- Видео 30
- Просмотров 11 015
Daniel’s music
Добавлен 22 май 2024
My name is Daniel. I am 12 years old. I write original classical music for fun, because classical music is very beautiful. I am pianist, so I will be uploading my concerts to the channel with my compositions. I will also be adding other's compositions from classical music.
Movement 1 of Piano Sonata in B flat major
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/20130706?from=youtube_share
The Piano Sonata will have 6 Movements.
The Piano Sonata will have 6 Movements.
Просмотров: 131
Видео
[AUDIO] Daniel Semernin playing Prelude Op 28 No 4 by Chopin.
Просмотров 497 часов назад
[AUDIO] Daniel Semernin playing Prelude Op 28 No 4 by Chopin.
[AUDIO] Daniel Semernin playing Prelude Op 28 No 20 by Frederik Chopin
Просмотров 249 часов назад
The painting is painted by Albert Bierstadt. The name of the painting is A Storm in the Rocky Mountains, Mt. Rosalie.
Preview No 1 Of Piano Sonata in B flat major
Просмотров 8912 часов назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/20095243?from=youtube_share Sorry for the abrupt ending of the preview.
Requiem in B flat minor
Просмотров 33814 дней назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/19974319?from=youtube_share
Prelude in E minor, Op 2 No 1
Просмотров 64414 дней назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/19893817?from=youtube_share PLEASE play the pianissimo as mezzopiano. Also please listen to this at full volume or you will not hear it. Thank you.
Daniel Semernin playing Au Crépuscule, Op 68 No 3 by Moritz Moszkowski [AUDIO]
Просмотров 62Месяц назад
The lady on the screen is the wife of Rimsky-Korsakov. Her name is Nadezhda Rimskaya-Korsakova. The german painter who painted her was Franz Xaver Winterhalter.
Nocturne in B minor, Op 1 No 12
Просмотров 586Месяц назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/19296844?from=youtube_share
Etude in A minor, Op 1 No 11
Просмотров 630Месяц назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/18800023?from=youtube_share
PRIEVEW of Etude in A minor, Op 1 No 11
Просмотров 406Месяц назад
Try the interactive tutorial, or download the Sheet music here: musescore.com/user/35862039/scores/18668317?from=youtube_share
Daniel Semernin playing Nocturne in C sharp Minor, Op Posth by Chopin
Просмотров 191Месяц назад
Chopin Nocturne in C sharp Minor, Op. Posth 24.06.2024
Daniel Semernin playing Nocturne in E flat Major, Op 9 No 2 by Chopin
Просмотров 60Месяц назад
Chopin, Nocturne in E flat Major, Op 9 No 2 24.06.2024
Daniel Semernin playing Sonatina in G Major, Op 20 No 1 by Jan Dussek
Просмотров 76Месяц назад
Daniel Semernin playing Sonatina in G Major, Op 20 No 1 by Jan Dussek
Valse Brilliante in E flat major, Op 1 No 9
Просмотров 644Месяц назад
Valse Brilliante in E flat major, Op 1 No 9
Variations from Bagatelle in G major Op 1 No 6
Просмотров 204Месяц назад
Variations from Bagatelle in G major Op 1 No 6
Piano sonata in E flat minor, Op 1 No 4
Просмотров 1752 месяца назад
Piano sonata in E flat minor, Op 1 No 4
School Of Velocity: Op 299 No 27 in Book 1
Просмотров 842 месяца назад
School Of Velocity: Op 299 No 27 in Book 1
4 Short Etudes under 1 min, No 1 by Daniel Semernin
Просмотров 462 месяца назад
4 Short Etudes under 1 min, No 1 by Daniel Semernin
PREVIEW of Fugue in G minor Op 1 No 3 by Daniel Semernin
Просмотров 512 месяца назад
PREVIEW of Fugue in G minor Op 1 No 3 by Daniel Semernin
Good job! Personal preference but maybe the left hand harmony could be further varied , but overall nice work
@@Frederic_Liszt Thanks!
Great music!
Cool! I'd like to hear Op.28 no.20
Already made the video. ruclips.net/video/QkkeISOyfHY/видео.htmlfeature=shared
😍🥰🐧🐦🦜
great choice of painting for this melody. I love your taste 😊💐
@@elenaberger7790 Thank you!
❤❤❤❤❤❤❤❤🎉
why does this piece use compound time signatures even though there are no triplets?
@@prizm8530 I originally planned to use 3/4 but accidentally changed it to 6/8. In this song they are interchangeable. Sorry for the confusion.
@@Danielsmusic-rv6mu you’re fine lol. I don’t really think that 6/8 is meant to be used like that though. Usually when a time signature is in compound time, you either see groups of three eighth notes, or dotted quarter notes. It’s never really just quarters. I don’t mean this rude or anything btw, nice piece, I just thought you might want to know for future reference
@@Danielsmusic-rv6mu and yes, technically 3/4 and 6/8 both fit the same rhythm interchangeably, (terrible way to phrase that but I’m tired lol) but generally it is more confusing to the performer when you use a compound signature with a piece like this. Again I don’t want you to be like embarrassed or anything and honestly this stuff is all kinda confusing but like you might want to know for later 🙂
@@prizm8530 Thanks
Great harmonic progression. Congratulations. But, why do you use 6/8 and 8/8 time signatures when the music sounds obviously in a 3/4 metric?
Well 6/8 = 3/4, but the 8/8 is needed for the structure of the melody. If I hadn't used it, the song would be shifted by a quarter note every time the first melody finishes.
