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이곡의 제목도 아무것도 알수없씁니다 그러나 오케스트라와 합창이 어우러진 이곡은 힘있고 아름답군요 혹 제목과 이곡의 이력을 아시는 분은 댓글 부탁해요

I love it it's so wonderful and magic .my dauther playing that music in orchestre

Thank you for sharing!

No2 , 8:33 No3, 13:04 No4, 15:52 Kuma’s aria 17:30 No5, 21:44 No6, 26:46 No7, 36:11 No15, 1:38:08 No16, 1:49:58 No17, 1:57:59 No20, 2:34:21 Kuma’s aria 2:36:17 No21, 2:38:41 No22, 2:43:20 No23, 2:45:12

Мамыров: 27:17 (Здесь срамословье...) 31:26 (Позволь мне молвить, Государь...) 33:23 (Дозволь мне, Князь...) 38:40 (Змея, разведаюсь...) 41:14 (От чего же, Государь...) 45:03 (Мне беса тешить?) 51:39 (Пускай Господь меня накажет...) 54:19 (Что бы не быть тебе в печали...) 55:11 (Глаза и уши мы найдём...) 56:00 (Сестрица, дело продолжай...) 1:08:37 (Куда ворона залетела...) 1:24:46 (Что здесь за шум...) 1:27:17 (Буйствует народ...) 1:29:19 (Так вот как Княжичь рассудил...) 1:30:40 (Финал: Не мудрено... Им под делам...) Кудьма: 2:20:55 (Никак рога!) 2:28:10 (Зачем пришла?) 2:29:33 (Волчицей оберну!) 2:30:51 (Такое есть... Огня лютей (дуэт) 2:44:36 (Молодке скоро...) 2:45:35 (Сосёт змеёю...) 2:45:55 (Изжалит лютою змеёй...) 2:46:27 (Таких не видывал гостей) 2:59:43 (Сыноубийца, проклят будь)

This Quartet was composed sometime in 1870 and it is one of three that the composer decided to withdraw, for a variety of reasons. They were all miraculously rediscovered in the late twentieth century.

This poor sound quality doesn't do Vivaldi any favor.

Romantic vision of the past. Awsome Felix !!

Belle interprétation !

in imlsp it is stated that rv 13 is inauthentic.

Печально, что так мало просмотров (( Спасибо за этот плейлист! Это для меня находка. С какой любовью вы собрали по порядку работы Вивальди. У вас есть в планах продолжить выкладывать работы Вивальди по порядковым номерам каталога?

Мой первый комментарий. Замечательному каналу! Спасибо за вашу работу.

모짤트는 언제나 경쾌 하네요 ~^^

donate not, this is a copy from my channel and my channel is free

Hungaraton always did a great job with Respighi and Liszt.

Bravo! Where can buy the sheet music of this piece please? Thank you!

Infinitamente liiiindaaaa música!!!! 🎉🎉🎉🎉🎉🎉

Who is reading Adorno in 2024?

❤

Beautiful recording.

So wonderful! His tuning and articulation are in a different class

2:00:00 💘😍🏩💌💖

Beautiful music!!!! 💘😍🏩💌💖💓

Thank you so much for this beautiful and elegant videos with beautiful paintinga and the mist important perfect performancezs of the music!!!! 💘😍🏩💌💖💓

Very brautiful music!!!! 💘😍🏩💌💖

This channel is absolutely fantastic!!!! 💘😍🏩💌💖

Excellwnt quality of the sound!!!! 💘😍🏩💌💖

I'm listening with very big pleasure this opera that contains melodies so beautiful and typical for my Favourite Tchaikovsky!!!! Fantastic orquestrtion!!!! 💘😍🏩💌💖

Tchaikovsky is my absolutely favourite composer!!!! 💘😍🏩💌💖

Thank you so much for posting this masterpiece!!!! 💘😍🏩💌💖💓

02:01:57

01:57:04

Overture: 0:03; Act I: 09:31; Act II: Scene 1 - 01:01:51; Scene 2 - 01:17:39. Act III: 01:48:51.

