41 you switched the loudness specs with regard to film vs TV and streaming. I believe you meant to say: - 24 LUFS +/- 2 for theatrical - 27 LUFS +/- 2 for TV and streaming Thanks again.

you should have played the audio

Do you add SFX elements that are only heard in the M&E and not on the English (or original language) version mix? I generally build a full fill M&E after I've done dialogue edit, and with dialogue muted, then keep the stuff I've added for the sake of the M&E in the full mix. Also, have you used tone synthesizing software like iZotope (product name escapes me) to create tone to fill in gaps in DX where the PFX have been moved to FX? Thanks for the video!

Thanks for this tutorial!

Hello Tom! I checked you course Audio Post Pro and couldn't find a contact email. I have a question about module 10 (mixing). Mixing in 5.1 or just stereo?

I play a lot of LaserDiscs, even today. The PCM track containing a Dolby Stereo mix sounds so good on the Terminator 2 LD using my Pro Logic mode on my receiver! Like wow!

Hello Tom! Thanks for video. Do you use comp before or after de-essor?)

Thank you very much Mr Tom !

Thanks for the video. What would you do when you scan it and it's over? Would you just turn down the gain for each track? Is there a button you could press to lower the entire thing (namely, in Premiere Pro)?

well, you need to knock a bit of 80hz out - it's like a constant hum on your voice.

thank you!

Thanks homie worked well ✊🏾

Thank you so much for such a detailed explaination... Thats so kind of you. GOD BLESS U !!!