@Danielsmusic-rv6mu Sorry, but I must explain to you. 3/4 is not the same as 6/8. In 6/8, you'll have two compound pulses, 3+3 eight notes per measure. Look at Chopin's fourth ballade for an example. On the other side, in 3/4, there are three simple times in a measure, 2+2+2 eight notes. Ok, but both signatures have six eight notes, you may say... But the point is the difference of grouping and the beat pattern in each one. BUT... you can use all this ambiguity in your favor. See Brahms' second symphony, first movement: we have a clear 3/4 metric, until measure 64, when he suddenly group the notes not in 2+2+2 anymore, but in 3+3, without change the time signature! Another example is Haydn's E flat sonata (Hob. 49). He's in 3/4, but constantly changing the group between 2+2+2 and 3+3. Try a look at a more complicated case. Ravel, in Une Barque Sur L'Ocean, uses 6/8 as a middle point between the binary beating of 2/4 and and the ternary structure of 3/4. In fact, 6/8 is a compound binary time, even if we can fit three simple pulses in it. In your music, very good music indeed, the perception is almost aways in a simple ternary direction, so, 2+2+2. And 3/4 fit better. Except in the 8/8. In these moments, you should write 4/4, because you have a four simple times per measure. Keep the 8/8 for use when you have an assimetrical logic, like 3+3+2, 2+3+3 or 3+2+3. The importance of a good understanding of time signatures is be able to match the writing to the perception and give clarity for the performer in what is the pulse. Ask yourself how a conductor will count these beats if this was an orchestral piece. It would help you to understand metric better. You write very well. Keep studying and you'll be amazed with all the kind of musical interesting things you'll be able to write.
@@luanmateus7227I know that they are different, but in this song they are practically the same. So you are right, they are different but in this case you can replace the 6/8 with 3/4 and it will stay the same.
@@luanmateus7227 Thank you for the analysis of the two time signatures and for how the composers use them for their advantage.
How old are you
@@user-tl2oo8fg4r I'm twelve years old.
Very good piece! I'd like to play it, but for now I don't have access to a piano in condition. But maybe later I'll make a recording of this.
@@liszt132 I'll also make a recording of this. Very excited for yours.
❤Real piano recording will sound much much better, than this soulless MuseScore. ❤
Go or it. The music is available.
Почему как отбойными молотками?!
One of the best compositions made by you so far!
Bravissimo! Wonderful!! 🥰😘❤🌹🌷🌸💐
So wonderful, love it❤
So amazing❤
❤❤❤ so beautiful!! Great performance! Looking forward for more💋
Longtime college music theory professor retired in 2017. Don't let anybody tell you what to call your pieces, they're yours. You can call this a symphony if you want! For some reason I would like to hear it in three beats per measure instead of 4, did you try it that way?
Very good keep posting more videos like this its very helpful for me because of the ornaments thank you
Beautiful piece!
Looking forward for piano version. Beautiful melody. ❤Version from MuseScore is without soul!😢
Ça n'évoque absolument pas l'eau.
Barcarolles have several characteristics you didnt include Usually they are in compound time The melody is in thirds or sixths The left hand has to emphasize some kind of wave motion
cool, really baroque
Better luck next time??
Very nice! The up and down scale-like movement fits nicely with the fact that it's an Etude. If you're open to advice, I'd recommend adding more to the left hand, and letting the right hand play less when needed. For example, continuing the scale-like theme, you could play a sort of mirroring tune on the left hand, with your right hand taking the role of the single notes. This will give the piece a depth i think will help you achieve more!
nice
Cool piece. The half notes in the beginning in the left hand are confusing to read. Write a dotted quarter tied to a dotted eighth, and then another dotted eighth. We usually only ever see sixteenth notes written like how you have it when it’s played on an upbeat, but this is a downbeat.
Bad ending tbh
It’s a preview
thats so good, i like it
To be a barcarole it need to be a compound measure
Урганишга хам зур экан.❤
of course you're free to name your pieces whatever you like, but this piece doesnt sound like a barcarolle at all to me
Very sweet! Nice work :)
🎀🎀My Favorite! 🎊🎉🎈
Flying !!! so Beautiful!! 😍😘😘😘
Perfection!👏
I'm in love with this music 💓❤
😍🥰🤩❤❤❤ Great!!
gorgeous harmony and melody, and they combine perfectly.
nice one 💖
Hello, Semernin! I hope this message finds you well. I am also a composer and I really enjoyed your music. I was wondering if I could create an orchestral arrangement of it. I believe we could explore new sonic possibilities and further enhance the beauty of your composition. I look forward to your response.
very well ornamented
Wait, that's not a fugue
Thank you for the feedback. All fugues are different
@@Danielsmusic-rv6mu but there are many rules to follow when writing a fugue: structure, parts management, harmony, counterpoint... Even the fugues meant as actual pieces follow many of these rules. Have you ever studied Gedalge's and Dubois' treatises?
I am only twelve. I am on a learning proces of composition. I am on my way to perfect my knowledge of composing music. Come to my channel in one year, so you will see the improvement. Thanks for your feedback. I really appreciate it.
@@Danielsmusic-rv6muonly twelve?! You're very young! My comments weren't a mean criticism, I just wanted to point out that knowing the various composition rules and structures is crucial. Keep up the study and bear in mind that having a good teacher is important. I started composing when I was 13 I guess, now I'm 18 and I've undoubtedly improved a lot mainly because of my teacher, who gave me the fundamentals and the right materials to work with such as books, composition exercises and analysis of major pieces.
Yes you’re right. I know I need to learn a lot. Today I got a very nice book from my teacher “The complete musician”. I will focus on it.
Lovely!
Nice! Reminds of Bachs prelude in C minor w that rh motif