The story is set in a town on the River Volga during the mid-seventeenth century: Act I. In the garden of Vlas Diuzhoy, a wealthy merchant, his daughters Marya and Praskovya contemplate the latter's wedding to the Voyevoda Shalygin. After all have departed, Marya's suitor Bastryukov secretly enters the garden and serenades her. They are interrupted and hide when the Voyevoda arrives, accompanied by Marya's parents and servants. Marya is discovered hiding in the bushes, and the Voyevoda is immediately attracted to her. He declares that he will marry her instead of Praskovya. Bastryukov tries in vain to save his beloved. Act II. In Bastryukov's house (Scene 1) his servants await his return from hunting. He enters, followed by a stranger, Dubrovin, who reveals that his wife Olyona has also been seized by the Voyevoda. The two men agree to join forces and rescue Marya and Olyona. In the Voyevoda's house (Scene 2) Marya is lamenting her fate. Olyona enters to tell her that Bastryukov will be waiting for her in the garden after dark. They are interrupted by Marya's nurse Nedviga and her maids, who try to comfort Marya by singing and dancing. Act III. In a courtyard outside the Voyevoda's home, Bastryukov and Dubrovin have plied the guards with drink, and anxiously await the arrival of their lovers. Marya and Olyona arrive, and all join in a joyful quartet. This is interrupted by the arrival of the Voyevoda and his servants, who seize the couples. When Marya again declares her love for Bastryukov, the Voyevoda angrily carries her offstage. She escapes again, just as the New Voyevoda enters. He has been sent by the Tsar who has learned of Shalygin's crimes. The latter is arrested, and the couples are reunited

These are the English words to the choral at the end: Chorale Glory, and praise with honor be to God the Father, Son, and Holy Spirit! He will increase in us what he has promised us out of grace, so that we trust fast in him, abandon ourselves completely to him, rely on him within our hearts, so that our heart, will, and mind depend strongly on him; therefore we sing at this time: Amen, we shall succeed, if we believe from the depths of our heart

Not bad but nothing is as captivating as ​ the Kolner music academie choir.

The first few notes sound like the beginning of Beethoven's 3rd. Same as a part of K222 sounding like the famous section of Beethoven's 9th.

Schitterend.. zeer hartelijk dank, dear RUclips ‼‼

The performer credits are from Antal Dorati's recording of Liszt's oratorio "Christus." They have absolutely nothing do with this Mass, which is for 4-part male chorus and organ.

Stringendo Magazine (October 2016) First published in 1855, Piano Trios can add to their repertoire with this immaculate modern 2016 edition. It is a version of Beethoven’s string quintet Op.4 which in turn was reworked by the composer from his Octet for wind instruments Op. 103 (posthumous). The quintet is not a mere transcription of the octet; in fact there are many changes; the Andante has new themes and the Scherzo and Finale are substantially different. This final trio metamorphosis by the composer will appeal to intermediate players who will revel in this substantially easier trio than the celebrated ten, making a great introduction to the Maestro. If you are searching for musical rarities, this is it. (M. Nemet) A. Manuel De Col, editor of modern urtext edition for Ut Orpheus Editions 2016

One of the worst performances.

So very fine! Who are the musicians?

VERY beautiful playing of a very challenging sonata, I am amazed at the skill and art heard in this recording!

Maravilhoso e querido Mozart ❤

Quanta passione nel secondo movimento ❤ meraviglioso ❤

❤ grazie per questo canale!

Beautiful painting and aria, thank you! should have more views and comments

Please, keep doing this amazing work with this channel!! Always supporting. - AllClassicalMusic

Hello Baroque Concentus, Long time no hear! Thank you for this Vivaldi Music. Don't think I've heard this one before! Lovely ensemble work! Unusually somber start for Vivaldi!

Esta ópera es interesante por ser la antecesora de La dama de picas. Hay muchos pasajes que recuerdan a la posterior ópera.